The Garden Of Unearthly Delights was the eighth studio album by British Doom legends Cathedral, for which they were signed by Nuclear Blast Records in Germany. The album received a lot of critical acclaim and was well received by fans alike. Tracks such as Corpsecycle and North Berwick Witch Trials were firm favourites and staples in the live setlists right up until the bands end.

Produced by warren Riker (Fugees, Corrosion Of Conformity, Down, Cynic etc), it had a revitalised energy, which saw the band touring relentlessly around the globe once again. 

Choc full of the usual monstrous riffs, strange subject matter and non-conforming twists and turns that Cathedral became known  for, it’s crowning achievement was epic 27-minute track simply titled The Garden. It’s a Doom prog odyssey which took the  listener through a myriad of arcane environments and odd musical passages. 

The term ‘back from the grave’ takes on a whole new meaning with the release of this (thought to be long lost) epic recording  by the much-missed British Doom Metal lords: Cathedral. Society’s Pact With Satan was the last ever recording made by the band, back in 2012. It was recorded at the end of the sessions for their swan song album; 2013’s The Last Spire. But, for some reason, the 30-minute track was not mixed at the time, thus pretty much forgotten about by everyone involved, until very recently.

Rediscovered by producer Jaime Gomez Arellano, whilst sorting through his old studio recordings, he excitedly alerted the band, saying that he had discovered a long-lost gem. Upon hearing it, the band members were convinced enough to agree that it should see a commercial release.

So, here we have it: the final sermon by Cathedral and what a way to go out. It’s an unapologetic, uncompromising exercise in macabre observations, musical eccentricity, brutal riffing and general arcane self-indulgence. There genuinely was/is no other band like Cathedral. Just ask Tony Iommi.

The term ‘back from the grave’ takes on a whole new meaning with the release of this (thought to be long lost) epic recording  by the much-missed British Doom Metal lords: Cathedral. Society’s Pact With Satan was the last ever recording made by the band, back in 2012. It was recorded at the end of the sessions for their swan song album; 2013’s The Last Spire. But, for some reason, the 30-minute track was not mixed at the time, thus pretty much forgotten about by everyone involved, until very recently.

Rediscovered by producer Jaime Gomez Arellano, whilst sorting through his old studio recordings, he excitedly alerted the band, saying that he had discovered a long-lost gem. Upon hearing it, the band members were convinced enough to agree that it should see a commercial release.

So, here we have it: the final sermon by Cathedral and what a way to go out. It’s an unapologetic, uncompromising exercise in macabre observations, musical eccentricity, brutal riffing and general arcane self-indulgence. There genuinely was/is no other band like Cathedral. Just ask Tony Iommi.

180g vinyl, thick insert incl. lyrics, and a designed download card for the digital album.

Following a five-year hiatus, Denmark’s SUNKEN return with Lykke – four meticulously crafted tracks of atmospheric black metal, running nearly fifty minutes.

Lykke is an exploration of contrasts: intense, unrelenting passages built on blast beats and layered riffs give way to moments of striking calm and melody. Orchestral textures, choral arrangements, and mournful strings weave seamlessly into the sound, while anguished vocals cut through with precision.

The result is a work that balances aggression and atmosphere with rare finesse. Every shift feels deliberate, every return to stillness earned. This is atmospheric black metal at its most refined - immersive, dynamic, and emotionally resonant.

For listeners who value both weight and nuance in their black metal, Lykke is a standout release from a band at the height of their craft.

180g vinyl, thick insert incl. lyrics, and a designed download card for the digital album.

Following a five-year hiatus, Denmark’s SUNKEN return with Lykke – four meticulously crafted tracks of atmospheric black metal, running nearly fifty minutes.

Lykke is an exploration of contrasts: intense, unrelenting passages built on blast beats and layered riffs give way to moments of striking calm and melody. Orchestral textures, choral arrangements, and mournful strings weave seamlessly into the sound, while anguished vocals cut through with precision.

The result is a work that balances aggression and atmosphere with rare finesse. Every shift feels deliberate, every return to stillness earned. This is atmospheric black metal at its most refined - immersive, dynamic, and emotionally resonant.

For listeners who value both weight and nuance in their black metal, Lykke is a standout release from a band at the height of their craft.

Following a five-year hiatus, Denmark’s SUNKEN return with Lykke – four meticulously crafted tracks of atmospheric black metal, running nearly fifty minutes.

Lykke is an exploration of contrasts: intense, unrelenting passages built on blast beats and layered riffs give way to moments of striking calm and melody. Orchestral textures, choral arrangements, and mournful strings weave seamlessly into the sound, while anguished vocals cut through with precision.

The result is a work that balances aggression and atmosphere with rare finesse. Every shift feels deliberate, every return to stillness earned. This is atmospheric black metal at its most refined - immersive, dynamic, and emotionally resonant.

For listeners who value both weight and nuance in their black metal, Lykke is a standout release from a band at the height of their craft.

DANHEIM is the work of Copenhagen-based musician and producer Reidar Schæfer Olsen, a leading voice in Nordic folk and Viking-inspired music. With over 1 billion streams and music featured in the Vikings TV series, DANHEIM has become a cornerstone of the genre.
‘Heimferd’ is a journey guided by instinct and atmosphere rather than a fixed mythological storyline. The album drifts between pounding percussive force and hushed minimalism, creating a soundscape that feels ancient yet alive. Each track evokes a return to something older and deeper: a cultural current running beneath memory, a call that is both familiar and distant. From the storm-driven rhythms of “Stormdans” to the haunting expanse of “Yggdrasil II”, DANHEIM balances intensity with restraint, weaving a sonic ritual that resonates with timeless Nordic heritage.
Entirely composed, performed, and produced by Olsen, ‘Heimferd’ stands is both an immersive listening experience and a personal letter to his ancestral heritage.

For fans of HEILUNG, WARDRUNA, GARMARNA, MYRKUR.

DANHEIM is the work of Copenhagen-based musician and producer Reidar Schæfer Olsen, a leading voice in Nordic folk and Viking-inspired music. With over 1 billion streams and music featured in the Vikings TV series, DANHEIM has become a cornerstone of the genre.
‘Heimferd’ is a journey guided by instinct and atmosphere rather than a fixed mythological storyline. The album drifts between pounding percussive force and hushed minimalism, creating a soundscape that feels ancient yet alive. Each track evokes a return to something older and deeper: a cultural current running beneath memory, a call that is both familiar and distant. From the storm-driven rhythms of “Stormdans” to the haunting expanse of “Yggdrasil II”, DANHEIM balances intensity with restraint, weaving a sonic ritual that resonates with timeless Nordic heritage.
Entirely composed, performed, and produced by Olsen, ‘Heimferd’ stands is both an immersive listening experience and a personal letter to his ancestral heritage.

For fans of HEILUNG, WARDRUNA, GARMARNA, MYRKUR.

Slipcase Gatefold 12" LP

Pressed on grey marble heavy vinyl. Comes with an 8-page booklet and a download card.

DMP present a special 2025 vinyl reissue of BLUT AUS NORD's seminal 2003 avant-Black Metal masterpiece "The Work Which Transforms God", complete with restored original artwork, a new Rob Borbás illustration, artist testimonials, and an extended interview with Vindsval.

This trailblazing and indispensable classic finds BLUT AUS NORD expanding the possibilities of Black Metal: preserving the essence and feeling but urbanising the form, in a menacingly enigmatic and coldly inimitable statement of intent.

Comes in a 4-panel digipack with a 16-page booklet and a slipcase. First batch comes in black polycarbonate CD.

DMP present a special 2025 CD reissue of BLUT AUS NORD's seminal 2003 avant-Black Metal masterpiece "The Work Which Transforms God", complete with restored original artwork, a new Rob Borbás illustration, artist testimonials, and an extended interview with Vindsval.

This trailblazing and indispensable classic finds BLUT AUS NORD expanding the possibilities of Black Metal: preserving the essence and feeling but urbanising the form, in a menacingly enigmatic and coldly inimitable statement of intent.

Comes in a 4-panel digipack with a 16-page booklet.

The wonderful 16th album from legendary Avant Black Metal paragons BLUT AUS NORD is the culmination of a 30-year vision - as mainman Vindsval connects each element of the band's history to launch yet another intrepid exploratory evolution.

"Ethereal Horizons" is BLUT AUS NORD fully realised: richer, deeper, grander, more enigmatic and simultaneously more human than ever. Intermeshing the earthen and the futuristic as a vessel for the dark dreamer, soaring and ascending to vivid realms.

Record 1 pressed on green marble heavy vinyl. Record 2 pressed on yellow marble heavy vinyl. Side D contains no music but features a digital print. Comes with a 16-page booklet and a download card. Colors on final records may vary to a degree from the mockup.

The wonderful 16th album from legendary Avant Black Metal paragons BLUT AUS NORD is the culmination of a 30-year vision - as mainman Vindsval connects each element of the band's history to launch yet another intrepid exploratory evolution.

We are running for a short time a special promo especially conceived for our American customers who are sort of "locked" due to the recent import-duties diatribe.

While we wait for this to be changed for the better, we are offering a bundle pack of our Avantgarde Music late September releases: 

2x Double Vinyls (Mesarthim, Ad Nauseam)

2x Single Vinyls (Nexion, Kamra)

At check out you will be charged for UPS Express door delivery service (3 days since shipment!) for 30.00€ only.

Please note though: we will state very clearly that cds and vinyls should no be subject of import duties taxes, but we can NOT guarantee that the driver won't ask you for this... so actually: you'd better expect them to charge you money at delivery, but we hope that cutting down prices like this can help you out in a way or other

First time on vinyl!

Finally reissued!

North Carolina’s ONE OF NINE play JRR Tolkien inspired majestic black metal and are the most prominent Tolkien/Lord Of The Rings black metal band since the legendary Summoning. Their sophomore LP Dawn of the Iron Shadow (out Oct 31 through Profound Lore Records) follows their 2023 debut LP Eternal Sorcery which laid the foundation for ONE OF NINE trodding their way to the forefront of the new breed of US black metal. With Dawn of the Iron Shadow (which is graced by cover art courtesy of legendary Tolkien artist Ted Nasmith), ONE OF NINE elevate their black metal sorcery to a more epic and glorious plateau. One that is more expanded in its vision of grandeur and scope through its symphonic and grandiloquent magnificence.

North Carolina’s ONE OF NINE play JRR Tolkien inspired majestic black metal and are the most prominent Tolkien/Lord Of The Rings black metal band since the legendary Summoning. Their sophomore LP Dawn of the Iron Shadow (out Oct 31 through Profound Lore Records) follows their 2023 debut LP Eternal Sorcery which laid the foundation for ONE OF NINE trodding their way to the forefront of the new breed of US black metal. With Dawn of the Iron Shadow (which is graced by cover art courtesy of legendary Tolkien artist Ted Nasmith), ONE OF NINE elevate their black metal sorcery to a more epic and glorious plateau. One that is more expanded in its vision of grandeur and scope through its symphonic and grandiloquent magnificence.

Since the unholy reunion between the two MYSTIC CIRCLE founders A. Blackwar and Beelzebub in 2021, the Germanic black metal gods of war are stronger than ever. What began anew in 2022 with the self-titled “Mystic Circle” album and was rewarded with a sensational #78 place in the German album charts, was continued the following year in “Erzdämon” and now completed in “Hexenbrand 1486”. “More serious, more respectful and more authentic” is the definition of this new MYSTIC CIRCLE epic ‘Hexenbrand 1486’ - a statement that also applies to the band's attitude. The band's tenth studio album is largely about the “Malleus Maleficarum”, the witches' hammer, which was written in Speyer in 1486. A pitch-black mix of death, black and traditional heavy metal with a horror soundtrack flair.

Since the unholy reunion between the two MYSTIC CIRCLE founders A. Blackwar and Beelzebub in 2021, the Germanic black metal gods of war are stronger than ever. What began anew in 2022 with the self-titled “Mystic Circle” album and was rewarded with a sensational #78 place in the German album charts, was continued the following year in “Erzdämon” and now completed in “Hexenbrand 1486”. “More serious, more respectful and more authentic” is the definition of this new MYSTIC CIRCLE epic ‘Hexenbrand 1486’ - a statement that also applies to the band's attitude. The band's tenth studio album is largely about the “Malleus Maleficarum”, the witches' hammer, which was written in Speyer in 1486. A pitch-black mix of death, black and traditional heavy metal with a horror soundtrack flair.

EP CD in deluxe Digipak with 16-page booklet.

Formed in 2003 in the southern province of Limburg, Netherlands, CARACH ANGREN have built an unshakable reputation for fusing black metal’s ferocity with the grandeur of symphonic arrangements and the drama of storytelling. Their work draws heavily from historical legends, ghost tales, and the macabre, creating immersive worlds within each release.
On ‘The Cult of Kariba’, the band return to the mythos that first defined their identity in 2008’s ‘Lammendam’, expanding it into darker, more elaborate territory. The new EP unfolds as a five-part horror tale rooted in the folklore of Schinveld’s White Lady, now entwined with the sinister figure of Kariba: a poisoner and alleged witch. Through haunting orchestration, blackened aggression, and cinematic scope, the listener witnesses an underground cult’s rituals, a brutal sacrifice, the resurrection of Kariba, and the catastrophic vengeance that follows. Each track builds on the previous, from the ominous opening “A Malevolent Force Stirs” to the apocalyptic closer “Venomous 1666”, where the witch claims the living for her grave.
Expertly produced and conceptually unified, ‘The Cult of Kariba’ is both a return to roots and a bold expansion of CARACH ANGREN’s narrative universe.

For fans of DIMMU BORGIR, KING DIAMOND, CRADLE OF FILTH.

DOUBLE-CD Limited edition

Ukrainian blackened death/doom metal formation 1914 return with unrelenting force on their fourth studio album, Viribus Unitis, Latin for "With United Forces." Far more than a historical reference to the personal motto of Franz Joseph I of the Austro-Hungarian Empire, the title reflects the band’s resilience through war, loss, and upheaval – a powerful symbol of survival and solidarity. Releasing on November 14, 2025 via Napalm Records, Viribus Unitis builds on the band’s acclaimed conceptual approach, pushing even deeper into emotional and musical intensity.

Continuing their chronicle of World War I, 1914 shift their focus slightly, from the raw portrayal of death and destruction to themes of camaraderie, endurance, and the emotional landscapes of those who endured the horrors. While previous releases like The Blind Leading the Blind (2018) and Where Fear and Weapons Meet (2021) centered on the futility and finality of war, Viribus Unitis explores the human bonds forged under fire and the strength of those who returned: broken, changed, yet still alive.

Musically, 1914 remain true to their identity – brutal mixture of blackened death metal, slow-burning doom, and ambient war soundscapes. This time, however, their sound gains a broader dynamic range, with soaring melodic leads, orchestral textures, and haunting clean vocals that provide dramatic contrast to the crushing heaviness. One of the album’s highlights is a collaboration with Aaron Stainthorpe of My Dying Bride and High Parasite on “1918 Pt. 3: ADE (A Duty to Escape),” whose mournful voice adds a solemn, almost liturgical quality to this elegy of grief and brotherhood on the front lines.

Viribus Unitis deepens 1914’s commitment to historical authenticity, both lyrically and conceptually. Told through real events and personal accounts of a Ukrainian soldier in the K.u.K. army, the album traces a timeline from 1914 to 1919, painting a grim journey through the war’s rise, climax, and hollow aftermath.

From the brooding opener “War In” to the bleak closer “War Out (The End?)”, each track captures a moment in time: the brutal “1914 (The Siege of Przemysl)”, the frostbitten “1915 (Zwinin Ridge)”, the crushing Alpine combat of “1916 (Südtirol Offensive)”, and the madness of “1918 Pt. 2: POW (Prisoner of War)” featuring Christopher Scott of Precious Death.

The album ends with “1919 (The Home Where I Died),” featuring Rome’s Jerome Reuter, a haunting portrait of a soldier who survived the war, but not its shadow. This emotional song deals with the soldier's will to live and his family values, seeing him escape from captivity to finally return home to embrace his wife and daughter. 1914 fuse blackened death metal, doom, and atmospheric textures with dramatic flourishes and guest vocals, creating their most dynamic and emotionally resonant record to date.

Ukrainian blackened death/doom metal formation 1914 return with unrelenting force on their fourth studio album, Viribus Unitis, Latin for "With United Forces." Far more than a historical reference to the personal motto of Franz Joseph I of the Austro-Hungarian Empire, the title reflects the band’s resilience through war, loss, and upheaval – a powerful symbol of survival and solidarity. Releasing on November 14, 2025 via Napalm Records, Viribus Unitis builds on the band’s acclaimed conceptual approach, pushing even deeper into emotional and musical intensity.

Continuing their chronicle of World War I, 1914 shift their focus slightly, from the raw portrayal of death and destruction to themes of camaraderie, endurance, and the emotional landscapes of those who endured the horrors. While previous releases like The Blind Leading the Blind (2018) and Where Fear and Weapons Meet (2021) centered on the futility and finality of war, Viribus Unitis explores the human bonds forged under fire and the strength of those who returned: broken, changed, yet still alive.

Musically, 1914 remain true to their identity – brutal mixture of blackened death metal, slow-burning doom, and ambient war soundscapes. This time, however, their sound gains a broader dynamic range, with soaring melodic leads, orchestral textures, and haunting clean vocals that provide dramatic contrast to the crushing heaviness. One of the album’s highlights is a collaboration with Aaron Stainthorpe of My Dying Bride and High Parasite on “1918 Pt. 3: ADE (A Duty to Escape),” whose mournful voice adds a solemn, almost liturgical quality to this elegy of grief and brotherhood on the front lines.

Viribus Unitis deepens 1914’s commitment to historical authenticity, both lyrically and conceptually. Told through real events and personal accounts of a Ukrainian soldier in the K.u.K. army, the album traces a timeline from 1914 to 1919, painting a grim journey through the war’s rise, climax, and hollow aftermath.

From the brooding opener “War In” to the bleak closer “War Out (The End?)”, each track captures a moment in time: the brutal “1914 (The Siege of Przemysl)”, the frostbitten “1915 (Zwinin Ridge)”, the crushing Alpine combat of “1916 (Südtirol Offensive)”, and the madness of “1918 Pt. 2: POW (Prisoner of War)” featuring Christopher Scott of Precious Death.

The album ends with “1919 (The Home Where I Died),” featuring Rome’s Jerome Reuter, a haunting portrait of a soldier who survived the war, but not its shadow. This emotional song deals with the soldier's will to live and his family values, seeing him escape from captivity to finally return home to embrace his wife and daughter. 1914 fuse blackened death metal, doom, and atmospheric textures with dramatic flourishes and guest vocals, creating their most dynamic and emotionally resonant record to date.

Attenzione, copia nuova ma il retro del box è leggermente graffiato i quanto purtroppo non fu pubblicato celloganato, quindi si rovinato semplicemente tenendola sullo scaffale 

VEDI FOTO (nella foto i graffi sembrano molto più estremi di quello che sono neall realtà per via dell'alto contrasto di luce) 

il box include gli album di Spite Extreme Wing in vinile colorato: due vinili singoli e due doppi, Vari booklets e posters Toppe ed adesivo 

Media Condition: Near Mint 
Sleeve Condition: Mint 

more info

just a small shred (7mm) on the open side sleeve (where you put record in). Insert is Missing !!!!

A near Mint copy of this edition

near mint

Mexican edition on AVANZADA METALICA records 
MINT COPY

Metallica ‎– ...And Justice For All
Label: Vertigo ‎– 836062-1
Format: 2 × Vinyl, LP, Album, Stereo, PRS Pressing
Country: Europe
Released: 1988
 

Vinyls NM   Sleeve VG+

Numbered, unplayed 

Sleeve mint, Disc near mint (just a couple of light scratches)

Mint

Media Condition: Mint 
Sleeve Condition: Near Mint 

more info

"An over 40 minute journey through the demo years of Irish raw black metal entity Fuil Na Seanchoille (“Blood of The Old Forest” in Gaelic), this CD collects the long out-of-print “Bitter Dusk of Futures Past” [2009] and “Demo MMVIII” (2008) cassettes, subsequently reissued on vinyl by Me Saco En Ojo in 2012. Remastered for Tour de Garde in 2019 by Jack Control at Enormous Door, these early emanations demonstrate a range of influences from Von, Beherit and Ulver to Darkthrone and pre "Si Monvmentvm Reqvires, Circvmspice." Deathspell Omega. Inspired by the history of Ireland from 12th Century B.C. until 1580 A.D., shamanic rage collides with hulking evil, channelled through a cavernous assault of primitive darkness. By turns darkly ambient and doom-laden, the sound veers from threateningly wild chaos to menacingly measured assault. Timeless black metal in the old-school tradition."

the heirs of Nortt?

Second album by Yorkshire’s White Medal. “Lyke Wake” features 9 new tracks recorded in 2015. The new songs follow on from “Guthmers Hahl” (2013) in terms of song writing and over all feeling but with a more refined sound. All lyrics in Yorkshire dialect with very personal themes of graft, death, grief, loss and paganism.
 

The Clearing Path is a very young and talented solo-artist recording project. 'Watershed...' was initially released only as digital, and benefits of a promotional campaign conducted by Earsplit PR, receiving a lot of web-media consensus.
It's bleak, noisy, extremely emotional, but listening to it is so easy that you won't realize you are giving it a 3rd spin in two hours without getting bored. It appeals to a wide range of extreme music fans, from black metal to Neurosis and Pelican

Comes in a radical chic essential-design digipack

Ascolta su BandCamp

Raging,repetitve yet diverse black/death metal
with a discreet yet ever present droning vibe.
Hypnotic and hysterical,channeled through the virtues
of a sharp,
strict but eventually warm sound production,
Υπνωσίνοσις provides a sonic guidance to the subsconscious and beyond!

TAPE version - Limited black 100 copies
 

Reprint, 1000x ice black 12" in a black poly-lined innersleeve, gatefold jacket full-color printed on 350g carton, all assembled in a plastic overbag.

Reprint, 1000x A/B side black/white 12" in a white poly-lined innersleeve, poster A2 one-sided full-color printed on 150gsm art-paper, download card, gatefold full-color printed on 350g carton with matt lamination + UV partial lacquer, all assembled in a plastic overbag

Reprint 700x transparent purple in milky clear 12" (140g) in a microtene innerbag, printed innersleeve full-color on 220g, jacket full-color on 350g, all assembled in a PVC overbag.

Reprint, 400x gold in milky clear swirl 12" (140g) in a microtene innerbag, printed innersleeve, full-color on 220g; jacket, full-color printed on 350g, all assembled in a plastic overbag.

Reprint, 700x transparent green in highlighter yellow vinyl (140g), innersleeve full-color on 220g, jacket full-color on 350g, all assembled in a PVC overbag.

Reprint, 700x swamp green with heavy black splatter 12" (180g) in a black poly-lined innersleeve; gatefold, full-color printed on 350g carton with high-gloss lamination, all assembled in a plastic overbag.

 Where Marduk fired the arrow and hit the bullseye in terms of war-themed releases was this little 3 track release called Iron Dawn. In three tracks, Marduk sets its sights on sonically delivering the chaotic brutality of war, and executes to such a degree of perfection that you can't help but listen to the EP on repeat. It is amazing as much as it is haunting.

Reprint, 500x ice clear black 12" (140g) - SIDE B come with a black silkscreen print, in a microtene innersleeve, printed innersleeve full-color on 220g, jacket full-color printed on 350g, all assembled in a plastic overbag.

Reprint, 288x red with black marble effect 12" (180g) in a microtene innerbag, printed innersleeve full-color on 220g, jacket full-color and black flood inside on 350g, all assembled in a PVC overbag.

Reprint, 1000x bloodred with black marble effect 2x12" (140g) in a black poly-lined innerbag, 4 pages booklet on 180g offset paper, gatefold jacket on 350g uncoated (matte) with UV spot lacquer, all assembled in a PVC overbag.

Re-issue, 1000x black ice 12" (180g) in a black poly-lined innerbag, booklet 16page A4, full-color on 180g art paper, gatefold full-color on 350g, all assembled in a PVC overbag.

Reprint, 500x marble (transparent red/black) 12" (140g) in a black poly-lined innerbag, gatefold jacket, printed on 350g carton, coated paper, all assembled in a plastic overbag.