€0.00
Your cart is empty
Selling CD - Extreme Metal and Dark music
Released in 1998, "Odin Owns Ye All" is the second full-length studio album by Einherjer. It’s a fascinating, if slightly polarizing, chapter in the history of Viking Metal because it marked a distinct departure from the cold, black-metal-influenced sound of their debut "Dragons of the North". While their earlier work was rooted in the atmospheric and aggressive Second Wave of Black Metal, "Odin Owns Ye All" leans heavily into Heavy Metal territory. The guitar work is much more rhythmic and "groove-oriented" than the tremolo-picking found in traditional Norwegian metal and the sound is cleaner and punchier, losing the raw, lo-fi aesthetic of the mid-90s in favor of a more polished, rock n' roll Viking vibe. One of the most notable changes is the vocal delivery of Ragnar Vikse: instead of the typical black metal shriek, Vikse utilizes a unique, raspy, and melodic approach. It feels more theatrical and storytelling-driven, which fits the epic themes of Norse mythology but was quite a surprise to fans at the time.
Released in 1998, "Far Far North" is a cult-classic release by the Norwegian band Einherjer. While technically an EP, it is often cited as a definitive moment for the band, bridging the gap between raw black metal roots and epic, melodic storytelling. Unlike their debut album Dragons of the North, which featured a more aggressive, traditional black metal vocal style, "Far Far North" introduced a shift toward melodic Viking Metal. "Far Far North", the title track, is an absolute anthem. It’s known for its catchy, galloping rhythm and a chorus that practically demands you grab a drinking horn. It’s one of the band's most recognizable songs. Released at the time via Century Media, this EP helped solidify Einherjer as leaders of the second wave of Viking Metal. While bands like Bathory pioneered the genre, Einherjer are among those who refined the Viking metal aesthetic—blending heavy metal structures with Norse mythology and folk-inspired melodies
Fourth album by Norwegian stalwarts Nifrost. Epic and melodic black metal in the vein of Windir, Borknagar and Enslaved. With "Briseld" Nifrost are back with a powerful, clean and epic sound reminiscent of the best epic moments of second wave black metal.
From the depths of the space (darker than black), under the cronyism of two shadowed moons in eclipse and the Beasts (that dwell between the dimensions) the new order comes and new Chaos. They bring a monumental total nullification. This will be named as the New World Planetarium...
Ascolta su YouTube
The album comes with a 12 page booklet & full artwork design. Limited to 500 copies on CD
"Cryptic (1997) marks the arrival of vocalist Roberth Karlsson (Scar Symmetry, Pan.Thy.Monium, Facebreaker, Darkified), who took over from Dan Swanö. This remastered edition of Cryptic is now available.
The 2CD set in an O-Card includes the 8 tracks from the original album on the first CD, along with 10 bonus tracks (covers, alternative mixes, and live recordings) on the second CD."
Batushka's 2019 Opus Returns: The Liturgy of Death Re-released!
Back on Black is proud to announce the comprehensive reissue of Hospodi (Church Slavonic for "Lord"), the second full-length album from the Polish black metal phenomenon, Batushka. Initially released in 2019, Hospodi represents a more polished, melodic, and theatrical evolution of the band's signature, ritualistic sound.
Based on the Eastern Orthodox "Liturgy of Death" and traditional funeral rites, the album is a thematic journey through death and judgment. This reissue brings back the ten-track masterpiece, which blends traditional black metal (tremolo riffs, ferocious blast beats) with haunting choirs, atmospheric ambient interludes, and profound Slavic chants.
Hospodi was lauded for its dramatic production, and this reissue shines a light on key tracks like the atmospheric opener "Wozglas," the rocking-yet-menacing "Wieczernia," and the powerful closer "Liturgiya".