Preordine

Transparent red smoke effect heavy vinyl

Now in their 37th year of blasphemous brutality, Finnish Black Metal iconoclasts ARCHGOAT remain one of the most single-minded and relentlessly visceral bands in extreme music.

New album "Nightbringer, Lightbringer" once again taps into the guts of ancient evil to unearth a noxious stench of horror. Undiminished and eternal, the band's patented synthesis of mystical first wave Black/Death Metal, Punk hostility, primal Thrash and bestial Grindcore is destructive as ever in its magickal raw power.

This time around a slightly less-dank production ensures each putrid note is assimilated and felt. Mind-altering atmospherics and cryptic synth embellishments remain a feature, with some grandly melodic leads and – gasp – lower gain arpeggios in place for fleeting relief before the returning waves of pummelling satanic violence.

Uncompromising, unaffected, unbowed, and capped with another inimitable cover from the legendary Chris Moyen, this is pure ARCHGOAT: corrupted, devastating and - considering the dissolving certainties around us - still necessary.

Recommended if you like: BLASPHEMY, BEHERIT, HELLHAMMER

Now in their 37th year of blasphemous brutality, Finnish Black Metal iconoclasts ARCHGOAT remain one of the most single-minded and relentlessly visceral bands in extreme music.

New album "Nightbringer, Lightbringer" once again taps into the guts of ancient evil to unearth a noxious stench of horror. Undiminished and eternal, the band's patented synthesis of mystical first wave Black/Death Metal, Punk hostility, primal Thrash and bestial Grindcore is destructive as ever in its magickal raw power.

This time around a slightly less-dank production ensures each putrid note is assimilated and felt. Mind-altering atmospherics and cryptic synth embellishments remain a feature, with some grandly melodic leads and – gasp – lower gain arpeggios in place for fleeting relief before the returning waves of pummelling satanic violence.

Uncompromising, unaffected, unbowed, and capped with another inimitable cover from the legendary Chris Moyen, this is pure ARCHGOAT: corrupted, devastating and - considering the dissolving certainties around us - still necessary.

Recommended if you like: BLASPHEMY, BEHERIT, HELLHAMMER

Opaque red smoke effect heavy vinyl

REISSUE.

After 20 years the legendary debut album from Finnish iconoclasts ARCHGOAT remains an unstoppable and irresistible demonstration of angel-ripping Black/Death Metal profanity.

These initial ten blasphemies hailed the rising darkness, welcomed the Luciferian unlight and inaugurated ARCHGOAT's relentless ongoing black crusade against the religion of the weak. Filthy and grimy in the best tradition of venom-encrusted sacrilege, "Whore Of Bethlehem" expresses ruthless contempt for all things holy - sneering openly at Golgotha amid a torrent of trampled crucifixes and weeping, violated archangels. A dark, ritualistic symphony of impurity, "Whore Of Bethlehem" is a single-minded and destructive masterpiece of twisted black Art to snuff out all the light.

Recommended if you like: BLASPHEMY, BEHERIT, HELLHAMMER

REISSUE.

After 20 years the legendary debut album from Finnish iconoclasts ARCHGOAT remains an unstoppable and irresistible demonstration of angel-ripping Black/Death Metal profanity.

These initial ten blasphemies hailed the rising darkness, welcomed the Luciferian unlight and inaugurated ARCHGOAT's relentless ongoing black crusade against the religion of the weak. Filthy and grimy in the best tradition of venom-encrusted sacrilege, "Whore Of Bethlehem" expresses ruthless contempt for all things holy - sneering openly at Golgotha amid a torrent of trampled crucifixes and weeping, violated archangels. A dark, ritualistic symphony of impurity, "Whore Of Bethlehem" is a single-minded and destructive masterpiece of twisted black Art to snuff out all the light.

Recommended if you like: BLASPHEMY, BEHERIT, HELLHAMMER

ORANGE BLACK MARBLE VINYL

"If the Werewolves aesthetic is violence, then Faustian's is fear and horror"...

Australian black metal force, Faustian, have been referred to as a super group of the Antipodean extreme metal scene; the members of this formidable three-piece having set their demons loose with the likes of Werewolves, The Berzerker, The Amenta, The Antichrist Imperium, Psycroptic, Abramelin and more. However, when confronted with the atmospheric, majestic inferno that is the sound of Faustian, whatever else its creators may have achieved is inconsequential - nothing else matters beyond experiencing the firestorm they unleash in this particular incarnation to its fullest enticing, exhilarating, unnerving extent. With a new deal signed with Apocalyptic Witchcraft, the band are now prepared to unveil their latest collection of unholy hymns. Following in the scorched earth wake of 2023s We Come As Angels, Faustian present Parable Of The Sewer…

From the first, breathless assault of 'I Curse You', with its storm torn atmosphere, dramatic darkness and furious speed, to the warped denouement of 'The Rot Shall Inherit The Earth', a sickly melodious foretelling of putrefaction and degradation, Parable Of The Sewer careers through fear-filled twilight and tenebrous realms of profane secrets. A combination of powerfully evocative lyrics and soul scarring music creates an unequivocal, yet irresistible invitation to damnation. From the indefatigable velocity of the wicked 'Cephalophore' to the precision guitar patterns and chanted revelations of 'Immaculate', the cruel, haunting and surely damned 'We Do Not Use Names Here' to the cold menace of 'Tenements (Only The Wicked Walk In Circles), steeped in the sweat and stench of terror, every moment of Parable Of The Sewer is a masterful expression of black metal art. Sinister and insidious, overwhelming and darkly glorious, walking the edge of a sacrificial blade between repulsion and temptation, Parable Of The Sewer is music at its most potent and dangerous.

The malevolence of Faustian will be unleashed once more on July 24th, as Apocalyptic Witchcraft present Parable Of The Sewer on Limited Edition Splatter Vinyl, Digipak CD. The return of darkness and evil is upon us.

"If the Werewolves aesthetic is violence, then Faustian's is fear and horror"...

Australian black metal force, Faustian, have been referred to as a super group of the Antipodean extreme metal scene; the members of this formidable three-piece having set their demons loose with the likes of Werewolves, The Berzerker, The Amenta, The Antichrist Imperium, Psycroptic, Abramelin and more. However, when confronted with the atmospheric, majestic inferno that is the sound of Faustian, whatever else its creators may have achieved is inconsequential - nothing else matters beyond experiencing the firestorm they unleash in this particular incarnation to its fullest enticing, exhilarating, unnerving extent. With a new deal signed with Apocalyptic Witchcraft, the band are now prepared to unveil their latest collection of unholy hymns. Following in the scorched earth wake of 2023s We Come As Angels, Faustian present Parable Of The Sewer…

From the first, breathless assault of 'I Curse You', with its storm torn atmosphere, dramatic darkness and furious speed, to the warped denouement of 'The Rot Shall Inherit The Earth', a sickly melodious foretelling of putrefaction and degradation, Parable Of The Sewer careers through fear-filled twilight and tenebrous realms of profane secrets. A combination of powerfully evocative lyrics and soul scarring music creates an unequivocal, yet irresistible invitation to damnation. From the indefatigable velocity of the wicked 'Cephalophore' to the precision guitar patterns and chanted revelations of 'Immaculate', the cruel, haunting and surely damned 'We Do Not Use Names Here' to the cold menace of 'Tenements (Only The Wicked Walk In Circles), steeped in the sweat and stench of terror, every moment of Parable Of The Sewer is a masterful expression of black metal art. Sinister and insidious, overwhelming and darkly glorious, walking the edge of a sacrificial blade between repulsion and temptation, Parable Of The Sewer is music at its most potent and dangerous.

The malevolence of Faustian will be unleashed once more on July 24th, as Apocalyptic Witchcraft present Parable Of The Sewer on Limited Edition Splatter Vinyl, Digipak CD. The return of darkness and evil is upon us.

One off print edition, limited

Gatefold, black flood print, with insert!

Marble vinyl

Gatefold, black flood print, with insert!

Black vinyl

First press, limited edition in cross-shaped digipak CD with booklet!
Please note: all copies bought during preorder will be shipped into a custom-made bubble envelope

THE EPIC NEW STUDIO ALBUM FROM THE LONG-STANDING JAPANESE METAL PIONEERS, INCLUDING GUEST APPEARANCE FROM OPETH'S MIKAEL ÅKERFELDT.

Japanese metal pioneers Sigh formed in 1989/1990. Their genre-classic Black Metal debut ‘Scorn Defeat’ arrived in 1993, & with a subsequent journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & ideas throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed on the 2022 album (& first for Peaceville Records), ‘Shiki’. This was followed by the remaking of their ‘Hangman’s Hymn’ album as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’ (2025).

Considered as somewhat of a natural evolution, yet an even more diverse leap over the already compositionally & dynamically accomplished ‘Shiki’ opus, Sigh returns with ‘Goh-ka’; a new highlight of atmosphere, technical mastery, & meticulously arranged epics of metallic grandeur.

Main-man Mirai Kawashima notes this as being as equally personal an album as ‘Shiki’, both musically & lyrically. From a musical perspective, if you were to place the main ingredients of Celtic Frost, Voivod, Black Sabbath, horror movies & Japan into a cauldron & stir it, you will get ‘Goh-ka’. Numerous additional spices such as psychedelic rock, prog rock & classical music are also evident over the album’s close to one-hour duration.

The primary theme permeating the album is Kuso-zu; a series of Buddhist paintings or illustrations depicting the nine stages of a human body's decomposition after death, created to encourage meditation on the impermanence of life, the inevitability of death, & the detachment from physical beauty & worldly attachment. It openly shows the harsh reality that no matter how beautiful you are, you’ll be dead & rot sooner or later. And Kuso-shi is a poem based on these paintings. The artworks on the cover & in the booklet of ‘Goh-ka’ are therefore Kuso-zu themselves.

Among the additional contributors to the album, Mikael Åkerfeldt of Opeth notably delivers a special guest guitar solo on the track, ‘Unputenpu’.

This black double vinyl edition of ‘Goh-ka’ is presented in a gatefold sleeve and includes an alternative version of ‘Unputenpu’.

Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993, and with each subsequent release, Sigh grew to become one of the country’s greatest and most revered metal exports. With a journey through the strange and the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh remaking their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw the World’s End: Hangman’s Hymn MMXXV’.

With the ongoing early line-up of Mirai Kawashima, Shinichi Ishikawa, and Satoshi Fujinami, ‘Scenario IV: Dread Dreams’ was the band’s fourth studio album, originally surfacing in 1999. This was also notably the final title in partnership with Sigh’s then-label, Cacophonous Records. Delving evermore into the experimental side of music to conjure an interlinked gallery of twisted soundscapes; ‘Dread Dreams’ became more of a journey into the realm of psychedelia and rock over black metal, with this Zappa-inspired odyssey acting as somewhat of a direct pre-cursor to what was to follow with the celebrated ‘Imaginary Sonicscape’ opus.

‘Dread Dreams’ was once more recorded at Shinjuku On Air Studio with J. Yamada, with a selection of guests including Damian Montgomery of Ritual Carnage lending lyrics plus guest vocals, along with King Fowley (Deceased), and Killjoy (Necrophagia) supplying additional song lyrics. Cover art came courtesy of renowned artist Joe Petagno (Motörhead, Autopsy).

Continuing with Peaceville’s re-issues of Sigh’s classic works, this edition of ‘Dread Dreams’ contains a new master created by Patrick Engel at Temple of Disharmony.

The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, with his thoughts, influences and reflections on the album and its challenges.

This edition of ‘Dread Dreams’ is presented on limited marble vinyl.