Preordine

"Taetra Philosophia" is the NEW studio album by Abysmal Grief after a few side-releases (live albums and a compilation of rarities and oddities).

Two years since the release of Saturnian Bloodstorm, Lamp of Murmuur has once again raised the chalice of victory for the masses with a new beckoning of devotion and elegance, titled “The Dreaming Prince in Ecstasy”. Gradually ascended these past years as one of the furthermost esteemed and sought luminaries within the new wave of black metal, Lamp of Murmuur is still a force to be reckoned with.

Where “Saturnian Bloodstorm” raged with untameable fire and “Submission and Slavery” plunged into catharsis and purgatory, this new opus stands as the synergy of both sides of a bloodstained coin.
Triumph and grief, transcendence and torment. Beneath the soundscapes of blackened vigour and madness lies a narrative that reaches beyond dreams, exploring instead the unyielding pursuit of absolute spiritual liberation through sacrifice, manifesting the will of the Seven Spears with a delicate, yet more menacing gesture than in previous efforts, birthing the project’s most adventurous and daring offering yet.

Two years since the release of Saturnian Bloodstorm, Lamp of Murmuur has once again raised the chalice of victory for the masses with a new beckoning of devotion and elegance, titled “The Dreaming Prince in Ecstasy”. Gradually ascended these past years as one of the furthermost esteemed and sought luminaries within the new wave of black metal, Lamp of Murmuur is still a force to be reckoned with.

Where “Saturnian Bloodstorm” raged with untameable fire and “Submission and Slavery” plunged into catharsis and purgatory, this new opus stands as the synergy of both sides of a bloodstained coin.
Triumph and grief, transcendence and torment. Beneath the soundscapes of blackened vigour and madness lies a narrative that reaches beyond dreams, exploring instead the unyielding pursuit of absolute spiritual liberation through sacrifice, manifesting the will of the Seven Spears with a delicate, yet more menacing gesture than in previous efforts, birthing the project’s most adventurous and daring offering yet.

"Taetra Philosophia" is the NEW studio album by Abysmal Grief after a few side-releases (live albums and a compilation of rarities and oddities).

100 copies limited edition in "ice black" vinyl

An EP of primal gothic elegance, Blood Consumer is atmospheric of a kind cloaked in velveteen mists and swirling chilled fog, with a spiked gauntlet of riffs that will catch the ear of fans of their primary bands. ♱VELVET CROSS♱ was conceived by Splatterpvnk as a solo project in the Winter of 2022, but over time expanded to involve Saidan sticksman and Vampirska mastermind Hundosai (actually, I am not sure that many people know Hundosai is Vampirska , so here you go!) – PLUS, two more dread entities of arcane fortune to create a full band capable of realising the vision in flesh. And what vision.

COINCIDING WITH THE TWENTY-FIFTH ANNIVERSARY OF GODKILLER’S FINAL FULL-LENGTH ALBUM OF DARK METAL WITH INDUSTRIAL & ELECTRONIC ELEMENTS.

Formed in 1993 & hailing from Monaco, Godkiller was the vision of multi-instrumentalist & sole founding member, Duke Satanaël, who between 1996 & 2000 released an EP & 2 studio albums under the Godkiller name, commencing with the black metal cult classic debut 'The Rebirth Of The Middle Ages'.

Though initially more a death metal inspired act in the formative years, Godkiller quickly developed into a project fully engulfed in the spirit of 1990s black metal, bringing to mind acts like Emperor & Satyricon for the implementation of such strong atmospherics, though on later releases Godkiller incorporated more industrial & electronic elements into the compositions as part of its creative evolution.

‘Deliverance’ was Godkiller’s second studio album & final release before the project was laid to rest & ventured into a more electronic & industrially metallic direction for what could be considered a more contemporary & expressive take on Godkiller’s established brand of darkness.

Coinciding with the album’s 25th anniversary, this edition of ‘Deliverance’ is presented on CD format for the first time since its original release, including an eight page booklet with full lyrics.

CD in 8-page Digipak with 12-page folded booklet - Live at Parktreatet in Oslo

For three decades, 1349 have embodied the original spirit of black metal. Since manifesting from Oslo’s underground in the late ‘90s, the cold and hellish Norwegians have appeared at major European festivals such as Wacken Open Air and Hellfest and toured internationally with the likes of Celtic Frost, Cannibal Corpse and Carcass. Now, fresh from the ashes of eighth album ‘The Wolf & The King’, the band are releasing a new live recording entitled ‘Winter Mass’.
Taped shortly after pandemic lockdown was lifted, ‘Winter Mass’ explodes out the gates with 1349’s aural hellfire. During their set at Parkteatret in front of their home crowd, the band summon a career-spanning range of apocalyptic spells from their massive cauldron of chaos. Early classics like “Sculptor of Flesh” thrash with unchained madness and recent favorite "Striding the Chasm" whips by at a blistering pace that could only be captured by cover artist Kim Diaz Holm, who drew the album’s artwork while headbanging in the pit. "I will always be here / In all ways in all times", snarls Ravn on hellacious cut "I Am Abomination". After three decades and counting, what was once a proclamation is now a testament to 1349's enduring firepower.
Experience aural hellfire in the flesh back where it all began with ‘Winter Mass’.

For fans of MARDUK, CELTIC FROST, BEHEMOTH, MAYHEM, IMMORTAL.

CD incl. bonus track "Assertion" in Digipak with 24-page deluxe booklet on matt coated paper.

Emerging from the Belgian underground in 1993, ENTHRONED have stood as one of black metal’s enduring forces, their legacy defined by uncompromising vision and ritualistic intensity. Over three decades, the band has refined their craft into an artform of esoteric violence and transcendence.
Their new opus ‘Ashspawn’ embodies six years of ritual creation and total artistic unity. Written in collaboration with occult author Gilles de Laval, the album charts a descent into spiritual death and a transformative rebirth, framed by a lyrical architecture of demonology, ritual praxis, and metaphysical calculus. Musically, it is ENTHRONED’s most ferocious and personal work to date: a relentless fusion of blast beats, oppressive mid-tempos, and solos oscillating between chaos and virtuosity. Tracks such as “Raviasamin”, “Ashspawn”, and “Ashen Advocacy” channel this doctrine into ritual soundscapes that convulse between violent catharsis and crushing introspection.
Every note and silence are deliberate; a weapon forged for transformation rather than entertainment. ‘Ashspawn’ is not an echo of past glories, but a culmination of ENTHRONED’s essence: dark, authentic, and absolute.

For fans of MARDUK, DARK FUNERAL, GORGOROTH, 1349.

BIANCA is an exploration steeped in the subversive fire of black metal, with a penchant for doom and atmospheric resonances, centered around a female identity that spans different dimensions, from an ethereal presence to a primal rawness.

The music was born in 2024 with a series of demos composed by β and Ͷ. ES (from Hideous Divinity and Patristic) stepped in, shapeshifting the songs and giving the band a new form. Sathrath (Nocturnal Depression) joined the final recording sessions with his thunderous black metal touch.

BIANCA's first self-titled album is an enigmatic eight-step journey into the power of the human mind and the unconscious dimension as a messenger of precious insights for interpreting reality. A deep dive into the non-material aspects of human life and their transformative potential. No idea of religion, but a radical atheist and humanistic stance within the musical language of black metal, merging melodic nuances in an atmospheric embrace. A sorrowful struggle runs through the veins of BIANCA’s music, chilling to the core, yet captivating and transporting the listener to uncertainty.

Fire Walk with us was perceived, composed adn performed by Aborym, except for "Det Som En gang Var" composed by V. Vikernes
Recorded at Temple of Noise Studios, Roma, in January-May 200 anno Kali Yuga. Produced and mixed by C.Ice. This Version has been mastered in Budapest by Attila Csihar. Noise-industrial-inferno by Aborym and C.Ice. Drumming devastation by Aborym.
Theta waves deconstructed by Mental Siege and Aborym- Original artwork and layout by Fabban. Restyling by Fabban. Aborym is incarnated in: Fabban ( bass, keyboards, samples, synth, vocals on "Det Som En gang Var", Nysrok ( guitar, guitar synth, solos, backing vocals on "Det Som En gang Var", Attila Csihar (vocals), Sethlans (guitars and samples)

Fire Walk with us was perceived, composed adn performed by Aborym, except for "Det Som En gang Var" composed by V. Vikernes
Recorded at Temple of Noise Studios, Roma, in January-May 200 anno Kali Yuga. Produced and mixed by C.Ice. This Version has been mastered in Budapest by Attila Csihar. Noise-industrial-inferno by Aborym and C.Ice. Drumming devastation by Aborym.
Theta waves deconstructed by Mental Siege and Aborym- Original artwork and layout by Fabban. Restyling by Fabban. Aborym is incarnated in: Fabban ( bass, keyboards, samples, synth, vocals on "Det Som En gang Var", Nysrok ( guitar, guitar synth, solos, backing vocals on "Det Som En gang Var", Attila Csihar (vocals), Sethlans (guitars and samples)

For Audio preview, CLICK HERE

Rooted in the ethereal dark folk and psychedelic essence of her debut album “Songs of Grace and Ruin”,this new work explores heavier territories, embracing doom and stoner influences. Through crushing riffs and haunting vocals, it reflects on loss, the forces of nature, and existential struggle. The production balances raw intensity with a deep, immersive atmosphere, enhancing the album’s emotional depth