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incl. 12page A5 booklet + A3 Poster + digital download
Norwegian viking pagan black metal brigade NIFROST is set to release their new, long-awaited, full length album to the masses 
NIFROST already established its own remarkable identity built upon cold and ferocious sounds attack, intense melodies and charging guitars.
Combining unrelenting black metal atmosphere and vision from varying extreme metal genres with a apocalyptic twist of inspiration, careful listeners may just be able to identify themes from some of their stories, concepts and more…
The concept of their third album began with the title “Orkja”, which is the name of a mountain infamous for landslides that turned into murderous floods in the olden days of Jølster, on the wild and beautiful western coast of Norway.
Through these old stories, they found a spark of inspiration in approaching apocalyptic themes in a bigger or on smaller more personal-level picture, both physically and metaphorically.

When the band wrote the album “Orkja” in late 2018, they never knew how fitting these doomsday-themes would come to be in current times. The seven songs that comprise “Orkja”, each have its own connection to the end of things, and to the possibility of new beginnings.

Since their previous albums "Mass Grave" and "Death Siege" - both released via Season of Mist - Hierophant paved their way into the extreme metal scene in Europe, with a relentless and furious approach.

Following the conquest of the most prestigious stages (Hellfest, MetalDays,
Party.San), the Death Siege ranks pushed the limit to the extreme and ultimately crafted the first live album in the band's career.
Recorded at Hellfest 2023, "Gateway to the Abyss" (released via Dusktone) is the feral representation of what Hierophant is about: Hatred, blood, nihility.
FIRE WILL RISE!

Jewel Case CD + booklet

Since their previous albums "Mass Grave" and "Death Siege" - both released via Season of Mist - Hierophant paved their way into the extreme metal scene in Europe, with a relentless and furious approach.

Following the conquest of the most prestigious stages (Hellfest, MetalDays,
Party.San), the Death Siege ranks pushed the limit to the extreme and ultimately crafted the first live album in the band's career.
Recorded at Hellfest 2023, "Gateway to the Abyss" (released via Dusktone) is the feral representation of what Hierophant is about: Hatred, blood, nihility.
FIRE WILL RISE!

Through 4 tracks mixing funeral doom with ambient and darkwave, Until Death Overtakes Me explores the idea of life being incomplete unless it passes death's threshold.
Antemortem (before death) is not a glorification of death, but focusses on the path to it. Life with its pains and terrors might long for the end, but could just as well explore the freedom that comes with accepting the inevitable.
The contrast between heavy distorted guitars and ethereal ambient melodies mirrors life, but offers an open ending - is life a pained struggle, where one is shoved forwards, closer to death all the time, forcing one to blindly squeeze as much meaning out of every moment, or is it rather a calm stream that gently carries one to the completion of a journey that's best experienced with eyes wide open, regardless of what may come after? More likely, both aspects remain at play : primal instincts balanced by intelligent rationality.

Antemortem is the first Until Death Overtakes Me album after a long hiatus, and forms a bridge between the periods before and after this break.
The track 'Before' dates back to late 2003, 'Days Without Hope' is based on a track that's even older by several years, and best marks the point in time where Until Death Overtakes Me went from darkwave/doom to ambient funeral doom. On the other hand there are the tracks 'The Wait' and 'Inevitability', both from 2016. 'The Wait' is more a experimental, almost mechanical sounding epic, while 'Inevitability' is an instrumental marking the acceptance of the concept of 'Antemortem', as well as its conclusion. 

Missing. What if the searchers falter, pass away? When none are left that hope to find even something to bury, to mourn.
To be missing, to be never found. To never return, and fade away in the shadows of time. To become forgotten beyond all hope of recovery.

Until Death Overtakes Me's 2018 album contains over one hour of mournful funeral doom mixed with orchestral ambient. Missing, named after the song from Until Death Overtakes Me's earlier years, continues the story of that old epic. In four tracks the concepts of loss and being lost are explored.

There's the tragedy on a personal level, of searchers that fail, grow old and find no closure. Of the one lost, stuck in nothingness, wanting to be found. But tragedy grows, touches all, and the music becomes the soundtrack to the funeral of mankind. Empty tones drifting over the desolation, echoing through empty canyons. All the searchers have gone, all those missing are forgotten. There's no one left to remember, there's no hope left.
And when the proof and all remembrance of our existence is gone too, then have we truly been here at all? We're already missing.

After one EP and a full-length record (and the orchestral versions of both, released in between), Italian occult extreme metallers OBSCURA QALMA are back with a new opus.

OBSCURA QALMA is going to unleash a sonic storm with their new EP 'Veils Of Transcendence', blending the relentlessness of death metal with the grandeur of an increasingly barbed orchestra. The band delves once again into the realms of esoteric mysticism, conveying Aleister Crowley's opera. Your OST to the end of the world.

If you are into acts such as Septic Flesh, Hypocrisy and Dimmu Borgir and you are fascinated by the impact of modern death metal and the power of orchestrations, you should really take a listen to “Veils Of Transcendence”.

Norwegian black metal band Enthral has shared members with Dimmu Borgir and The Flesh and their resumé includes four full-lengths.

Having been around since 1996, they've had some style changes -- from a more classical sound with cello and soprano vocals, they moved towards a style reminiscent of earlier Covenant and Satyricon.

Dusktone is now extremely excited to announce the reissue of their third album " Subterranean Movement" originally released in 2003 and out of print for more than 10 years now.

Dusktone is proudly presenting a new album of Canadian ritual doom act Ego Depths.
On his fifth full-length album, the mastermind Stigmatheist melts down into an amalgam his dissonant guitar marches, monstrous growls and throat singing chants; fuses ritual atmospheres with a slow paced doom metal, raging with rare black explosions. Following the conception of his previous releases, Stigmatheist continues to improve his sound, finding new spaces for expanding and transformation, filling the conquered emptiness with ultra black hole heaviness. Extensive use of various ritual instruments, including a signature dan moi (Vietnamese jaw harp) and newly included Aztec death whistle, Stigmatheist manages to create an even deeper atmosphere of an endless doom ritual, inducing a paralytic embracing of the listener with its almost 70 minutes plunge into the abyss. Highly recommended for fans of the genre, looking for a ritual trip to be immersed into!

w/ 20 page booklet

With "Caurus" (Mistral, North-West Wind) Anamnesi achieves the goal of the fifth studio album, the second one to be released via Dusktone after the concept album "La Proiezione Del Fuoco". This new Opus is a set of moods that wink to the past works of this one man band but also to a "new" way of songwriting and style choices.

"Caurus" is not a concept album per sé but the songs share the same figurative roots which are wind, water and ground. Those three elements are used as metaphors to tell about the beauty, ties and boundaries that an island like Sardinia may rapresents and how difficult but marvelous at the same time could be to live in such a magical place. It tells about efforts, love, pain, courage, darkness and light.
"Caurus" is about life.

deluxe digipack / slipcase + 12 page booklet

Almost five years after the release of their latest long-player "Through the Darkness" mexican oppressive black metal institution BLACK HATE announce the release of their new effort, "Altalith" out in July 2020 via Dusktone.

the whole album draws the listener into a void of interweaving beauty, coalescing with paralyzing dejection that leaves nothing but the desire of total immersion, BLACK HATE prove their versatile musical identity once again and that the modern blend of deadly black metal is flowing through their veins.

The third world has arrived, the old scriptures of Sumeria has been set on fire, and the holy names has been named, now is time for Ascension, now is time for redemption,
Ir./Kalla is the disintegration of all existing knowledge, the purest form of human redeem , when the Nergal's voice resonates and the trumpets starts to sound , Ir./Kalla will complete the seventh gate.

Four long years since the last album "los tres mundos" have passed and finally Black Hate are back with a new sound masterpiece entitled "Through the Darkness".

This album Evokes the great power of Enki and Nammu Worships the greatest mother with seven tracks in conspiration against the human being.
The new Black Hate work is a Cvlt to the great Namma and the ancestral gods.
Bringing Back The forgotten word of Enki, this album is The purest representation of the Dark legacy and the continuation of Los Tres Mundos album, but in the most obscurece form.

Urushdaur ritual for purification Through the flames, only the fire can Bring us Back.

The power, the darkness and the magical introspection are the ingredients of this new chapter of the most important Mexican black metal band. You cannot miss it.

w/16 page booklet