Vinyl

New Jersey malevolents FUNEBRARUM uncloak their third full-length; the sheer magnitude of “Beckoning The Void Of Eternal Silence” rains down world-ending Doom tenebrosity with searing scowls of Death Metal assailment.

With a perturbed atmosphere writhing around the entire record, the pulsation of which “Beckoning The Void Of Eternal Silence” breeds is an expertly calculated Deathdoom craftsmanship and yet emitting at times a surreal bridging between extreme genres in orchestra-like precision. The core DNA of FUNEBRARUM has remained intact albeit the exalted darkness have shaped themselves to be cut from a different cloth.

Gold Black Smoke LP

8 previously unreleased songs — 7 new studio recordings and one live track.

Guest appearance by Shagrath (Dimmu Borgir) and Sakis Tolis (Rotting Christ) — a historic convergence of extreme metal's most iconic voices.

Formed in Gdansk, Poland in 1991, Behemoth are one of the most important and inffuential extreme metal acts of all time. Fronted by the visionary Adam Nergal Darski, the band have spent over three decades pushing the boundaries of black and death metal — building a global fanbase through uncompromising artistry, incendiary live performances, and a catalogue of landmark records. From their first Billboard 200 entry with The Apostasy (2007) to the record-breaking No. 34 debut of The Satanist (2014) — one of the highest-charting black or death metal albums in Billboard 200 history — through to The Shit Ov God debuting at No. 1 in Poland and No. 19 in Germany in 2025, Behemoth stand as both commercial titans and true underground icons. Their live pedigree is equally formidable: the band shared the stage with Slayer on multiple occasions during the legendary farewell tour, including the North American and Australian legs.

I, Scvlptor is an exclusive release from Behemoth featuring 8 previously unreleased songs — 7 new studio recordings and one live track. It is an autonomous body of work that bridges the band's foundational past with their present creative fire. The release features brand-new studio material embodying the full force of Behemoth's live energy and intensity. Two tracks — Rise of the Blackstorm of Evil (from The Return of the Northern Moon, 1992) and In Thy Pandemaeternum (from Pandemonic Incantations, 1998) — are newly re-recorded versions of early Behemoth material, reshaped with modern sonics while preserving their original spirit; a tribute to the bands who had a huge inffuence on Behemoth: “In League With Satan” (originally by Venom, feat. Shagrath of Dimmu Borgir) and “The Return of Darkness and Evil” (originally by Bathory, feat. Sakis Tolis of Rotting Christ). Available on CD, LP, MC and Limited Edition Box Set.

"I, Scvlptor is Behemoth's latest full-length release — an autonomous work that bridges our past with what is new and fresh. It features brand-new, previously unreleased tracks that embody the full force of our live energy, intensity, and the flre that has driven this band for decades. Get ready for 40 minutes of a sonic pilgrimage forged at the highest level!" — Nergal, Behemoth

8 previously unreleased songs — 7 new studio recordings and one live track.

Guest appearance by Shagrath (Dimmu Borgir) and Sakis Tolis (Rotting Christ) — a historic convergence of extreme metal's most iconic voices.

Formed in Gdansk, Poland in 1991, Behemoth are one of the most important and inffuential extreme metal acts of all time. Fronted by the visionary Adam Nergal Darski, the band have spent over three decades pushing the boundaries of black and death metal — building a global fanbase through uncompromising artistry, incendiary live performances, and a catalogue of landmark records. From their first Billboard 200 entry with The Apostasy (2007) to the record-breaking No. 34 debut of The Satanist (2014) — one of the highest-charting black or death metal albums in Billboard 200 history — through to The Shit Ov God debuting at No. 1 in Poland and No. 19 in Germany in 2025, Behemoth stand as both commercial titans and true underground icons. Their live pedigree is equally formidable: the band shared the stage with Slayer on multiple occasions during the legendary farewell tour, including the North American and Australian legs.

I, Scvlptor is an exclusive release from Behemoth featuring 8 previously unreleased songs — 7 new studio recordings and one live track. It is an autonomous body of work that bridges the band's foundational past with their present creative fire. The release features brand-new studio material embodying the full force of Behemoth's live energy and intensity. Two tracks — Rise of the Blackstorm of Evil (from The Return of the Northern Moon, 1992) and In Thy Pandemaeternum (from Pandemonic Incantations, 1998) — are newly re-recorded versions of early Behemoth material, reshaped with modern sonics while preserving their original spirit; a tribute to the bands who had a huge inffuence on Behemoth: “In League With Satan” (originally by Venom, feat. Shagrath of Dimmu Borgir) and “The Return of Darkness and Evil” (originally by Bathory, feat. Sakis Tolis of Rotting Christ). Available on CD, LP, MC and Limited Edition Box Set.

"I, Scvlptor is Behemoth's latest full-length release — an autonomous work that bridges our past with what is new and fresh. It features brand-new, previously unreleased tracks that embody the full force of our live energy, intensity, and the flre that has driven this band for decades. Get ready for 40 minutes of a sonic pilgrimage forged at the highest level!" — Nergal, Behemoth

Transparent red smoke effect heavy vinyl

Now in their 37th year of blasphemous brutality, Finnish Black Metal iconoclasts ARCHGOAT remain one of the most single-minded and relentlessly visceral bands in extreme music.

New album "Nightbringer, Lightbringer" once again taps into the guts of ancient evil to unearth a noxious stench of horror. Undiminished and eternal, the band's patented synthesis of mystical first wave Black/Death Metal, Punk hostility, primal Thrash and bestial Grindcore is destructive as ever in its magickal raw power.

This time around a slightly less-dank production ensures each putrid note is assimilated and felt. Mind-altering atmospherics and cryptic synth embellishments remain a feature, with some grandly melodic leads and – gasp – lower gain arpeggios in place for fleeting relief before the returning waves of pummelling satanic violence.

Uncompromising, unaffected, unbowed, and capped with another inimitable cover from the legendary Chris Moyen, this is pure ARCHGOAT: corrupted, devastating and - considering the dissolving certainties around us - still necessary.

Recommended if you like: BLASPHEMY, BEHERIT, HELLHAMMER

Opaque red smoke effect heavy vinyl

REISSUE.

After 20 years the legendary debut album from Finnish iconoclasts ARCHGOAT remains an unstoppable and irresistible demonstration of angel-ripping Black/Death Metal profanity.

These initial ten blasphemies hailed the rising darkness, welcomed the Luciferian unlight and inaugurated ARCHGOAT's relentless ongoing black crusade against the religion of the weak. Filthy and grimy in the best tradition of venom-encrusted sacrilege, "Whore Of Bethlehem" expresses ruthless contempt for all things holy - sneering openly at Golgotha amid a torrent of trampled crucifixes and weeping, violated archangels. A dark, ritualistic symphony of impurity, "Whore Of Bethlehem" is a single-minded and destructive masterpiece of twisted black Art to snuff out all the light.

Recommended if you like: BLASPHEMY, BEHERIT, HELLHAMMER

ORANGE BLACK MARBLE VINYL

"If the Werewolves aesthetic is violence, then Faustian's is fear and horror"...

Australian black metal force, Faustian, have been referred to as a super group of the Antipodean extreme metal scene; the members of this formidable three-piece having set their demons loose with the likes of Werewolves, The Berzerker, The Amenta, The Antichrist Imperium, Psycroptic, Abramelin and more. However, when confronted with the atmospheric, majestic inferno that is the sound of Faustian, whatever else its creators may have achieved is inconsequential - nothing else matters beyond experiencing the firestorm they unleash in this particular incarnation to its fullest enticing, exhilarating, unnerving extent. With a new deal signed with Apocalyptic Witchcraft, the band are now prepared to unveil their latest collection of unholy hymns. Following in the scorched earth wake of 2023s We Come As Angels, Faustian present Parable Of The Sewer…

From the first, breathless assault of 'I Curse You', with its storm torn atmosphere, dramatic darkness and furious speed, to the warped denouement of 'The Rot Shall Inherit The Earth', a sickly melodious foretelling of putrefaction and degradation, Parable Of The Sewer careers through fear-filled twilight and tenebrous realms of profane secrets. A combination of powerfully evocative lyrics and soul scarring music creates an unequivocal, yet irresistible invitation to damnation. From the indefatigable velocity of the wicked 'Cephalophore' to the precision guitar patterns and chanted revelations of 'Immaculate', the cruel, haunting and surely damned 'We Do Not Use Names Here' to the cold menace of 'Tenements (Only The Wicked Walk In Circles), steeped in the sweat and stench of terror, every moment of Parable Of The Sewer is a masterful expression of black metal art. Sinister and insidious, overwhelming and darkly glorious, walking the edge of a sacrificial blade between repulsion and temptation, Parable Of The Sewer is music at its most potent and dangerous.

The malevolence of Faustian will be unleashed once more on July 24th, as Apocalyptic Witchcraft present Parable Of The Sewer on Limited Edition Splatter Vinyl, Digipak CD. The return of darkness and evil is upon us.

Eight years on from their last album, The Forty Five, Scotland’s Cnoc An Tursa have returned with an evocative tribute to the history, the folklore, the unique magic of their homeland. With their characteristic blend of fierce black metal and traditional melodies they have conjured up a set of songs that bring together mourning and defiance, mystery and fear, pride and passion. It is rare for a band to return from years of silence with an album that represents a new creative peak in their story, but with A Cry For The Slain that is exactly what Cnoc An Tursa have achieved. Speaking about their aims with this album, the band have said,

"With this new album we feel like we are going back to our roots with a more guitar driven style and bringing back some of the folk elements musically and lyrically which was the original inspiration for the band."
And by looking back they have found the way forward, reigniting their fire and forging an album that will resonate through the years to come.

‘Na Fir Ghorma’ with its haunting guitar notes and sense of dignity and sorrow opens the door to A Cry For The Slain, ushering you into the furious opening blast of ‘The Caoineag’. Steeped in bardic tradition and storytelling this majestic track introduces the listener to a highland banshee who foretells death and tragedy and sings her laments beside the deep lochs and chill waterfalls. With the Caoineag’s song atmosphere rises like mountain mists, enshrouding and transporting while the captivating melodies conjured by Cnoc An Tursa lead us into a different world. ‘Cailleach And The Guardians Of The Seven Stones’ is a magnificent, sweeping tribute to the goddess of winter who shapes the landscape with her hammer, the ghost of Thin Lizzy’s ‘Emerald’ dancing in its Gaelic reels. A stunning guitar solo adorns the multifaceted track that captures the power, allure, mystery and terror of the blood thirsty ‘Baobhan Sith’, while the thundering energy of ‘Am Fear Liath Mòr’ takes you to the mountain passes of the Cairngorms, haunted by a giant presence…“I can hear the footsteps behind me, I can see the Big Grey Man”… And nestled amongst all the stories and ‘Address To The Devil’s epic dark poetry, we find first single, ‘Alba In My Heart’ – a pledge of allegiance, a song of devotion to Cnoc An Tursa’s beloved Scotland. There’s a raised fist and a strength of spirit in the blood stirring melodies and the rolling rhythms, in the riffs tumbling down like mountain streams. The authenticity of emotion in this song is undeniable. By the time ‘The Nine Maidens Of Dundee’ leads us down from the peaks once more, with a head full of dreams and a belief that magic may still exist in the less travelled glens of the northlands, the sheer power of Cnoc An Tursa’s return has become abundantly clear. A Cry For The Slain is a breathtaking album, a beacon burning in the night of mundane modernity, calling to those of us who want more than we’ve been sold.

Black LP limited to 300 copies
 

Gatefold, black flood print, with insert!

Marble vinyl

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Gatefold, black flood print, with insert!

Black vinyl

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