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Demonic steel for the hungry and damned souls of inferno.
Hear the demon's speak through the riffs and please your metal thirsty mind and soul.

7th deadly sin right here, right now!
Total BLACK & THRASH attack ! The very best album from the band !

Jewelcase CD edition with a 12 page booklet 145g art paper, sealed.

By now, GOATS OF DOOM should require no introduction. Since their formation in 2008, they've remained one of the Finnish underground's best-kept secrets, largely because of a somewhat misleading moniker, but make no mistake: GOATS OF DOOM are 100% black metal through and through. Their stout catalog has seen the band develop from a synth-based style of black metal during their first three albums; then, with an expansion from a trio to quintet, GOATS OF DOOM truly began their ascent with 2018's Rukous, where an uptick in aggression melded with the mysterious atmosphere of old. Aligning with PURITY THROUGH FIRE in 2020 for Tie on hänen omilleen, GOATS OF DOOM finally seemed to have gotten their due or at least raised their profile - not for nothing, that, as Tie on hänen omilleen was arguably the band's most powerful 'n' poignant record to date. But, a year later came the eclipsing Shiva, where they unloaded anthem after anthem, proving that the metal can be kept firmly within black metal without sacrificing its mystical powers.

Following something of a respite - unusual for the band, given the feverish release rate at which they operated since 2015 - GOATS OF DOOM return refreshed and recharged with INRI. The Finns' seventh full-length thus far, INRI is a rather unique entry in their gem-laded catalog: initially beginning as a disarmingly raw affair, the album soon opens up into a bountiful feast of alternately asskicking / ethereal black METAL. GOATS OF DOOM unload the entirety of their arsenal here - charging-hard speed, Bathorian gallop, medieval triumph, and pagan hymnal, all with a pronounced emphasis on melancholic, distinctly Finnish melodicism - and really give rise to heroic heavy metal leads, which seem strangely out of character for cold & raw black metal, but their burning-hot touch eventually melts the ice and floods the heart with emotion or at least reflection. The cleaner, choir-style vocals also aid this lateral move, imbuing INRI with a soaring / ascending sensation - or, again, ethereal in many senses of the word - that's absolutely perfect for the album's unique production style. As ever, when GOATS OF DOOM wanna get going, they kick ass with the best of 'em and exude charisma every step of the way; it's just that they're here able to incorporate more acoustic passages without losing steam, which also goes for album's track sequence, closing out the latter third of it in epic fashion. Thus, INRI is yet another triumph of ANTHEMIC black metal heroism: bow before these GOATS of greatness!

A forgotten tale, long buried beneath the snows of time, is about to be retold. “Midvintersagor” (‘Midwinter Sagas’) is the first music ever composed by Örnatorpet, a landmark in both personal and artistic discovery. Originally self-released in a small cassette run, this unaltered reissue allows listeners to experience the album exactly as it was conceived – pure, unrefined, and brimming with the wonder of creation.

At its core, “Midvintersagor” is a soundtrack to an unwritten legend. Each track weaves a narrative steeped in medieval fantasy, channelling the essence of forgotten folklore and the grandeur of winter’s stillness. Inspired by the interludes and atmospheric passages of 90s black metal, Örnatorpet sought to craft an instrumental world as evocative as the landscapes of his native Sweden.

Since its inception in 2018, Örnatorpet has become one of the foremost torchbearers of dungeon synth. With no formal musical training, he followed only instinct and inspiration, carving out a path that has since led him to the forefront of the genre. “Midvintersagor” is where that journey began – an unpolished gem gleaming with the spirit of discovery, now unearthed for a new audience to behold.

For over a decade, Nechochwen has bridged the gap between history and mythology, folklore and personal journey. With “spelewithiipi”, the West Virginian duo returns to their earliest roots – trading the weight of distortion for the delicate power of dark folk.

“spelewithiipi” is the sound of rivers that remember, of trails worn by centuries of footsteps, of stories whispered through leaves and stone. Nechochwen weaves rich acoustic instrumentation with an immersive sense of place, crafting melodies steeped in the Eastern Woodlands’ indigenous past. Echoes of Nest, Tenhi, and October Falls resonate throughout, but the heart of the album belongs to the Ohio River Valley – the spelewithiipi, the Big Turkey River – its wild beauty flowing through every note.

This is an album of patience and reverence, composed slowly over eleven years, gathering shape and meaning. It is a tribute to forgotten pathways and the wisdom they carry. From the spectral visions of “othaškwa’alowethi behme” to the contemplative stillness of “Precipice of Stone”, each piece is a portal – to memory, to mystery, to the primordial pulse of the land itself.

Nechochwen is an artistic force dedicated to preserving the past through sound. With “Kanawha Black”, the West Virginia duo delves deeper into the folklore, war, and generational wisdom of Appalachia, transforming history into music that is both urgent and timeless. This is an album shaped by the land itself – its rivers and ridgelines, its battles and buried secrets, its ghosts and forgotten voices.

Melding intricate folk passages with the might of black metal, “Kanawha Black” is a work of contrasts: the tangible and the spectral, history and legend, past and present. The doomed last stand of Chief Cornstalk in “I Can Die But Once” and the ancestral scars of “Generations of War” stand alongside the mythic – the great horned serpent of “The Murky Deep”, the strange omens of “Visions, Dreams, and Signs”, and the meditative “A Cure for the Winter Plagues”, a tribute to nature’s quiet resilience. The further one listens, the more the lines blur, until history and folklore become one.

More than an album, “Kanawha Black” is a testament to the unbroken lineage of Appalachian customs and indigenous tradition. With this reissue through Nordvis – now available on CD for the first time – its themes remain as vital as ever, offering new listeners a chance to step into Nechochwen’s world.

This edition also includes two bonus tracks: “Eastern Hemlock Medicine Song”, appearing on physical format for the first time, and “Across the Divide (Acoustic Version)”, making its debut release.

Black vinyl, 12-page 12“ booklet, A2 poster.
Founded in 1994 and laied to rest in 2012, LUNAR AURORA during their existence released 9 full length albums, two demos and some split releases with SECRETS OF THE MOON, PAYSAGE D‘HIVER and NORDLYS.
Partly atmospheric, partly aggressive but always unique and special, LUNAR AURORA created a deep and mysteries sound full of grim Black Metal with symphonic, ambient and modern classical elements.

After the picture-disc edition in 2024, we are proud to now offer you an edition on classic black wax from LUNAR AURORAs last magnum opus Hoagascht too.
All lyrics are in the Upper Bavarian dialect. A Hoagascht (local varieties include Hoangartn, Huigert or Hoimgarta) is a term usually used in southern Germany and Austria for a local musical gathering featuring folk musicians.
This album was originally released in 2012 by Cold Dimension Records and marks the end of the band and the cooperation between Whyrhd and Aran.

Founded in 1994 and led to rest in 2012, Lunar Aurora released during their existence 9 full length albums, two demos and some split releases with Secrets Of The Moon, Paysage D‘Hiver and Nordlys.
Partly atmospheric, partly aggressive but always unique and special, in their active years Lunar Aurora created a deep and mysteries sound full of grim Black Metal with symphonic, ambient and modern classical elements.

In the coming months, Darkness Shall Rise Productions will release all of the bands releases in a special deluxe Pic. LP edition, including sleeve, 12-page inserts with new liner notes, poster, download-card etc.
To start with this amazing project, we decided to first release the great and highly appreciated final output Hoagascht from 2012 and the bands grim and majestetic 7^th album Mond from 2005.

Vinyl-Masters were done again by Patrick W. Engel at Temple Of Disharmony.
There are no plans to make a vinyl-box (unlike a tape box which will definitely come later) with all albums, so all these Pic. LP releases will be only available as stand-alone releases.

Black LP with 12-page booklet and poster.

Picture LP with 12-page booklet and A2 poster.

Founded in 1994 and led to rest in 2012, LUNAR AURORA during their existence released 9 full length albums, two demos and some split releases with SECRETS OF THE MOON, PAYSAGE D‘HIVER and NORDLYS.
Partly atmospheric, partly aggressive but always unique and special, LUNAR AURORA created a deep and mysteries sound full of grim Black Metal with symphonic, ambient and modern classical elements.

Originally released in 2001 by Ars Metalli, this fourth album by LUNAR AURORA will now be re-released in it’s original layout on black wax and picture-disc.
Recorded and mixed at Tonstudio Hörnix (ABIGOR, SUMMONING..) Ars Moriendi is an aggressive, wayward and majestic album which impressively confirms that there was also unique Black Metal art from Germany in the early 2000s.

Black LP with 12-page booklet and A2 poster.

Founded in 1994 and led to rest in 2012, LUNAR AURORA during their existence released 9 full length albums, two demos and some split releases with SECRETS OF THE MOON, PAYSAGE D‘HIVER and NORDLYS.
Partly atmospheric, partly aggressive but always unique and special, LUNAR AURORA created a deep and mysteries sound full of grim Black Metal with symphonic, ambient and modern classical elements.

Originally released in 2001 by Ars Metalli, this fourth album by LUNAR AURORA will now be re-released in it’s original layout on black wax and picture-disc.
Recorded and mixed at Tonstudio Hörnix (ABIGOR, SUMMONING..) Ars Moriendi is an aggressive, wayward and majestic album which impressively confirms that there was also unique Black Metal art from Germany in the early 2000s.