€0.00
Your cart is empty
Your cart is empty
Back in stock - Extreme Metal and Dark music
Thyrane was originally formed in 1994 when Blastmor, the mastermind of the band, and two other musicians began playing their first chords of blasphemy. After writing some songs and going through several changes within the line-up, Blastmor finally found the dedicated guitarist Daemon and bass player R. Grönholm in 1996, and so the banner of evil was finally raised high. In 1997, Thyrane’s music evolved to a higher level and it became apparent that the band needed a second guitarist: Avather joined and so Thyrane entered Tico-Tico Studio in the following December and their first satanic attack was created in the form of the incredible “Black Harmony”-demo, which led to a deal with Woodcut Records, who re-released the demo on CD. Thyrane’s first full-length, “Symphonies of Infernality”, also recorded and mixed at the Tico- Tico Studio, was released in 1999. After finishing “Symphonies of Infernality”, R. Grönholm left the band due to personal reasons. Daemon was forced to take over the bass, and Blastmor moved over to lead guitar while also handling the vocals. The band also found a session drummer to play their live gigs.
All material by Morden Demstervold (Haat, Orodruin, Old Tower etc) compiled and remastered on one LP.
Printed in 200 copies including inlay.
Track 1 - 5 originaly released on "Den svartne Spökerii" demo.
Track 6 - 9 originaly from the 2017 split release.
Track 10 originaly from the 2019 split release.
Teitanblood returns to claim underground metal’s most lawless frontier. “From the Visceral Abyss” is an all-engulfing tide of unfettered, raging chaos – where black and death metal collapse into a maelstrom of destruction. Its force is neither random nor aimless but guided by an instinct sharpened over decades.
This is Teitanblood at their most unhinged, yet wholly assured in execution. Dissonance and precision collide in monstrous, writhing riffs, underpinned by percussive violence that shifts between merciless blasting and dirge-like weight. Layer upon layer of bile-drenched vocals coil through the cacophony, forging a suffocating atmosphere of grotesque grandeur.
As ever, the album is steeped in the restless spirit of the late Finnish artist Timo Ketola, who stood as both interpreter and architect of Teitanblood’s visual world. Ketola’s oracular visions provided the scripture from which these lyrics emerged – his legacy not merely preserved but carried forth beyond the grave. The tradition of transmuting sound into imagery continues, with Dávid Glomba filling the booklet’s pages with a dense tapestry of illustrations, sigils, and hand-scribed invocations.
Spewed forth by a collective of serpents from the scorching south and sulphurous north of the Old World, Desert Psalms is an act of defiance – an offering to the lawless, the unruly, and the bright star rising in the eastern dawn.
A descent beyond the pale. Across its seven abominations, Desert Psalms drags the listener into howling darkness, where transgression and purification are one.
This is black metal in its most primal and adversarial form: venomous, unrepentant, seared in the flames of desolation. Both scourge and scripture, Desert Psalms is a baptism in bile and blood, stripping away all pretense until nothing remains but raw nerve and burning truth.
Envisioned by A.Ara of Angrenost, Desert Psalms is now manifested with the contribution of Misþyrming members Dagur Gíslason and Magnús Skúlason, Erdsaf of Angrenost, and Ólöf Rún Benediktsdóttir of Svartþoka.
1. The Last Wound 07:07
2. Painlike Paradise 05:01
3. The Chosen One 06:14
4. Blood Stainth the Temple Stones 10:33
5. Luziferion 02:32
6. Infernal Solar Vortexx 09:19
DEATHSPELL OMEGA “The Furnaces of Palingenesia” CD/LP
11 songs, 45 minutes, recorded live and mixed on analog gear, 2018
“The Long Defeat” unfolds over three parallel storylines told via three different mediums. Two in writing: the lyrics, as well as a fable. The third speaks through the artwork – two metres’ worth of maniacally detailed visions depicting the same premise its written content draws from. All three are fundamentally entwined but diverging in narrative, each complementing or contradicting the others.
4 panels digicd, 4 pages booklet.
This 2025 edition includes Chaining the Katechon and Le Diable est ma Raison.
