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• Debut release from the long running and influential blackgaze project from the San Francisco Bay Area 

7th studio album of the most influential black metal band of all time.
"Liturgy of Death" delivers over 45 minutes of brand-new music and doubles as a long-awaited 40th anniversary celebration, tracing the band’s legacy since their formation in Oslo in 1984 and reaffirming their status as the pioneering force of the global black metal scene

Burrowing into swirling, surreal and nightmarish scenarios, STRIGIFORM is a new entity from the void, exhibiting members of VERTEBRA ATLANTIS, AFRAID OF DESTINY and THIRST PRAYER, among the others. The Italian band's debut album, Aconite focuses on an intricate and incisive approach to songwriting, characterized by unorthodox riffs and a particular attention to the internal dynamics of the tracks, in order to maximize their impact.

Nietzsche's Zarathustra created the mountain beneath him where he could only teach himself. He went down among the people in this infinite joy. But still he returned and plunged into the Gogolian depths of desperation. He left his work to the world, just as Gogol let the dead souls be lost among the flames. Joy and loneliness were both present on the mountain, where Zarathustra finally found nothing but himself.

Guitarist and singer Heljarmadr (Dark Funeral) expressed his thoughts: “Flame Of Hephaestus” is the first single from our new album Lycaon. We feel that it is a good representative for the album and it carries an intensity that kinda connects it with our last album Väsen. It serves as a natural bridge, if you will.

Flame Of Hephaestus brings us back to our early days, when we were including more influences from Greek mythology, alongside the ancient Scandinvian cult. It is therefore also quite suitable that Lycaon was mixed and mastered in Greece. Mixed by Terry Nikas and mastered by George Nerantzis”.

The Flame Of Hephaestus artwork was created by Italian artist Roberto Toderico, while the B-side, ”Stella Polaris”, is a single exclusive instrumental track, written by guitarist Maugrim. This is his first contribution for Grá as a composer.

Numbered copy of 5 manufactured

North American fans may consider ordering this vinyl from Out of Season, they will have one exclusive color (bone white vinyl).
Please note: we will not accept cancellation requests for this reason... so if you order from us, the label, this galaxy vinyl edition you will get it from us.
All shipments to USA are Duty Delivery exempt!

'Masks of the Magi' Trilogy, opus II

THE OUTSIDER 

The dreams die and the firmament drowns. Amidst the ashes of a dead forest rises a solitary kingdom. These towers breathe the blackest of magic…

Old Sorcery is a dungeon synth / black metal project from Lahti, Finland, born in 2017 from the ever-creative mind of Juuso “Vrajitor” Peltola (Warmoon Lord, Argenthorns, Vrajitor’s Tenebrarium and many more), which is now in the middle of a trilogy of releases shared between labels Out Of Season and Avantgarde Music.

The Outsider is the second part of this fantasy concept, which here blends dungeon synth with the more atmospheric and escapist part of black metal.
Over 70 minutes long, The Outsider is a real journey through fabled lands and mysteries unknown.

This is the morbid sound of the 90's!
Beherit and Carpathian Forest maniacs won't resist this hellish attack of pure black metal the way it was meant to be.

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Trhä truly stands in a league of its own. The sheer volume of material, combined with its distinctive, otherworldly approach to raw black metal, makes it feel like an inexhaustible well of inspiration. Even among the genre’s most prolific anonymous acts, few manage to be this consistently innovative.

This latest album is an excellent example of Trhä’s ability to push boundaries—blazing fast, drenched in atmosphere, yet never falling into predictability. That comparison to Liturgy on track 6 is fascinating, especially since Trhä usually leans more into dreamlike, folkish textures rather than the kind of rhythmic

deconstruction Liturgy does. And that synth closer? Just breathtaking. It’s rare for a project this prolific also to feel like it’s evolving constantly.