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Iron ore red vinyl, comes with 12-page LP-sized booklet
 

The second chapter of the band's tetralogy examining the malign episodes of this past century.

'Render Unto Eden' is an altogether more somber record: here do Panzerfaust more fully work with light and shade, their darkness displaying far more hues than previously deemed imaginable. Whereas the five-song first chapter was taut 'n' terrorizing, The Suns of Perdition II likewise features five songs but in a more expansive 44-minute runtime. As such, massive vistas of molten melancholy unfold, the inexorable push-and-pull patient but persistent; layers upon layers of understanding are packed into each of these scintillating minutes. The violence is more carefully doled out, in kind, and the sum effect is nothing short of hypnotic. The Suns of Perdition II: Render Unto Eden echoes within the mind and spirit long after the record's over...

Produced and mixed by Greg Dawson at BWC Studios in Kingston, Ontario, Canada, the album was mastered by Sergei Lazar at CDM Records Studio in Moscow, Russia.

The track "Promethean Fire" features guest vocals from Maria Arkhipova of Russia's Arkona.

Throughout the "Suns of Perdition" tetralogy, Panzerfaust has managed to expand upon their distinct sound and infuse it with a clear vision and intensity. In the third act of the tetralogy, the band takes listeners on an incredibly immersive, yet harrowing journey to an outer darkness, documenting mankind's descent into collective madness and forcing listeners to face the mirror of a hideous reality, in all of its glorious terror, horror, and disgust.

The music contained on "The Astral Drain" is incredibly captivating and immediate, whilst retaining a strong sense of atmosphere. In particular, the intensity of the performances is truly something to behold. While many contemporaries may drift toward increased tempos in order to artificially create a sense of intensity, Panzerfaust have achieved songwriting brilliance in ensuring that every moment on "The Astral Drain" is filled with passion and purpose. This is all the more impressive as much of the material seems purposefully composed at a more mid-tempo, allowing for these songs to be embellished with stunning details in melody, primarily provided by guitars, vocal arrangements, effective ambient sections as well as incredibly precise and deep percussion work. Specifically, the drums manage to provide a solid foundation to these monolithic tracks, while offering stunning compositional diversity and creativity. Furthermore, the band's boldness in vocal performance and delivery enhances what would already be a captivating listening experience. As such, it is the fantastic compositional detail placed on each element throughout this record that elevates "The Astral Drain" to stand as Panzerfaust's most accomplished and ambitious work to this date, certainly warranting repeated listens.

The band's ability as songwriters are on full display here, as each song refuses to fall back on genre conventions, instead of allowing the music to develop organically, with movements in each song seeming to convulse and develop into new sections that drive the music forward. This is an impressive compositional achievement, as the shifts in musical form occur naturally, belying the fact that great effort was placed in the fluidity of the music, something that is often ignored in more "progressive" extreme metal.

As pertains to production, the band has managed to infuse these songs with depth and a strong sense of atmospherics that never drains out the main instruments. Produced by Greg Dawson at BWC Studios in Kingston, Ontario, and mastered by Sergei Lazar at CDM Records, Moscow, the sound of "The Astral Drain" is stunningly organic, whilst retaining clarity in all instrumental elements, an impressive accomplishment when considering the audible layers on display throughout the album. The production is warm and entrancing, perfectly fitting the compositions of the record.

Despite - or perhaps due to - this compositional and conceptual boldness, "The Astral Drain" is a profound black metal record, filled with sonic despair and darkness.

CD in classic jewel case with 12-page booklet incl. all lyrics, plus a designed album download card.

Composed during the pandemic-induced lockdown period of 2020/2021, "Isolation" features some of ColdWorld's most expressive compositions to date. Managing to transcend the conventional sounds pursued in what is best described as the "ambient/depressive" black metal subgenre, ColdWorld's newest sonic endeavor draws listeners into an incredibly immersive soundscape, rife with lush classical instrumentation and ethereal, yet occasionally harrowing vocals, the first of which is showcased brilliantly on the album's second track "Soundtrack to Isolation".

Clearly, this music is a truly honest and emotional representation of what the project's sole mastermind G.B. has experienced these past years. As such, the songs that comprise "Isolation" ebb and flow effortlessly, with even seemingly lengthy track durations being navigated masterfully by G.B.'s approach to songwriting and track placement. Throughout "Isolation", listeners may notice influences ranging from more traditional black metal and immensely heavy doom fused with post-rock leanings along the lines of Godspeed You! Black Emperor. Of particular note is the use of classical string instrumentation and guitar lead harmonies that harken back to early My Dying Bride. However, it is the fusion of these elements and their interpretation through the creative mind that allows to confront listeners with an incredibly individualistic sound.

The creative and diverse vocal work featuring layered clean vocals, harrowing wails, a fascinating form of what is possibly throat singing as well as profoundly deep growls give "Isolation" an unmistakable edge over many of ColdWorld's contemporaries in a rather crowded scene. As such, listeners are sure to return to these eight tracks regularly, as this work is not easily grasped in its entirety on a first listen. Although it makes a staggering first impression, this record demands to be experienced repeatedly.

The Suns of Perdition IV concludes with its ultimate offering "To Shadow Zion" - a multi-layered title fusing the definition of Zion, in the context of "a heavenly place" or "utopia" coupling with the Jungian concept of the Shadow - together forming the vile,  repressed nature of humanity with that of the sacred and of the holy. SUNS IV, in its final analysis is the last sounds of a borrowed world, where earth's last picture is painted - the terminus of all paradises lost - at Shadow Zion.

Digipak CD edition with 8-page poster booklet and album download

15 years anniversary edition.

Already in the early days „The Stars Are Dead Now“ was advanced with two additional tracks, followed by multiple re-issues showcasing the interest in this recording.CD in classic jewelcase with 4-page booklet on thick stock, decorative obi strip. Silver print on natural black card stock

Comes in deluxe 6-panel Digisleeve with die-cut inside, incl all lyrics. Additional poster-booklet on uncoated paper with artwork and liner notes.

Deluxe 4 panel digipak accompanied by a 12 page booklet with artwork and lyrics.

The fittingly titled “Passage” finds Alda further strengthening their bonds as musicians and honing their style into an even more earthen and evolved fusion of black styled metal often revered in their location, and a passionately spirited folk presence. Alda have noticeably grown as songwriters while not forsaking the roots of their core sound. It marks a vital addition not only to their own impressive catalog, but to the ever growing North American “black metal” community. Passage is an all-encompassing journey into the mountains and environs surrounding them, another monumental release combining nature oriented aspects, underground metal DIY ethic's and spirituality.

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Canadian black metal fundamentalists PANZERFAUST are not taking their upcoming tetralogy The Suns of Perdition lightly. It is their most ambitious work to date and perhaps the band’s most extraordinarily violent. The first chapter War, Horrid War is OUT NOW on CD, LP 

CD in classic jewelcase with 8-page fold-out booklet and silver prints

Granted, while ODAL's melodicism here is much more on the melancholic side, there's a uniquely uplifting aspect to it. Perhaps that's due to the lyrical themes underpinning Welten Mutter: translating to "World's Mother" in English, they deal deeply with nature are dedicated to Nordic mythology, specifically with the creation of the world(s) on earth and for the gods. As such, Welten Mutter is arguably ODAL's most pagan-oriented album, but thankfully, their version of pagan black metal safely evades all the cliches usually associated with such an appellation.

At once authentically retro and uncompromisingly adventurous, Welten Mutter stands tall as ODAL's defining statement in a world too often fixated on the "new" and frequently too blurry about the past.

Medieval Neofolk / Industrial

Here is presented for the first time ever the first proper version of the “A New Soldier Follows The Path Of A New King”, a real masterpiece from 1995. Founded in Austria in 1993, “The Moon Lay Hidden Beneath A Cloud” was a medieval martial ambient project formed by musician Albin Julius (R.I.P.) and vocalist Alzbeth. The release has been totally remastered for LP/CD for the best listening experience with a fully restored layout.