DIABOLICAL MASQUERADE
Nightwork

The startling 1996 debut album of dark atmospheric Black Metal from Katatonia mastermind Anders 'Blackheim' Nyström. 

“A work of considerable depth and power.” - Metal Archives

Ravendusk In My Heart combines fantastic imagery, which work alongside accomplished atmospherics mixed with cold Black Metal (bringing to mind the early works of Emperor). 

The album was recorded at the famous Unisound Studio in September 1995, produced by Dan Swanö and Blackheim, and mixed by Swanö (Opeth, Dissection, and Marduk).

The fourth and final album of symphonic extreme metal from 2001, from Katatonia mastermind Anders ‘Blakkheim’ Nyström. 

180g translucent gold vinyl in single sleeve with printed inner.

The second studio opus of meticulously crafted epic Black Metal from Katatonia's Anders ‘Blackheim’ Nyström. 

Released in 1997, The Phantom Lodge was the second of four albums from this symphonic extreme Metal solo-project (before the band was ended in September 2004).

Diabolical Masquerade was based primarily around symphonic/melodic Black Metal. Strong atmospheres were created through layered guitar and keyboards (and notably, flute, on this album), and Blackheim’s compositions contained more up tempo and extreme elements than those of Katatonia, with cold, dark riffs with a firm emphasis on mood, given life with strong fantasy-based lyrics.

The Phantom Lodge was a natural progression from debut album Ravendusk In My Heart; delving further into the realm of experimentation and atmospherics. 

The album was recorded at Unisound, September 1996 and was produced and mixed by Dan Swano (Opeth, Marduk, Dissection) and Blackheim.

Diabolical Masquerade was the solo-project created by Katatonia's Anders 'Blakkheim' Nyström in 1996, to let off more creative steam away from the gothic/doom metal styling of Katatonia. 

Nightwork, DM's third album, was recorded at The Sanctuary in April 1998 and produced by Dan Swan (Opeth, Katatonia) with Blakkheim.

Although a solo-project, Blakkheim enlisted the help of Dan Swan to perform the drums, as well as contributing with some keyboards and backing vocals.

Diabolical Masquerade was based primarily around symphonic/melodic black metal; creating eerie atmospheres through keyboards and utilizing more high energy & technical compositions than those of his main band, with complex patterns of riffs and hooks. This particular album saw a greater integration of synths than previously, to convey a strong horror theme. To further expand this atmosphere, cello and flute were also incorporated.