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When it was first released in 1999, Cradle to Enslave, the second EP by Cradle of Filth, offered a glimpse of the band refining and broadening their sonic identity, which would eventually lead to the creation of a distinctive genre. This collection of intense and theatrical tracks features heavy driving riffs, sweeping orchestral touches, and the unmistakable voice of frontman Dani Filth. These tracks provide an accessible introduction to the band's ornately gothic extreme metal style and remain a highly sought-after release for collectors and new fans alike. It has been re-pressed in special formats, including red and black vinyl and a recycled eco-CD.
On their tenth full-length "Aba Khan", NYTT LAND pick up the stylistic thread that they had previously woven with "Ritual" (2021). This means, the music is generally based on a foundation of current ritual dark folk to which the duo from Siberia adds elements from the native traditions of their home among other ingredients. Although NYTT LAND return to the less strict and rather popular formula with "Aba Khan", their inspiration has still come from a whole year of travelling through the vast territories of Siberia. The couple discovered new areas and got acquainted with spiritual traditions of the indigenous peoples that they met. The result of this journey is a collection of priceless treasures that has been respectfully translated into a contemporary musical language. NYTT LAND was created in August 2013 as a ritualistic Nordic folk band and driven by the musical vision of the husband and wife duo Natalya and Anatoly Pakhalenko. The couple lives in the Western Siberian town Kalachinsk that is located on the banks of River Om and crossed by the Trans-Siberian Railway. True to their often dark and mysterious subjects, the lyrics of NYTT LAND echo myth and stories from legends and historical sources. Those are told in the languages of both indigenous Siberian tribes and Old Norse, with the balance gradually shifting towards the former over time. NYTT LAND dedicate "Aba Khan" to the ancient, beautiful, and great lands of Siberia. Join them on a journey through time and space where spirits rule, shamans protect the people, and old gods whisper.
Second album of the trilogy on yellow and red marbled 12" vinyl (33 rpm) in deluxe gatefold with Pantone silver print and deluxe double sided insert with Pantone silver print.
Limited to 250 copies worldwide!
Had GREEN CARNATION never returned from hiatus, the Norwegian bards would always be remembered for completing one of the most ambitious individual epics in metal’s historic archives. However, there was one tale — or three, to be exact — that eluded them for more than three decades. Now, after reaching crushing new highs during its opening chapter, they’re descending into deeper, darker and more personal depths with part II of ‘A Dark Poem’.
If ‘The Shores of Melancholia’ set sail from a familiar place of melancholy, then ‘Sanguis’ opens with GREEN CARNATION far out at sea, fighting to stay afloat against the storm that’s raging in their minds. Over the course of nine minutes, the album’s epic title track vows to forgive and forget familial wreckage, washing away the bloody stains of the past with impassioned cleans and a chorus that radiates conviction — only for a traumatic memory to come flooding back during its doomy coda. The newfound heaviness from the first part of ‘A Dark Poem’ continues to age like a fine wine, balancing sweet meaty riffs with an underlying bitterness. “I Am Time” demands immediate recognition with a guitar melody that winds like the winds of change. But part II reveals the band at their most raw with ballads that unfold with the grace of a wilted flower.
“The end justifies the means, you’ll see”, Kjetil Nordhus sings with an eerily quiet confidence. As its final tale seeps beneath the moonlight, ‘Sanguis’ leaves fans hanging in suspense over where this trilogy will end.
For fans of OPETH, PARADISE LOST, KATATONIA, PAIN OF SALVATION.
Second album of the trilogy on black 12" vinyl (33 rpm) in deluxe gatefold with Pantone silver print and deluxe double sided insert with Pantone silver print.
1st pressing 500 copies worldwide.
Had GREEN CARNATION never returned from hiatus, the Norwegian bards would always be remembered for completing one of the most ambitious individual epics in metal’s historic archives. However, there was one tale — or three, to be exact — that eluded them for more than three decades. Now, after reaching crushing new highs during its opening chapter, they’re descending into deeper, darker and more personal depths with part II of ‘A Dark Poem’.
If ‘The Shores of Melancholia’ set sail from a familiar place of melancholy, then ‘Sanguis’ opens with GREEN CARNATION far out at sea, fighting to stay afloat against the storm that’s raging in their minds. Over the course of nine minutes, the album’s epic title track vows to forgive and forget familial wreckage, washing away the bloody stains of the past with impassioned cleans and a chorus that radiates conviction — only for a traumatic memory to come flooding back during its doomy coda. The newfound heaviness from the first part of ‘A Dark Poem’ continues to age like a fine wine, balancing sweet meaty riffs with an underlying bitterness. “I Am Time” demands immediate recognition with a guitar melody that winds like the winds of change. But part II reveals the band at their most raw with ballads that unfold with the grace of a wilted flower.
“The end justifies the means, you’ll see”, Kjetil Nordhus sings with an eerily quiet confidence. As its final tale seeps beneath the moonlight, ‘Sanguis’ leaves fans hanging in suspense over where this trilogy will end.
For fans of OPETH, PARADISE LOST, KATATONIA, PAIN OF SALVATION.
Second album of the trilogy on CD in deluxe Digipak with Pantone silver print with 16-page booklet.
Had GREEN CARNATION never returned from hiatus, the Norwegian bards would always be remembered for completing one of the most ambitious individual epics in metal’s historic archives. However, there was one tale — or three, to be exact — that eluded them for more than three decades. Now, after reaching crushing new highs during its opening chapter, they’re descending into deeper, darker and more personal depths with part II of ‘A Dark Poem’.
If ‘The Shores of Melancholia’ set sail from a familiar place of melancholy, then ‘Sanguis’ opens with GREEN CARNATION far out at sea, fighting to stay afloat against the storm that’s raging in their minds. Over the course of nine minutes, the album’s epic title track vows to forgive and forget familial wreckage, washing away the bloody stains of the past with impassioned cleans and a chorus that radiates conviction — only for a traumatic memory to come flooding back during its doomy coda. The newfound heaviness from the first part of ‘A Dark Poem’ continues to age like a fine wine, balancing sweet meaty riffs with an underlying bitterness. “I Am Time” demands immediate recognition with a guitar melody that winds like the winds of change. But part II reveals the band at their most raw with ballads that unfold with the grace of a wilted flower.
“The end justifies the means, you’ll see”, Kjetil Nordhus sings with an eerily quiet confidence. As its final tale seeps beneath the moonlight, ‘Sanguis’ leaves fans hanging in suspense over where this trilogy will end.
For fans of OPETH, PARADISE LOST, KATATONIA, PAIN OF SALVATION.
Gladium Regis was born in the early 2000s as a collaboration between Arcanist Augur Svafnir and Salinoch. The duo recorded The Dark Stronghold (2003), an unreleased demo. Though never published, the demo songs and ideas carried forward and have been later reworked for Draugr (the Italian pagan black metal band which Svafnir co-founded and fronted in 2000s).
Even before Gladium Regis or Draugr, Svafnir had been experimenting with folky synth and dark electronic compositions, collected under the demo "Svafnir – Let the Ravens Come". Years later, those early sketches became the foundation for “Kingdom” (2020), a dungeon synth release created in London as an atmospheric backdrop for tabletop campaigns. “Kingdom” served as both a resurrection of the Gladium Regis banner as a solo dungeon synth act and a bridge between past experiments and future directions. “Kingdom” received some attention and has been released as CD and MC format.
Magnitudo is a three-piece project based in Bergamo, Italy. Drawing inspiration from the cornerstones of the post/sludge scene and fusing them with a more traditional metal framework, Magnitudo crafts a sonic
assault driven by super-massive riffs and a devastating rhythmic backbone.
Fourth album by Norwegian stalwarts Nifrost. Epic and melodic black metal in the vein of Windir, Borknagar and Enslaved. With "Briseld" Nifrost are back with a powerful, clean and epic sound reminiscent of the best epic moments of second wave black metal.
Fourth album by Norwegian stalwarts Nifrost. Epic and melodic black metal in the vein of Windir, Borknagar and Enslaved. With "Briseld" Nifrost are back with a powerful, clean and epic sound reminiscent of the best epic moments of second wave black metal.
Fourth album by Norwegian stalwarts Nifrost. Epic and melodic black metal in the vein of Windir, Borknagar and Enslaved. With "Briseld" Nifrost are back with a powerful, clean and epic sound reminiscent of the best epic moments of second wave black metal.
Black Vinyl
For over 25 years now, Sargeist - led by erstwhile HORNA guitarist / songwriter Shatraug, who's arguably the most prolific metal musician of that same period - have been at the forefront of the ever-fertile Finnish black metal scene. In fact, alongside HORNA, one could say that SARGEIST are the most influential band of that scene, which has gone on to influence countless other worldwide scenes in this millennium.
As has been the way since 2018's significant Unbound full-length, which saw the arrival of erstwhile Nightbringer / Demoncy guitarist VJS among others, Flame Within Flame also sees the arrival of more new members: longtime HORNA frontman Spellgoth on bass and prolific drummer Nur-i-siyah, who's played with Nawaharjan and Decapitated Christ among others. And while that "classic" SARGEIST lineup that included longstanding co-conspirators Torog and Horns (vocals and drums, respectively) certainly set an enviably high standard, Shatraug and crew continue undaunted, arguably more invigorated than ever. Indeed, Flame Within Flame is presciently titled, for the band's spirit is unextinguishable and unquenchable, seemingly infinite in inspiration whilst remaining characteristically - and DEADLY - focused. From the album's opening seconds, this is classic, burning-with-desperation SARGEIST, but immerse thyself in its icily shimmering waters ever so deeper and one will find that there's an almost-melancholic touch to Shatraug & VJS's riff-sorcery. What results is perhaps the band's most atmospheric record to date - credit, too, to the spacious-yet-immediate production - but one still pulsing with ragged, burning-black emotion: truly, the enduring hallmark of SARGEIST's eternal aesthetic. Of especial note is Shatraug resuming vocals, which he hasn't done since the band's early demo days. Return, once again, to misery and comfort with Flame Within Flame!
Dark green LP
Following the successful launch of the comprehensive reissue campaign for the precious musical legacy of Sweden's pioneering melodic death metal band Edge of Sanity, which began in 2024, the final titles of the fourth and final chapter are now set to be released in spring 2026.
Led by the band's vocalist, multi-instrumentalist, and acclaimed metal producer Dan Swanö (Opeth, Katatonia, Dissection, Bloodbath, Nightingale, etc.), Edge of Sanity's entire catalogue has been fully remastered and partly remixed by Swanö himself. It will finally be extensively available again in several attractive versions.
Cryptic, Edge of Sanity's 1997 death metal album featuring the then-new vocalist Robert Karlsson (Scar Symmetry, Pan.Thy.Monium, Facebreaker, Darkified), who replaced Dan Swanö, is finally available again as a remastered version on CD and LP.
"Cryptic (1997) marks the arrival of vocalist Roberth Karlsson (Scar Symmetry, Pan.Thy.Monium, Facebreaker, Darkified), who took over from Dan Swanö. This remastered edition of Cryptic is now available.
The 2CD set in an O-Card includes the 8 tracks from the original album on the first CD, along with 10 bonus tracks (covers, alternative mixes, and live recordings) on the second CD."
Batushka's 2019 Opus Returns: The Liturgy of Death Re-released!
Back on Black is proud to announce the comprehensive reissue of Hospodi (Church Slavonic for "Lord"), the second full-length album from the Polish black metal phenomenon, Batushka. Initially released in 2019, Hospodi represents a more polished, melodic, and theatrical evolution of the band's signature, ritualistic sound.
Based on the Eastern Orthodox "Liturgy of Death" and traditional funeral rites, the album is a thematic journey through death and judgment. This reissue brings back the ten-track masterpiece, which blends traditional black metal (tremolo riffs, ferocious blast beats) with haunting choirs, atmospheric ambient interludes, and profound Slavic chants.
Hospodi was lauded for its dramatic production, and this reissue shines a light on key tracks like the atmospheric opener "Wozglas," the rocking-yet-menacing "Wieczernia," and the powerful closer "Liturgiya".
The UK’s Black Metal forerunners, WINTERFYLLETH make a stand with The Unyielding Season, coming March 27, 2026 via Napalm Records. Their ninth album is a social commentary wrapped in meticulously crafted poetry and prose. Where the preceding album, The Imperious Horizon (2024), described an ominous, malevolent force, lurking in the distance, The Unyielding Season now explores said threat becoming a reality. The raging wildfire to its predecessor’s calculating, icy cold, WINTERFYLLETH’s first offering for their new record label is a reflection and a rebellion against the turmoils tearing individuals apart. It is a cry against the unsustainable weight of fear and pressure being pushed into the world, by the agents of a unresting, and unyielding force for evil.
The UK’s Black Metal forerunners, WINTERFYLLETH make a stand with The Unyielding Season, coming March 27, 2026 via Napalm Records. Their ninth album is a social commentary wrapped in meticulously crafted poetry and prose. Where the preceding album, The Imperious Horizon (2024), described an ominous, malevolent force, lurking in the distance, The Unyielding Season now explores said threat becoming a reality. The raging wildfire to its predecessor’s calculating, icy cold, WINTERFYLLETH’s first offering for their new record label is a reflection and a rebellion against the turmoils tearing individuals apart. It is a cry against the unsustainable weight of fear and pressure being pushed into the world, by the agents of a unresting, and unyielding force for evil.
Uncompromising Dutch Black Metal – DOODSWENS’ sophomore album out in April via Svart Records
Doodswens is a Dutch Black Metal band formed in 2017 by I. Live she performs the drums and vocals, joined by R. & P. on bass and guitar. Doodswens translates to Deathwish, but the meaning and heavy load to the word in Dutch translates better to Driven by Death. The self-titled sophomore album by Doodswens is out on April 17th 2026.
After establishing themselves in the Dutch scene, Doodswens gained an international following doing tours with Marduk & Gorgoroth. Doodswens’ performances are ceremonial and ritualistic, which have been reported to be as uplifting as they are devastating, depending on the demons you bring them to offer. Whatever you carry with you will be exposed. They like to confront instead of bringing comfort.
Uncompromising Dutch Black Metal – DOODSWENS’ sophomore album out in April via Svart Records
Doodswens is a Dutch Black Metal band formed in 2017 by I. Live she performs the drums and vocals, joined by R. & P. on bass and guitar. Doodswens translates to Deathwish, but the meaning and heavy load to the word in Dutch translates better to Driven by Death. The self-titled sophomore album by Doodswens is out on April 17th 2026.
After establishing themselves in the Dutch scene, Doodswens gained an international following doing tours with Marduk & Gorgoroth. Doodswens’ performances are ceremonial and ritualistic, which have been reported to be as uplifting as they are devastating, depending on the demons you bring them to offer. Whatever you carry with you will be exposed. They like to confront instead of bringing comfort.
Reissue 2026 on Back on Black
Double LP, red vinyl
For the first time ever on vinyl, Beyond the Forest by American band VALDRIN receives a physical edition that fully captures the depth and atmosphere of the album.
This special release comes as a double LP in a gatefold sleeve, designed to offer an expansive and immersive listening experience.
Included is a dedicated insert featuring artwork and lyrics, allowing listeners to delve deeper into the visual and conceptual world of the record.
A distinctive collector’s detail sets this edition apart: Side D is etched with the VALDRIN band symbol, turning the vinyl itself into a striking piece of art.
One-off edition, when it's gone.... it's gone
An essential release for fans and collectors alike, finally bringing Beyond the Forest to life in analog form — not just as an album, but as a complete artistic statement.
For the first time ever on vinyl, Beyond the Forest by American band VALDRIN receives a physical edition that fully captures the depth and atmosphere of the album.
This special release comes as a double LP in a gatefold sleeve, designed to offer an expansive and immersive listening experience.
Included is a dedicated insert featuring artwork and lyrics, allowing listeners to delve deeper into the visual and conceptual world of the record.
A distinctive collector’s detail sets this edition apart: Side D is etched with the VALDRIN band symbol, turning the vinyl itself into a striking piece of art.
One-off edition, when it's gone.... it's gone
An essential release for fans and collectors alike, finally bringing Beyond the Forest to life in analog form — not just as an album, but as a complete artistic statement.
Jewelcase CD with 16 pages booklet / Official reissue, remasterd and with completely new artworks
An essential release for fans and collectors alike, finally bringing Beyond the Forest to life in analog form — not just as an album, but as a complete artistic statement.
Black 12" double vinyl, cut at 45 rpm for optimum fidelity, in gatefold.
First pressing 300 copies worldwide.
ROTTING CHRIST stand as pillars of Hellenic black metal: since 1987, the band have carved out a singular sound that merges extremity, ancient heritage, and ritualistic atmosphere. With ‘Aealo’ (2010), they reached a decisive turning point in their evolution.
This newly re-recorded edition brings renewed fire and clarity to one of the most ambitious works in their catalogue. Completely revitalised with modern production and a far stronger mix, ‘Aealo’ emerges more cinematic than ever: female lamentation choirs, martial percussion, folkloric melodies, and commanding riff-work collide in a sweeping vision of war, tragedy, and pagan spirituality. Guest appearances by Diamanda Galás and Alan A. Nemtheanga (Primordial) heighten the album’s mythic presence, while the enhanced dynamics reveal layers previously buried in the original recording.
Richer, fiercer, and more imposing, this new ‘Aealo’ amplifies every quality that made the album a modern cornerstone of Hellenic black metal.
For fans of NIGHTFALL, MOONSPELL, SEPTICFLESH, PRIMORDIAL, VARATHRON.
Comes in a jewel case CD with obi strip.
Formed in March 1989, HIDEOUS MANGLEUS quickly made their mark on the early U.S. underground through a series of raw, fearless recordings that bridged death metal, grindcore, and punk. After solidifying their lineup with Sam Biles on vocals, “Feev” on guitars, Joel “Skum” Bonde on bass, and Curt Bonde on drums, the band unleashed their now-legendary “All Your Friends Are Dead” demo in 1990, recorded at Bob McCutcheon’s studio in Penn Hills, Pennsylvania. The tape’s mix of blast-driven chaos, grotesque humor, and grimy atmosphere became a cult favorite among tape traders worldwide.
That same year brought the “We Live...” EP on Thrash Records, followed in 1992 by “Unearthing Grandma’s Grave” on Ecocentric Records, each release pushing their filthy, horror-laced sound to new extremes. Comparisons to Repulsion, early Napalm Death, and Terrorizer came naturally, yet HIDEOUS MANGLEUS always stood apart thanks to their warped personality and uniquely American sense of insanity.
By 1996, the band resurfaced with their full-length “All Your Friends Are Dead”, recorded at Rock House Studios in Belle Vernon, Pennsylvania. Containing 29 tracks of deranged deathgrind carnage, the album captured everything the band had built up to that point: breakneck speed, infectious riffs, grisly vocals, and a perverse sense of humor. Their demented take on Mötley Crüe’s “Too Fast for Love” remains a highlight, showing how the band could twist anything into their own blood-soaked vision.
CD in Digipak.
HÉR emerge from the northern shores of Poland, where five musicians converge between ritual and instinct. Their art fuses Slavic melody and Scandinavian atmosphere into a single elemental voice, echoing Norse poetry and ancient communion.
‘Monochrome’ is a meditation on presence: seven movements exploring the thresholds between stillness and force, light and shadow. Recorded at Monochrom Studio and shaped by producer Ignacy Gruszecki, the album channels the raw pulse of throat singing, the tension of bowed strings, and the weight of silence. From the hypnotic call of “Chant” to the burning ritual of “Praise the Day”, each piece unfolds like a journey through frost and fire: witness patience, strength, and reverence for all that endures.
For fans of HEILUNG, NICK CAVE, WARDRUNA, BOHREN & DER CLUB OF GORE.
Gatefold. The obscure Swedish Melodic Death Metal cult classic from 1993 for the first time ever on vinyl!!
White/red swirl w/ black splatter
After years of silence, Chile's DEATH YELL return once more, reaffirming their status as one of South America's most notorious names in death / black metal. Formed during the mid '80s in Santiago, the band forged a legacy of violence, rawness, and underground cult status, beginning with their 1989 demo Vengeance from Darkness. Though decades passed in silence, the flame never died. In 2017, they unleashed their debut full-length, Descent Into Hell, through longtime fans HELLS HEADBANGERS, cementing their place among Latin America's darkest extreme metal acts.
Now, in 2025, DEATH YELL unleash Demons of Lust, a second full-length that is violent, blasphemous, and decadently dark...just as expected! If Descent Into Hell presented what DEATH YELL could sound like in the new millennium - maturity meets maniacal rage, executed with grit and gleam, clarity and crush - then Demons of Lust goes further into the lungs of Hell. Musically, the albums deliver that classic brutality of the late '80s / early '90s underground, encased in a production that preserves rawness and ferocity, power and professionalism. Demons of Lust also shows a unique side to DEATH YELL with the subtle and well-timed usage of eerie organ, reaching a fever pitch on the unholy climax of "Conjuring Asmodeus' Seed." Surely, fans of early Morbid Angel, Sarcófago, Possessed, Sweden's Grotesque, and Chile's Pentagram will find themselves at home in this infernal journey.
After years of silence, Chile's DEATH YELL return once more, reaffirming their status as one of South America's most notorious names in death / black metal. Formed during the mid '80s in Santiago, the band forged a legacy of violence, rawness, and underground cult status, beginning with their 1989 demo Vengeance from Darkness. Though decades passed in silence, the flame never died. In 2017, they unleashed their debut full-length, Descent Into Hell, through longtime fans HELLS HEADBANGERS, cementing their place among Latin America's darkest extreme metal acts.
Now, in 2025, DEATH YELL unleash Demons of Lust, a second full-length that is violent, blasphemous, and decadently dark...just as expected! If Descent Into Hell presented what DEATH YELL could sound like in the new millennium - maturity meets maniacal rage, executed with grit and gleam, clarity and crush - then Demons of Lust goes further into the lungs of Hell. Musically, the albums deliver that classic brutality of the late '80s / early '90s underground, encased in a production that preserves rawness and ferocity, power and professionalism. Demons of Lust also shows a unique side to DEATH YELL with the subtle and well-timed usage of eerie organ, reaching a fever pitch on the unholy climax of "Conjuring Asmodeus' Seed." Surely, fans of early Morbid Angel, Sarcófago, Possessed, Sweden's Grotesque, and Chile's Pentagram will find themselves at home in this infernal journey.
Originally released in 2000 by the now defunct Lost Disciple Records, the album arrived at the tail end of a decade that shaped brutal death metal into its most uncompromising form. Burial had already made their mark with the 1998 mini-album "Mourning the Millennium," but "Enlightened with Pain" took their sound to the next level, cementing them as one of the heaviest and most unrelenting acts of their era.
From the very first moments of “Pale Shade of Humanity,” Enlightened with Pain makes its intentions clear: absolute brutality with no concessions. The riffs hit with crushing weight, built on grooving chugs and suffocating density while laced with moments of precise technicality. “Entropy” slams with unforgettable hooks, “Human Menagerie” fuses groove and aggression with razor-sharp effect, and “Repugnance” explodes with unrelenting intensity. The album closes with “Skullfucked,” a track that begins with eerie tremolo riffing before erupting into one final, merciless assault.
Black Vinyl
Emerging from the Ukrainian darkness in 2011, Kaosophia blend the raw energy of black metal with dissonant tones and emotionally resonant melodics. Their music is a sonic tapestry woven with intricate guitar riffs, powerful vocals, and haunting arrangements.
The band recorded their first demo “Towards The End” which was self-released by them in 2012 on a limited edition cassette.
2013 saw their first album “The Origins of Extinction” released on CD and cassette and the band followed up with many shows across Europe. 2017 saw Kaosophia expand and deepen their abyssal sounds even further with the monumental “Serpenti Vortex”, with lavish cover art produced by occult master artist Dávid Glomba, it rose Kaosophia to the upper echelons and forged their name as one the best and most formidable black metal acts in the scene at the time.
After a long period of silence, bloodletting and transformation, Kaosophia return with their darkest, most mature and powerful work to date. 2025 sees the return of Kaosophia with their new album “Beyond The Black Horizon”.
A dark and malevolent opus that explores themes of darkness, existentialism and the human condition. Delving deep into the complexities of the mind, the fragility of existence and Death itself.
Kaosophia preach orthodox ideas of Satanism in the most straightforward and ruthless form - total unconditional worship. Self-destruction as the overcoming of human essence and the cognition of pain to gain access to another level of reality's perception.
It is time to see the end of days and venture beyond the Black Horizon…
Emerging from the Ukrainian darkness in 2011, Kaosophia blend the raw energy of black metal with dissonant tones and emotionally resonant melodics. Their music is a sonic tapestry woven with intricate guitar riffs, powerful vocals, and haunting arrangements.
The band recorded their first demo “Towards The End” which was self-released by them in 2012 on a limited edition cassette.
2013 saw their first album “The Origins of Extinction” released on CD and cassette and the band followed up with many shows across Europe. 2017 saw Kaosophia expand and deepen their abyssal sounds even further with the monumental “Serpenti Vortex”, with lavish cover art produced by occult master artist Dávid Glomba, it rose Kaosophia to the upper echelons and forged their name as one the best and most formidable black metal acts in the scene at the time.
After a long period of silence, bloodletting and transformation, Kaosophia return with their darkest, most mature and powerful work to date. 2025 sees the return of Kaosophia with their new album “Beyond The Black Horizon”.
A dark and malevolent opus that explores themes of darkness, existentialism and the human condition. Delving deep into the complexities of the mind, the fragility of existence and Death itself.
Kaosophia preach orthodox ideas of Satanism in the most straightforward and ruthless form - total unconditional worship. Self-destruction as the overcoming of human essence and the cognition of pain to gain access to another level of reality's perception.
It is time to see the end of days and venture beyond the Black Horizon…
CD in Digipak with 8-page booklet.
Ever since they emerged from Greece’s underground catacombs, UNVERKALT have been drawing closer to the edge. The post-metal band’s third album doesn’t continue that shift so much as it plunges into the darkness that’s always waited below. While wrestling with all the weight of our accursed history, ‘Héréditaire’ now stands as their heaviest and most heartfelt offering.
UNVERKALT are still possessed by a cinematic vision for metal. As if coming into focus, lead single “Die Auslöschung” appears from behind a slow-moving haze before it’s snapped out of its trance by fiery blast beats. The band’s previous albums took cues from French painting and European film noir, but ‘Héréditaire’ throws back the velvet curtain in favor of a veil. “Oath Ov Prometheus” dismantles the myth of man as god’s perfection creation with Dimitra Kalavrezou’s freshly blackened vocals.
‘Héréditaire’ is a pulse-pounding new direction for UNVERKALT, but the album’s arc traces back to our deepest and darkest origins. Beneath a surging bass line, “Introjects” peels away beliefs that were never ours but inherited like a disease between generations. Kalavrezou’s mystifying cleans remain one of the band’s defining traits, but her contempt for those who watch the world burn is all the more heated when forged alongside Sakis Tolis from Rotting Christ on the monolithic “I, The Deceit”. “The world falls apart / And I need to stop you / Whatever it may cost”.
On ‘Héréditaire’, UNVERKALT lift the veil on our cursed existence with their heaviest and most heartfelt offering.
For fans of JULIE CHRISTMAS, CULT OF LUNA, MYRKUR, SYLVAINE.
-180gr. Black vinyl.
-350gr. Jacket. Matt lamination. Black inside flood
-LP sized insert
-Black poly-lined inner-sleeves
Metallica – ...And Justice For All
Label: Vertigo – 836062-1
Format: 2 × Vinyl, LP, Album, Stereo, PRS Pressing
Country: Europe
Released: 1988
Vinyls NM Sleeve VG+
Bootleg version released on tape.
Xerox cover / white tape.
B1 - Recorded in Grieghallen Lystudio September 1992, Previously unreleased.
B2 - First Version from the original DSP version 1992. Recorded Mid-Winter 1992 during Fullmoon of Grieghallen.
Qualche graffio sulla supericie del dischetto
(NOTA BENE, IL TESCHIO NELLA FOTO E' DECORATIVO E NON FA PARTE DEL BOX)
"The Northern Silence Years" Box-Set compiles the three albums the band released under Northern Silence Productions (which were also licensed to Nuclear Blast USA).
It is limited to 100 copies and includes:
- "Moonlover" DigiCD
- "Starmourner" DigiCD
- "Self Loather" DigiCD
- flag (100cm x 55cm with the "Reaper" artwork)
- woven logo patch
- logo metal pin
- sticker with the "Reaper" artwork
- handnumbered certificate
Gatefold embossed cover, double black vinyl
This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.
#076/102
Small cut on the sleeve, 5 mm long, on the bottom part, as they used to do back then to mark nice-price / overstock or store promo copies
Second album by Yorkshire’s White Medal. “Lyke Wake” features 9 new tracks recorded in 2015. The new songs follow on from “Guthmers Hahl” (2013) in terms of song writing and over all feeling but with a more refined sound. All lyrics in Yorkshire dialect with very personal themes of graft, death, grief, loss and paganism.
The Clearing Path is a very young and talented solo-artist recording project. 'Watershed...' was initially released only as digital, and benefits of a promotional campaign conducted by Earsplit PR, receiving a lot of web-media consensus.
It's bleak, noisy, extremely emotional, but listening to it is so easy that you won't realize you are giving it a 3rd spin in two hours without getting bored. It appeals to a wide range of extreme music fans, from black metal to Neurosis and Pelican
Comes in a radical chic essential-design digipack
Ascolta su BandCamp
Raging,repetitve yet diverse black/death metal
with a discreet yet ever present droning vibe.
Hypnotic and hysterical,channeled through the virtues
of a sharp,
strict but eventually warm sound production,
Υπνωσίνοσις provides a sonic guidance to the subsconscious and beyond!
8 panels digipack
Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).
4 panels digipack with booklet!
you can preorder it now but this is not a limited edition or anything.
will be in stock on the 2nd week of February
"This what I call imagination and talent employed to produce true art. I have chills from that song and it is followed up “Curse”, a hymn filled with almost nothing but black voices, gasps, growls, hissing, vomit-like emanations, ghost-like screams of anguish – this album is a journey I assure you. I am mentally exhausted. A brilliant release that takes many elements you have heard, many you have not and combines them in a unique way that makes this record an absolute must own."
Digipack limited to 500 Copies
Orchestral Fantasy Music / Epic Dungeon Synth
“Our goal – call to blight the life existance. Our weapon – weaknesses and vices of human scum.”
Virvel Av Morkerhatet, Ukraine: a hard atom that represents the defect of the human thought, that is multiplied by self-destruction of transcendental consciousness. Anticosmos through Black Magic.
We know you dreamt about a violent and ruthless edge of Ved Buens Ende, if we can figure this out in our minds.
This is a record that will not leave you indifferent and will nail your soul, a marvellous mix of avantgarde metal and evil fury where every second minute is unpredictable although not pushing too much over the reasonable boundaries of experimentation that every black metal band should safely keep….
Ascolta su BandCamp
Green, white and black marbled 12" double vinyl (33rpm) in deluxe gatefold with spot gloss and 30cm x 60cm poster.
Limited to 350 copies worldwide!
Hailing from the mist-clad highlands of Scotland, SAOR is a band that breathes life into history with their majestic blend of black metal intensity and Celtic folk melodies. Guided by the spirit of Caledonia, SAOR's music transcends time, echoing the ancient tales of their homeland.
Amidst the melancholy ruins and the grandeur of nature, their new album, ‘Amidst the Ruins’, majestically intertwines the past with the present. From the haunting echoes of “Glen of Sorrow” that recounts the betrayal of the Massacre of Glencoe, to the forest's whispered secrets in “The Sylvan Embrace” featuring cellist Jo Quail, each track is a portal to Scotland’s rich heritage. With “Echoes of the Ancient Land” and “Rebirth”, listeners are invited on a journey through weathered glens and ethereal hills, where each melody reveals a narrative of strength, sorrow, and renewal.
This album is a tribute to the timeless landscapes and ancestral spirits, capturing the soul of a nation in every note.
Brought forth by the Sweden-based multi-instrumentalist Matthew Bell (Autumn's Dawn, Austere live & many more), TJAKTJADÁLVVE is an Atmospheric Black Metal project now at its third full-lenght release. "Encompassing Nothingness" perfectly blends the sorrow of depression-tinged black metal with the coldness, thrill and melancholy of its atmospheric kind, guiding the listener through his low-paced and synth-driven scenarios. With a neat production and dreadful vocals, the musical journey that this album encloses can't reward the listener more than so.
FFO: Woods of Desolation, Austere, Panopticon, Mesarthim.
Concept album: a path through our being. The journey of an introspective oneironaut and through the oobe. The ancestral visions, the expansion of human perception through the astral travel. Sounds and experiences that cross the mind and the body of the astral traveler. The sound experience brings the listener to cross the astral portal. The cosmic nebulose cross our mind. Through the light everyone can perform his journey, its life, its rebirth and its eternal astral journey.
On their fourth full-length album, Italian post-black metal duo Falaise keep exploring introverted feelings of isolation and loneliness, conducted through waves of raging black metal and dreamy melodies devoted to the greatest luminaries of post-rock and blackgaze. "After All This Time" is an album of primal intensity, a research on intimate alienation by a band at the peak of their craft.
This edition of Transilvanian Hunger marks the album’s 30th anniversary, and is presented on limited black/white corona vinyl, including a vinyl audio master more in line with the original, courtesy of Patrick Engel at Temple of Disharmony, Feb 2024
The traditional three year wait is over, and Hoest has now completed the sixth Taake album.
"Stridens hus" takes the unique Taake sound and develops it further.
Still true to the spirit of the old Norwegian Black Metal, Hoest breathes new life into the genre by introducing different elements that ensure the sound remains fresh and relevant. Some parts are more groove and rock orientated, whilst some have a distinctly punk attitude. However, this is still unmistakably Taake and, as always, we're treated to a varied album with intense, unique and unpredictable dynamics.
German PRAG 83 delivers mellow, sublime and dark alternate folk – rugged to the bone and close to earth. Musically unique with elements that reminds of the Katatonia´s ”Discouraged ones” era but also not far away from the works by the northern woodsmen of Lönndom
Katla is an Icelandic band featuring ex-Sólstafir drummer and visual artist Guðmundur Óli Pálmason and singer/multi-instrumentalist Einar Thorberg Guðmundsson (Fortíð, Potentiam). Named in tribute to one of Iceland's greatest active volcanos, Katla creates powerful, panoramic music where shimmering guitars, crushing melodies and atmospheric density meet dark, entrancing power.
Katla's debut album, "Móðurástin", shines a spotlight on the band's hook-heavy, horizon-stretching sound. The lyrics tell tales of living in a country of contrasts; a land where fire and ice co-exist and dark winters are offset by the summer's midnight sun. Iceland: a country where insular existence has spurred a rich and vibrant culture.
"Móðurástin", Icelandic for (a) Mother's Love, might seem like a strange title for a metal album, but Katla dares to be different. What on Earth is stronger than a mother's love? Nothing. Not hate, not lust, not greed.
First press on digipak. Long sold out
Disc: absolutely mint never played, Digipak: VG+
Through time and space, a spirit that won't show face. The living man will feel, but the spirit do not kneel. Cause I am not it`s master, it controls everything that grows faster. Three and man is equal out through the sequel. Treat this with respect, the force will protect.
Eldamar Is heavily inspired by the North lands nature Power. Look at it as a journey, and drift away in your own dreams.
Qualche graffio sul dischetto
Black Metal/Ambient from Norway
