The actual Album plus the 4 songs from the 2010 Split release with Sapthuran.

Since 2005, Greece's SAD have been a madly prolific bastion of pure 'n' cold black metal. Their canon is vast and varied - VERY relatively so, given that this is all-caps BLACK METAL after all - with the longstanding duo of instrumentalist Ungod and vocalist Nadir exploring the darkest corridors of their souls every step of the way. They did so across a half-dozen albums for such esteemed labels as Drakkar, Obscure Abhorrence, and Old Temple among others as well as a dozen splits, but then joined forces with PURITY THROUGH FIRE in 2020 for the release of their seventh album, Misty Breath of Ancient Forests, and again in 2023 for Black Metal Craft.

Proudly remaining in the PURITY THROUGH FIRE stronghold, SAD return with their ninth(!) album, Fullmoon's Bestial Awakening. While its title might be something of an aesthetic misnomer - this is NOT bestial metal, thankfully - Fullmoon's Bestial Awakening does keep intact the nastiness of Black Metal Craft, making for a complementary record to its cantankerous predecessor. SAD here are characteristically unconcerned with anything in "black metal" during this millennium, still harkening to the glorious late '90s heyday of Sombre Records or the aforementioned Drakkar and yet tempered with the wisdom & resolve surely established by a band who've been around 25 years now. No more but definitely no less, Fullmoon's Bestial Awakening is raw & ripping orkishness shot through with a touch of the melancholic but all stirred malevolently, where hypnotic speed - cruise, gallop, headbang, or any combination thereof - often rights itself into something somewhat regal or at least triumphant. And just like that not-inconsiderable predecessor, SAD's ninth full-length similarly stretches toward the epic, encompassing eight songs in 55 minutes of righteous obsidian splendor. Cold, old, and still no surrender!

comes with an insert card and a poster size A2
galaxy grey vinyl

Black Vinyl 

comes with a poster (size A2) and an insert with complete lyrics

Silver 12" vinyl (33rpm) in gatefold.
Limited to 250 copies worldwide.

Formed in Ukraine, DRUDKH have long shaped a body of work defined by atmosphere, patience, and inner exile. Their music consistently privileges emotional continuity over exposition, drawing strength from restraint and repetition.
‘Thaw’ stands as a direct continuation of the album ‘Shadow Play’, conceived during the same creative period and sharing its emotional and thematic foundation. Rather than expanding outward, the EP turns inward, presenting three compositions that function as a distilled appendix to the album’s world. ‘Thaw’ explores transition as instability, as a moment where movement begins while the surrounding landscape remains frozen. The songs unfold slowly, marked by suspended melodies, unresolved structures, and a heightened sense of stillness. Themes of memory, liminality, and fragile transformation are allowed to surface without emphasis or climax.
The EP’s reduced scope sharpens its focus, rewarding attentive listening and quiet immersion.

For fans of HATE FOREST, BURZUM, AGALLOCH.

Black 12" vinyl (33rpm) in gatefold.
First pressing 450 copies worldwide.

Formed in Ukraine, DRUDKH have long shaped a body of work defined by atmosphere, patience, and inner exile. Their music consistently privileges emotional continuity over exposition, drawing strength from restraint and repetition.
‘Thaw’ stands as a direct continuation of the album ‘Shadow Play’, conceived during the same creative period and sharing its emotional and thematic foundation. Rather than expanding outward, the EP turns inward, presenting three compositions that function as a distilled appendix to the album’s world. ‘Thaw’ explores transition as instability, as a moment where movement begins while the surrounding landscape remains frozen. The songs unfold slowly, marked by suspended melodies, unresolved structures, and a heightened sense of stillness. Themes of memory, liminality, and fragile transformation are allowed to surface without emphasis or climax.
The EP’s reduced scope sharpens its focus, rewarding attentive listening and quiet immersion.

For fans of HATE FOREST, BURZUM, AGALLOCH.

CD in 6-page Digipak.

Formed in Ukraine, DRUDKH have long shaped a body of work defined by atmosphere, patience, and inner exile. Their music consistently privileges emotional continuity over exposition, drawing strength from restraint and repetition.
‘Thaw’ stands as a direct continuation of the album ‘Shadow Play’, conceived during the same creative period and sharing its emotional and thematic foundation. Rather than expanding outward, the EP turns inward, presenting three compositions that function as a distilled appendix to the album’s world. ‘Thaw’ explores transition as instability, as a moment where movement begins while the surrounding landscape remains frozen. The songs unfold slowly, marked by suspended melodies, unresolved structures, and a heightened sense of stillness. Themes of memory, liminality, and fragile transformation are allowed to surface without emphasis or climax. The EP’s reduced scope sharpens its focus, rewarding attentive listening and quiet immersion.

For fans of HATE FOREST, BURZUM, AGALLOCH.

For the first time in more than 20 years, we present the official represses of one of the rarest albums from Sweden, Blodsband (Blood Religion Manifest) by the legendary Sigrblot.
Originally released in 2003, this masterpiece of melodic and fierce Swedish Black Metal has been long sold out since ages and will be finally repressed on all formats.
These deluxe editions include a majestic gatefold, poster and all the best features you can expect quality wise.
Officially licensed by Nordiska Förlaget (P & C) 

4 panel digipak CD, thick INSIDE OUT cardboard and BLACK FLOOD, 12 PAGES BOOKLET and GOLD CD.

For the first time in more than 20 years, we present the official represses of one of the rarest albums from Sweden, Blodsband (Blood Religion Manifest) by the legendary Sigrblot.
Originally released in 2003, this masterpiece of melodic and fierce Swedish Black Metal has been long sold out since ages and will be finally repressed on all formats.
These deluxe editions include a majestic gatefold, poster and all the best features you can expect quality wise.
Officially licensed by Nordiska Förlaget (P & C)

180g LP, 7mm spine printed on 350gsm cardstock GATEFOLD jacket with BLACK FLOOD, UV SPOT and thick A2 POSTER with UV SPOT.

For its 30th year anniversary here comes the first proper LP reissue of Svartfråd, the legendary mini-album composed by Ildjarn and Nidhogg. Originally released by Norse League Productions on MCD, Svartfråd is the essence of the Primitive Norwegian Black Metal which marked an era: as of today, this material is still revered by both old and new generations. Intended to be entitled Gravbergets Svarte Dyp, "The Black Deep of Grave Mountain", this EP from 1996 sees the light for the first time in its original form with a totally restored layout, never seen pictures found in Nidhogg personal archives and with lyrics transcribed from Ildjarn handwritten originals. Everything is perfectly crafted with a special etching on B side and remastered audio. 
Officially licensed by Nidhogg and Ildjarn (P & C)

6 panel digipak CD, thick INSIDE OUT cardboard and BLACK FLOOD.

For its 30th year anniversary here comes the first proper LP reissue of Svartfråd, the legendary mini-album composed by Ildjarn and Nidhogg. Originally released by Norse League Productions on MCD, Svartfråd is the essence of the Primitive Norwegian Black Metal which marked an era: as of today, this material is still revered by both old and new generations. Intended to be entitled Gravbergets Svarte Dyp, "The Black Deep of Grave Mountain", this EP from 1996 sees the light for the first time in its original form with a totally restored layout, never seen pictures found in Nidhogg personal archives and with lyrics transcribed from Ildjarn handwritten originals. Everything is perfectly crafted with a special etching on B side and remastered audio. 
Officially licensed by Nidhogg and Ildjarn (P & C)

6 panel digipak CD, thick INSIDE OUT cardboard and BLACK FLOOD.

This particular collaboration between Vidar Våer and Nidhogg (John Roger Holte) has been crucial for the Norwegian Black Metal scene. 
They have composed a vast variety of material, including some Ambient gems. 
The mini-LP Norse, originally released in 1994 as 7'' by Nocturnal Art, consists of four Black Metal tracks, among the most significant in the genre. 
After being long sold out, Norse is finally being officially reissued as a deluxe edition, after more than 30 years!
Officially licensed by Nidhogg and Ildjarn (P & C)

180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with BLACK FLOOD, UV SPOT and a professionally printed thick INSERT with UV SPOT.
It does include a special ETCHING on B side.

For its 30th year anniversary here comes the first proper LP reissue of Svartfråd, the legendary mini-album composed by Ildjarn and Nidhogg. Originally released by Norse League Productions on MCD, Svartfråd is the essence of the Primitive Norwegian Black Metal which marked an era: as of today, this material is still revered by both old and new generations. Intended to be entitled Gravbergets Svarte Dyp, "The Black Deep of Grave Mountain", this EP from 1996 sees the light for the first time in its original form with a totally restored layout, never seen pictures found in Nidhogg personal archives and with lyrics transcribed from Ildjarn handwritten originals. Everything is perfectly crafted with a special etching on B side and remastered audio. 
Officially licensed by Nidhogg and Ildjarn (P & C)

180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with BLACK FLOOD, UV SPOT and a professionally printed thick INSERT with UV SPOT.
It does include a special ETCHING on B side.

the first official reissues on LP format of Tartaros' full-length The Red Jewel from 1999.
Tartaros was a well-known Symphonic Black Metal project from Tønsberg, crafted by the hands of Charmand Grimloch. 
The few outputs he composed became easily known in the underground, and nowadays they are very sought after.
Everything has been carefully remastered for these deluxe editions and layouts have been restored based on the original pressings. 
 Officially licensed by Charmand Grimloch (P & C)

180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with special RED FLOOD and UV SPOT and a professionally printed thick INSERT with UV SPOT.

Official deluxe reissue of Havohej' debut full-length, Dethrone The Son Of God.
Originally released in 1993 by Candlelight, this album can be considered some of the most important Unholy Black Metal material that came out from the United States. Havohej ('Jehovah' spelled backwards) is the solo project of Paul Ledney, formed in 1993 after the split of Profanatica the previous year. Former Profanatica and Incantation member Brett Makowski assisted with guitars and bass on the first Havohej album, Dethrone The Son Of God, which consists mainly of re-worked and re-recorded Profanatica tracks.
Officially licensed by Paul Ledney (P & C)

180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with BLACK FLOOD, UV SPOT and thick A2 POSTER.
Includes a professionally printed thick INSERT with UV SPOT.

When it was first released in 1999, Cradle to Enslave, the second EP by Cradle of Filth, offered a glimpse of the band refining and broadening their sonic identity, which would eventually lead to the creation of a distinctive genre. This collection of intense and theatrical tracks features heavy driving riffs, sweeping orchestral touches, and the unmistakable voice of frontman Dani Filth. These tracks provide an accessible introduction to the band's ornately gothic extreme metal style and remain a highly sought-after release for collectors and new fans alike. It has been re-pressed in special formats, including red and black vinyl and a recycled eco-CD.

Gladium Regis was born in the early 2000s as a collaboration between Arcanist Augur Svafnir and Salinoch. The duo recorded The Dark Stronghold (2003), an unreleased demo. Though never published, the demo songs and ideas carried forward and have been later reworked for Draugr (the Italian pagan black metal band which Svafnir co-founded and fronted in 2000s).

Even before Gladium Regis or Draugr, Svafnir had been experimenting with folky synth and dark electronic compositions, collected under the demo "Svafnir – Let the Ravens Come". Years later, those early sketches became the foundation for “Kingdom” (2020), a dungeon synth release created in London as an atmospheric backdrop for tabletop campaigns. “Kingdom” served as both a resurrection of the Gladium Regis banner as a solo dungeon synth act and a bridge between past experiments and future directions. “Kingdom” received some attention and has been released as CD and MC format.

Magnitudo is a three-piece project based in Bergamo, Italy. Drawing inspiration from the cornerstones of the post/sludge scene and fusing them with a more traditional metal framework, Magnitudo crafts a sonic
assault driven by super-massive riffs and a devastating rhythmic backbone.

Fourth album by Norwegian stalwarts Nifrost. Epic and melodic black metal in the vein of Windir, Borknagar and Enslaved. With "Briseld" Nifrost are back with a powerful, clean and epic sound reminiscent of the best epic moments of second wave black metal.

Fourth album by Norwegian stalwarts Nifrost. Epic and melodic black metal in the vein of Windir, Borknagar and Enslaved. With "Briseld" Nifrost are back with a powerful, clean and epic sound reminiscent of the best epic moments of second wave black metal.

Fourth album by Norwegian stalwarts Nifrost. Epic and melodic black metal in the vein of Windir, Borknagar and Enslaved. With "Briseld" Nifrost are back with a powerful, clean and epic sound reminiscent of the best epic moments of second wave black metal.

Media Condition: Near Mint 
Sleeve Condition: Mint 

more info

A near Mint copy of this edition

Metallica ‎– ...And Justice For All
Label: Vertigo ‎– 836062-1
Format: 2 × Vinyl, LP, Album, Stereo, PRS Pressing
Country: Europe
Released: 1988
 

Vinyls NM   Sleeve VG+

Numbered, unplayed 

Bootleg version released on tape.
Xerox cover / white  tape.
B1 - Recorded in Grieghallen Lystudio September 1992, Previously unreleased.
B2 - First Version from the original DSP version 1992. Recorded Mid-Winter 1992 during Fullmoon of Grieghallen.

Qualche graffio sulla supericie del dischetto

(NOTA BENE, IL TESCHIO NELLA FOTO E' DECORATIVO E NON FA PARTE DEL BOX)

"The Northern Silence Years" Box-Set compiles the three albums the band released under Northern Silence Productions (which were also licensed to Nuclear Blast USA).

It is limited to 100 copies and includes:

- "Moonlover" DigiCD
- "Starmourner" DigiCD
- "Self Loather" DigiCD
- flag (100cm x 55cm with the "Reaper" artwork)
- woven logo patch
- logo metal pin
- sticker with the "Reaper" artwork
- handnumbered certificate

Vinyl :NM

Sleeve VG++  

Gatefold embossed cover, double black vinyl

This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.

#076/102

Limited Edition of 666 copies

sealed

the heirs of Nortt?

Second album by Yorkshire’s White Medal. “Lyke Wake” features 9 new tracks recorded in 2015. The new songs follow on from “Guthmers Hahl” (2013) in terms of song writing and over all feeling but with a more refined sound. All lyrics in Yorkshire dialect with very personal themes of graft, death, grief, loss and paganism.
 

The Clearing Path is a very young and talented solo-artist recording project. 'Watershed...' was initially released only as digital, and benefits of a promotional campaign conducted by Earsplit PR, receiving a lot of web-media consensus.
It's bleak, noisy, extremely emotional, but listening to it is so easy that you won't realize you are giving it a 3rd spin in two hours without getting bored. It appeals to a wide range of extreme music fans, from black metal to Neurosis and Pelican

Comes in a radical chic essential-design digipack

Ascolta su BandCamp

Raging,repetitve yet diverse black/death metal
with a discreet yet ever present droning vibe.
Hypnotic and hysterical,channeled through the virtues
of a sharp,
strict but eventually warm sound production,
Υπνωσίνοσις provides a sonic guidance to the subsconscious and beyond!

8 panels digipack

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).
 

4 panels digipack with booklet!
you can preorder it now but this is not a limited edition or anything.
will be in stock on the 2nd week of February

"This what I call imagination and talent employed to produce true art. I have chills from that song and it is followed up “Curse”, a hymn filled with almost nothing but black voices, gasps, growls, hissing, vomit-like emanations, ghost-like screams of anguish – this album is a journey I assure you. I am mentally exhausted. A brilliant release that takes many elements you have heard, many you have not and combines them in a unique way that makes this record an absolute must own."
 

New Mini-CD 7 tracks of blasphemy
 

Digipack limited to 500 Copies
Orchestral Fantasy Music / Epic Dungeon Synth

“Our goal – call to blight the life existance. Our weapon – weaknesses and vices of human scum.”
Virvel Av Morkerhatet, Ukraine: a hard atom that represents the defect of the human thought, that is multiplied by self-destruction of transcendental consciousness. Anticosmos through Black Magic.
We know you dreamt about a violent and ruthless edge of Ved Buens Ende, if we can figure this out in our minds.
This is a record that will not leave you indifferent and will nail your soul, a marvellous mix of avantgarde metal and evil fury where every second minute is unpredictable although not pushing too much over the reasonable boundaries of experimentation that every black metal band should safely keep….

Ascolta su BandCamp

South-American (Argentina) edition, released by ICARUS Music. Please note, this is an officially licensed edition, not a Russian bootleg 

https://icarusmusicstore.com/

With their fourth studio album "Hulders Ritual" ('Ritual of the Huldra'), SLAGMAUR break the chains of repetition and nostalgia by rewriting the rules of black metal. This does not mean abandoning the foundations of the genre, which is already indicated by working with the 'inventor' of the 'Norwegian black metal sound', THORNS mastermind Snorre W. Ruch, as an additional producer. The band's founder, General Gribbsphiiser, rather unafraid and with reckless abandon mutates and warps the traditional formula through a host of subtle innovations and tweaks of the classic sound. Although "Hulders Ritual" continues, refines, and widens the daring stylistic balance of SLAGMAUR's previous works, it adds an extra dimension of sardonic mania to its collection of sharp and vicious sonic instruments. Choice guest-contributions that include TAAKE vocalist Hoest, DIMMU BORGIR guitarist Silenoz, and MISÞYRMING frontman D.G., who cover three decades of Nordic black metal make a case in point.

"Neverland", the fourteenth studio album by ULVER is the sound of an escape. A journey into undiscovered lands.

Following three albums – "The Assassination of Julius Caesar" (2017), "Flowers of Evil" (2020), and "Liminal Animals" (2024) – rooted in more traditional song and production structures, "Neverland" marks a new chapter in the revered Oslo band's history.

"With 'Neverland' we embraced a more 'punk' spirit – more dreaming, less discipline – freer, quite simply", the band comments on the creative process behind the album.

Bursts of daybreak synths and whooshes of sound set the atmosphere, before the wolves start digging into the dynamics of ambient calm and anarchic mysticism. Dreamy and transportive textures develop into trippy percussive energies, and as the album unfolds, a lush and vibrant, and at times exotic space opens.

Apart from a few recurring distant voices and vocal chops, "Neverland" is a largely instrumental record, reminiscent of the mood and structure of that place where late '90s IDM sounds met the meandering structures of post-rock.

The ghost of premillennial sample culture surely haunts "Neverland", and some might even hear echoes from earlier acclaimed works like "Perdition City" (2000), or the "Silence" EPs (2001), or more recently "ATGCLVLSSCAP" (2016).

Still, "Neverland" sounds and feels like something else, something fresh in ULVER's continuous journey of perennial reinvention. Pop music from in-between worlds? A sonic hallucination? Or better: a collage of dreams. It's up to you.

The band stated: ‘Flowers of Evil‘, the new studio album from ‘Ulver‘, finds the wolf pack exploring the fear and wonder of mankind’s fall from redemption. Visions similar to those of Orsini come to mind, as untamed life abounds…’

• Deluxe CD in gatefold packaging with gold print
• 16-page booklet

Ten years ago, Panopticon released Autumn Eternal – a record that captured the fleeting fire of the season and fixed it in sound. Amber-hued and windswept, it was both a lament for change and a hymn of hope for the road ahead.

The album marked the closing chapter of the trilogy begun with Kentucky (2012) and carried forward with Roads to the North (2014). Here, Austin Lunn wove black metal with threads of Americana, folk, and postrock into an immersive journey steeped in sadness, beauty, and transcendence. From the sweeping melancholy of 'A Superior Lament' to the rustic violin of Johan Becker and the somber cello of Nostarion, Autumn Eternal is a meditation on loss, memory, and the passage of time.

A decade later, Autumn Eternal still glows with the same autumnal fire – a testament to its place as one of the most honest and affecting metal albums of its time.

jewelcase

At the end of the roughest year in their history, Ulver is proud to release their thirteenth studio album, titled Liminal Animals. Liminal Animals is permeated by the smell of disaster and documents, with deep concern, a dark and troubled place in a dark and troubled time. The cover art features The Senseless Seven, a 1911 drawing by Austin Osman Spare.

Ultra Clear / Glitter

B-side collection of doom-laden dark heavy metal band’s 2024 critical juggernaut The Stygian Rose (Decibel Magazine’s Best Album Of The Year)

Features a transcendental revisioning of Mayhem’s “Dem Mysteriis Doom Sathanas”

Black Vinyl

After releasing the Interdimensional Extinction EP, BLOOD INCANTATION returned with a 30-minute cerebral whirlwind of powerful atmospheric death metal. The intense and otherworldly technical/ambient/funeral death metal of Starspawn leaves the listener feeling transcendentally disembodied at the end of an unknown dimension. Produced entirely in analog, the energy and magnetism of live BLOOD INCANTATION is tangibly melting through the speakers, and the songwriting, production and performance constellations have all fully aligned.

Reissue Grimace Purple Vinyl (2000 copies)
Contains insert with lyrics. Some copies arrived with a signed postcard.

There’s a sick irony to how a country that extols rhetoric of individual freedom, in the same gasp, has no problem commodifying human life as if it were meat to feed the insatiable hunger of capitalism. If this is American nihilism taken to its absolute zenith, then God’s Country, the first full length record from Oklahoma City noise rock quartet Chat Pile is the aural embodiment of such a concept.

Having lived alongside the heaps of toxic refuse that the band derives its name from, the fatalism of daily life in the American Midwest permeates throughout the works of Chat Pile, and especially so on its debut album. Exasperated by the pandemic, the hopelessness of climate change, the cattle shoot of global capitalism, and fueled by “...lots and lots and lots and lots and lots and lots of THC,” God’s Country is as much of an acknowledgement of the Earth’s most assured demise as it is a snarling violent act of defiance against it. Within its over forty minute runtime, the album displays both Chat Pile’s most aggressively unhinged and contemplatively nuanced moments to date, drawing from its preceding two EPs and its score for the 2021 film, Tenkiller. In the band’s own words, the album is, at its heart, “Oklahoma’s specific brand of misery.” A misery intent on taking all down with it and its cacophonous chaos on its own terms as opposed to idly accepting its otherwise assured fall. This is what the end of the world sounds like.

Transparent Sea Blue

In the spring of 2019, a new rock band made up of four otherwise ordinary Okies emerged seemingly out of nowhere, swiftly turning heads with a grotesque new take on noise rock—one fueled by the existential anguish that has defined the 21st century. Taking its name from the towering mounds of toxic waste that stand as monuments to capitalism’s cruel hubris across its home state, Oklahoma City’s Chat Pile made an immediate impression. That momentum culminated in the release of its landmark 2022 debut album, God’s Country, and its expansive 2024 follow-up, Cool World.

Highlighter Yellow, Indie Exclusive

Like the towering mounds of toxic waste from which it gets its namesake, the music of Oklahoma City noise rock quartet Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has stuck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile’s music is a poignant reminder of that shift—a portrait of an American rock band molded by a society defined by its cold and cruel power systems.

Though very much on-brand with Chat Pile’s signature flavor of cacophonous, sludgy noise rock, the band’s shift to a global thematic focus on Cool World not only compliments the broader experimentations it employs with their songwriting but also how they dissect the album’s core theme of violence. Melded into the band’s twisted foundational sound are traces of other eclectic genre stylings, with examples of gazy, goth-tinged dirges to abrasive yet anthemic alt/indie-esque hooks and off-kilter metal grooves only scratching the surface of what can be heard in the album’s ten tracks.

Besides stylistically stretching the boundaries of the Chat Pile sound, Cool World is also the band’s first record to have someone else handle mixing duties, with Ben Greenberg (Uniform) capturing and further amplifying the quartet’s unmistakably outsider and folk-art edge.

While Chat Pile’s debut album was plenty disturbing with its B-movie-inspired interpretation of a “real American horror story”, what the band depicts on Cool World is unsettling not just from its visceral noise rock onslaught, but from depicting how all sorts of atrocities are pretty much standard parts of modern existence. In film terms, think something like a Criterion arthouse film by way of schlocky grindhouse splatterfest: undeniably gratuitous and thrilling in the moment but leaving a looming dread in the back of one’s mind for how close the horrors depicted mirror reality.