When it was first released in 1999, Cradle to Enslave, the second EP by Cradle of Filth, offered a glimpse of the band refining and broadening their sonic identity, which would eventually lead to the creation of a distinctive genre. This collection of intense and theatrical tracks features heavy driving riffs, sweeping orchestral touches, and the unmistakable voice of frontman Dani Filth. These tracks provide an accessible introduction to the band's ornately gothic extreme metal style and remain a highly sought-after release for collectors and new fans alike. It has been re-pressed in special formats, including red and black vinyl and a recycled eco-CD.

On their tenth full-length "Aba Khan", NYTT LAND pick up the stylistic thread that they had previously woven with "Ritual" (2021). This means, the music is generally based on a foundation of current ritual dark folk to which the duo from Siberia adds elements from the native traditions of their home among other ingredients. Although NYTT LAND return to the less strict and rather popular formula with "Aba Khan", their inspiration has still come from a whole year of travelling through the vast territories of Siberia. The couple discovered new areas and got acquainted with spiritual traditions of the indigenous peoples that they met. The result of this journey is a collection of priceless treasures that has been respectfully translated into a contemporary musical language. NYTT LAND was created in August 2013 as a ritualistic Nordic folk band and driven by the musical vision of the husband and wife duo Natalya and Anatoly Pakhalenko. The couple lives in the Western Siberian town Kalachinsk that is located on the banks of River Om and crossed by the Trans-Siberian Railway. True to their often dark and mysterious subjects, the lyrics of NYTT LAND echo myth and stories from legends and historical sources. Those are told in the languages of both indigenous Siberian tribes and Old Norse, with the balance gradually shifting towards the former over time. NYTT LAND dedicate "Aba Khan" to the ancient, beautiful, and great lands of Siberia. Join them on a journey through time and space where spirits rule, shamans protect the people, and old gods whisper.

FIVE YEARS AFTER THEIR LAST ALBUM, VREID RETURN WITH “THE SKIES TURN BLACK”!

On March 6th, 2026, Vreid will release The Skies Turn Black, their first studio album in five years and a powerful statement from one of Norway’s most enduring metal bands. The album marks a renewed creative chapter, shaped through a challenging but ultimately transformative process in which the band reconnected with the essence of their Sognametal roots while exploring new dimensions of their sound.

Throughout the album’s eleven tracks, Vreid merges fragments of their past with a revitalized artistic drive. The early breakthrough came with From These Woods, written during a late-night session in a remote mountain cabin. The song captured the emotional core of the album and helped steer the band back toward the heart of their identity.

The title track The Skies Turn Black also holds a central place on the album. Written by bassist and songwriter Jarle Kvåle as a tribute to Ozzy Osbourne and the music that has shaped his life, the song carries a deeply personal foundation. Kvåle’s experience attending Black Sabbath’s farewell concert in Birmingham, after previously helping to organize the band’s final Norwegian shows along with Ozzy’s, left a profound mark and sparked the creative energy that shaped the song’s weight and atmosphere.

The album also highlights Vreid’s cinematic side. Kraken was composed for a major upcoming film project and carries a personal dimension, as the film’s producer was the band’s first music teacher and helped them record their earliest demos more than thirty years ago. In contrast, Loving the Dead expands Vreid’s musical territory with a striking guest performance from Agnete Kjølsrud of Djerv, adding intensity and emotional depth that pushes the track into new terrain.

With hand-drawn artwork by Kim Holm and a powerful production shaped together with producer Anders Nordengen, The Skies Turn Black stands as one of Vreid’s most focused and expressive works to date. It reflects pride, resilience and a renewed creative fire that defines the next era of the band.

The Skies Turn Black will be released on March 6th 2026, with pre-orders opening on December 10th. The release aligns with Vreid’s return to European stages as they join Hypocrisy, Abbath and Vomitory on a major tour in 2026.

Vreid remains one of Norway’s most resilient and forward-driven metal bands, shaped by history, strengthened by adversity and still driven by an unshakable creative fire.

Numbered to 5 copies

Gladium Regis was born in the early 2000s as a collaboration between Arcanist Augur Svafnir and Salinoch. The duo recorded The Dark Stronghold (2003), an unreleased demo. Though never published, the demo songs and ideas carried forward and have been later reworked for Draugr (the Italian pagan black metal band which Svafnir co-founded and fronted in 2000s).

Even before Gladium Regis or Draugr, Svafnir had been experimenting with folky synth and dark electronic compositions, collected under the demo "Svafnir – Let the Ravens Come". Years later, those early sketches became the foundation for “Kingdom” (2020), a dungeon synth release created in London as an atmospheric backdrop for tabletop campaigns. “Kingdom” served as both a resurrection of the Gladium Regis banner as a solo dungeon synth act and a bridge between past experiments and future directions. “Kingdom” received some attention and has been released as CD and MC format.

Magnitudo is a three-piece project based in Bergamo, Italy. Drawing inspiration from the cornerstones of the post/sludge scene and fusing them with a more traditional metal framework, Magnitudo crafts a sonic
assault driven by super-massive riffs and a devastating rhythmic backbone.

Fourth album by Norwegian stalwarts Nifrost. Epic and melodic black metal in the vein of Windir, Borknagar and Enslaved. With "Briseld" Nifrost are back with a powerful, clean and epic sound reminiscent of the best epic moments of second wave black metal.

Fourth album by Norwegian stalwarts Nifrost. Epic and melodic black metal in the vein of Windir, Borknagar and Enslaved. With "Briseld" Nifrost are back with a powerful, clean and epic sound reminiscent of the best epic moments of second wave black metal.

Fourth album by Norwegian stalwarts Nifrost. Epic and melodic black metal in the vein of Windir, Borknagar and Enslaved. With "Briseld" Nifrost are back with a powerful, clean and epic sound reminiscent of the best epic moments of second wave black metal.

Black Vinyl

For over 25 years now, Sargeist - led by erstwhile HORNA guitarist / songwriter Shatraug, who's arguably the most prolific metal musician of that same period - have been at the forefront of the ever-fertile Finnish black metal scene. In fact, alongside HORNA, one could say that SARGEIST are the most influential band of that scene, which has gone on to influence countless other worldwide scenes in this millennium.

As has been the way since 2018's significant Unbound full-length, which saw the arrival of erstwhile Nightbringer / Demoncy guitarist VJS among others, Flame Within Flame also sees the arrival of more new members: longtime HORNA frontman Spellgoth on bass and prolific drummer Nur-i-siyah, who's played with Nawaharjan and Decapitated Christ among others. And while that "classic" SARGEIST lineup that included longstanding co-conspirators Torog and Horns (vocals and drums, respectively) certainly set an enviably high standard, Shatraug and crew continue undaunted, arguably more invigorated than ever. Indeed, Flame Within Flame is presciently titled, for the band's spirit is unextinguishable and unquenchable, seemingly infinite in inspiration whilst remaining characteristically - and DEADLY - focused. From the album's opening seconds, this is classic, burning-with-desperation SARGEIST, but immerse thyself in its icily shimmering waters ever so deeper and one will find that there's an almost-melancholic touch to Shatraug & VJS's riff-sorcery. What results is perhaps the band's most atmospheric record to date - credit, too, to the spacious-yet-immediate production - but one still pulsing with ragged, burning-black emotion: truly, the enduring hallmark of SARGEIST's eternal aesthetic. Of especial note is Shatraug resuming vocals, which he hasn't done since the band's early demo days. Return, once again, to misery and comfort with Flame Within Flame!

Dark green LP

Following the successful launch of the comprehensive reissue campaign for the precious musical legacy of Sweden's pioneering melodic death metal band Edge of Sanity, which began in 2024, the final titles of the fourth and final chapter are now set to be released in spring 2026.

Led by the band's vocalist, multi-instrumentalist, and acclaimed metal producer Dan Swanö (Opeth, Katatonia, Dissection, Bloodbath, Nightingale, etc.), Edge of Sanity's entire catalogue has been fully remastered and partly remixed by Swanö himself. It will finally be extensively available again in several attractive versions.

Cryptic, Edge of Sanity's 1997 death metal album featuring the then-new vocalist Robert Karlsson (Scar Symmetry, Pan.Thy.Monium, Facebreaker, Darkified), who replaced Dan Swanö, is finally available again as a remastered version on CD and LP.

"Cryptic (1997) marks the arrival of vocalist Roberth Karlsson (Scar Symmetry, Pan.Thy.Monium, Facebreaker, Darkified), who took over from Dan Swanö. This remastered edition of Cryptic is now available.

The 2CD set in an O-Card includes the 8 tracks from the original album on the first CD, along with 10 bonus tracks (covers, alternative mixes, and live recordings) on the second CD."

Batushka's 2019 Opus Returns: The Liturgy of Death Re-released!

Back on Black is proud to announce the comprehensive reissue of Hospodi (Church Slavonic for "Lord"), the second full-length album from the Polish black metal phenomenon, Batushka. Initially released in 2019, Hospodi represents a more polished, melodic, and theatrical evolution of the band's signature, ritualistic sound.

Based on the Eastern Orthodox "Liturgy of Death" and traditional funeral rites, the album is a thematic journey through death and judgment. This reissue brings back the ten-track masterpiece, which blends traditional black metal (tremolo riffs, ferocious blast beats) with haunting choirs, atmospheric ambient interludes, and profound Slavic chants.

Hospodi was lauded for its dramatic production, and this reissue shines a light on key tracks like the atmospheric opener "Wozglas," the rocking-yet-menacing "Wieczernia," and the powerful closer "Liturgiya".

The UK’s Black Metal forerunners, WINTERFYLLETH make a stand with The Unyielding Season, coming March 27, 2026 via Napalm Records. Their ninth album is a social commentary wrapped in meticulously crafted poetry and prose. Where the preceding album, The Imperious Horizon (2024), described an ominous, malevolent force, lurking in the distance, The Unyielding Season now explores said threat becoming a reality. The raging wildfire to its predecessor’s calculating, icy cold, WINTERFYLLETH’s first offering for their new record label is a reflection and a rebellion against the turmoils tearing individuals apart. It is a cry against the unsustainable weight of fear and pressure being pushed into the world, by the agents of a unresting, and unyielding force for evil.

The UK’s Black Metal forerunners, WINTERFYLLETH make a stand with The Unyielding Season, coming March 27, 2026 via Napalm Records. Their ninth album is a social commentary wrapped in meticulously crafted poetry and prose. Where the preceding album, The Imperious Horizon (2024), described an ominous, malevolent force, lurking in the distance, The Unyielding Season now explores said threat becoming a reality. The raging wildfire to its predecessor’s calculating, icy cold, WINTERFYLLETH’s first offering for their new record label is a reflection and a rebellion against the turmoils tearing individuals apart. It is a cry against the unsustainable weight of fear and pressure being pushed into the world, by the agents of a unresting, and unyielding force for evil.

Uncompromising Dutch Black Metal – DOODSWENS’ sophomore album out in April via Svart Records

Doodswens is a Dutch Black Metal band formed in 2017 by I. Live she performs the drums and vocals, joined by R. & P. on bass and guitar. Doodswens translates to Deathwish, but the meaning and heavy load to the word in Dutch translates better to Driven by Death. The self-titled sophomore album by Doodswens is out on April 17^th 2026.

After establishing themselves in the Dutch scene, Doodswens gained an international following doing tours with Marduk & Gorgoroth. Doodswens’ performances are ceremonial and ritualistic, which have been reported to be as uplifting as they are devastating, depending on the demons you bring them to offer. Whatever you carry with you will be exposed. They like to confront instead of bringing comfort.

Uncompromising Dutch Black Metal – DOODSWENS’ sophomore album out in April via Svart Records

Doodswens is a Dutch Black Metal band formed in 2017 by I. Live she performs the drums and vocals, joined by R. & P. on bass and guitar. Doodswens translates to Deathwish, but the meaning and heavy load to the word in Dutch translates better to Driven by Death. The self-titled sophomore album by Doodswens is out on April 17^th 2026.

After establishing themselves in the Dutch scene, Doodswens gained an international following doing tours with Marduk & Gorgoroth. Doodswens’ performances are ceremonial and ritualistic, which have been reported to be as uplifting as they are devastating, depending on the demons you bring them to offer. Whatever you carry with you will be exposed. They like to confront instead of bringing comfort.

Reissue 2026 on Back on Black

Double LP, red vinyl

• Back on Black is proud to announce the comprehensive reissue of Hospodi (Church Slavonic for "Lord"), the second full-length album from the Polish black metal phenomenon, Batushka.
• Initially released in 2019, Hospodi represents a more polished, melodic, and theatrical evolution of the band's signature, ritualistic sound.
• Based on the Eastern Orthodox "Liturgy of Death" and traditional funeral rites, the album is a thematic journey through death and judgment.
• This reissue brings back the ten-track masterpiece, which blends traditional black metal (tremolo riffs, ferocious blast beats) with haunting choirs, atmospheric ambient interludes, and profound Slavic chants.

 For the first time ever on vinyl, Beyond the Forest by American band VALDRIN receives a physical edition that fully captures the depth and atmosphere of the album.

This special release comes as a double LP in a gatefold sleeve, designed to offer an expansive and immersive listening experience. 
Included is a dedicated insert featuring artwork and lyrics, allowing listeners to delve deeper into the visual and conceptual world of the record.
A distinctive collector’s detail sets this edition apart: Side D is etched with the VALDRIN band symbol, turning the vinyl itself into a striking piece of art.

One-off edition, when it's gone.... it's gone 

An essential release for fans and collectors alike, finally bringing Beyond the Forest to life in analog form — not just as an album, but as a complete artistic statement.

Media Condition: Near Mint 
Sleeve Condition: Mint 

more info

A near Mint copy of this edition

Metallica ‎– ...And Justice For All
Label: Vertigo ‎– 836062-1
Format: 2 × Vinyl, LP, Album, Stereo, PRS Pressing
Country: Europe
Released: 1988
 

Vinyls NM   Sleeve VG+

Numbered, unplayed 

Bootleg version released on tape.
Xerox cover / white  tape.
B1 - Recorded in Grieghallen Lystudio September 1992, Previously unreleased.
B2 - First Version from the original DSP version 1992. Recorded Mid-Winter 1992 during Fullmoon of Grieghallen.

Qualche graffio sulla supericie del dischetto

Mint

(NOTA BENE, IL TESCHIO NELLA FOTO E' DECORATIVO E NON FA PARTE DEL BOX)

"The Northern Silence Years" Box-Set compiles the three albums the band released under Northern Silence Productions (which were also licensed to Nuclear Blast USA).

It is limited to 100 copies and includes:

- "Moonlover" DigiCD
- "Starmourner" DigiCD
- "Self Loather" DigiCD
- flag (100cm x 55cm with the "Reaper" artwork)
- woven logo patch
- logo metal pin
- sticker with the "Reaper" artwork
- handnumbered certificate

Sanctuary (4) ‎– Refuge Denied
Label: Epic ‎– BFE 40920, Epic ‎– E 40920
Country: US
Released: 1988

Rare promotional copy with gold CBS stamp on the barcode and includes two-page biography of the band! Most likely a copy sent around to magazines etc Innersleeve despite being in very good condition without folds has unglued sides the outer cover has damaged corners and signs of a removed sticker Vinyl instead is in excellent conditions

Vinyl :NM

Sleeve VG++  

This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.

#076/102

the heirs of Nortt?

Second album by Yorkshire’s White Medal. “Lyke Wake” features 9 new tracks recorded in 2015. The new songs follow on from “Guthmers Hahl” (2013) in terms of song writing and over all feeling but with a more refined sound. All lyrics in Yorkshire dialect with very personal themes of graft, death, grief, loss and paganism.
 

The Clearing Path is a very young and talented solo-artist recording project. 'Watershed...' was initially released only as digital, and benefits of a promotional campaign conducted by Earsplit PR, receiving a lot of web-media consensus.
It's bleak, noisy, extremely emotional, but listening to it is so easy that you won't realize you are giving it a 3rd spin in two hours without getting bored. It appeals to a wide range of extreme music fans, from black metal to Neurosis and Pelican

Comes in a radical chic essential-design digipack

Ascolta su BandCamp

Raging,repetitve yet diverse black/death metal
with a discreet yet ever present droning vibe.
Hypnotic and hysterical,channeled through the virtues
of a sharp,
strict but eventually warm sound production,
Υπνωσίνοσις provides a sonic guidance to the subsconscious and beyond!

8 panels digipack

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).
 

4 panels digipack with booklet!
you can preorder it now but this is not a limited edition or anything.
will be in stock on the 2nd week of February

"This what I call imagination and talent employed to produce true art. I have chills from that song and it is followed up “Curse”, a hymn filled with almost nothing but black voices, gasps, growls, hissing, vomit-like emanations, ghost-like screams of anguish – this album is a journey I assure you. I am mentally exhausted. A brilliant release that takes many elements you have heard, many you have not and combines them in a unique way that makes this record an absolute must own."
 

New Mini-CD 7 tracks of blasphemy
 

Sebastian Montesi is a prolific artist, probably best known for his endeavors in Mitochondrion and for being one of the founding members of Auroch.
With Saturn’s Cross, the Canadian took a very different path, delving into cold wave territories, which little have to share with the bands he is usually associated to. Yet, when we listened to what Sebastian crafted, we had no doubt, and we gladly welcomed this new project to our roster. With neither hope nor fear, Saturn’s Cross unveils Cheat Death.  Now operating as a two piece, with 1908 entering the fold on bass and
vocals, Cheat Death disregards genre with wild abandon in favour of something that is at times overwhelmingly abrasive and at others intoxicating.
This is a willing exploration of the endless labyrinth and a lamp of pitch black glass intended to serve as a beacon in the lightless depths of the human spirit. This is a headlong dive into the soul's psychic darkness, with nothing to break the fall. This ushers in a new era Saturn's Cross.

“Show My Mercy” is an EP about the remorse that humans will feel, when they are stuck in the swirl
of karma made by themselves. Blinded by fury, greed, sorrow, heading for their destruction step by step.

The digipak comes as four-sided panel with booklet-sleeve and eight-sided booklet.

Limited edition, "electric blue" vinyl  200 copies

Valdrin is a U.S.-based melodic black metal band known for their intricate compositions, storytelling prowess, and immersive soundscapes. Since their 2010 inception, the Cincinnati-based band has been focusing on building their own narrative, skillfully crafting an elaborate sci-fi saga. Apex Violator is the latest chapter in the ongoing epic.

Listen here

il nuovo album dei britannici Cryptic Shift porta oltre i confini del metal estremo un’avventura sonora tra death, thrash e tecnicismi pro-progressive. Con soli 5 brani ma un’intensa narrativa sci-fi, “Overspace & Supertime” continua l’universo concettuale di Visitations From Enceladus, catapultandoti in dimensioni ancora più folli e assurde.

il nuovo album dei britannici Cryptic Shift porta oltre i confini del metal estremo un’avventura sonora tra death, thrash e tecnicismi pro-progressive. Con soli 5 brani ma un’intensa narrativa sci-fi, “Overspace & Supertime” continua l’universo concettuale di Visitations From Enceladus, catapultandoti in dimensioni ancora più folli e assurde

With their fourth studio album "Hulders Ritual" ('Ritual of the Huldra'), SLAGMAUR break the chains of repetition and nostalgia by rewriting the rules of black metal. This does not mean abandoning the foundations of the genre, which is already indicated by working with the 'inventor' of the 'Norwegian black metal sound', THORNS mastermind Snorre W. Ruch, as an additional producer. The band's founder, General Gribbsphiiser, rather unafraid and with reckless abandon mutates and warps the traditional formula through a host of subtle innovations and tweaks of the classic sound. Although "Hulders Ritual" continues, refines, and widens the daring stylistic balance of SLAGMAUR's previous works, it adds an extra dimension of sardonic mania to its collection of sharp and vicious sonic instruments. Choice guest-contributions that include TAAKE vocalist Hoest, DIMMU BORGIR guitarist Silenoz, and MISÞYRMING frontman D.G., who cover three decades of Nordic black metal make a case in point.

Gabriele Gramaglia is back with his main solo output COSMIC PUTREFACTION for another chapter of his own tale under the banner of his new LP “Emerald Fires Atop The Farewell Mountains” set for release on Oct 4th. Taking place right after “Crepuscular Dirge for the Blessed Ones”, “Emerald Fires...” takes us to an even deeper and ineluctable journey. Now that the empyrean inhabitants have fallen down for good and all the debris of physical worlds are scattered around, the main character of the tale has in-fact to walk his very last path counting only of his very last strengths to face eternal solitude and death; a path exploring both the widest astral distances imaginable and the most twisted labyrinths of the inmost self. Musically speaking, the concept is depicted through an even broader palette of influences compared with its predecessor, ranging from the most hammering death metal riffs, to progressive veins and even shades of symphonic black metal, embraced through an almost omnipresent wide atmosphere and multilayered arrangements of distant guitars, cellos and synths. Giulio Galati (ex-Hideous Divinity, Nero di Marte), once again teamed up with Gramaglia as a session drummer, to complete his effort through an extremely powerful and dynamic performance behind the kit. COSMIC PUTREFACTION was formed in 2018 as the death metal sonic incarnation of the multi-instrumentalist Gabriele Gramaglia (also behind The Clearing Path and part of Turris Eburnea, Vertebra Atlantis and Hadit), which summoned the aforementioned musical entity to re-arrange and complete the unreleased album of his first band Oaken/Throne, which begun in 2012 but was left uncompleted because the combo disbanded. This album was completed and released in 2019 under the name of “At the Threshold of the Greatest Chasm”, which comprehended six-and-a-half tracks taken from the unreleased Oaken/ Throne album. He later refined his formula through the second album “The Horizons Towards Which Splendour Withers” and Crepuscular Dirge for the Blessed Ones” which expanded the death metal roots with the multifaceted range of influences Gramaglia has developed throughout the years. For fans of Blood Incantation, Artificial Brain, Wormed, and Tomb Mold.

CD in deluxe 10-panels Digipak with gold foil.

Hailing from the frozen landscapes of Norway, 1349 have etched their mark upon the black metal pantheon, wielding their instruments like war-axes in the vanguard of the genre's relentless assault. With a legacy drenched in the blood of aural extremities, they have become the standard-bearers of unyielding sonic warfare, relentless in their pursuit of the darker arts.
Behold ‘The Wolf & The King’, the latest cataclysm to be unleashed by 1349. A tempestuous odyssey through eight tracks of pure, unadulterated black metal, flawlessly showcasing the band's mastery over chaos and carnage. From the voracious onslaught of “The God Devourer” to the sinister depths of “Fatalist”, each track is a portal into a realm where shadows reign supreme, and the air is thick with the stench of decay. “Ash of Ages” blends thrash influences with extreme black metal flourishes, crafting a journey through the heart of darkness, while “Shadow Point” and “Inferior Pathways” conjoin to forge an iron spine of classic headbanging riffs and inexorable groove.
With ‘The Wolf & The King’, 1349 continues to stretch the boundaries of the genre, infusing their relentless blast beats and searing guitars with an atmosphere of apocalyptic elegance.

An expansive 70 minute venture through the fettered layers of the bleak existential cosmos, Black Medium Current is the sixth studio album by longstanding Norwegian avant-garde pioneers Dødheimsgard.