To celebrate the 20th anniversary of Nocternity's album "Onyx" from 2003 Amor Fati Productions is proud to present this classic in its ultimate version.

The box set contains two gatefold LPs and a poster:
One LP contains the original recording of the album and the other the alternate rough mix alternate version with different tracklist and artwork for the first time available exclusively.

Iron ore red vinyl, comes with 12-page LP-sized booklet
 

Six keys opened six doors, and their poison crept into our world.

Five years has passed since the doors of perdition were opened with the release of Escumergament’s debut studio album ...ni degu fazentz escumergamënt e mesorga..., and now it is time to explore the corrupted wastelands at these entrances.

Apparebat Eidolon Senex speaks of anger, resignation and misfortune. A glimpse into the smoldering ruins of temples and oceans filled with corpses. Of haunting spirits and mad gods. Of betrayal and unfathomable loss. Seven songs where the demon appears at different places depending on time, place and intent.

Just like ...ni degu fazentz escumergamënt e mesorga..., Apparebat Eidolon Senex was recorded in the Chapel of the Wanderers on old and unpredictable equipment during days and nights of storms and torment.

These spells of uncompromising black metal are designed to curse and bring ruin.

Six keys opened six doors, and their poison crept into our world.

Five years has passed since the doors of perdition were opened with the release of Escumergament’s debut studio album ...ni degu fazentz escumergamënt e mesorga..., and now it is time to explore the corrupted wastelands at these entrances.

Apparebat Eidolon Senex speaks of anger, resignation and misfortune. A glimpse into the smoldering ruins of temples and oceans filled with corpses. Of haunting spirits and mad gods. Of betrayal and unfathomable loss. Seven songs where the demon appears at different places depending on time, place and intent.

Just like ...ni degu fazentz escumergamënt e mesorga..., Apparebat Eidolon Senex was recorded in the Chapel of the Wanderers on old and unpredictable equipment during days and nights of storms and torment.

These spells of uncompromising black metal are designed to curse and bring ruin.

Three years after The Necrotrophic Abyss, Australian one-man band Snorlax is back to wreak havoc.

Brendan Auld’s signature style, blending death metal with an oppressive and obscure black metal vibe takes a turn towards the lands of grindcore, both musically and conceptually.

Toxic Current is the new studio album by the multi-instrumentalist from Brisbane, and it comes with two covers from Australian grind and hardcore bands, Agents Of Abhorrence and The Fevered. To those familiar with Auld’s work, particularly Snorlax, these influences have always been part of his art, but never to such a clear extent. 

Black Metal history written by the Czech messengers of darkness!

In 1988 two years prior to the iron curtain’s fall and at a time when playing Rock music could easily land you in jail for violating communist law, Jiří “Big Boss” Valter and Petr “Blackosh” Hošek decided to join forces to found ROOT. Adverse conditions and very low funds couldn`t prevent the eager bunch from marching forward, though. When Big Boss who wasn`t yet the band’s singer but played drums before switching to vocals for good on the fourth demo and ROOT’s guitarist Blackosh found the late Dr. Fe who did vocals on the first 3 demos and Dr. Zet on second guitar, ROOT were ready to strike.

During their initial pre-album stage ROOT managed to come up with 4 legendary demos before eventually releasing their debut album Zjeveni in 1990. Although influences from BATHORY and VENOM are apparent especially on the first 3 demos, ROOT – right from the start – managed to carve their own idiosyncratic niche. Thrashy riffs, a total lack of bass, stomping, primitive drums and Dr. Fe’s original Czech vocals are mingled with and interspersed by acoustic interludes, strange spoken word passages, incantations and samples from movies resulting in an eerie, off-kilter cocktail unheard of even today. It wasn’t until the fourth demo The Trial when Big Boss finally took over vocal duties that ROOT had finally found their unmistakable sound, though. In terms of songwriting and recording quality undoubtedly the best demo of the bunch, The Trial has everything ROOT would go on to develop further on their subsequent albums.

Exactly 10 years after ROOT’s tape box was released by Darkness Shall Rise we are extremely thrilled to offer you this luxurious compilation of the first 4 groundbreaking demos of one of Black Metal’s founding fathers on various formats.

For the first time ever all audio-files were restored and mastered from the original tapes by Patrick W. Engel.

3LP triple-gatefold sleeve incl. a huge 24-page 12” booklet with a completely new in-depth interview with Petr „Blackosh“ Hošek and many unseen pictures and a double-sided A2 poster will be added to every vinyl too.

Black Metal history written by the Czech messengers of darkness!

In 1988 two years prior to the iron curtain’s fall and at a time when playing Rock music could easily land you in jail for violating communist law, Jiří “Big Boss” Valter and Petr “Blackosh” Hošek decided to join forces to found ROOT. Adverse conditions and very low funds couldn`t prevent the eager bunch from marching forward, though. When Big Boss who wasn`t yet the band’s singer but played drums before switching to vocals for good on the fourth demo and ROOT’s guitarist Blackosh found the late Dr. Fe who did vocals on the first 3 demos and Dr. Zet on second guitar, ROOT were ready to strike.

During their initial pre-album stage ROOT managed to come up with 4 legendary demos before eventually releasing their debut album Zjeveni in 1990. Although influences from BATHORY and VENOM are apparent especially on the first 3 demos, ROOT – right from the start – managed to carve their own idiosyncratic niche. Thrashy riffs, a total lack of bass, stomping, primitive drums and Dr. Fe’s original Czech vocals are mingled with and interspersed by acoustic interludes, strange spoken word passages, incantations and samples from movies resulting in an eerie, off-kilter cocktail unheard of even today. It wasn’t until the fourth demo The Trial when Big Boss finally took over vocal duties that ROOT had finally found their unmistakable sound, though. In terms of songwriting and recording quality undoubtedly the best demo of the bunch, The Trial has everything ROOT would go on to develop further on their subsequent albums.

Exactly 10 years after ROOT’s tape box was released by Darkness Shall Rise we are extremely thrilled to offer you this luxurious compilation of the first 4 groundbreaking demos of one of Black Metal’s founding fathers on various formats.

For the first time ever all audio-files were restored and mastered from the original tapes by Patrick W. Engel.

2CD jewel-case, 32-page booklet.

Thrashy Death Metal excellence from the pits of the Norwegian Metal underground

CADAVER was the first Norwegian band to push the limits of speed with blast beats that the scene hadn’t yet witnessed. From the DIY “hairdryer-and-distortion” effects used to simulate thunder in their early intros to their avant-garde approach to songwriting, this release is a essential document of a band that refused to fit into a box.

Prior to Norway becoming synonymous with Black Metal, the land of fjords gave rise to many a noteworthy Death Metal band too. After having recently reissued THOU SHALT SUFFER’s whole musical history, we at Darkness Shall Rise productions are immensely pleased to offer you another slab of historically important Norwegian Death Metal. Founded by underground legend Anders Odden in 1988, CADAVER produced a couple of highly influential demos eventually securing them a deal with CARCASS members’ Jeff Walker’s and Bill Steer’s label Necrosis records for their landmark album Hallucinating Anxiety in 1990.

This long-overdue compilation covering the whole output produced by Norwegian Death Metal kings CADAVER before the release of their landmark album will surely please any fan of the band and then some.
Coming with a huge booklet in old fanzine style and containing a shitload of pics on top of a very detailed interview with Anders about the early days of CADAVER, this retrospective release is both mandatory for fans of CADAVER and anyone interested in the early days of Death Metal.

A vital document of early Norwegian Death Metal history.

The songs were completely new remastered from the original tapes by Patrick W. Engel at the Temple of Disharmony.

3LP triple-gatefold sleeve incl. a huge 28-page A4 booklet featuring a massive, career-spanning with Anders Odden and many never seen before pictures.
An double-sided A2 poster will be added to every vinyl too.

Thrashy Death Metal excellence from the pits of the Norwegian Metal underground

CADAVER was the first Norwegian band to push the limits of speed with blast beats that the scene hadn’t yet witnessed. From the DIY “hairdryer-and-distortion” effects used to simulate thunder in their early intros to their avant-garde approach to songwriting, this release is a essential document of a band that refused to fit into a box.

Prior to Norway becoming synonymous with Black Metal, the land of fjords gave rise to many a noteworthy Death Metal band too. After having recently reissued THOU SHALT SUFFER’s whole musical history, we at Darkness Shall Rise productions are immensely pleased to offer you another slab of historically important Norwegian Death Metal. Founded by underground legend Anders Odden in 1988, CADAVER produced a couple of highly influential demos eventually securing them a deal with CARCASS members’ Jeff Walker’s and Bill Steer’s label Necrosis records for their landmark album Hallucinating Anxiety in 1990.

This long-overdue compilation covering the whole output produced by Norwegian Death Metal kings CADAVER before the release of their landmark album will surely please any fan of the band and then some.
Coming with a huge booklet in old fanzine style and containing a shitload of pics on top of a very detailed interview with Anders about the early days of CADAVER, this retrospective release is both mandatory for fans of CADAVER and anyone interested in the early days of Death Metal.

A vital document of early Norwegian Death Metal history.

The songs were completely new remastered from the original tapes by Patrick W. Engel at the Temple of Disharmony.

3LP triple-gatefold sleeve incl. a huge 28-page A4 booklet featuring a massive, career-spanning with Anders Odden and many never seen before pictures.
An double-sided A2 poster will be added to every vinyl too.

Thrashy Death Metal excellence from the pits of the Norwegian Metal underground

CADAVER was the first Norwegian band to push the limits of speed with blast beats that the scene hadn’t yet witnessed. From the DIY “hairdryer-and-distortion” effects used to simulate thunder in their early intros to their avant-garde approach to songwriting, this release is a essential document of a band that refused to fit into a box.

Prior to Norway becoming synonymous with Black Metal, the land of fjords gave rise to many a noteworthy Death Metal band too. After having recently reissued THOU SHALT SUFFER’s whole musical history, we at Darkness Shall Rise productions are immensely pleased to offer you another slab of historically important Norwegian Death Metal. Founded by underground legend Anders Odden in 1988, CADAVER produced a couple of highly influential demos eventually securing them a deal with CARCASS members’ Jeff Walker’s and Bill Steer’s label Necrosis records for their landmark album Hallucinating Anxiety in 1990.

This long-overdue compilation covering the whole output produced by Norwegian Death Metal kings CADAVER before the release of their landmark album will surely please any fan of the band and then some.
Coming with a huge booklet in old fanzine style and containing a shitload of pics on top of a very detailed interview with Anders about the early days of CADAVER, this retrospective release is both mandatory for fans of CADAVER and anyone interested in the early days of Death Metal.

A vital document of early Norwegian Death Metal history.

The songs were completely new remastered from the original tapes by Patrick W. Engel at the Temple of Disharmony.

2CD jewel-case with 32-page booklet.

Disponibile in taglia S, M, L, XL o XXL

Per favore specificare la taglia nelle note d'ordine

It’s been six long years since Sojourner released their latest album, Premonitions. Since then, a lot has happened: the band went through lineup changes, signed back to Avantgarde Music and sort of spent a good portion of these years resting, building up ideas and inspiration for what had to come next.

 Gateways is the result of such rest, a collection of seven new tracks, including “Epitaphs”, the digital-only single released in late 2024. And let’s just say that Sojourner is back at full force. The signature sound that made Mike Lamb and Emilio Crespo’s band stand out since their beginnings, over a decade ago, is still there and now taken to new heights.

 Sojourner’s dreamy, folky atmopsheres are still here, now with the powerful addition of Heike Langhan’s (ex-Draconian, Remina) beautiful vocals. At the same, Gateways doesn’t spare speed and fury, with fast up-tempos and monolithic riffs.

 As guitarist and songwriter Mike Lamb states, “Gateways is a labour of love written over the last few years of outward silence, harnessing the soul of everything we've done before while carrying the band forward toward new horizons and opening the way for what comes next.”

 Sojourner’s fourth studio album will be released via Avantgarde Music on CD and LP on July 10th, 2026, right on time to support the band’s first three live gigs after years of absence from the stage.

It’s been six long years since Sojourner released their latest album, Premonitions. Since then, a lot has happened: the band went through lineup changes, signed back to Avantgarde Music and sort of spent a good portion of these years resting, building up ideas and inspiration for what had to come next.

 Gateways is the result of such rest, a collection of seven new tracks, including “Epitaphs”, the digital-only single released in late 2024. And let’s just say that Sojourner is back at full force. The signature sound that made Mike Lamb and Emilio Crespo’s band stand out since their beginnings, over a decade ago, is still there and now taken to new heights.

 Sojourner’s dreamy, folky atmopsheres are still here, now with the powerful addition of Heike Langhan’s (ex-Draconian, Remina) beautiful vocals. At the same, Gateways doesn’t spare speed and fury, with fast up-tempos and monolithic riffs.

 As guitarist and songwriter Mike Lamb states, “Gateways is a labour of love written over the last few years of outward silence, harnessing the soul of everything we've done before while carrying the band forward toward new horizons and opening the way for what comes next.”

 Sojourner’s fourth studio album will be released via Avantgarde Music on CD and LP on July 10th, 2026, right on time to support the band’s first three live gigs after years of absence from the stage.

It’s been six long years since Sojourner released their latest album, Premonitions. Since then, a lot has happened: the band went through lineup changes, signed back to Avantgarde Music and sort of spent a good portion of these years resting, building up ideas and inspiration for what had to come next.

 Gateways is the result of such rest, a collection of seven new tracks, including “Epitaphs”, the digital-only single released in late 2024. And let’s just say that Sojourner is back at full force. The signature sound that made Mike Lamb and Emilio Crespo’s band stand out since their beginnings, over a decade ago, is still there and now taken to new heights.

 Sojourner’s dreamy, folky atmopsheres are still here, now with the powerful addition of Heike Langhan’s (ex-Draconian, Remina) beautiful vocals. At the same, Gateways doesn’t spare speed and fury, with fast up-tempos and monolithic riffs.

 As guitarist and songwriter Mike Lamb states, “Gateways is a labour of love written over the last few years of outward silence, harnessing the soul of everything we've done before while carrying the band forward toward new horizons and opening the way for what comes next.”

 Sojourner’s fourth studio album will be released via Avantgarde Music on CD and LP on July 10th, 2026, right on time to support the band’s first three live gigs after years of absence from the stage.

It’s been six long years since Sojourner released their latest album, Premonitions. Since then, a lot has happened: the band went through lineup changes, signed back to Avantgarde Music and sort of spent a good portion of these years resting, building up ideas and inspiration for what had to come next.

 Gateways is the result of such rest, a collection of seven new tracks, including “Epitaphs”, the digital-only single released in late 2024. And let’s just say that Sojourner is back at full force. The signature sound that made Mike Lamb and Emilio Crespo’s band stand out since their beginnings, over a decade ago, is still there and now taken to new heights.

 Sojourner’s dreamy, folky atmopsheres are still here, now with the powerful addition of Heike Langhan’s (ex-Draconian, Remina) beautiful vocals. At the same, Gateways doesn’t spare speed and fury, with fast up-tempos and monolithic riffs.

 As guitarist and songwriter Mike Lamb states, “Gateways is a labour of love written over the last few years of outward silence, harnessing the soul of everything we've done before while carrying the band forward toward new horizons and opening the way for what comes next.”

 Sojourner’s fourth studio album will be released via Avantgarde Music on CD and LP on July 10th, 2026, right on time to support the band’s first three live gigs after years of absence from the stage.

Info: Invernoir literally bring back to life the best '90s gothic doom with this stellar new album. Aimin' for Oblivion comprises seven tracks that will make dark metal hearts bleed with that irresistible balance between light and shadows. Invernoir's Aimin' for Oblivion is unmissable for fans of old-school Anathema, Katatonia, and My Dying Bride.

Limited edition of 150 copies. Coming in a gatefold with insert.
Intense razor-sharp Swedish Black Metal attack!
Formed in Stockholm in 2016, Flykt emerged as an essential creative outlet for those involved and as a sign of defiance amid decay,
operating from the periphery rather than the center.
In 2019, the band released its debut full-length album, “Charnel Heart”, through Folter Records. Later the same year, Flykt followed up with
the two-track EP “Through the Earth and Through the Sun”. Since then, Flykt has continued its work away from view, shaping the material
for its second full-length album.
In 2025, the band signed with Hammerheart Records. Their second full length album “Sinister Strain” is set for release in the summer of 2026.

Intense razor-sharp Swedish Black Metal attack!
Formed in Stockholm in 2016, Flykt emerged as an essential creative outlet for those involved and as a sign of defiance amid decay,
operating from the periphery rather than the center.
In 2019, the band released its debut full-length album, “Charnel Heart”, through Folter Records. Later the same year, Flykt followed up with
the two-track EP “Through the Earth and Through the Sun”. Since then, Flykt has continued its work away from view, shaping the material
for its second full-length album.
In 2025, the band signed with Hammerheart Records. Their second full length album “Sinister Strain” is set for release in the summer of 2026.

Graveir, forged in the oppressive underground of Brisbane in 2014, deliver a uniquely unorthodox take on black metal—melding dissonant, riff-driven weight with warped, unsettling melody. Known for their intense, unease-soaked live shows and uncompromising sound, the band continues to carve their own path.

The Festering Triad, their third album, is a bleak vision of societal decay and corrupted power. Across eight tracks, bile-fuelled aggression surges through anxiety-ridden drums, convulsing guitars, and serpentine basslines—forming a suffocating, venomous descent into rot.

For Fans Of: Marduk | Shining | Gorgoroth

"Gloom" is the debut full-length album by the American band Macabre, released in 1989. The album has earned the status of one of the most important and original releases of the death/grind scene.

“Gloom” lasts only 25 minutes in its standard version and is characterized by extraordinary intensity and a raw sound, as well as very fast tempos, aggressive, thrash metal riffs, and "dirty," punk-influenced vocals (the band was heavily inspired by the early hardcore scene).

The lyrics describe real-life crimes and serial killers but often with a dose of dark specific sense of humour, which has become a trademark of Macabre's work over the years.

Limited edition of the entire discography of Mistress Of The Dead. that contain all the 15 CDs (4 albums - just for this boxing) + booklet of 35-40 pages and a coffin-shaped box ( wooden box made of birch )

Please see complete list of albums here at this link

11 full-length albums + bonus CD recorded specially for this edition. New artwork. Complete and strictly limited edition of 300 copies of the discography in the Book of Elffor.

12 full-length albums + bonus CD recorded specially for this edition. Complete and strictly limited edition of 300 copies of the discography in the Book

Media Condition: Near Mint 
Sleeve Condition: Mint 

more info

Qualche graffio sulla supericie del dischetto

(NOTA BENE, IL TESCHIO NELLA FOTO E' DECORATIVO E NON FA PARTE DEL BOX)

"The Northern Silence Years" Box-Set compiles the three albums the band released under Northern Silence Productions (which were also licensed to Nuclear Blast USA).

It is limited to 100 copies and includes:

- "Moonlover" DigiCD
- "Starmourner" DigiCD
- "Self Loather" DigiCD
- flag (100cm x 55cm with the "Reaper" artwork)
- woven logo patch
- logo metal pin
- sticker with the "Reaper" artwork
- handnumbered certificate

Vinyl :NM

Sleeve VG++  

sealed

clicca qui per info

Gatefold embossed cover, double black vinyl

This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.

#076/102

Triple LP in trifold cover! Neon orange vinyls, 200 copies limited

Please note: mock-ups are purely indicative computer graphics: the final product sometimes varies considerably

The Burning Circle and Then Dust is Lycia’s fourth studio recording, originally released on double CD via Projekt Records in 1995. Save for a small CD re-release in 2006 by Silber Records, the album has never been reissued since. It is hence with great pride that here at Avantgarde Music we officially announce a new edition of one of Lycia’s masterworks from the ‘90s, due out on 2CD as well as triple LP, making this the first Burning Circle vinyl release ever.
Mike VanPortfleet himself commented: “After several years of doing more synth oriented material I wanted a return to my guitar roots (in particular English post punk and 4AD). Lycia started as a guitar based band and I wanted to reaffirm that with disc one, which was originally going to be the release. I was also listening to a lot of shoegaze then, which inspired a return of making the guitars, as opposed to the synths, the focal point of the atmospherics.”.
Many things have been said about the album along the last twentyeight years, and the band chose the following to describe the record.
Per Projekt.com. - The Burning Circle And Then Dust was a groundbreaking point in Lycia’s career. It marked a shift from more atmospheric music towards song-oriented music with tracks like “Pray” & “Slip Away.” It marked the first collaborations between Mike VanPortfleet & Lycia members David Galas & Tara Vanflower. It marked the transformation of Lycia into a honed out live touring machine.
Per Pandamonium Magazine via Projekt.com. - Moving back into more formal song structures, Burning Circle returns to true song-writing, and places equal emphasis on guitar as the electronics. However, the music is as intense and powerful as ever, conjuring up vast vistas of soundscapes which are captured in delicate webs of song and structure. Songs like “Pray” are positively dance friendly, while others find Lycia moving towards the fertile ground of darkpop. breathtaking in scope and beauty, exultant in vision, exhilarating in sensory delight. Lycia have arrived.
Per Ned Raggett of AllMusic - a high point of American dark rock and the band's greatest and most ambitious work.

Lavish vinyl edition on 180g black vinyl, housed in a hardcover folder made of black rough solid-coloured cartonstock with embossing. Including 12" sized booklet made of solid-coloured black cartonstock with lyrics.
All folded into two pieces of cartonstock with hotfoil embossing and sealed with wax.
Limited to 300 handnumbered copies.

Vinyl unplayed. Seal was detached to unpack it, but it's still in the evenlope: in general, sleeve is in perfect conditions

the heirs of Nortt?

Raging,repetitve yet diverse black/death metal
with a discreet yet ever present droning vibe.
Hypnotic and hysterical,channeled through the virtues
of a sharp,
strict but eventually warm sound production,
Υπνωσίνοσις provides a sonic guidance to the subsconscious and beyond!

8 panels digipack

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).
 

4 panels digipack with booklet!
you can preorder it now but this is not a limited edition or anything.
will be in stock on the 2nd week of February

"This what I call imagination and talent employed to produce true art. I have chills from that song and it is followed up “Curse”, a hymn filled with almost nothing but black voices, gasps, growls, hissing, vomit-like emanations, ghost-like screams of anguish – this album is a journey I assure you. I am mentally exhausted. A brilliant release that takes many elements you have heard, many you have not and combines them in a unique way that makes this record an absolute must own."
 

New Mini-CD 7 tracks of blasphemy
 

These songs revolve around the transformation from man to The Übermensch (German for "Overman, Overhuman, Superman, Superhuman), through the purification of the fire and the metaphor of the warrior, mainly taking inspiration from parts of Vijnanabhairava as well as personal experiences of meditation.

Fire is the main element manifested by Shiva, seen as a purifying factor and dissolving, regenerating and annihilating.
In this case also seen as the awakening of a burning and dissolving energy, which brings chaos and destroys the boundaries of mortality to reach immortality.

Ascolta su BandCamp

Sebastian Montesi is a prolific artist, probably best known for his endeavors in Mitochondrion and for being one of the founding members of Auroch.
With Saturn’s Cross, the Canadian took a very different path, delving into cold wave territories, which little have to share with the bands he is usually associated to. Yet, when we listened to what Sebastian crafted, we had no doubt, and we gladly welcomed this new project to our roster. With neither hope nor fear, Saturn’s Cross unveils Cheat Death.  Now operating as a two piece, with 1908 entering the fold on bass and
vocals, Cheat Death disregards genre with wild abandon in favour of something that is at times overwhelmingly abrasive and at others intoxicating.
This is a willing exploration of the endless labyrinth and a lamp of pitch black glass intended to serve as a beacon in the lightless depths of the human spirit. This is a headlong dive into the soul's psychic darkness, with nothing to break the fall. This ushers in a new era Saturn's Cross.

Digipack limited to 500 Copies
Orchestral Fantasy Music / Epic Dungeon Synth

“Show My Mercy” is an EP about the remorse that humans will feel, when they are stuck in the swirl
of karma made by themselves. Blinded by fury, greed, sorrow, heading for their destruction step by step.

The digipak comes as four-sided panel with booklet-sleeve and eight-sided booklet.

These songs revolve around the transformation from man to The Übermensch (German for "Overman, Overhuman, Superman, Superhuman), through the purification of the fire and the metaphor of the warrior, mainly taking inspiration from parts of Vijnanabhairava as well as personal experiences of meditation.

Fire is the main element manifested by Shiva, seen as a purifying factor and dissolving, regenerating and annihilating.
In this case also seen as the awakening of a burning and dissolving energy, which brings chaos and destroys the boundaries of mortality to reach immortality.

Ascolta su BandCamp

'An Undying Love For A Burning World' is the first new release from Neurosis in a decade, and a potent statement of intent and rebirth - one that marks the first new steps of resolve and resilience.

'An Undying Love For A Burning World' is an epic album of colossal hypnotism - beautiful, fearsome and utterly compelling in a way that only Neurosis can be. Aaron Turner (Sumac, Isis) joins the band on vocals and guitar, a name whose legacy is intertwined with the band’s own and a true kindred spirit.

Neurosis have never been afraid of change, and here they embrace endless regeneration, surrendering to the emotional exorcism through heaviness and distortion that their music incites. Just as the universe tends towards balance, Neurosis’ cacophony of noise, rhythm and dissonance always resolves towards moments of beauty. The addition of Turner's powerful vocals and wildly creative and unhinged approach to guitar proves to be a vital force as Neurosis find themselves again at the mercy of evolution and expression.

The album was recorded by Scott Evans (Kowloon Walled City, Sumac, and Great Falls) at Studio Litho in Seattle during three weekends this winter, and mixed in three days just six weeks before release at Evan's Antisleep Audio in Oakland.

Vinyl edition of Void of Silence' new album!
Comes in gatefold jacket, Black double Vinyl

Todestrieb is a Polish black metal duo formed in 2023 in Cracow by blein (guitars and bass) and Res (vocals and lyrics). After several months of hard work, the duo completed their debut studio record, Corona Tenebra, which will be released in December by Avantgarde Music.
Drawing their inspiration from bands such as Watain, Odraza, Drastus, Kriegsmaschine, Tortorum, Funeral Mist and many more, Todestrieb managed to find their own way in the crowded black metal underground, specifying that “those bands influenced rather the essence of our music than the form”.
Corona Tenebra consists of five tracks and an outro, and its lyrics, all written in Polish but translated into English in the album booklet, circle around themes like spirituality, gnostic satanism, blasphemy, theology and philosophy.

Featuring Mgła, Hauntologist and Owls Woods Graves’ Michał “The Fall” Stępień on drums, Todestrieb debut is a very diverse, fascinating take on black metal. Corona Tenebra was recorded in No Solace studio and mixed and mastered at Impressive Art Studio. With an artwork by Izabela Grabda, Corona Tenebra will be released via Avantgarde Music on CD, LP and digital on December 13th, 2024.

Regular black edition, comes with printed innersleeve and with an insert

Drought is an entity spawned to channel its creators’ creative energy in a black metal form. The Tantric concept has been adopted to transform this energy into a tale of upheaval and elevation, using fire as a metaphor to celebrate spiritual transformation through cleansing, drawing purity from impurity. After a promising debut EP Drought fell into several years of silence, from which they will finally rise this spring to unleash their first full-length album, Trimurti.

As a Lotus grows from the swamp, enlightenment comes from improvement and regeneration. In Trimurti this theme is reprised from the previous ep Rudra Bhakti (2016, also on Avantgarde Music) and deepened, generating three suites - each explaining one of the three phases of this spiritual turmoil, as well as the three phases of Pranayama, and overall, the three phases of evolution: awareness - transformation - elevation. Nine tracks divided into three conceptual segments - this new opus develops and brings forth the tantric concept of the previous release, articulating it into a full spiritual blast of extreme music.

When asked to introduce the album, Drought said: “Trimurti represents the tantric chemistry of our creative energies and the ones kept within the sea, the mountains and the woods which surround us, channeled into music to celebrate the eternal life hidden in this world and in the ones behind it”.

Trimurti will be out on cd and lp (regular and limited) on May 15th / 22nd  

----------------------- 10% off launch price until 19/04

For a song preview CLICK HERE

Limited edition silver vinyl  250 copies

Vástígr is the solo project of Þ. (Hāg, Ill Tidings and several other projects), Austrian composer, guitarist and singer. Vástígr debut, Aura Aeternitatis, was released by Avantgarde Music in 2019 and impressed all those who dared entering its realm.
A perfect blending of atmospheric black metal and dissonant, complex structures typical to the Icelandic scene, Vástígr music is one of the very rare cases in which a black metal artist is actually crafting something personal and unique.
After a five-year long silence, Vástígr is back with its sophomore album, The Path of Perdition, a cathartic journey through downfall and uprising, of accepting man’s futility and insignificance in a greater (cosmic) scheme. 
As described by Þ., “the eternal cycle goes ever on and could not care less what happens to us. Eventually the wheel of time crushes us all like insects. What remains is memory, ruins, ashes, until even those fade into oblivion – and the knowledge that the cycle shall repeat itself, for better or worse”.
Produced in Iceland at Studio Emissary by Stephen Lockhart (Rebirth of Nefast and producer for Sinmara, Svartidauði, Nexion and many more),
The Path of Perdition will feature once again a cover art by French artist Metastazis, who created art for Blut Aus Nord, Alcest, Amorphis, Ondskapt and many other prominent artists.

No longer one of the metal underground's best-kept secrets, VALDRIN began picking up momentum with the 2018 BLOOD HARVEST release of their second album, Two Carrion Talismans - epic, shapeshifting blackened death that was both timeless and fresh - and then eclipsed that achievement two years later with third album Effigy of Nightmares, also released by BLOOD HARVEST, whereby the band dove deeply into the bluish purple depths of '90s melodic black metal. To hear comparisons to Vinterland, Sacramentum, and Sweden's Dawn wasn't mere hyperbole; it was assertive truth, as commanding as VALDRIN's songwriting mastery. Which is to say nothing of the band's ongoing Ausadjur Mythos, a fantastical tale begun with their Beyond the Forest debut album and which forms the lyrical basis of all since.

COINCIDING WITH THE TWENTY-FIFTH ANNIVERSARY OF GODKILLER’S FINAL FULL-LENGTH ALBUM OF DARK METAL WITH INDUSTRIAL & ELECTRONIC ELEMENTS.

Formed in 1993 & hailing from Monaco, Godkiller was the vision of multi-instrumentalist & sole founding member, Duke Satanaël, who between 1996 & 2000 released an EP & 2 studio albums under the Godkiller name, commencing with the black metal cult classic debut 'The Rebirth Of The Middle Ages'.

Though initially more a death metal inspired act in the formative years, Godkiller quickly developed into a project fully engulfed in the spirit of 1990s black metal, bringing to mind acts like Emperor & Satyricon for the implementation of such strong atmospherics, though on later releases Godkiller incorporated more industrial & electronic elements into the compositions as part of its creative evolution.

‘Deliverance’ was Godkiller’s second studio album & final release before the project was laid to rest & ventured into a more electronic & industrially metallic direction for what could be considered a more contemporary & expressive take on Godkiller’s established brand of darkness.

Coinciding with the album’s 25th anniversary, this edition of ‘Deliverance’ is presented on CD format for the first time since its original release, including an eight page booklet with full lyrics.

The legendary Slow Death recordings from Mortem, fully re-recorded and reworked (including extra tracks), plus the original 1989 demo.

Presented on double CD, the release also includes an extended biography on the history of the band, plus rare and unseen images.

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Before Arcturus there was Mortem. Originally comprised of members now known from such classic bands as Arcturus, Mayhem & Thorns, Mortem was a leading act of the early Norwegian underground metal scene; their ‘Slow Death’ demo a highly inspirational work of early Norwegian extreme metal.

Formed by Marius Vold & Steinar Sverd Johnsen in 1989, Mortem was one of the first black metal bands to crawl out of the woodwork in Norway, releasing the highly coveted and brutal ‘Slow Death’ demo, with Euronymous & Dead of Mayhem acting as producer and cover artist respectively. After the release of ‘Slow Death’, the band was laid to rest with members going on to form and feature in acclaimed titans such as Arcturus and Thorns, both of which would become mainstays in the black metal scene and beyond.

This special release of ‘Slow Death’ contains the tracks newly recorded and reworked in a style more akin to the recent ‘Ravnsvart’ album material, plus also includes the legendary pioneering 1989 demo itself, with a fresh transfer from a new tape source. The new recordings also include a rendition of the old Mortem track ‘Satanas’, plus a cover of ‘Likferd’ (Funeral Fog) by Mayhem, this time sung in Norwegian. Joining the original line-up of Marius, Steinar & Hellhammer is Tor Seidemann of 1349 on bass guitar.