Preordine

The cult 2007 classic from Swedish melodic black metal masters, returning on CD and limited edition clear vinyl formats!

Harvest is the fifth album from the Swedish veterans and is considered a cornerstone of modern melodic black metal. It balances the uncompromising brutality of early Scandinavian black metal with melodic death metal sensibilities, resulting in songs that are vicious yet deeply memorable. The album features the wicked vocals of Christopher Olivius and the songwriting skills of Marcus Norman, resulting in a "black romantic atmospheric" sound. 

FOR FANS OF: Dissection | Watain | Dimmu Borgir | Dark Fortress | Sacramentum

Second press! Gatefold sleeve, and vinyl in "comet torrent" vinyl effect!!  

Crystal clear and black marbled 12" vinyl (33rpm) in gatefold with double sided insert.
Limited to 250 copies worldwide!

NARGAROTH is the sole vision of Rene "Ash" Wagner, forged in Saxony in 1996 and driven by nearly three decades of raw, uncompromising German black metal.
‘Apocalyptic Steel’ is a record that refused to stay buried. Tracked in a single weekend at Trident Studios in Pacheco, California, in September of 2014, the album sat forgotten on a hard drive in the United States while ‘Era of Threnody’ took priority. Years later, the recordings resurfaced. Drums were re-recorded in Las Vegas, vocals and mixing completed at AMP Studios in Duisburg, and 12 years after its first sessions, the album is finally here. This is not a vault curiosity. It is NARGAROTH at its most direct: nine tracks of filthy, unadorned metal built on the attitude of old Judas Priest, Accept, Deicide and Obituary. From the predatory menace of “Twisted Steel” to the band-name-studded battle cry of “Metalheart”, from the unflinching historical weight of “Dresden” to the aching Germanic longing of “Requiem Germania”, this is an album that has nothing to prove and wastes nothing on pretense.
Recorded fast, recorded dirty, and finished on its own terms.

For fans of DARKTHRONE, MAYHEM, ACCEPT, MOTORHEAD, DEICIDE.

Black 12" vinyl (33rpm) in gatefold with double sided insert.
First pressing 500 copies worldwide.

NARGAROTH is the sole vision of Rene "Ash" Wagner, forged in Saxony in 1996 and driven by nearly three decades of raw, uncompromising German black metal.
‘Apocalyptic Steel’ is a record that refused to stay buried. Tracked in a single weekend at Trident Studios in Pacheco, California, in September of 2014, the album sat forgotten on a hard drive in the United States while ‘Era of Threnody’ took priority. Years later, the recordings resurfaced. Drums were re-recorded in Las Vegas, vocals and mixing completed at AMP Studios in Duisburg, and 12 years after its first sessions, the album is finally here. This is not a vault curiosity. It is NARGAROTH at its most direct: nine tracks of filthy, unadorned metal built on the attitude of old Judas Priest, Accept, Deicide and Obituary. From the predatory menace of “Twisted Steel” to the band-name-studded battle cry of “Metalheart”, from the unflinching historical weight of “Dresden” to the aching Germanic longing of “Requiem Germania”, this is an album that has nothing to prove and wastes nothing on pretense.
Recorded fast, recorded dirty, and finished on its own terms.

For fans of DARKTHRONE, MAYHEM, ACCEPT, MOTORHEAD, DEICIDE.

CD in Jewel case with 20-page booklet.

NARGAROTH is the sole vision of Rene "Ash" Wagner, forged in Saxony in 1996 and driven by nearly three decades of raw, uncompromising German black metal.
‘Apocalyptic Steel’ is a record that refused to stay buried. Tracked in a single weekend at Trident Studios in Pacheco, California, in September of 2014, the album sat forgotten on a hard drive in the United States while ‘Era of Threnody’ took priority. Years later, the recordings resurfaced. Drums were re-recorded in Las Vegas, vocals and mixing completed at AMP Studios in Duisburg, and 12 years after its first sessions, the album is finally here. This is not a vault curiosity. It is NARGAROTH at its most direct: nine tracks of filthy, unadorned metal built on the attitude of old Judas Priest, Accept, Deicide and Obituary. From the predatory menace of “Twisted Steel” to the band-name-studded battle cry of “Metalheart”, from the unflinching historical weight of “Dresden” to the aching Germanic longing of “Requiem Germania”, this is an album that has nothing to prove and wastes nothing on pretense.
Recorded fast, recorded dirty, and finished on its own terms.

For fans of DARKTHRONE, MAYHEM, ACCEPT, MOTORHEAD, DEICIDE.

"This time we entered the studio with the clear intention of creating a landmark album for the band." It's a noble and challenging mission statement from Hellenic black metal troop Yoth Iria, and one that has amply succeeded in the form of Gone With The Devil, the Attica quartet's stellar third album. Their trajectory has been on a steep ascent since crafty 2021 debut As The Flame Withers and 2024's hypnotic Blazing Inferno, but there has audibly been a concerted determination to develop and expand in sinister new directions.
The daemonic avatar Yoth Iria was first explicitly summoned on Rotting Christ's legendary debut Thy Mighty Contract in 1993. Bassist/lyricist Jim Mutilator formed that band as Black Church in 1984, before also becoming a founder member of cult Athenian BM heroes Varathron for their first five years. Renewing the otherworldly atmospheres and occult ravishment for a new era, Yoth Iria functions almost as the third panel in an apocalyptic triptych of Hellenic black metal excellence.
There's a thrilling balance of ancient and modern, good and evil, harmony and dissonance, advancing Yoth Iria as a hungry contender for extreme metal's big leagues - an ever-improving unit with a glorious future. Appropriately, however, Gone With The Devil is best summed up with a line already coined by the band to describe their ongoing body of work: "Every note tells a story of rebirth, tradition, and the relentless pursuit of musical transcendence."

"This time we entered the studio with the clear intention of creating a landmark album for the band." It's a noble and challenging mission statement from Hellenic black metal troop Yoth Iria, and one that has amply succeeded in the form of Gone With The Devil, the Attica quartet's stellar third album. Their trajectory has been on a steep ascent since crafty 2021 debut As The Flame Withers and 2024's hypnotic Blazing Inferno, but there has audibly been a concerted determination to develop and expand in sinister new directions.
The daemonic avatar Yoth Iria was first explicitly summoned on Rotting Christ's legendary debut Thy Mighty Contract in 1993. Bassist/lyricist Jim Mutilator formed that band as Black Church in 1984, before also becoming a founder member of cult Athenian BM heroes Varathron for their first five years. Renewing the otherworldly atmospheres and occult ravishment for a new era, Yoth Iria functions almost as the third panel in an apocalyptic triptych of Hellenic black metal excellence.
There's a thrilling balance of ancient and modern, good and evil, harmony and dissonance, advancing Yoth Iria as a hungry contender for extreme metal's big leagues - an ever-improving unit with a glorious future. Appropriately, however, Gone With The Devil is best summed up with a line already coined by the band to describe their ongoing body of work: "Every note tells a story of rebirth, tradition, and the relentless pursuit of musical transcendence."

"This time we entered the studio with the clear intention of creating a landmark album for the band." It's a noble and challenging mission statement from Hellenic black metal troop Yoth Iria, and one that has amply succeeded in the form of Gone With The Devil, the Attica quartet's stellar third album. Their trajectory has been on a steep ascent since crafty 2021 debut As The Flame Withers and 2024's hypnotic Blazing Inferno, but there has audibly been a concerted determination to develop and expand in sinister new directions.
The daemonic avatar Yoth Iria was first explicitly summoned on Rotting Christ's legendary debut Thy Mighty Contract in 1993. Bassist/lyricist Jim Mutilator formed that band as Black Church in 1984, before also becoming a founder member of cult Athenian BM heroes Varathron for their first five years. Renewing the otherworldly atmospheres and occult ravishment for a new era, Yoth Iria functions almost as the third panel in an apocalyptic triptych of Hellenic black metal excellence.
There's a thrilling balance of ancient and modern, good and evil, harmony and dissonance, advancing Yoth Iria as a hungry contender for extreme metal's big leagues - an ever-improving unit with a glorious future. Appropriately, however, Gone With The Devil is best summed up with a line already coined by the band to describe their ongoing body of work: "Every note tells a story of rebirth, tradition, and the relentless pursuit of musical transcendence."

Comes with a 16-page booklet and a download card. Pressed on transparent blue with black smoke heavy vinyl. Colors on final record may vary to a degree from the mockup.

Madrid's AVERSIO HUMANITATIS follow-up 2020's white-hot "Behold the Silent Dwellers" with another stunning slice of unrelenting, modernist and oft-dissonant Black Metal.

Third full-length "To Become The Endless Static" finds the band on devastatingly intense terrain: a hammer-blow of astounding riffing, warped leads, riotous drumming and ultra-committed vocals all wrapped in an oppressive atmosphere as serious as your life.

Comes in a 4-panel digipack w/ a 16-page booklet. First batch comes in black polycarbonate CD.

Madrid's AVERSIO HUMANITATIS follow-up 2020's white-hot "Behold the Silent Dwellers" with another stunning slice of unrelenting, modernist and oft-dissonant Black Metal.

Third full-length "To Become The Endless Static" finds the band on devastatingly intense terrain: a hammer-blow of astounding riffing, warped leads, riotous drumming and ultra-committed vocals all wrapped in an oppressive atmosphere as serious as your life.