Preordine

2CD hardcover artbook (18x18 cm, 36 pages), incl. lyrics and extended artwork (400 copies available)

FEN are climbing to a new artistic height by coming down to earth with their eighth full-length "Elemental Part One: Mourning Earth". The East Anglian trio has turned to their 'roots' in every sense, by distilling the true essence of what constitutes their sound through everything that they have learned and added in the last two decades. While the previous album, "Monuments to Absence" (2023), was deliberately arranged dense, fast and intense, FEN decided to leave breathing space on this album to allow more time for themes and ideas to exhale and unfurl. Of course, there is still much sonic aggression but channelled differently as large parts of "Mourning Earth" were recorded live to allow an organic nature to flow, and to permit the natural rhythms of the pieces to develop. Lyrically, FEN sum up their basic idea behind "Elemental Part One: Mourning Earth" in their own poetic words: "The morning mists clearing over the boggy expanses of the fens to reveal another grey, gloom-laden day of sorrow and regret. And at twilight, the slow, sad realisation that tomorrow promises only more of the same – tormented by the half-heard whispers of the spirits bound to the soils, our pain continues. And we can only endure." With "Elemental Part One: Mourning Earth", FEN have reached a new pinnacle in their exciting career and achieved a perfect balance between their black metal foundations and post-black metal innovations. FEN take their listener on a journey to grim bogs, languid waterways, and dismal fogs over bare rock – yet on the other side waits a sense of surcease to the endless existential ennui within.

LP (transparent green/black splatter vinyl) incl.printed insert, polylined inner sleeve, and protection sleeve (300 copies available)

FEN are climbing to a new artistic height by coming down to earth with their eighth full-length "Elemental Part One: Mourning Earth". The East Anglian trio has turned to their 'roots' in every sense, by distilling the true essence of what constitutes their sound through everything that they have learned and added in the last two decades. While the previous album, "Monuments to Absence" (2023), was deliberately arranged dense, fast and intense, FEN decided to leave breathing space on this album to allow more time for themes and ideas to exhale and unfurl. Of course, there is still much sonic aggression but channelled differently as large parts of "Mourning Earth" were recorded live to allow an organic nature to flow, and to permit the natural rhythms of the pieces to develop. Lyrically, FEN sum up their basic idea behind "Elemental Part One: Mourning Earth" in their own poetic words: "The morning mists clearing over the boggy expanses of the fens to reveal another grey, gloom-laden day of sorrow and regret. And at twilight, the slow, sad realisation that tomorrow promises only more of the same – tormented by the half-heard whispers of the spirits bound to the soils, our pain continues. And we can only endure." With "Elemental Part One: Mourning Earth", FEN have reached a new pinnacle in their exciting career and achieved a perfect balance between their black metal foundations and post-black metal innovations. FEN take their listener on a journey to grim bogs, languid waterways, and dismal fogs over bare rock – yet on the other side waits a sense of surcease to the endless existential ennui within.

FEN are climbing to a new artistic height by coming down to earth with their eighth full-length "Elemental Part One: Mourning Earth". The East Anglian trio has turned to their 'roots' in every sense, by distilling the true essence of what constitutes their sound through everything that they have learned and added in the last two decades. While the previous album, "Monuments to Absence" (2023), was deliberately arranged dense, fast and intense, FEN decided to leave breathing space on this album to allow more time for themes and ideas to exhale and unfurl. Of course, there is still much sonic aggression but channelled differently as large parts of "Mourning Earth" were recorded live to allow an organic nature to flow, and to permit the natural rhythms of the pieces to develop. Lyrically, FEN sum up their basic idea behind "Elemental Part One: Mourning Earth" in their own poetic words: "The morning mists clearing over the boggy expanses of the fens to reveal another grey, gloom-laden day of sorrow and regret. And at twilight, the slow, sad realisation that tomorrow promises only more of the same – tormented by the half-heard whispers of the spirits bound to the soils, our pain continues. And we can only endure." With "Elemental Part One: Mourning Earth", FEN have reached a new pinnacle in their exciting career and achieved a perfect balance between their black metal foundations and post-black metal innovations. FEN take their listener on a journey to grim bogs, languid waterways, and dismal fogs over bare rock – yet on the other side waits a sense of surcease to the endless existential ennui within.

Solid blue vinyl LTD to 300 copies.

FORSMÁN are a black metal band from Kópavogur, Iceland. After their debut EP "Dönsum í logans ljóma", the members — all only in their early twenties — have been working intensively on new material. Concrete news will follow soon, but the band’s direction is already clear: FORSMÁN (pronounced "fors-mown") stand in the line of modern Icelandic black metal associated with SVARTIDAUÐI, SINMARA, and MISÞYRMING, combining dense atmosphere with focused, forward-driving songwriting. Expect urgent riffing, decisive rhythms, and vocals that cut through a cold, enveloping haze. FORSMÁN are part of a new generation coming out of Iceland with a strong sense of identity, and anyone drawn to the country’s contemporary black metal sound should keep a close eye on what comes next.

2-CD hardcover book (18 x 18cm, 60 pages) with excl. bonus CD with 8 bonus tracks

DYMNA LOTVA are taking a quantum leap in their rapid musical evolution with their fourth album "Vyraj". The rebellious Belarus dissidents are powerfully demonstrating that they are far more than a 'one-trick pony' in every conceivable artistic aspect. Although "Vyraj" is still based on a solid foundation of black and post-black metal, DYMNA LOTVA move far beyond any easy labelling by also drawing inspiration from doom, heavy, and progressive metal, while venturing even deeper by incorporating elements from electronic music, goth, and folklore. The album is a cornucopia of great songs that are atmospherically dense and invite the listener onto an emotional roller-coaster ride from the darkest depths of depression and fear, via raw anger and defiance, to heights of ecstatic exhilaration. "Vyraj" is a musical kaleidoscope with ever changing patterns and sonic colours of remarkable beauty – that often dissolves into captivating melodies that at times even achieve a pop-like appeal. DYMNA LOTVA continue to carry the torch of rebellion, which is only natural as the founding members had to flee their native Belarus due to political persecution and continued attempts by the Lukashenka regime to censor and suppress their art. Yet on "Vyraj", they put their lyrical focus elsewhere. The album's main concept could be described as 'Belarusian ethno-astronomy.' In Slavonic legends, the starry sky is associated both with the afterlife and with journeys, which becomes closely intertwined with the musicians' personal experience of forced emigration. This idea is captured in the album title "Vyraj", which is a mythical realm to where birds migrate for the winter, and where the souls of the departed find their final rest. DYMNA LOTVA take another big step with "Vyraj" in their breathtakingly rapid artistic evolution. It is easy to predict that this unique and highly original band will soon appear on even bigger festival billings and European stages.

DYMNA LOTVA are taking a quantum leap in their rapid musical evolution with their fourth album "Vyraj". The rebellious Belarus dissidents are powerfully demonstrating that they are far more than a 'one-trick pony' in every conceivable artistic aspect. Although "Vyraj" is still based on a solid foundation of black and post-black metal, DYMNA LOTVA move far beyond any easy labelling by also drawing inspiration from doom, heavy, and progressive metal, while venturing even deeper by incorporating elements from electronic music, goth, and folklore. The album is a cornucopia of great songs that are atmospherically dense and invite the listener onto an emotional roller-coaster ride from the darkest depths of depression and fear, via raw anger and defiance, to heights of ecstatic exhilaration. "Vyraj" is a musical kaleidoscope with ever changing patterns and sonic colours of remarkable beauty – that often dissolves into captivating melodies that at times even achieve a pop-like appeal. DYMNA LOTVA continue to carry the torch of rebellion, which is only natural as the founding members had to flee their native Belarus due to political persecution and continued attempts by the Lukashenka regime to censor and suppress their art. Yet on "Vyraj", they put their lyrical focus elsewhere. The album's main concept could be described as 'Belarusian ethno-astronomy.' In Slavonic legends, the starry sky is associated both with the afterlife and with journeys, which becomes closely intertwined with the musicians' personal experience of forced emigration. This idea is captured in the album title "Vyraj", which is a mythical realm to where birds migrate for the winter, and where the souls of the departed find their final rest. DYMNA LOTVA take another big step with "Vyraj" in their breathtakingly rapid artistic evolution. It is easy to predict that this unique and highly original band will soon appear on even bigger festival billings and European stages.

DYMNA LOTVA are taking a quantum leap in their rapid musical evolution with their fourth album "Vyraj". The rebellious Belarus dissidents are powerfully demonstrating that they are far more than a 'one-trick pony' in every conceivable artistic aspect. Although "Vyraj" is still based on a solid foundation of black and post-black metal, DYMNA LOTVA move far beyond any easy labelling by also drawing inspiration from doom, heavy, and progressive metal, while venturing even deeper by incorporating elements from electronic music, goth, and folklore. The album is a cornucopia of great songs that are atmospherically dense and invite the listener onto an emotional roller-coaster ride from the darkest depths of depression and fear, via raw anger and defiance, to heights of ecstatic exhilaration. "Vyraj" is a musical kaleidoscope with ever changing patterns and sonic colours of remarkable beauty – that often dissolves into captivating melodies that at times even achieve a pop-like appeal. DYMNA LOTVA continue to carry the torch of rebellion, which is only natural as the founding members had to flee their native Belarus due to political persecution and continued attempts by the Lukashenka regime to censor and suppress their art. Yet on "Vyraj", they put their lyrical focus elsewhere. The album's main concept could be described as 'Belarusian ethno-astronomy.' In Slavonic legends, the starry sky is associated both with the afterlife and with journeys, which becomes closely intertwined with the musicians' personal experience of forced emigration. This idea is captured in the album title "Vyraj", which is a mythical realm to where birds migrate for the winter, and where the souls of the departed find their final rest. DYMNA LOTVA take another big step with "Vyraj" in their breathtakingly rapid artistic evolution. It is easy to predict that this unique and highly original band will soon appear on even bigger festival billings and European stages.

Second press

Limited edition, gatefold colored vinyl with transparent "black ice" vinyl

From the mind of Gore Metal pioneer Matt Harvey, LEFT TO DIE pays homage to Chuck Schuldiner's revolutionary Metal band, DEATH. 

Initium Mortis, the upcoming new album from LEFT TO DIE, sees the DEATH-inspired supergroup—including original DEATH members Terry Butler (OBITUARY) and Rick Rozz (MASSACRE)—joining Harvey (EXHUMED, GRUESOME) and Gus Rios (GRUESOME) to capture DEATH's deep, die-hard-only catalog.

Featuring tracks like Arcangel, Witch of Hell, and Legion of Doom expertly executed in the now, Initium Mortis is a must-have for DEATH fans and collectors alike.   

"For Initium Mortis we wanted Death fans who had never heard these demo songs to hear them with good production," says Harvey. "Most of these early demos were poor quality, often recorded on a boom box, so by the time someone got a demo through tape trading it was almost inaudible!
We think these tracks are a good representation of the birth of Mantas/Death. This is ground zero - where it all started: three 15 year-old kids creating Death Metal history, and even within these choice cuts from the demo days you can hear the evolution of the music."

"Left To Die went from a thought to doing a full US tour in about 3 months! Pretty remarkable if you ask me," says Butler. "We wanted to play the early material for the fans that weren't able to see the first albums in a live setting. There are many young fans at our shows that are hearing the foundation that DEATH stands on to this day live for the first time! With Matt channeling the best Chuck Schuldiner out there and Gus playing the material perfectly and respectfully we hit the road and haven't looked back."

Ultimately, LEFT TO DIE celebrates a seminal band and the camaraderie of the genre's most extreme corner of music. "First off I would like to thank Gus, Matt and Terry for making Left To Die happen. It's been an honor and pleasure working with them for the past few years and beyond," says Rozz. "It's really cool to be able to hear these tunes from 1984 properly! Old-school Death fans are going to dig this release. Cheers & Peace."

From the mind of Gore Metal pioneer Matt Harvey, LEFT TO DIE pays homage to Chuck Schuldiner's revolutionary Metal band, DEATH. 

Initium Mortis, the upcoming new album from LEFT TO DIE, sees the DEATH-inspired supergroup—including original DEATH members Terry Butler (OBITUARY) and Rick Rozz (MASSACRE)—joining Harvey (EXHUMED, GRUESOME) and Gus Rios (GRUESOME) to capture DEATH's deep, die-hard-only catalog.

Featuring tracks like Arcangel, Witch of Hell, and Legion of Doom expertly executed in the now, Initium Mortis is a must-have for DEATH fans and collectors alike.   

"For Initium Mortis we wanted Death fans who had never heard these demo songs to hear them with good production," says Harvey. "Most of these early demos were poor quality, often recorded on a boom box, so by the time someone got a demo through tape trading it was almost inaudible!
We think these tracks are a good representation of the birth of Mantas/Death. This is ground zero - where it all started: three 15 year-old kids creating Death Metal history, and even within these choice cuts from the demo days you can hear the evolution of the music."

"Left To Die went from a thought to doing a full US tour in about 3 months! Pretty remarkable if you ask me," says Butler. "We wanted to play the early material for the fans that weren't able to see the first albums in a live setting. There are many young fans at our shows that are hearing the foundation that DEATH stands on to this day live for the first time! With Matt channeling the best Chuck Schuldiner out there and Gus playing the material perfectly and respectfully we hit the road and haven't looked back."

Ultimately, LEFT TO DIE celebrates a seminal band and the camaraderie of the genre's most extreme corner of music. "First off I would like to thank Gus, Matt and Terry for making Left To Die happen. It's been an honor and pleasure working with them for the past few years and beyond," says Rozz. "It's really cool to be able to hear these tunes from 1984 properly! Old-school Death fans are going to dig this release. Cheers & Peace."

Expanded edition of Oslo black metal cultists Isvind's 1996 debut full-length, incl. the tracks from the self-titled 7" EP.

LP (black) incl. polylined inner sleeve, Din A2 poster and protection sleeve (250 copies available)

Expanded edition of Oslo black metal cultists Isvind's 1996 debut full-length, incl. the tracks from the self-titled 7" EP.

LP (transparent/schwarz-marmoriert) incl. polylined inner sleeve, Din A2 poster and protection sleeve (250 copies available)