€ 0,00
Il carrello è vuoto
Titoli in Preordine - musica Black Metal e Dark estrema
For over three decades Black Funeral has channeled currents of pure darkness, and this new invocation is one of their most powerful and sinister albums to date.
This sonic offering to the Jinn is raw, vampyric & occult Black Metal that is laced with dark ambient passages and ritual soundscapes.
Recorded over the cursed first half of 2024, "Flames of Samūm" is dedicated to the Mulūk al-Arḍīya, the Seven Earthly Jinn Kings, each attributed to both the seven days of the week and the planets.
The Mulūk al-Arḍīya possess authority and infernal power that is both malignant and beneficial. The essence of the Earthly Kings is reflective and perhaps emanated from the Unseen and Imaginal world that is both real and not real, existing as a liminal power so beholden to the invisible, scorching winds and fire of Samūm.
This album is an act of Siḥr (Black Magick) that honours and summons with each track, aligned with the King and the planetary association therein. This album is a musical offering to those of the fires of Samūm, the divinely infernal Jinn that may guide or devour the minds and souls of those who open the liminal gates of the subconscious. Within this album, specific elements of lyrical and musical representation, offers subtle acts of Siḥr to summon the vampyric Jinn such as the ‘Ifrit, Ummu Sibyan (one Arabic name of Lilith) who is Tabi’ah, flesh hungry Ghūls and others of the abyssic legions.
In 2015, NIGRUM was born from fire, from snake-infested tunnels and ravenous worship of death - there, where ancient stones are inspirited by bone-breaking and incessant ecstatic dances. From the mists of the central Mexican highlands and the pyramid temples of Quetzalcoatl that lie there came a turbid and sinuous path that took shape in the form of black metal.
After the first years of this journey, marked by hard strife constant changes, the cutting obsidian breeze of the Serpent brought NIGRUM to Scandinavian shores. After laying the past to rest, NIGRUM established themselves in the south of Sweden. They began with the recording of a three-track demo named Cremer Igne in 2020, which was released later that year. As that year was turning to an end, the band had its first live appearances in Sweden, Denmark, and Germany in its shifted shape after years of silence. The spiritual and creative processes that guided NIGRUM culminated in, and were crowned by, the recording of their debut album. Titled Elevenfold Tail, this momentous birth truly announced the band's arrival.
In 2015, NIGRUM was born from fire, from snake-infested tunnels and ravenous worship of death - there, where ancient stones are inspirited by bone-breaking and incessant ecstatic dances. From the mists of the central Mexican highlands and the pyramid temples of Quetzalcoatl that lie there came a turbid and sinuous path that took shape in the form of black metal.
After the first years of this journey, marked by hard strife constant changes, the cutting obsidian breeze of the Serpent brought NIGRUM to Scandinavian shores. After laying the past to rest, NIGRUM established themselves in the south of Sweden. They began with the recording of a three-track demo named Cremer Igne in 2020, which was released later that year. As that year was turning to an end, the band had its first live appearances in Sweden, Denmark, and Germany in its shifted shape after years of silence. The spiritual and creative processes that guided NIGRUM culminated in, and were crowned by, the recording of their debut album. Titled Elevenfold Tail, this momentous birth truly announced the band's arrival.
Picture LP that comes in 70/80's-style gatefold jacket (called Unipak) with the vinyl sliding from the inside the gatefold
One press of 300
Single LP mastering for this new pressing
200 copies limited - natural clear vinyl / gatefold sleeve
The Suns of Perdition IV concludes with its ultimate offering "To Shadow Zion" - a multi-layered title fusing the definition of Zion, in the context of "a heavenly place" or "utopia" coupling with the Jungian concept of the Shadow - together forming the vile, repressed nature of humanity with that of the sacred and of the holy. SUNS IV, in its final analysis is the last sounds of a borrowed world, where earth's last picture is painted - the terminus of all paradises lost - at Shadow Zion.
Digipak CD edition with 8-page poster booklet and album download