MESARTHIM
Arrival (black vinyls with etching)

Stunning debut album by Mesarthim, initially self-released by the band on bandcamp / digital format only, now also available on digipack cd and vinyl. CD features bonus track 'Suffocate'!

Ascolta su BandCamp

Shipping out on or around 25 April 2016

Follow-up to the 'isolate' debut from 2015
Cd Digipack

Ascolta su BandCamp

Digipack

Ascolta su BandCamp

Six panels digipack
 

Digipack con finiture in UV

Planet Nine is "The Degenerate Era" twin release: a lenghty minialbum with two extra songs not featured in the album

Four panels digipack

Six-panel digipack

Second press, Aside/Bside:  Aqua Blue / Black

February 2021 (in stock) 

'Phase One' is a box set including ALL Mesarthim recordings so far, now released on cassette: it's a full colors box with lid, including 8 tapes / cassettes.
Alongside Mesarthim classic albums like 'Isolate' or 'Ghost Condensate' this compendium includes also single and eps that never had a physical release (i.e. "Spire" or "Presence").
This box set is strictly limited to a one-only press of 250 numbered units.

Mesarthim are now developing their Phase II, and following their latest EP released this very spring Vacuum Solution, they reached the farthest corner of the known universe with the new CLG J02182–05102.

“Astronomers are a bit like archeologists as they dig back through space and time searching for remnants of the early universe. In a recent deep excavation, courtesy of NASA's Spitzer Space Telescope, astronomers unearthed what may be the most distant, primitive cluster of galaxies ever found.

In a twist, however, this apparent ancestor to today's "big cities" of grouped galaxies looks shockingly modern. Called CLG J02182-05102, the ancient cluster is dominated by old, red and massive galaxies, typical of present-day clusters. For example, it is similar to a young version of the Coma Cluster of today, which has had billions of more years to develop.” Says NASA.

Six panels digipak CD

Second press - translucent blue 

Double vinyl,   3 sides recorded (side D is empty).
150 copies edition

Anthropic Bias (2022) explores themes of cosmic significance and existential philosophy, echoing the idea of humanity’s tendency to see the universe as centered around itself. The music itself is a fusion of icy, tremolo-picked guitar riffs, blast beats, and haunting, atmospheric synth layers. It carries an otherworldly mood, drifting between aggression and contemplation. The song also incorporates electronic elements and ambient interludes, which provide a vast, ethereal soundscape. This single is both relentless and meditative, capturing Mesarthim’s ability to craft immersive, spacey atmospheres while retaining black metal’s raw intensity.

Departure (2024) leans heavily into the band’s cosmic themes, evoking feelings of journeying through space or leaving behind something familiar. The track opens with a somber and almost melancholic tone, gradually building into a massive, swirling blend of distorted guitars and atmospheric keys. The song shifts through dynamic phases, from soaring melodies to intense, fast-paced sections. Like much of Mesarthim’s work, Departure utilizes synth layers to create a celestial, almost dreamlike atmosphere, suggesting both the awe and isolation of venturing into the unknown. The track serves as a contemplative journey, fitting with the title’s theme of departure and escape.

Anthropic Bias (2022) explores themes of cosmic significance and existential philosophy, echoing the idea of humanity’s tendency to see the universe as centered around itself. The music itself is a fusion of icy, tremolo-picked guitar riffs, blast beats, and haunting, atmospheric synth layers. It carries an otherworldly mood, drifting between aggression and contemplation. The song also incorporates electronic elements and ambient interludes, which provide a vast, ethereal soundscape. This single is both relentless and meditative, capturing Mesarthim’s ability to craft immersive, spacey atmospheres while retaining black metal’s raw intensity.

Departure (2024) leans heavily into the band’s cosmic themes, evoking feelings of journeying through space or leaving behind something familiar. The track opens with a somber and almost melancholic tone, gradually building into a massive, swirling blend of distorted guitars and atmospheric keys. The song shifts through dynamic phases, from soaring melodies to intense, fast-paced sections. Like much of Mesarthim’s work, Departure utilizes synth layers to create a celestial, almost dreamlike atmosphere, suggesting both the awe and isolation of venturing into the unknown. The track serves as a contemplative journey, fitting with the title’s theme of departure and escape.

Anthropic Bias (2022) explores themes of cosmic significance and existential philosophy, echoing the idea of humanity’s tendency to see the universe as centered around itself. The music itself is a fusion of icy, tremolo-picked guitar riffs, blast beats, and haunting, atmospheric synth layers. It carries an otherworldly mood, drifting between aggression and contemplation. The song also incorporates electronic elements and ambient interludes, which provide a vast, ethereal soundscape. This single is both relentless and meditative, capturing Mesarthim’s ability to craft immersive, spacey atmospheres while retaining black metal’s raw intensity.

Departure (2024) leans heavily into the band’s cosmic themes, evoking feelings of journeying through space or leaving behind something familiar. The track opens with a somber and almost melancholic tone, gradually building into a massive, swirling blend of distorted guitars and atmospheric keys. The song shifts through dynamic phases, from soaring melodies to intense, fast-paced sections. Like much of Mesarthim’s work, Departure utilizes synth layers to create a celestial, almost dreamlike atmosphere, suggesting both the awe and isolation of venturing into the unknown. The track serves as a contemplative journey, fitting with the title’s theme of departure and escape.