Various Artists
Echoes Of Wizard's Chamber: A Tribute To Mortiis

In Mordor Where The Shadows Are
Homage to Summoning

Colossal Tribute album to the Austrian lords of Tolkien inspired black metal!!
Tripple cd in box with silver print featuring these tracks:
TRACKLIST:
Mesarthim - Grey Havens
Druadan Forest - Beyond Bloodred Horizons
Azaghal - Where Winters Forever Cry
Sakristei - Soul Wandering
Thy Light - Lugburz
Oþalan - The Passing of the Grey Company
Evilfeast - Arcenstone & Morthond
Demonic Slaughter - Marching Homewards
Kalmankantaja - Through the Forest of Dol Guldur
Galdur - Angbands Schmieden
Wyrd feat V-KhaoZ - Nightshade Forests
Avathar - Elfstone
Wedrujacy Wiatr - Niczym Biale Oczy Bogów (Like Some Snow-White Marble Eyes)
Midnight Odyssey - Where Hope and Daylight Die
Mirkwood - The Rotting Horse On The Deadly Ground
Severoth - A Distant Flame Before the Sun
Dreams Of Nature - A New Power Is Rising
Caladan Brood - Farewell
Emyn Muil - Menegroth
Eldamar - Land Of The Dead
Elderwind - Flamm

Le cassette sono nuove, mai suonate, complete di copertina e scatola, scelte a caso dal nostro staff dal catalogo / sito sound-cave.com 

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A Call From The Grave. The cult is alive!

Norwegian underground cult magazine from the dark glory days!

All 3 issues 1988-1991 along with never published photos from the old days, flyers, posters and forewords by:
– Sadistig himself
– Andre Nautøy (scene legend, radio host)
– Erlend Erichsen (Gorgoroth, Molested)
Necrology by:
-Tore Bratseth (Old Funeral, Bombers)

Sadistic Noise #1, 1988.
Includes: Darkthrone , Invocator, Mortem, Necro Sentient Mortis Feed, Einar Grimm Group, Asphyx, Cadaver, Old Funeral, Amputation/Immortal, Isengard…

Sadistic Noise #2, 1989.
Includes: Bolt Thrower, Carcass, Grave, Amputation/Immortal, Sarcofago, Carbonized, Sepulchral Noise Magazine, Cadaver, Mortem, Old Funeral…

Sadistic Noise #3, 1991.
Includes: Old Funeral, Phobia (Enslaved), Embryonic (Emperor), Immortal, Cadaver, Entombed, Beherit, Azoth, Flesh Temptation, My Dying Bride, Anathema, Lubricant, Malediction, Penetrator, Dark Tranquility, Grave, Entombed, Desecrator, Suffocation, Sentenced, Desultory, Gorefest, Enslaver, Disgrace, Demigod…

Book details:
– Special spot UV print on cover in the special 1st limited version
– all 3 issues with original art, more than 180 pages
– 70 plus interviews

Official reprint on Fryktos, the long time sold out issue #3 of the legendary Compilation of Death with more than 400 pages as a softbound book!

As the Daniel Self Desecrator cover art implies, this massive 3rd issue is dedicated to SADISTIC INTENT featuring in depth interviews, old pics, flyers and comments by the band.

Other bands included are:
Agressor (Fra), Autopsy (fucking big interview), Bloodbath (Serbia), Bloodspill (Usa), Brutal Assassin, Cianide, Death Threat (Usa), Death Yell, Deceased, Decomposed (Usa), Diabolic/Horror Of Horrors/Unholy Ghost, Dissect, Dr Shrinker, Dream Death, Druid Lord, Embrional (Pol), Entety/Coffin Text, Eternal Darkness, Eternal Solstice, Fatal (Usa), Hexx, Incantation, Invocator/Maceration, Magnus (Pol), Necroccultus, Necrowretch, Nephrite (Norway), Nile, Obliteration (Nor), Phlebotomized, Profiles, Rottrevore, Sindrome, Sorcery (Sweden), Thanatopsis (Usa), Void Of Vomits

FURTHER INTERVIEWS INCLUDE:
“RAM Metal Section,” featuring Laurent Ramadier of Snapkepit Magazine interviewing: Gino Marino of Nocturnus/Incubus, Mutilated (Fra) and Excruciation (Swi).
Aaaarrghh Magazine (Nz)
The Book Of Armaggeddon Zine/ Rage Records
Decibel Of Death Zine
Earache Records
God Vomit Zine
Pentacle (studio report-live review by Costa Stoios)
Rattlehead  Zine/Blowing Thrash Zine

“Dark Awakening” (Reviews Section)
“Pages Of Pure Fucking Damnation” (Chat With Old Fanzine Editors)
“Some Die, Others Are Born” (a new section with over 50 new bands that are still young and fresh, just started out, some of whom have only released a few demos, 7″ EPs for their first album!)

Founded by Gezol, in 1984, as a conduit for releasing Sabbat, Evil Records stood nearly alone as one of the only Japanese labels dedicated to releasing extreme metal. In the first decade of the label’s existence, there were few bands other than Sabbat with releases on Evil Records. In 1994, just as the label was hitting its stride, Gezol organized a compilation to showcase some of the prominent underground bands in Japan and project them to a larger audience. Featuring eight bands that were active at the time, including Sabbat, the “Far East Gate In inferno” compilation provides a snapshot of the mid-90s Japanese extreme metal underground. Initially, Gezol contacted some of the bands directly, but still needed more submissions to fill out the roster. He sent out a flyer requesting demo submissions and circulated it to zines, eventually selecting a few bands based solely on the quality of their demo recordings. The majority of the bands featured had short-lived careers, and the material presented here is among the only documentation of those bands’ existence. Musically, the selection runs the gamut of extreme metal, covering thrash, death, grind, and black metal. At the time, Gezol noted, there was virtually no traditional heavy metal activity in Japan, and, therefore, no heavy metal bands appear on the compilation. (Due to the dearth of Japanese traditional heavy metal acts, Gezol started Metalucifer a couple years after the release of “Far East Gate In Inferno.”) Names like Sigh and, of course, Sabbat are familiar to all at this point, but many of the other bands on this compilation scarcely recorded anything and, if not for this compilation, might have been forgotten altogether. The first side collects tracks from two death metal bands, Worm and Abyss, neither of which released anything of note beyond their contributions to this compilation. Yet both bands demonstrate unique approaches to the death metal genre, spanning from brutal to melodic to hyper-technical. At nearly ten minutes in length, the Sigh track featured on the compilation, which opens side B, is an epic sprawl of furious black metal punctuated with intermittent atmospheric passages. Monarchie Infernale pushes beyond conventional death metal, with a sloppy and frenetic sound that veers closer to grindcore. Like Sigh and Sabbat, Terror Squad has remained active through the years and produced a deep catalog. The band’s contribution to this compilation, a six-minute blitz of relentless thrash, captures Terror Squad in its primitive stage, when they only had a couple demo recordings to their name. Dark Ritual, a band that only released a few demos in the early 1990s, provides a heavier, darker death metal sound than any of the other bands on the compilation. The penultimate band featured here, Voidd, which released its debut album on Evil Records in 1993, delivers two tracks of pummeling deathrash. Finally, closing out the compilation is Sabbat, with three alternate versions of classic songs—“Black Fire,” “Satanic Rites,” and “In Satan We Trust”—that appeared on early releases. Consistent with the time period in which it came out, this compilation was originally released only on CD, and this reissue marks the first ever vinyl edition. Visually, the CD was striking, with cover art, both on the original CD version and this current DLP edition, featuring artwork by then-Sabbat guitarist Elizaveat. Like many of the most memorable compilations of that era, the bands here were striving to present their best material in the hopes of garnering more interest, as opposed to the current era where compilations tend to be repositories for bands’ least listenable output. According to Gezol, “Far East Gate In Inferno” was largely well-received and drew attention to the abundance of extreme metal activity in Japan. He originally intended to follow up with a second volume, but his dedication to Sabbat and Metalucifer left him stretched too thin to dedicate the time and resources needed to curate and release another compilation at the time. NWN! will be working with Gezol to produce a follow up compilation in the near future featuring new tracks from the current crop of Japanese extreme metal bands.

Blast No.1 is a tribute to Type O Negative, in which various death, grind, crust, d-beat and powerviolance bands present their interpretation of songs written by Brooklyn’s most characteristic group ever. It’s a crazy blend of blast beats, harsh guitars and growls mixed with melancholy and atmosphere that was always an essential part of ToN’s music. This tribute album is brave, vulgar and extending the boundaries of both grindcore and Peter Steele’s songs. As a matter of fact, many members of most noisy bands on the planet are really dedicated fans of ToN music: genre defying crust pioneers from UK – HELLBASTARD, Polish grind veterans – SCHISMOPATHIC, 1st league Southeast Asia reps – PROLETAR or Ireland’s most deadly weapon - ABADDON INCARNATE … to name a few.

The entire graphical side was thought to be a blend of unique Type o Negative classic style with symbol familiar to every blastcore fan. Credit goes to Ada from Bite The Dust. (https://www.facebook.com/TylkoKurz)

Blast No.1 is an effect of over two years of work by 783punx (record label) and different bands from all over the world

‘Rotten mindcrushing death metal from the underground, most important and influential bands. A brutal compilation that sickens your soul’. That was the original promotional line for this compilation album in 1991. It’s still valid to this very day. ALL bands are up till now active, recording new albums and performing worldwide. And all with their own serious fanbase. This cd re-release features Unleashed, Asphyx, Tiamat, Morgoth, Grave & Loudblast. All with rare or special tracks from 1990 – 1991, 15 in total. The 12 page booklet contains interviews with all bands, done by Pim Blankenstein (Sinister, Bodyfarm, Infernal Majesty). Complete booklet and original artwork remake by ACW (Tiamat, Ceremonial Oath).