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After the success of Antichrist Rise To Power original release in 2019 on Nuclear War Now! Productions with over ten subsequent pressings the band felt there should be a official French version with complete text translation and expanded layout on the most cult label from France - Osmose Production

Antichrist Rise to Power is a violent declaration of allegiance to the Emperor’s dominion, from the mud-covered skeletons of Marengo to the jagged cliffs of St. Helena. The noble acceptance of forced exile, the inescapable chill of the prison cell, and the cruel rush of combat all fill the aristocrat’s appetite for his boundless quest for honor. 

Departure Chandelier’s music shimmers with the aesthetic ardor of apotheosis. It is a communion with the deceased, tracing the pathway of life transmuted into death over dishonor. Although comprised of members of Akitsa and Ash Pool, Departure Chandelier is wholly unique in style and substance and bears little overt resemblance to either of those projects.

INFESTDEAD's “Satanic Serenades” unites all recordings by this Swedish death metal act led by Dan Swanö (Witherscape, ex-Edge Of Sanity, ex-Bloodbath), including the long deleted late 90's albums expanded with EP and demo material.
Remastered by Dan Swanö and featuring liner notes, all lyrics and updated artwork by Hjules (Destruction, Annihilator).
Legendary Swedish vocalist/multi-instrumentalist/producer Dan Swanö is perhaps best known for his work with Edge Of Sanity, Nightingale, Bloodbath, and recently Witherscape. Active since the early '90s, his career runs much deeper than this revered quartet, having produced seemingly countless bands from across the metal spectrum (Opeth, Dissection, Katatonia, Asphyx to name just a few) as well as launching or taking part in side projects including Moontower, Odyssey, Pan.Thy.Monium or Infestdead. The latter formed in 1993 and released two albums – “Hellfuck” (1997) and “Jesusatan” (1999) – plus EP/split releases.
From the debut EP “Killing Christ”, vocalist Dread (Tormented, ex-Marduk) and Dan had only one goal in mind: to create classic US inspired death metal like Deicide, Morbid Angel etc.!
The result was astonishing and in its remastered fashion sounds even more convincing and is blessed by Swanö's incredible songwriting talent. Even if it's just plain and violent death metal, Mr Swanö turns everything he touches into amazing music, be it prog or unholy extreme metal!
“Satanic Serenades” is an official 40+ tracks anthology release of the entire INFESTDEAD catalogue that now shall haunt the holy again!

Despite Deserted Fear‘s German roots, the band’s material on their debut full lenth, My Empire reeks instead of a rather diverse range of influences. The stench of death that reeks in the air is suffocating as the band preludes their filthy brand of death metal on the Intro track, but once the madness begins with The Battalion of Insanities there is no stopping Deserted Fear. Right from the get go there is a rather strong Asphyx influence with the riffing style that Fabian and Mahne utilise, though there is a somewhat slight Polish sound thanks to vocalist Mahne’s growls, sounding like a fusion between Nergal’s deep, hollow growls and Martin van Drunen’s howls, some of the very best vocalists in death metal.
 

Four years after the release of the first chapter, MIDNIGHT ODYSSEY close the circle of the ambitious "Biolume" trilogy with "A Fullmoon Madness," a mammoth triple album wrapped in a new phantasmagorical cover painting by Elijah Tamu.
Acting as a stylistic summa of the Australian one-man band, "A Fullmoon Madness" collects all the metal nuances explored by Dis Pater in the previous episodes and in its career. Once again, cosmic black metal bigger than the nightsky and the crushing heaviness of epic doom metal are bound together by dark wave synths, grandiose symphonic arrangements and Dis Pater's heartfelt vocal performance, oscillating between raven screaming and sumptuous clean chants to underline the lunar character of the music.

Certainly to be counted among the most talented and visionary contemporary metal musicians, GG sets COSMIC PUTREFACTION aside for a moment to give space to the sophomore release by VERTEBRA ATLANTIS, a project that sees him grappling with a progressive, dissonant and symphonic black/death metal, on the border between late EMPEROR and GORGUTS.
Accompanied by the excellent RR (drums) and GS (rhythm guitars), authors of a masterful performance, GG makes no secret of considering "A Dialogue With The Eeriest Sublime" the most complete and mature work he has released so far. The album is a large canvas on which the Italian musician has poured all his creative flair thanks to intense symphonic brushstrokes perfectly embedded in the geometric shapes evoked by his twisted black/death metal riffs, supported by an equally powerful rhythm section.
 

After more than eleven years since the release of Enthroned Is the Night, the legendary beast of Demoncy rears its ugly head once more—in league with Dark Descent Records—and perhaps at the top of its malevolent powers. Led by illustrious founder Ixithra, upcoming fifth album Black Star Gnosis is a true testament to constancy and vision in the name of evil. With this new offering, Demoncy deliver the record most sonically akin to 1999’s Joined In Darkness since the turn of the century. The primitive reverb-laden production seamlessly complements the songcraft of unfathomable darkness, resulting in an inimitable hellish soundscape unique to Demoncy alone. The crushing compositions are accompanied by a commanding subterranean bass frequency, as well as Ixithra’s uniquely coarse vocal performances—which also bear a striking resemblance to the second album. Having formed in 1989, Demoncy are among the eldest US black metal bands in existence.

Black vinyl limited to 175 copies.
Vinyl version on Nuclear Winter Records, co-released with Nameless Grave Prod., for the America.

Ltd. edition 250 copies on blue vinyl.