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• Digipak CD with slipcase

Welcome to the third chapter of MISOTHEIST:

Vessels by which The Devil is made Flesh

The band continues where For the Glory of your Redeemer left off, delving into a massive, profound album filled with unpredictable, intricate Black Metal as we come to expect from this band.

Its aggressive, yet beautiful, with gorgeous and sublime melodies covered in darkness and torment. Each listen reveals something new; a new detail, another riff, another twist you previously didn’t notice, making this an unbelievable album that grows and pulls you in further upon each listen. The incredible songwriting and musicianship is something this band has gotten a name for, something this album seals once and for all!

B5 fluorescent pink

• For fans of Spectral Voice, Disembowelment, My Dying Bride, Worm, Ceremonium, Tzompantli, Krypts, Rippikoulu

Witch Vomit’s two previous releases, Abhorrent Rapture and Buried Deep In A Bottomless Grave, solidified and elevated their position as one of current US death metal’s most potent and direct sources of expertly crafted cacophonous carnage. With a methodically relentless fervor and merciless aggression Witch Vomit have carved out a formidable reputation for barbarism with hooks so catchy they rend flesh from bone.

On new album Funeral Sanctum, Witch Vomit expand the dark melodicism buried within the butchery of past releases, now sharpened into black obsidian and causticly fused with the band’s hallmark brutality. The DNA within tracks such as “Blood Of Abomination” and “Dominion Of A Darkened Realm” invoke not the upbeat harmonies one hears in typical melodic death metal, but something more akin to the demonic evil might of early Dissection, gleaming in frozen darkness. The gore-soaked USDM ferocity remains the rotted core of the band’s foundation.

Witch Vomit’s dominant stretch of dynamic evolution within the scope of their concentrated stylistic framework has reached a new pinnacle with Funeral Sanctum. The album’s intense focus and ceaseless riff storm unleashes a wave of bloodfreezing gratification carved with permanence into the blackest depths.

Ponte Del Diavolo bridges the gap between two separate worlds. After all, the band are named after the real “Bridge of the Devil”, a pointedly steep road that medieval peasants had to cross on their way to Italy.
Though formed out of a friendly jam session, Ponte Del Diavolo already made for quite the eclectic pairing when the five members officially banded together during the winter of 2020 in Turin, the finely cultivated Italian metropolis. Whereas most metal bands are spearheaded by dueling guitars, this one writhes on the slick-yet-scaly back of not one but two bassists.
Their debut album, ‘Fire Blades from the Tomb’ forges classic, cultish doom metal with modern bents of post-punk and dark wave. Lead single and opening track “Demone” is whipped along by a boiled black bassline. Heck, you could mistake vocalist Erba del Diavolo for Siouxsie Soux, the way she cooly flips between frantic talk-singing and bleak, seductive croons.
Cross over into the Italian dark arts with Ponte Del Diavolo.

For fans of ELECTRIC WIZARD, DARKTHRONE, THE DEVIL’S BLOOD, MESSA.

LVME steadfastly uphold the essence of traditional Black Metal while boldly broadening their musical scope. “Of Sinful Nature” presents five expertly crafted tracks that defy conventions. This album is an intense Black Metal sermon, marked by a fluid fusion of complex riffs and surprising twists; a powerful expression of raw, unbridled and rebellious energy.

“Of Sinful Nature” stands out with its authentic production quality – a real treat for those familiar with the feral force of an analogue drum kit. The album’s production harks back to the organic sound of earlier decades, enriched with the grit of all-analogue mastering.

Once you immerse yourself in “Of Sinful Nature”, you’ll be swept away by its commanding presence for forty-five minutes. This album is an experience to be embraced and surrendered to, a celebration of Black Metal and its conquering spirit.

The band came into being at the end of 2013, thanks to the artistic collaboration of Sinai and Aharon.
Their first release, an EP, saw the light of day in 2014, marking their musical debut.
In 2016, the band released their debut album entitled "Har HaKarmel", exploring themes related to the decay of paganism.
In 2019, the band released a split in collaboration with Darkenhöld, under the aegis of Les Acteurs de l'Ombre.
Continuing their momentum, 2020 saw the release of their second album, dubbed "? ?e?? ? ßas??e??", distributed by Les Acteurs de l'Ombre. This album delves into the relationship between politics and divinity.
In 2023, the band reveals its third album, entitled "De Republica".

An ode to the Republic, defending the rule of law, egalitarianism and freedom.
Sacralizing the Revolution as a popular expression of the struggle against despotism and the attainment of freedom.
From 19th-century France to the present day, evokes the periods of political instability when the construction of a social republic was able to emerge through the blood of social struggles.

a new opus has been invoked in the ritual chambers of Daemonicreation studio, mixed and mastered once again by George Emanuel in Pentagram Studio, Athens, Greece.
The quintessence of this work is drawn from the divine feminine sexuality, the liberated woman as a initiatress, in Mystical Union with Chaos. She raises high her Chalice and offers her blood, the Elixir of Ecstasy. Bestiality, pushed to the limit, manifests itself in its pure glory, then metamorphoses into psychedelic layers of ambience, progressive low frequencies and sacerdotal chants, to form the scrolls on which are inscribed the visions and complex formulas of a Satanic Charnel Esotericism.

OBSIDYEN is a Black Metal band founded in Albi (81) in 2019.
Their first musical attempts revolved around biblical mythologies, before slowly shifting towards the « Ancient Astronaut Theory », popularized by Erich von Däniken in 1968.
According to this theory, humanity has been visited by non-human beings in the past.These traumatic anthropological and technological encounters led to the creation of polytheistic religions and myths in antiquity.
OBSIDYEN transcribes these subversive subjects through massive and powerful riffs, coupled with liturgical cold melodies, resulting in an atmospheric harmony that adventures the listener into the lands of the past, the stars and beyond.
The band released their first self-produced album, "ANTEDILUVIAN SCRIPTUM" in 2020, with subjects including Mesopotamian and Sumerian cultures, the Old Testament or the
myth of Atlantis.
Very soon after the release of this first album, Omega has created a mythological trilogy based on the "Cult of the Serpent" around the world.
The first episode is called "LITANY OF IAH", and takes place in
ancient Egypt.

"Sumerian Cry" is the debut album by Swedish gothic metal veterans TIAMAT, originally released in 1990.

The album was recorded at Sunlight Studio, Stockholm, Sweden, in 1989, when the band was known under the original name Treblinka.  The track "Sumerian Cry, Pt. 1" is a re-interpretation of the intro melody from "Crawling in Vomit", the first track off Treblinka's first demo.  Since the mid-90's Tiamat has been employing a live keyboard player for all of their concerts, hiring them from well-known metal acts such as Opeth, Dark Tranquillity, Cradle of Filth and Evergrey.

For fans of MOONSPELL, PARADISE LOST and ANATHEMA