"Sumerian Cry" is the debut album by Swedish gothic metal veterans TIAMAT, originally released in 1990.

The album was recorded at Sunlight Studio, Stockholm, Sweden, in 1989, when the band was known under the original name Treblinka.  The track "Sumerian Cry, Pt. 1" is a re-interpretation of the intro melody from "Crawling in Vomit", the first track off Treblinka's first demo.  Since the mid-90's Tiamat has been employing a live keyboard player for all of their concerts, hiring them from well-known metal acts such as Opeth, Dark Tranquillity, Cradle of Filth and Evergrey.

For fans of MOONSPELL, PARADISE LOST and ANATHEMA

THE VISION BLEAK return in grand style: The German duo's seventh full-length "Weird Tales" constitutes a monumental tribute to the eponymous American pulp magazine and other tales of mystery and dark imagination. The album consists of a single track that is divided into internal chapters, which are each inspired by weird tales, poems, and other literature of horror and the macabre. On "Weird Tales", THE VISION BLEAK are referring to eminent writers of the legendary magazine such as H. P. Lovecraft and Clark Ashton Smith, but also allude to authors that were never featured in the magazine, for example Edgar Allen Poe and Lafcadio Hearn, whose "Fantastics and Other Fancies" was very influential for this album. THE VISION BLEAK are pulling every register of their enormous musical prowess. The chapters range stylistically from flamboyant gothic rock via dark doom to harsh black and death metal parts – and about everything in between. All the thrilling elements that the following of the duo has come to expect and love is present on this record: the dramatic and theatrical, the harsh and heavy, the melancholic and eerie, and also catchy and symphonic moments. All of this is woven into a dense sonic tapestry, which is held together by a recurring ebb and flow that is reminiscent of classical composition. THE VISION BLEAK were born out of the friendship between guitarist, bass-player and harsh vocalist Markus Stock aka Ulf Theodor Schwadorf and drummer and singer Tobias Schönemann alias Allen B. Konstanz. After first experimenting with a more gothic rock formula, THE VISION BLEAK shaped up when the duo began to involve their mutual love for the horror genre. Already their debut album, "The Deathship Has a New Captain" (2004) became an instant success in both gothic and metal circles and is by now regarded as a classic. As the debut album's theme was based on classical horror movies, the Germans aptly dubbed their style: horror metal. With the following albums, THE VISION BLEAK cemented their reputation as purveyors of classy and quality music. Each full-length revolves around themes from the horror genre that can easily be deduced from their respective titles. "Carpathia" (2005) was followed by "The Wolves Go Hunt Their Prey (2007) and "Set Sail to Mystery (2010), "Witching Hour" (2013), and "The Unknown" (2016). THE VISION BLEAK, the masters of horror metal, are finally ready to gift the world their most ambitious song so far: "Weird Tales" is a beautiful and heartfelt homage to a poetic golden age of horror and mystery literature. Listen with care, but always be wary of the eldritch and forbidding sounds that lurk within this song!

Red 12" LP, Insert + Bloodcard included
 

Red 12" LP, Insert + Bloodcard included

Fourth studio album by Dutch Death Metal machine SINISTER. Originally released by Nuclear Blast in 1998. Here’s the official and limited 2022 CD re-issue in a solid super jewel box on Cosmic Key Creations

Super Jewel Box, 12 page booklet

Their particular brand of dense, doomy death metal makes great neighbors with the likes of Aethyrvorous, Cruciamentum, Encoffination, and Vasaeleth, but often has some great mid-tempo chugging sections similar to Undergang. Always stoked when a new festering boil rears it's head on the death metal scene,
 

No longer one of the metal underground's best-kept secrets, VALDRIN began picking up momentum with the 2018 BLOOD HARVEST release of their second album, Two Carrion Talismans - epic, shapeshifting blackened death that was both timeless and fresh - and then eclipsed that achievement two years later with third album Effigy of Nightmares, also released by BLOOD HARVEST, whereby the band dove deeply into the bluish purple depths of '90s melodic black metal. To hear comparisons to Vinterland, Sacramentum, and Sweden's Dawn wasn't mere hyperbole; it was assertive truth, as commanding as VALDRIN's songwriting mastery. Which is to say nothing of the band's ongoing Ausadjur Mythos, a fantastical tale begun with their Beyond the Forest debut album and which forms the lyrical basis of all since.