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Occult Doom from Berlin, formed in 2006. Their new album "Enigmatic Rites" is like a journey back through time to a more natural, authentical, yet raw sound collage without neglecting the typical Albez Duz ingredients. On the other hand, there are also some fresh elements influenced by the glorious early days of heavy metal or the time when bands used to put endless, drug-driven improvisations on their records. There’s definitely many things to discover on this album!

reissue 2019, CD in deluxe 8 panel Digipak.

To fans of black metal, Dødheimsgard need no introduction, being as they are one of the great purveyors of the Norwegian Black Metal creative evolution. The band was formed in 1994 by Aldrahn (Thorns, The Deathtrip) and Vicotnik (Ved Buens Ende). The early incarnation was that of a raw and at times melodic black metal band, with their debut album also featuring Darkthrone’s Fenriz on bass.

Nuova ristampa per questo demo album dei Vomitor uscito nel 2016.

Se amate questa band non potete perderlo.

Digipack con finiture in UV

Album di debutto per questa band Irlandese con membri Vircolac.

Devastante black thrash metal per fan di band quali Desaster,Sabbat,Destroyer666,vecchi Sodom.

DEATHSPELL OMEGA “The Furnaces of Palingenesia” CD/LP

11 songs, 45 minutes, recorded live and mixed on analog gear, 2018

occult black metal from denmark, feat. members of ligfaerd and serpent lair

Death worshiping doom-death monsters Iteru finally having their 35 minute debut "Ars Moriendi" releaesed on LP. Limited to 300 units on black vinyl. 

For fans of THE RUINS OF BEVERAST, URFAUST, BLUT AUS NORD, EVOKEN, and the likes... 

Originally released in 2017 on cassette but selling out each edition three times over, ITERU's Ars Moriendi has quickly become a highly considered & essential piece of modern underground doom-death. And listening to the expansive 34 minutes of this debut recording, it's easy to hear why: ITERU craft a crushing-yet-spacious experience of damnation and depression, almost effortlessly moving from spiraling suicidal melody to earth-shaking heft, and smothering the listener every step of the way. Even the vocals themselves seem to be world-eating, a force of nature (or even the supernatural) intent on utter oblivion. But, unlike so much doom-death past and especially present, Ars Moriendi always conveys a sense of movement - no sludge for its own sake here - and an expert grasp of dynamics; down every labyrinth, there is both light and shade, and all is DOOMED.