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Released in a J-card case with a single-sided 4-panel J-card; no lyrics.
 

4 panels digipack with booklet!
you can preorder it now but this is not a limited edition or anything.
will be in stock on the 2nd week of February

"This what I call imagination and talent employed to produce true art. I have chills from that song and it is followed up “Curse”, a hymn filled with almost nothing but black voices, gasps, growls, hissing, vomit-like emanations, ghost-like screams of anguish – this album is a journey I assure you. I am mentally exhausted. A brilliant release that takes many elements you have heard, many you have not and combines them in a unique way that makes this record an absolute must own."
 

The word “katechon” refers to the restraining force or entity tethering the Antichrist, and thus maintaining equipoise between existence and annihilation. Sonically and conceptually, Katechon exhibits the control, power, and restraint associated with the theological concept giving rise to the band’s name. At this point in the lineage of extreme metal, the lines between the various subgenres are nearly indistinguishably blurred. Bands emerging at this stage are almost certainly influenced by Black, Death, and Thrash metal in relatively equal parts in addition to drawing influence from genres outside the traditional spectrum of metal. This amorphous state, has led many bands to retreat into strict rehashing of formulaic retro approaches. Katechon, however, embraces the entropic merging of stylistic and aesthetic projections from the various branches of the genre and beyond. Under scrutiny since the release of its demo last year, Norway’s Katechon now presents its debut full-length recording. “Man, God, Giant” reinforces the sound presented on Katechon’s previous recordings*, but features superb production that amplifies the impact of the tracks. Each of the three songs featured on the demo is reworked and incorporated into the album. Katechon’s sound is an amalgamation of Black, Death, and Thrash metal, but played with a precision and authenticity that avoids dilution. Instead the result is frenetic and possessed, devoid of theatrics and self-indulgent virtuosity, and features highly proficient and intricate songwriting executed with precision. With philosophically oriented lyrics and adorned with an esoteric and surreal visual aesthetic, “Man, God, Giant” presents a unique vision for the future direction of metal in which an equilibrium must be maintained between rote rehashing of past trends and the indiscriminate collision of clashing styles and sounds. Katechon rests perfectly at this equilibrium point, holding at bay the forces of dissolution.

“Witchdance Rising Demo 1” Demo and “If None Will Call the Devil’s Blood… Demo 2” on one LP

Gray vinyl.

(Taken from 2004 7” re-issue, words by Timo Ketola) This history of the death metal band that is known today as Ligeia goes all the way back to the first years of the decade. Formed from friends who had a mutual admiration for Kansas City area local legends Order from Chaos and Swedish death done the right way (Treblinka, Grotesque etc…), the band began rehearsals for their first real demo which took the shape of “The Conqueror Worm” demo from the year 1993. The demo had all of the hallmarks of a demo that ten years down the line would have people still mesmerized! Unfortunately for the large part the triumphant 3 song debut of Nepenthe went largely unheard, hoarded by its true followers and cherished along with demos by Nihilist and Treblinka! “The Conqueror Worm” consisted of three songs -”The Conqueror Worm”, “Gleaming Eyes of Darkness”, and “On the Cheek of an Eternity”. This demo’s line up was short lived as Joe the vocalist was asked to leave after its release and the band continued on as a three piece… Alex Blume – bass/vocals, Patrick Brown – guitars, and Chris Overton – Drums. This line up would see the band through the coming years’ trials and tribulations. In 1994 the band signed a contract to do a 7” and mini CD for a European label, unfortunately negotiations of the deal broke down and the band was stuck with what it already recorded for the label, the “Ligeia” 7’ EP tracks. During the very turbulent year of 1995 the band laid pretty much dormant, recording the one and only official live show it did as a demo in February off 1995 (”Live at Howard’s) and parting with Alex later the same year renaming the whole project Ligeia, after the, at the time, yet unreleased EP. The “Live at Howard’s” demo is another yet unfound gem, with covers of both Tiamat and Sathanas and live versions of songs still not released, the demo is a true diamond in the rough,with a questionable sound but also with a heaviness yet unheard of on these shores! In the Winter of 1995/1996 the band recorded one final EP’s worth of material. Entitled “In Death Overshadow Thee” the public has yet to witness the truest of brutality in American death! In the Spring of 1996 the band laid things to rest, as Chris had joined the rising project Vulpecula. The band still had a plethora of unheard material so negotiations began with Eternal Darkness Records in the Spring of 1996 to release the long shelved Nepenthe “Ligeia” 7’ EP. In April of 1996 Eternal Darkness did just that! And to glue the last paragraph to this old biography: And the years rolled on, until Dauthus felt “In Death…” shouldn’t remain as a mere title in the tape trading lists, it deserves black vinyl. Chris Overton agreed, Eternal Darkness dug up the layout originals of the unreleased cassette version (as once prepared by Pat Brown), which were adapted for 7” format. With the help of the mentioned persons, and Chuck Keller who delivered the master, we can hereby enjoy the final Ligeia chapter in its rightful format. 

Industrial Black Metal featuring ex-member of Christicide and some freak Italians from the Industrial/Electronic scene.

Madre was founded in the early stage of 2020 and combines members rooted in France and Italy.

They blend the rawness of black metal with the industrial side of techno and use them as a tool to craft their unique alienated landscapes.

Laurent Clément has been involved in Christicide and is currently in bands The Reptilian Session and Revenants, also an occasional contributor to Aevangelist. Luciano Lamanna is one of the most honorable names of the Italian electronic scene; since the 90s he's a pioneer of techno-rave music, but also a composer and producer involved in hip-hop, underground metal and industrial scenes. He is currently involved in the bands Intolerant, Abolition Ritual and Derelict. Gregorio Luciani has been a pillar of the Italian scene since the late 90's. He's been a member of Comrades, Concrete, Si Non Sedes Is and is currently involved with Derelict and will soon be releasing his debut EP as Grimorio.

DVD & CD in 4-panel digisleeve, incl. lyrics, and credits, plus a designed album download card.

It takes a vision of some distinction to stand out amid an unerringly over-populated black metal scene. Gelderland (NL) iconoclasts Solar Temple made it look easy with their 2018 debut album, Fertile Descent: a kaleidoscopic, deep-dive grimoire with atmosphere, melody, and a chewable sense of spectral dread, it defied extreme metal’s in-built conservatism and conjured a sonic world with no boundaries beyond an intuitive devotion to the dark. Consisting of the duo M. Koops (Fluisteraars, Nusquama) and O. (Turia, Iskandr, Dool) its musical adventurism should come as no surprise to those with a keen eye for the Dutch heavy music scene. The new album "The Great Star Above Provides" was written live in their rehearsal space during long improvisations between 2020 and 2021 and dives headfirst into the psychedelic spacerock undertones that have been a defining quality of Solar Temple since the beginning, while shedding the black metal confines of before.

"The Great Star Above Provides" was entirely live-recorded by the duo at the prestigious Roadburn Festival and aired for the first time at the festival's REDUX edition during the pandemic. With video and audio professionally recorded/mixed/mastered, Solar Temple`s unique interstellar performance is now released for the public.

"Alpha Hunt" the debut album of Unfyros delivers a unique mixture of old-school, mid-tempo black and heavy metal with a strong emphasis on dark, hypnotic and menacing atmospheres through captivating, eerie melodies and haunting passages.

Featuring ex Dolorian ! 

DIGIPACK CD

The sixth seal of Battle Dagorath' saga will indeed stand as their best album to date by many aspects, last but not least a sharp and definite production that's giving full emphasis to their majestic and epic songwriting (counting over 73 minutes of aural battle this time...)

A crushing Spectral Black Metal soundscape that unlocks a visionary journey into the third eye. Abyss Horizons represents the unraveling of your unconscious Ancient dreams, crossing the abyss into transcendental Magic realms. Traversing the boundaries of this dimension, the shadows of transformation are now awakened to restore the illumination of the Great Darkness.

 

Solid black vinyl limited to 350 copies.
An infamous collection of very early C.B. recordings: 336 SONGS - ASTI NOISE-GRIND PUNK at its roughest stage. Official reissue of CB's most circulated tape, originally released in 1992, finally consecrated on vinyl... an unbelievable bloodbath of lo-fi rawness going from the embryonic thrashing punk/grind days to the radical nihilism of the band's noisecore phase. This tape embodies the roots of Italian grindcore and the link between the end of an era (the unforgettable furious years of Italy's hardcore punk pioneers) to the beginning of a new one more based on noise and manic speed. Ripped from 1st generation sources and painstakingly remastered song by song at Toxic Basement Studio in 2022 to celebrate the 30th year anniversary since its first edition. Includes A2 insert/poster with scans of the original tape, photos, liner notes and a massive reproduction of the 1992 flyer.