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Drone edition of Olhava's "s/t" debut! 

extra limited edition, one-only press

Gatefold 12" DLP

MEISTER LEONHARDT a new entity thriving on the old bones, dust, and hoarfrost. A mysterious entity hailnig from Moscow, Russia, MEISTER LEONHARDT consists of members of such well-established underground outfits as Thy Grave, Dekonstruktor, Goatpsalm, and Frozen Ocean among others. Named after one of Gustav Meyrink’s most inspiring short novels, the band presents its own opinion of what nowadays black metal should sound like.

Limited and hand-numbered red 10"mLP

Raging,repetitve yet diverse black/death metal
with a discreet yet ever present droning vibe.
Hypnotic and hysterical,channeled through the virtues
of a sharp,
strict but eventually warm sound production,
Υπνωσίνοσις provides a sonic guidance to the subsconscious and beyond!

Contains the last 3 Demos of the finnish Horde. Bestial Black/Death/Doom Metal with members of Witchcraft and Ceremonial Torture 

Old School satanic Black Metal keeping the unholy black flame alive. True Black Metal with members of Nightwalker, Winterfullmoon, Kadotus. CD limited to 300 handnumbered copies

Comparisons to Conqueror, Revenge, and Black Witchery are inevitable, and indeed, HUMAN AGONY are among the few elite bands deserving of such comparisons. That the band hails from Victoria, B.C.—known for the infamous Ross Bay Cemetery and a longstanding history of Satanic and occult activity—naturally also draws attention to the profound influence of Blasphemy. But HUMAN AGONY offer more than rote regurgitation of the bestial black/death and war metal tropes.

Comparisons to Conqueror, Revenge, and Black Witchery are inevitable, and indeed, HUMAN AGONY are among the few elite bands deserving of such comparisons. That the band hails from Victoria, B.C.—known for the infamous Ross Bay Cemetery and a longstanding history of Satanic and occult activity—naturally also draws attention to the profound influence of Blasphemy. But HUMAN AGONY offer more than rote regurgitation of the bestial black/death and war metal tropes.

First press comes in a deluxe packaging: digipack with extra UV foil print, 12 pages booklet and in outer slipcase  // OUT OF PRINT NOW

With their sophomore album Imperative Imperceptible Impulse, Ad Nauseam took a step forward in terms of composition, musical structures and sound. Music is not intended as a mere sequence of riffs that sounds well one after the other, but is now a naturally ordered structure where almost every musical event refers to the past and/or predicts the future, generating very layered and complex patterns dominated by polyphony and polyrhythms and where each instrument has its own role and is essential in the whole. The music represents a merging of many different styles, the most prominent ones being extreme death/black metal, avantgarde, jazz, post-core, doom/sludge and ambient. 

The composition process of Imperative Imperceptible Impulse has been heavily influenced by 20th century classical composers like Stravinsky, Šostakóvič, Xenakis, Scelsi, Penderecki and Ligeti, to name a few. Both the concepts of harmony and melody have been put into discussion to get a music where harmony is obtained by means of disharmony and melody by dissonances. To push this method even further, a unique tuning system has been conceived, to allow a new harmonic vocabulary and to eradicate the players from the comfort zone of the usual melodic patterns every guitar/bass player is used to.