CD

Ferum is a death doom metal band originated in Italy, but now scattered
over two countries. Asunder / Erode, the band’s debut album, is an
obsessive and monolithic record. Slow, funereal riffs are tied to faster,
sharper parts, while harmonized melodies and solos paint a cavernous
atmosphere. The drums wisely marches, moving from the background into
the spotlight, always followed by the bass guitar.
Asunder / Erode was recorded and mixed at Walter Productions in Tallinn,
Estonia by producer and sound engineer Are Kangus. The studio is located
inside the historic Tallinna Linnahall, a behemoth built during the Soviet
occupation. Today it is an urban wreck kept alive by few commercial
activities which are based on the inside: it is in fact closed to the public,
with the exception of some parts. Its interior is a maze of stillbirth potential,
and inspired one of the album's pieces.
The record was mixed completely in analogue to give the songs a deeper,
more archaic, real thickness. The master by Dan Swanö added the final
touches, making the album consistent, organic and even heavier.
Conceptually, Asunder / Erode is a journey that explores the idea of
separation and its dichotomy, up to erosion and collapse. This is
represented in a morbid and extreme way by the cover by Maestro Paolo
Girardi. The choice of oil on canvas follows the same logic of the analogue
mix: to make the whole as natural, as real as possible, and to pay homage
to the influences that inspired Ferum, by reinterpreting them

VG + / NM (printed parts)

a few stains on the disc recorded side, nothing dramatic though, plays with no issues

Issued in a slim jewel case for 2 CDs with a transparent, double-sided tray that opens to the right (a right-side hinged). Includes a 12-page booklet. Jewel case is housed in slipcase.

First release on our brand new Death Metal branch UNORTHODOX EMANATIONS!

Teratoma was formed in Germany 2020, consisting of members from four separate countries and boasting diverse musical backgrounds, but the death metal the band spews forth is streaked with all manners of bile and evil.
United in their love of classic, decidedly anti-modern death metal sounds, their debut release Purulent Manifestations contains a host of creepy-crawly riffs bolstered by a chunky rhythm section and packed into songs long enough to fit a few different gory diversions. Purulent Manifestations carries listeners along on a tide of momentum, indulging in primitive double-bass-driven savagery, but it also breaks away from these extremes to put them in context.
Throughout the record, there's a constant and welcome feeling of fun: from reveling in filthy tones to indulging in massive, ignorant grooves and wild solos, Teratoma's debut album is the work of musicians who love death metal in all its forms. As such, it's easy to recommend to even passing fans — even if you can't name what band might influence any given riff, it's easy to sense the energy and excitement Teratoma filled their album with.

After their highly acclaimed avant-garde debut album "Secret Ambrosian Fire", released by Eisenwald in 2019, Thuringian folklorists MOSAIC return to their black metal roots with their new full-length album "Heimatspuk", delivering a primal symbiosis of atmospheric metal, mystical soundscapes and traditional primal folk elements.

The album continues where its predecessor "Secret Ambrosian Fire" left off. The modern world lies in ruins and has consumed itself. Lyrically, it is permeated by various leitmotifs, such as darkness, sanguine and forest mysticism - as well as the central elements of earth and air - whose attributes and symbolism characterize the album.

Unlike previous MOSAIC releases, there are no guest appearances on this album. The album was written and recorded entirely by Martin van Valkenstijn at his House of Inkantation in Gotha, with musical assistance from Danijel Zambo (Walden, Skognatt) and mastered by Markus Stock (Empyrium, Sun of the Sleepless) at Klangschmiede Studio E in Mellrichstadt.

Formazione tedesca nata in epoca pandemica, nel 2020, che raccoglie elementi di Endstille, Tauthr, Dysangelium, i quali si indirizzano verso un sound solido, granitico ma svelto e frutto della collisione tra thrash e death metal. L’ossatura dei pezzi però sembra propendere maggiormente verso il thrash metal, con distorsioni rocciose e voci che toccano punte in growl e comunque modulano spesso pur urlando. Diabolisches Werk presentano la doppia voce, infatti al microfono c’è Smellhammer, anche batterista, e Knochenmark, anche chitarrista come Pissmark il quale suona anche il basso. I due generano un doppio cantato con una voce improntata su una tonalità quasi ‘harsh’, un po’ stile Martin van Drunen, e l’altra con un tendenza leggermente più growl. Il trio è feroce, potente, d’impatto. Sprigiona qualche cavalcata in stile melodic death metal e con forti influenze hardcore. 

Limited to 1000 copies MCD with exclusive bonus track.
 

Super jewel case version
Comes with an 8 pages booklet.

CD in deluxe Digipak with 8-page booklet

There are few funeral doom bands out there that manage to express sorrow and despair in such a majestic and beautiful manner as SHAPE OF DESPAIR. The Finns’ latest full-length is a product of their environment, enveloping the listener in cold, eternal darkness like a lonely Finnish winter. And much like the long, funereal winters of their homeland, the atmosphere in ‘Return to the Void’ is bleak but ethereal. The funeral doom icons do not merely offer a soundtrack to one’s agony, but also demonstrate the beauty that can often be found in misery.

For fans of FUNERAL, MOURNFUL CONGREGATION, BELL WITCH, AHAB, EVOKEN.

Second installment “二度目の災害” (‘second disaster’) from the enigmatic black metal entity Arkhtinn takes us on a dark voyage into the cold dead space. Arkhtinn is a part of the Prava KolleKtiv consisting of an anonymous group of musicians. Over the past few years, the band has released a number of demos, but it was until the year 2018 that this enigmatic outfit released its debut album. “最初の災害“. The band provides a cosmic sense of the palpable atmosphere creating a brooding mood for the listener with the use of electronic samples combined with the oppressive percussion and rhythm guitars adding immense sensibility to the growing atmosphere of the music transcends in the sonic realm of cosmic black metal. The keyboards here form thick layers on top of the blistering tremolo-picked riffs that are meticulously infused with the massive outburst of the drums keeping the music flowing deep.