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Sepulchral Voice, 2 panel digipack, poster booklet

‘Burning in Celestial Poison‘ is not only a statement and lesson in audio-violence, it is a 44 minutes long manifest of radical DEATH Metal causing mental lacerations and chaos! A record supposed to shock, because of its ecstatic ruthlessness and massive fanatical malevolence, hovering deep below the compositions. It opens the doors to a world that is so unbelievable vast, that you risk to lose yourself in it, its depths defy exegesis. 4 curses are woven into 4 hymns of utter death-magic, which will lead you into the black abyss of the grand divine. The album was again produced by master Arthur Rizk, who cuts through all expectations with extraordinarily dense and destructive fidelity and production. ‘Burning in Celestial Poison’ sounds like created with the magick, formulas, codes and keys of a world beyond.

Formed in New York circa 1988, Winter played slow, deep and hard nuclear doom with a crust punk rawness, that came across like Hellhammer jamming with Amebix. Their penchant for mammoth sized and funeral-paced, wasteland droning has become a touchstone reference for bands across the whole spectrum of underground metal.

Their pre-internet infamy led to Winter demos being tape- traded in hallowed adoration by fans and bands alike, gaining notable fans such as Fenriz from Darkthrone. Deserving of their special place in the pantheon of one-off classic albums, the Swans-like noise and down-tuned Earth-like riffs of "Into Darkness" went on to spawn countless doom and sludge bands, being an influence for an entire doomed generation.

The Winter come-back show at Roadburn Festival in 2011 was massively anticipated and held a captivated audience. Packing out one of The Netherlands largest stages, that particular Winter show, after many years in obscurity is a rare event that is still highly regarded today. The band is a rare jewel amongst collectors, and audiences alike.

"Into Darkness" was a gateway drug to the dark depths of sludge metal, and now awaits a whole new throng of acolytes who bow down before the throne of heavy doom. Svart Records is proud to re-release it once more, putting the album back in print for a new generation of listeners. Eternal Winter awaits!

With just four compilation tracks and one 7" EP issued in the early 1980s, Hollow Ground did have a rather low profile at the time of the original New Wave Of British Heavy Metal. However, their first and only single »Flying High« (issued on the collectable Guardian Records label) became an instant collector's item. Today copies with the scarce picture sleeve fetch rather insane prices. Before the release of the single Hollow Ground had recorded the four songs 'Rock On', 'Fight With The Devil', 'Flying High' and 'The Holy One' for the Guardian compilation album entitled »Roksnax«. Hollow Ground carried on to record more material (such as 'Promised Land', 'Easy Action', 'Rock To Love' and 'Loser') but an album deal was not on the cards. As a result singer Glenn Coates left to join local rivals Fist. As a result, Hollow Ground split up in mid-1981. With 21 songs the Hollow Ground anthology album on High Roller Records contains virtually everything the band has ever recorded professionally. In comparism to some of the more conservative-sounding New Wave Of British Heavy Metal acts at the time (for example Fist), Hollow Ground did show a lot of promise. Guitarist Martin Metcalf knows why: “I think we had a wider range of influences as opposed to just heavy bands, we took things from all over the rock spectrum. We were like sponges soaking everything up, from the funk of Aerosmith, the hard-rock of Montrose to the proginess of Rush.” The song 'Fight With The Devil' was chosen by Metallica drummer Lars Ulrich for his »N.W.O.B.H.M. '79 Revisited« compilation released in 1990. Hollow Ground have recently played two re-union gigs: 2007 at Headbangers Open Air in Northern Germany and in late February 2014 at Newcastle's own Brofest.

ADORIOR in its entirety has always been the essence and the epitome of Extreme Heavy Metal.

Now, after nearly two decades, this avalanche of fist-fucking, speed-thrashing, pitch-black death is about to bury the conformist and comfortable dreamland of nowadays domesticated Metal culture.

“Bleed on my Teeth” is a nightmare absolute, the true nemesis of pseudo-rebellious Heavy Metal! Play dead or hide behind the modern blinding playlists, this won't be of any help.
 

Behold the ferocious display of the darkened, sinister and miasmatic death metal cruelty that BENOTHING have crafted for you and let yourself drown in the almost 30 minutes aural bliss that is temporal bliss surrealms!

The formation of the band dates back to 2017 when K.T and V.V teamed up to put together some musical ideas they had. in 2018 M.F joined the band on guitar/bass and the band evolved through a darker and complex songwriting. After roughly two years devoted to developing the songwriting process and with A.G joining the band in early 2019 the band was ready and aligned to channel their passion for the ancient and uncompromised manifestations of this morbid artistry and give finally birth to the first BENOTHING manifestation.
All the four tracks for the debut Ep were recorded live at rehearsal studio during summer 2020 and even though the recording consumed a lot of time because of the pandemic outburst and travel restrictions, nothing was more fitting for such bizarre times than to unfold the gates of their inner abyss and magnify the analog transmit death to execute the recordings for their debut EP "Temporal Bliss Surrealms". 100% DIY, recorded, mixed, and mastered by V.V and now ready to be unleashed upon this putrid earth!

For fans of Horrendous, Morbus Chron, Bedsore, Obliteration

Limited edition of 999 copies in double black wax gatefold LP with 2 CD as bonus, plus an 8 pages insert. Cursed Coven - Official Death SS Fans Club - distributes 20 of this 999 copies with a special sticker, hand numbered and signed by Steve Sylvester. This reissue contain one track more (track CD2-04) than the mexican release/first press - Horror Music Vol. 2 - Singles, Outtakes & Rare Tracks - 1997/2007 - and include a huge poster.

This compilation contains all B-Sides, single editions, outtakes and various compilations tracks.

The 8-pages insert contains an article (in english and italian) written by Stefano Ricetti with the history of Death SS from 1997 to 2007, like the first volume of Horror Music - released in 1996.

Ristampa edizione limitata con POster !!!! Tutte le 14 canzoni di questa compilation sono state registrate dalla prima line-up dei DEATH SS che comprendeva Steve Sylvester alla voce, Paul Chain alla chitarra e tastiere, Claud Galley alla chitarra ritmica - Danny Hughes al basso e Tommy hand Chaste alla batteria Dal 1° al 7° brano sono home- demo versions per lo più inedite e comprensive delle intros originali Non si tratta quindi ( a parte Terror) delle stesse versioni apparse su The Story of Death SS, bootleg uscito per la Minotauro nel 1987 Dall’8° brano in poi sono registrati in studio e quindi sono registrati a dei livelli superioriAd eccezione delle canzoni 11 e 12 che sono versioni dal vivo, le uniche esistenti di quella formazione (ne esisteva una con Santhis Ghoram alla voce, cantata in fonetico nel 1984 e presente su The Story oppure quelle rifatte dai DEATH SS del 1995 con Steve Sylvester ma suonate da altri musicisti, presenti su Horror Music) Altra particolarità è che questo è l'unico disco che raccoglie tutte le songs esistenti registrate da questa line-up! Ogni brano è poi stato rimasterizzato e ottimizzato personalmente da Steve Sylvester! Le foto a corredo dell'artwork sono tutte INEDITE e provengono dalla collezione privata di Steve Sylvester La front cover riproduce esattamente quella dell'omonimo demo tape del 1981 (esistente solo in DUE copie)!