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In September 1986, the first comic book dedicated to the character of Tomas Caine was released; it was entitled "La Pastorale del Destino" (The Pastoral of Doom). It could have been one of the many comic books that filled the shelves of the Italian newsstands of those years, but it wasn't like that: the success of Tom Caine was extraordinary.
Balancing horror atmospheres typical of the time, irreverent irony, and love stories, Tomas Caine immediately met the tastes of the young Italians of the 80s. The texts by the late Mino Camogli were modern and full of expressions in vogue among young people, and the drawings by Steno Artebagni were dark and innovative compared to the boring standards of the Italian comics of previous years.
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In 1989 Docuvideo TV bought the rights to make a television drama starring Tomas Caine: a pilot episode was made, which aired in February 1990. Tony Soragna was chosen to play the role of the main character, coming from the success of some soap operas. Other actors in this episode were Margò Ramponi, Alexander Sarth, and Alfio Martinez.
Despite the excellent acting performance of Tony Soragna and the expert direction of Pio Malagutti, the script did not meet the tastes of the audience and was harshly criticized by Mino Camogli, the creator of Tomas Caine, who disavowed the project. Because of all this, no further episodes of the series were filmed and the project was shelved.
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However, among the most interesting things about that TV movie, there was the soundtrack by the Serbian experimental composer Ivan Ristic, credited as RIS.
Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.
Of those many short-length releases, Kriegserklärung can conveniently be seen as a companion to an album release – in this case, 2012's thick-yet-throttling Nihilistischen. And yet, where that album saw MINENWERFER inching closer to a palatable professionalism, the 24-minute Kriegserklärung fully bursts through those doors with a startling clarity, setting the stage for the band's grand 2019 full-length, Alpenpäesse. Which is all to say that MINENWERFER have been mining songwriting gold for many years now!
OSMOSE PRODUCTIONS have been fans of MINENWERFER for years, and is honored to unleash their once-underground back catalog on the wide scale it so deserves.
Re-issue, 400x heavyweight marble (gold/black) ) 12" (180g) in a black poly-lined innersleeve, download card, gatefold, full-color printed on 350g carton, all assembled in a plastic overbag.
Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.
Of those many short-length releases, Kriegserklärung can conveniently be seen as a companion to an album release – in this case, 2012's thick-yet-throttling Nihilistischen. And yet, where that album saw MINENWERFER inching closer to a palatable professionalism, the 24-minute Kriegserklärung fully bursts through those doors with a startling clarity, setting the stage for the band's grand 2019 full-length, Alpenpäesse.
OFC’s third and final album, An Ending in Fire, is a visionary masterpiece, the conceptual zenith of the band’s work, drawing a nexus between the chthonic depths of consciousness and the vast, black emptiness of the universe. Members went on to form Ares Kingdom, Angelcorpse, Vulpecula, etc.
Special preorder promo price! After 15/10 price will be increased and set to 22.00€
After four years of waiting, Aeon Winds are back with their new album Night Sky Illuminations. Their third full-length studio album, it follows up the themes the band dealt with in their previous album Stormveiled (2019) and the EP Extinguishing the Light (2022).
The mythological legacy of pre-Christian times intertwines with the mystical fascination of Carpathian sceneries and blends into seven long, hymnic and powerful songs.
Recorded, mastered and produced at Tryzna Studio, Aeon Winds new studio album features a painting by Russian digital illustrator Yaroslav Gerzhedovich, and will be released on CD, LP and digital November 17th, 2023 via Avantgarde Music.
High Roller Records, 2nd pressing, transparent ultra clear vinyl, ltd 200, 4 page insert, poster, Cassette transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in November 2020 / January 2022. Artwork and handlettering by Alexander von Wieding.
High Roller Records, booklet, slipcase, poster, mastered by Patrick W. Engel at TEMPLE OF DISHARMONY
Whilst admiration of the US American masters is unquestionable, Ageless Summoning display a jaw-dropping level of originality in their approach to the sub-genre. “Our goal has never been to just imitate what has come before, but we’re not trying to hide our influences either. We include plenty of deliberate references, but we’re also trying to develop our sound and continue the exploration of vast and desolate otherworlds.”
Featuring members of such long-running U.K. acts as Of Spire & Throne, Haar, Úir, Scordatura, and Abyssal, the band has several combined decades of desecration under their belts. Wrapped in one of the most stunning and sinister Paolo Girardi artworks in recent memory, Corrupting The Entempled Plane is not to be missed.
Compilation of both demos, vinyl coming later in conspiracy with URTOD VOID.
All demonstration material recorded at the Apocalyptic Sunrise Family Bunker in Philadelphia Pennsylvania.
