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Witch Vomit’s two previous releases, Abhorrent Rapture and Buried Deep In A Bottomless Grave, solidified and elevated their position as one of current US death metal’s most potent and direct sources of expertly crafted cacophonous carnage. With a methodically relentless fervor and merciless aggression Witch Vomit have carved out a formidable reputation for barbarism with hooks so catchy they rend flesh from bone.

On new album Funeral Sanctum, Witch Vomit expand the dark melodicism buried within the butchery of past releases, now sharpened into black obsidian and causticly fused with the band’s hallmark brutality. The DNA within tracks such as “Blood Of Abomination” and “Dominion Of A Darkened Realm” invoke not the upbeat harmonies one hears in typical melodic death metal, but something more akin to the demonic evil might of early Dissection, gleaming in frozen darkness. The gore-soaked USDM ferocity remains the rotted core of the band’s foundation.

Witch Vomit’s dominant stretch of dynamic evolution within the scope of their concentrated stylistic framework has reached a new pinnacle with Funeral Sanctum. The album’s intense focus and ceaseless riff storm unleashes a wave of bloodfreezing gratification carved with permanence into the blackest depths.

Ponte Del Diavolo bridges the gap between two separate worlds. After all, the band are named after the real “Bridge of the Devil”, a pointedly steep road that medieval peasants had to cross on their way to Italy.
Though formed out of a friendly jam session, Ponte Del Diavolo already made for quite the eclectic pairing when the five members officially banded together during the winter of 2020 in Turin, the finely cultivated Italian metropolis. Whereas most metal bands are spearheaded by dueling guitars, this one writhes on the slick-yet-scaly back of not one but two bassists.
Their debut album, ‘Fire Blades from the Tomb’ forges classic, cultish doom metal with modern bents of post-punk and dark wave. Lead single and opening track “Demone” is whipped along by a boiled black bassline. Heck, you could mistake vocalist Erba del Diavolo for Siouxsie Soux, the way she cooly flips between frantic talk-singing and bleak, seductive croons.
Cross over into the Italian dark arts with Ponte Del Diavolo.

For fans of ELECTRIC WIZARD, DARKTHRONE, THE DEVIL’S BLOOD, MESSA.

LVME steadfastly uphold the essence of traditional Black Metal while boldly broadening their musical scope. “Of Sinful Nature” presents five expertly crafted tracks that defy conventions. This album is an intense Black Metal sermon, marked by a fluid fusion of complex riffs and surprising twists; a powerful expression of raw, unbridled and rebellious energy.

“Of Sinful Nature” stands out with its authentic production quality – a real treat for those familiar with the feral force of an analogue drum kit. The album’s production harks back to the organic sound of earlier decades, enriched with the grit of all-analogue mastering.

Once you immerse yourself in “Of Sinful Nature”, you’ll be swept away by its commanding presence for forty-five minutes. This album is an experience to be embraced and surrendered to, a celebration of Black Metal and its conquering spirit.

The band came into being at the end of 2013, thanks to the artistic collaboration of Sinai and Aharon.
Their first release, an EP, saw the light of day in 2014, marking their musical debut.
In 2016, the band released their debut album entitled "Har HaKarmel", exploring themes related to the decay of paganism.
In 2019, the band released a split in collaboration with Darkenhöld, under the aegis of Les Acteurs de l'Ombre.
Continuing their momentum, 2020 saw the release of their second album, dubbed "? ?e?? ? ßas??e??", distributed by Les Acteurs de l'Ombre. This album delves into the relationship between politics and divinity.
In 2023, the band reveals its third album, entitled "De Republica".

An ode to the Republic, defending the rule of law, egalitarianism and freedom.
Sacralizing the Revolution as a popular expression of the struggle against despotism and the attainment of freedom.
From 19th-century France to the present day, evokes the periods of political instability when the construction of a social republic was able to emerge through the blood of social struggles.

a new opus has been invoked in the ritual chambers of Daemonicreation studio, mixed and mastered once again by George Emanuel in Pentagram Studio, Athens, Greece.
The quintessence of this work is drawn from the divine feminine sexuality, the liberated woman as a initiatress, in Mystical Union with Chaos. She raises high her Chalice and offers her blood, the Elixir of Ecstasy. Bestiality, pushed to the limit, manifests itself in its pure glory, then metamorphoses into psychedelic layers of ambience, progressive low frequencies and sacerdotal chants, to form the scrolls on which are inscribed the visions and complex formulas of a Satanic Charnel Esotericism.

OBSIDYEN is a Black Metal band founded in Albi (81) in 2019.
Their first musical attempts revolved around biblical mythologies, before slowly shifting towards the « Ancient Astronaut Theory », popularized by Erich von Däniken in 1968.
According to this theory, humanity has been visited by non-human beings in the past.These traumatic anthropological and technological encounters led to the creation of polytheistic religions and myths in antiquity.
OBSIDYEN transcribes these subversive subjects through massive and powerful riffs, coupled with liturgical cold melodies, resulting in an atmospheric harmony that adventures the listener into the lands of the past, the stars and beyond.
The band released their first self-produced album, "ANTEDILUVIAN SCRIPTUM" in 2020, with subjects including Mesopotamian and Sumerian cultures, the Old Testament or the
myth of Atlantis.
Very soon after the release of this first album, Omega has created a mythological trilogy based on the "Cult of the Serpent" around the world.
The first episode is called "LITANY OF IAH", and takes place in
ancient Egypt.

THE VISION BLEAK return in grand style: The German duo's seventh full-length "Weird Tales" constitutes a monumental tribute to the eponymous American pulp magazine and other tales of mystery and dark imagination. The album consists of a single track that is divided into internal chapters, which are each inspired by weird tales, poems, and other literature of horror and the macabre. On "Weird Tales", THE VISION BLEAK are referring to eminent writers of the legendary magazine such as H. P. Lovecraft and Clark Ashton Smith, but also allude to authors that were never featured in the magazine, for example Edgar Allen Poe and Lafcadio Hearn, whose "Fantastics and Other Fancies" was very influential for this album. THE VISION BLEAK are pulling every register of their enormous musical prowess. The chapters range stylistically from flamboyant gothic rock via dark doom to harsh black and death metal parts – and about everything in between. All the thrilling elements that the following of the duo has come to expect and love is present on this record: the dramatic and theatrical, the harsh and heavy, the melancholic and eerie, and also catchy and symphonic moments. All of this is woven into a dense sonic tapestry, which is held together by a recurring ebb and flow that is reminiscent of classical composition. THE VISION BLEAK were born out of the friendship between guitarist, bass-player and harsh vocalist Markus Stock aka Ulf Theodor Schwadorf and drummer and singer Tobias Schönemann alias Allen B. Konstanz. After first experimenting with a more gothic rock formula, THE VISION BLEAK shaped up when the duo began to involve their mutual love for the horror genre. Already their debut album, "The Deathship Has a New Captain" (2004) became an instant success in both gothic and metal circles and is by now regarded as a classic. As the debut album's theme was based on classical horror movies, the Germans aptly dubbed their style: horror metal. With the following albums, THE VISION BLEAK cemented their reputation as purveyors of classy and quality music. Each full-length revolves around themes from the horror genre that can easily be deduced from their respective titles. "Carpathia" (2005) was followed by "The Wolves Go Hunt Their Prey (2007) and "Set Sail to Mystery (2010), "Witching Hour" (2013), and "The Unknown" (2016). THE VISION BLEAK, the masters of horror metal, are finally ready to gift the world their most ambitious song so far: "Weird Tales" is a beautiful and heartfelt homage to a poetic golden age of horror and mystery literature. Listen with care, but always be wary of the eldritch and forbidding sounds that lurk within this song!

Fourth studio album by Dutch Death Metal machine SINISTER. Originally released by Nuclear Blast in 1998. Here’s the official and limited 2022 CD re-issue in a solid super jewel box on Cosmic Key Creations

Super Jewel Box, 12 page booklet