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New album "AURORA" will be out on 25/06.

Digipak will be shipped rather earlier than that though (a couple of weeks in advance of release date)

Over 70 minutes of cosmic channeling written, performed & produced by DANIEL ÄNGHEDE Featuring guest vocals by: SYLVAINE, CAMMIE GILBERT (OCEANS OF SLUMBER), TARA VANFLOWER (LYCIA), VILA, CARLINE VAN ROOS (LETHIAN DREAMS), GOGO MELONE (AEONIAN SORROW), VIOLA PETSCH & LISA CUTHBERT

Russian blackgaze duo Olhava is back with their new studio album. Frozen Blooom is the natural follow-up to self-titled Olhava (2019) and Ladoga (2020), and integrates some dronescapes the band experimented on Never Leave Me Alone (2020), the drone version of their debut.

Multi-instrumentalist Andrey Novozhilov and drummer Timur Yusupov describe their new journey with words of thoughtful contemplation: “When winter is just starting to fade and give some space to the first steps of spring… When life starts to reappear and the very early flowers peek through the thawing soil, a sudden drop of the temperature can leave them petrified and frozen back again, punished by the “Queen of Fields”. This statuesque dead beauty, being infinitely alive and dead at the same time is the main metaphor of this album. Frozen Bloom is about unfulfilled dreams. About how we sacrifice everything today for some abstract “tomorrow”, which may never come. But tomorrow and yesterday don’t exist – only this very moment of static contemplation is real”.

Frozen Bloom is Olhava’s fourth opus in three years, and here the duo took some different routes compositionally. Two of the four tracks are traditionally storm-like blackgaze passages, while the other two are leaning towards a more meditative drone experience. The album also features A. Lunn, who kindly agreed to record an electric guitar solo as well as acoustic parts and choral parts on “Frozen Bloom I”.

Frozen Bloom was recorded at Olhava home studios, as well as at the local rehearsal space. Mikhail Kurochkin took care of mixing and mastering.

The classic Dzö-Nga 2017 album with new tracklist and reworked artworks, but most of all, now remastered by no less than the glorious man, Dan Swanö

Digipack 3 Panels limited to 500 Copies

Pure Fucking French Black Metal.

6 Tracks for 28 min.

reissue 2021

Collectors Digipak edition with hot foil embossing and tight booklet.

KANKAR make their first grand statement with 'Dunkle Millennia', the duo's debut full-length. Immediately recognizable as KANKAR but bolstered on every level - songwriting, performance, production - Dunkle Millennia literally bristles with an electricity that's undeniable. For a band still (proudly) black metal, the KANKAR of now here evince an artistry that spans decades and even genres; one can detect trace elements of classic death metal, pagan metal, traditional metal, and even rock 'n' roll within the album's succinct-yet-expansive 45-minute runtime, and yet all of it's spliced and diced in a most fluid manner, and not once ever schizophrenic. In fact, the muscular-yet-finessed interplay between vocalist/guitarist/bassist Stríð and drummer Plágan suggests an almost symbiotic relationship, each ever-unfolding passage walking/surging down a thorny path but with the route known only to KANKAR. Even with these increasingly tricky detours, the 11 component songs of Dunkle Millennia never suffer from information overload or convoluted expressions of such: everything is always felt, darkly and dynamically. Credit that feel to the gleaming(ly powerful) production of Markus Stock (Helrunar, Bethlehem, Empyrium, Secrets of the Moon etc.) at his renown Klangschmiede Studio E.

Solbrud is known for performing at unique locations, with special care for lights and props, which now results in ‘Levende I Brønshøj Vandtårn’; a carefully curated live double album and video. Recorded inside Brønshøj Water Tower in Copenhagen at two totally sold-out nights. The tower is known for its brutalist architecture and unique acoustics – 15 seconds of natural reverb, which creates a fitting atmospheric backdrop for the monumental sound of the band. On top of that, the tower was freezing cold, amplifying the nature of the music.

The full concert consists of 8 tracks, including songs from all three previous Solbrud albums. Some have been rearranged, taking the special acoustics into account, while others blast through in their original form. In addition to their set, the new song ‘Sjæleskrig’ was added to their setlist, which resonates hauntingly in the great tower’s reverberance.

‘Levende I Brønshøj Vandtårn’ was recorded on November 23rd and 24th 2019 and mixed by Marcus Ferreira Larsen (Demon Head) at No Master's Voice. Mastered by Flemming Rasmussen (Metallica, Morbid Angel, Rainbow, etc.) at Sweet Silence Studios.

Black Vinyl

SERPENTS OATH is a new creature comprised of 3 Belgian scene’s adepts.

Their rebellious debut album 'Nihil' is set to take the world by storm with its relentless and unforgiving mix of nihilistic black metal. Witness the unleashing of the beast on December 4th through Soulseller Records!

Alternate cover art compared to cd version! Wonderful vinyl edition housed in outer sleeve on 350gsm w-w carton, coated paper with silver lamination and matt machine varnish; double sided printed inner sleeve on 220gsm w-w carton & double sided insert on 250gsm art paper with matt machine varnish.

Something dark, melancholic, and at times even sinister is haunting each of the eight tracks collected on NOÊTA's sophomore full-length, "Elm", which is lyrically based loosely on emotions connected to the eponymous poem by the celebrated American writer Sylvia Plath. The music of the Swedish duo comes with an inherent ethereal beauty, which is carried by Êlea's both lucent and lucid voice. The focus on the singer's bewitching vocals is further underlined by a subtle and nearly minimalistic instrumentation by her long-time collaborator Andris, who masterly captures and enhances the musical moods.

Taking their name from the ancient Greek philosophical notion of universal thoughts or ideas that exist independently of any agent having them, NOÊTA embark on their musical journey into the otherworld with the highly praised 2015 EP "psykhē", which also refers to classical Greek philosophy where it denotes the wholeness of a person. This was followed by the equally acclaimed debut album "Beyond Life and Death" in 2017, which added more depth and audible confidence to the duo's compositions.

With the recording, production and mix again firmly controlled by NOÊTA, mastering of "Elm" was for the first time left to the expert hands of Tore Stjerna at Necromorbus Studio (MAYHEM, WATAIN). Guest contributions by KNOKKELKLANG and P.Stille of STILLA and BERGRAVEN also hint to Êlea's roots in black metal that remain present although her darkness takes a different stylistic direction.

"Elm" witnesses NOÊTA charting their very own left hand course through the rising tide of unique female artists such as CHELSEA WOLFE, ANNA VON HAUSSWOLFF or EMMA RUTH RUNDLE to name but a few of the highly individual female voices claiming their territory in the world of dark music.

The Swedish misanthrope is back with his third album