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Formazione tedesca nata in epoca pandemica, nel 2020, che raccoglie elementi di Endstille, Tauthr, Dysangelium, i quali si indirizzano verso un sound solido, granitico ma svelto e frutto della collisione tra thrash e death metal. L’ossatura dei pezzi però sembra propendere maggiormente verso il thrash metal, con distorsioni rocciose e voci che toccano punte in growl e comunque modulano spesso pur urlando. Diabolisches Werk presentano la doppia voce, infatti al microfono c’è Smellhammer, anche batterista, e Knochenmark, anche chitarrista come Pissmark il quale suona anche il basso. I due generano un doppio cantato con una voce improntata su una tonalità quasi ‘harsh’, un po’ stile Martin van Drunen, e l’altra con un tendenza leggermente più growl. Il trio è feroce, potente, d’impatto. Sprigiona qualche cavalcata in stile melodic death metal e con forti influenze hardcore. 

Jewelcase edition, out of print / FIRST PRESS   ---- SEALED 

Let the moonclad twilight veil the forests once again!

Moonlight Sorcery is a Finnish black metal trio formed in early 2018. The band’s black metal is a symphonic and melodic variety by nature. Inspired by many black metal classics as well as classic heavy metal and melodic death metal, the band indeed has a huge palette of influences, which is directly reflected in the versatility of the song material.

Piercing Through the Frozen Eternity, the band first EP, was worked on as the icy winds blew and winter did its magic. In all the peace and quiet. The silver-saturated nights of the moon rushed to the melodies that breathe sorrow and the eternal majesty of the cold stars.

Jewelcase CD 

Limited to 1000 copies MCD with exclusive bonus track.
 

Super jewel case version
Comes with an 8 pages booklet.

PROMO CD IN CARDBOARD WALLET

VG / VG

CD in deluxe Digipak with 8-page booklet

There are few funeral doom bands out there that manage to express sorrow and despair in such a majestic and beautiful manner as SHAPE OF DESPAIR. The Finns’ latest full-length is a product of their environment, enveloping the listener in cold, eternal darkness like a lonely Finnish winter. And much like the long, funereal winters of their homeland, the atmosphere in ‘Return to the Void’ is bleak but ethereal. The funeral doom icons do not merely offer a soundtrack to one’s agony, but also demonstrate the beauty that can often be found in misery.

For fans of FUNERAL, MOURNFUL CONGREGATION, BELL WITCH, AHAB, EVOKEN.

Noircure is the musical endeavor of multi-instrumentalist Raffaele Galasso from Apulia, Southern Italy. Albeit born in 2021, Noircure comes after years of experience and hard work in a number of different underground projects, managing to be both something completely new and perfectly self-aware as well.

Galasso describes his latest one-man band as follows: “Noircure was born in 2021 as the result of blending two of my great passions: atmospheric black metal and certain shoegaze and new wave sounds. I recorded, mixed and mastered Kyrie inspired by these musical atmospheres, favoring improvisation in the recording phase, preferring "natural" sounds over production editing and trying to limitate effects as much as possible. I wanted Kyrie to personify a living entity capable of communicating a wide range of emotions in the most direct way possible. In order to do this, I tried to recreate all the sounds that I had figured out in my head only with my guitar and without the use of synths”.

The result is an honest, breathtaking album, plunging into the depths of blackgaze, where guitars are paramount, accompanied by a wide range of vocal styles, adding some Mediterranean vibes which make Klimt 1918 come to mind. If the likes of Alcest, Lantlôs and Sadness are part of your everyday music digest, Noircure will surely leave its mark.

Digipak CD with 12 pages booklet

Ysyry Mollvün is a conceptual project created by Zupai Ulen in 2012. In November 2015, Antonio Sanna (Downfall Of Nur) met Zupai and offered to be the producer. As time passed by, Sanna got involved in the crating of this project, composing arrangements for acoustic guitars and native instruments such as the charango, sikus, flutes and percussions. The band’s name comes from the words “river” in the Guaraní language, indigenous people from South America (Ysyry) and “blood” in the language of Selk'nam people, the indigenous tribe from southern Argentina (Mollvün).

Ysyry Mollvün tells the story of K'aux, a being that was once a human who was educated by the Selk’nam gods to teach the tribe what was necessary to outlive in the harsh conditions of the extreme south of the world. K'aux betrayed his oath and did not pass on what he learned, and for this reason he was condemned to lie forever, neither dead nor alive, in the center of the earth.

A thousand years later Espíritu del Monte, the god who punished K'aux couldn't understand what happened to the other deities since, except for the god of death (San la Muerte), they were no longer on this earth. All had changed, the people who lived on this earth were more, the flora and fauna that had inhabited no longer existed and everything that was for thousands of years was longer as it had been. Because of this, el Espíritu del Monte decides to wake up K'aux so that he can see with his human's eyes what happened and what must be done so that everything goes back to what once was.