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Info : "Shadows of the Past" was recorded and mixed at Tico-Tico Studio, Kemi, in October '91. Engineered by Ahti Kortelainen. "Journey to Pohjola" recorded and mixed north from here in March '92. Additional 3 bonus tracks from the "Journey To Pohjola" promo-tape. Remastered at DMS.

All music and lyrics by the Northernmost Killers of the Dead !

On their demos and first full-length Shadows of the Past, the band played death metal. On their second full-length North from Here, the band added progressive elements to their sound. After that, the band made a complete switch from death metal to gothic metal starting their third full-length Amok.

Sentenced split up in 2005, after a farewell album titled The Funeral Album and an extensive farewell tour. On October 1st, 2005, at their last gig, in their hometown of Oulu, Taneli Jarva joined the band to sing a few songs from North from Here, Amok, and Love and Death.

Despite Deserted Fear‘s German roots, the band’s material on their debut full lenth, My Empire reeks instead of a rather diverse range of influences. The stench of death that reeks in the air is suffocating as the band preludes their filthy brand of death metal on the Intro track, but once the madness begins with The Battalion of Insanities there is no stopping Deserted Fear. Right from the get go there is a rather strong Asphyx influence with the riffing style that Fabian and Mahne utilise, though there is a somewhat slight Polish sound thanks to vocalist Mahne’s growls, sounding like a fusion between Nergal’s deep, hollow growls and Martin van Drunen’s howls, some of the very best vocalists in death metal.
 

Four years after the release of the first chapter, MIDNIGHT ODYSSEY close the circle of the ambitious "Biolume" trilogy with "A Fullmoon Madness," a mammoth triple album wrapped in a new phantasmagorical cover painting by Elijah Tamu.
Acting as a stylistic summa of the Australian one-man band, "A Fullmoon Madness" collects all the metal nuances explored by Dis Pater in the previous episodes and in its career. Once again, cosmic black metal bigger than the nightsky and the crushing heaviness of epic doom metal are bound together by dark wave synths, grandiose symphonic arrangements and Dis Pater's heartfelt vocal performance, oscillating between raven screaming and sumptuous clean chants to underline the lunar character of the music.

Certainly to be counted among the most talented and visionary contemporary metal musicians, GG sets COSMIC PUTREFACTION aside for a moment to give space to the sophomore release by VERTEBRA ATLANTIS, a project that sees him grappling with a progressive, dissonant and symphonic black/death metal, on the border between late EMPEROR and GORGUTS.
Accompanied by the excellent RR (drums) and GS (rhythm guitars), authors of a masterful performance, GG makes no secret of considering "A Dialogue With The Eeriest Sublime" the most complete and mature work he has released so far. The album is a large canvas on which the Italian musician has poured all his creative flair thanks to intense symphonic brushstrokes perfectly embedded in the geometric shapes evoked by his twisted black/death metal riffs, supported by an equally powerful rhythm section.
 

Black vinyl limited to 175 copies.
Vinyl version on Nuclear Winter Records, co-released with Nameless Grave Prod., for the America.

Ltd. edition 250 copies on blue vinyl.