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"The music is massively heavy and steeped in the shocking misery of shattered bodies and pervasive death, and it’s also explosively violent, with searing riffs and soaring leads that, together with blazing drumwork and wrenching voices, raise visions of the horrible grandeur and mortifying terror of such man-made conflagrations as the battle to which these songs allude. It will really get your head moving, too - and I’m glad that 1914 have also continued to insert excerpts from period songs, as they do at their previous album." 

Second press in Aside/Bside Sea Blue / Grey vinyl

Complete remixed and remastered + 3 bonus songs.

Digipak double CD edition

Each physical edition of the album comes with a secret link to download exclusive extra material!

Svart Records is proud to release the new posthumous solo album by Aleah Liane Stanbridge, better known as Aleah Starbridge, singer of the Swedish/Finnish band Trees of Eternity. 

Recorded in its entirety on August 4th, 2019 in São Paulo (Brazil) during the final show of VARATHRON's "30 Years Of Darkness Tour"

12" GATEFOLD DLP TRANSPARENT

Recorded in its entirety on August 4th, 2019 in São Paulo (Brazil) during the final show of VARATHRON's "30 Years Of Darkness Tour"

Digipack CD

Six-panel digipack

Planet Nine is "The Degenerate Era" twin release: a lenghty minialbum with two extra songs not featured in the album

Four panels digipack

This is the solo project by Uada founding member and guitarist James Sloan, a kaleidoscopic black metal creature deeply rooted in the depressive black metal sounds of the Nineties.
The Sorcerer’s Sorrow is Anachitis very debut, where obscure, minimal synths pave the way for obsessive guitar riffs and desperate shrieks recounting a tale of despair and self destruction. In Sloan’s words, “There is an underlying story here being told backwards of someone who desperately seeks answers to escape the pain of existence through esoteric practices, but finds nothing but a path to total self destruction”.

Clear smoke vinyl.... Sound Cave exclusive

This is the solo project by Uada founding member and guitarist James Sloan, a kaleidoscopic black metal creature deeply rooted in the depressive black metal sounds of the Nineties.
The Sorcerer’s Sorrow is Anachitis very debut, where obscure, minimal synths pave the way for obsessive guitar riffs and desperate shrieks recounting a tale of despair and self destruction. In Sloan’s words, “There is an underlying story here being told backwards of someone who desperately seeks answers to escape the pain of existence through esoteric practices, but finds nothing but a path to total self destruction”.

Void Paradigm call their black metal dodecatonic,as Payan often relies on a twelve-scale composition technique, a method of composing with twelve tones which are related only with one another developed in the early XX Century. As Payan puts it: “As I try to experiment new ways of making black metal, I sometimes write the music literally on the desk and not searching for riffs on the guitar. I have a classical composition education so I try to compose like this, writing before playing, in order to break the automatic riffing and to try and go somewhere else”.
“Ultime Pulsation”, the ultimate pulse, “evokes the unavoidable fall towards this final pulse of the world, of humanity, of civilisation, which seems to get closer and closer. “Demain Brûle” is "Tomorrow Burns", a personification which becomes something or someone hostile, unsafe, hazardous. Such are the feelings Void Paradigm bring into their music, a forceful, rabid and yet educated black metal. 

Four messages of black proselytism resulting from reflections over nothingness and final salvation, destined to glorify the unique and remind you how unfathomable His splendour.