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Saligia are a Norwegian black metal duo who released their debut Sic Transit Gloria Mundi in 2011, followed by the Lvx Aeternae EP in 2013. I enjoyed both of those releases immensely, so I was quite pleased to see that they had released a new full-length and leapt at my first opportunity to give this new one a spin. As soon as the first track started, I was quite perplexed as I wasn’t even sure that this was the same band. It would be a rather significant understatement if I were to say that this album is a departure from the haunting atmosphere that their previous works developed so well.
- 4c/1c digipack
- booklet with lyrics, impressions & information
Cryptic Darkened Death Metal from France. Second full length.
Dream An Evil Dream” was conceived from pure forms of stream of consciousness transmitted through music. Creating music is a process of divination, by which we may open portals to non-linear universes and commune with extra-dimensional entities. “Dream An Evil Dream” was just much created by AEVANGELIST, as it was created through AEVANGELIST. While others have tried and failed to convey the sense of 'ritual' through music, AEVANGELIST believe to have stumbled upon some alien source of pure evil, with a certainty that defeats reason and skepticism. Now, with this improvised piece of voidgazing, in throes of unimaginable despair, you too will find yourself among dark figures in the night that beckon you to dream, to dream an evil dream.
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Re-issue of the legendary split album from '92 with swedish ALTAR and finnish CARTILAGE. Two killer Death Metal bands from the early 90's scene, with 2 bonus from each band
The heathens of Kampfar give us yet another black metal masterpiece, following up the success of Mare and Djevelmakt.
Jewelcase.
Also contains an enhanced video section with:
"Telepath" video clip
"On Earth" Live in Paris
Digipack
One of the best of the history of Black Metal is back.
Horna's ninth full length album. The Band's previous full length album "Askel lähempänä Saatanaa" was something of a throwback to mid '90s black metal classicism. By contrast, Hengen Tulet carries forward a similar songwriting aesthetic - surging 'n' swooshing speed, spiraling melody both majestic and malevolent - but reinvigorates a foul, fetid primitivism. It's still a supremely varied yet focused spin, compact (and caustic) as ever, but the headbanging, hard-charging tropes are surely a sign of HORNA's well-oiled machinery lately on the live front, where Spellgoth has cultivated no small amount of infamy for his penetrating performances.