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Limited and hand-numbered red 10"mLP

Gatefold cover with bonus 7" ep !!

After two demo ep’s and countless gigs (including support slots for Evoken, Abysmal Grief, Eyehategod, Iskra, Thantifaxath, Necros Christos, Grave Miasma, Ash Borer, Fell Voices, and way more…), Italy’s darkest and heaviest power trio finally shaped their first full length.
 

Raging,repetitve yet diverse black/death metal
with a discreet yet ever present droning vibe.
Hypnotic and hysterical,channeled through the virtues
of a sharp,
strict but eventually warm sound production,
Υπνωσίνοσις provides a sonic guidance to the subsconscious and beyond!

Contains the last 3 Demos of the finnish Horde. Bestial Black/Death/Doom Metal with members of Witchcraft and Ceremonial Torture 

Old School satanic Black Metal keeping the unholy black flame alive. True Black Metal with members of Nightwalker, Winterfullmoon, Kadotus. CD limited to 300 handnumbered copies

Comparisons to Conqueror, Revenge, and Black Witchery are inevitable, and indeed, HUMAN AGONY are among the few elite bands deserving of such comparisons. That the band hails from Victoria, B.C.—known for the infamous Ross Bay Cemetery and a longstanding history of Satanic and occult activity—naturally also draws attention to the profound influence of Blasphemy. But HUMAN AGONY offer more than rote regurgitation of the bestial black/death and war metal tropes.

Comparisons to Conqueror, Revenge, and Black Witchery are inevitable, and indeed, HUMAN AGONY are among the few elite bands deserving of such comparisons. That the band hails from Victoria, B.C.—known for the infamous Ross Bay Cemetery and a longstanding history of Satanic and occult activity—naturally also draws attention to the profound influence of Blasphemy. But HUMAN AGONY offer more than rote regurgitation of the bestial black/death and war metal tropes.

Over 4 hours of the most extreme band on the planet - witness The Berzerker live + behind the scenes mayhem.

Contained on this DVD is some of the most comprehensive studio footage ever released to the public. It was not initially shot as a documentary and serves as a Fly-on-the-wall experience into the recording process.

Prepare yourself for a journey into a world where each step will give you a better understanding of your own reality.

First press comes in a deluxe packaging: digipack with extra UV foil print, 12 pages booklet and in outer slipcase  // OUT OF PRINT NOW

With their sophomore album Imperative Imperceptible Impulse, Ad Nauseam took a step forward in terms of composition, musical structures and sound. Music is not intended as a mere sequence of riffs that sounds well one after the other, but is now a naturally ordered structure where almost every musical event refers to the past and/or predicts the future, generating very layered and complex patterns dominated by polyphony and polyrhythms and where each instrument has its own role and is essential in the whole. The music represents a merging of many different styles, the most prominent ones being extreme death/black metal, avantgarde, jazz, post-core, doom/sludge and ambient. 

The composition process of Imperative Imperceptible Impulse has been heavily influenced by 20th century classical composers like Stravinsky, Šostakóvič, Xenakis, Scelsi, Penderecki and Ligeti, to name a few. Both the concepts of harmony and melody have been put into discussion to get a music where harmony is obtained by means of disharmony and melody by dissonances. To push this method even further, a unique tuning system has been conceived, to allow a new harmonic vocabulary and to eradicate the players from the comfort zone of the usual melodic patterns every guitar/bass player is used to.

With this dark and deadly duology, mastermind Einar Eldur Thorberg delivers an album of two parts: The first five tracks were recorded with the former Norwegian line-up. The other songs are a creation of the multi-instrumentalist after changing his residence back to Iceland and enlisting the support of drummer Kristján Einar Guðmundsson (KONTINUUM) with whom he had previously collaborated in the native cult act POTENTIAM.
"World Serpent" is loosely based on a unifying apocalyptic theme, but also a beast of two faces. The first half witnesses FORTIÐ subtly experimenting with influences of Bay Area Thrash, while the second half returns to a more black metal approach with screams and clean vocals. Although both parts have diverging musical visions and even different line-ups, they complement each other rather than constitute two separate entities.
Despite some subtle experimentation and drastic line-up changes, FORTIÐ are still following the course that Einar Eldur set on the "Völuspá"-trilogy of albums from 2003 to 2010 as well as the acclaimed "Pagan Prophecies" (2012) and "9" (2015) full-lengths: harsh black and death metal riffing with a penchant for epic melodies combined with versatile vocals and a dose of "Icelandic sound". With “World Serpent”, FORTIÐ have unleashed a dark and deadly creature onto the pagan metal world!