Shop

Morning Star finds Këkht Aräkh arriving at a truer, more refined version of himself. Recorded between Berlin and Stockholm, the album emerges from a period of intense personal and artistic growth, blending aggressive black metal passages with immersive, textured soundscapes that feel both intimate and vast. 

35 years after their inception Nittedal-based TULUS are still going strong and return with a new album. Only three years after its predecessor, the notorious three-piece is back with their eight full-length entitled Morbid Desires which Darkness Shall Rise are very proud to be releasing.

Instead of straying from their path, Morbid Desires comprises nine tracks that continue the trademark TULUS sound. An abundance of hellishly catchy riffs moulded into concise mid-tempo songs performed by proficient musicians accompanied by Blodstrup’s grim vocals are still the main characteristics of TULUS. Having said that, Morbid Desires is by no means a one-dimensional album. Fast parts, beautifully chanted vocals, flamenco and acoustic guitars etc. woven into some of the songs provide the album with plenty of variety. “Sabbat”, the album’s closer and by far the longest track surely sticks out the most. Undeniably conceived as a tribute to BLACK SABBATH the song is nothing short of amazing and impressively proves the outstanding musicianship of TULUS’ members.

Morbid Desires was recorded, mixed and mastered by Andy La Rocque at Sonic Train Studios, Sweden. September 2025.

35 years after their inception Nittedal-based TULUS are still going strong and return with a new album. Only three years after its predecessor, the notorious three-piece is back with their eight full-length entitled Morbid Desires which Darkness Shall Rise are very proud to be releasing.

Instead of straying from their path, Morbid Desires comprises nine tracks that continue the trademark TULUS sound. An abundance of hellishly catchy riffs moulded into concise mid-tempo songs performed by proficient musicians accompanied by Blodstrup’s grim vocals are still the main characteristics of TULUS. Having said that, Morbid Desires is by no means a one-dimensional album. Fast parts, beautifully chanted vocals, flamenco and acoustic guitars etc. woven into some of the songs provide the album with plenty of variety. “Sabbat”, the album’s closer and by far the longest track surely sticks out the most. Undeniably conceived as a tribute to BLACK SABBATH the song is nothing short of amazing and impressively proves the outstanding musicianship of TULUS’ members.

Morbid Desires was recorded, mixed and mastered by Andy La Rocque at Sonic Train Studios, Sweden. September 2025.

"The Scottish threat of blackened speed metal is back!
Featuring 8 new tracks over 44 minutes, the highly anticipated fourth album, Coronach, reaches new heights of metallic intensity.
Bolder, more daring, and more adventurous than ever, Hellripper is crafted for speed and razor-sharp riffs."

"The Scottish threat of blackened speed metal is back!
Featuring 8 new tracks over 44 minutes, the highly anticipated fourth album, Coronach, reaches new heights of metallic intensity.
Bolder, more daring, and more adventurous than ever, Hellripper is crafted for speed and razor-sharp riffs."

Pressed on transparent red heavy vinyl with yellow & orange swirl. Comes with a 12-page booklet and download card. Colors on final record may vary to a degree from the mockup.

Following up sole previous release, 2016's lauded "Transmutation of Wounds" EP, the band's inaugural full length "Draumsýnir Eldsins" ('Dream Visions of the Fire') blazes through four transcendent, maniacal tracks that revel in organised chaos and infernal surrealism, as swarming Black Metal bludgeon meets avant-Classical and psychotropic noise.

The Crawl” è il nuovo album dei maestri del death metal di Detroit, in uscita il 6 marzo 2026 via Relapse Records. Il quinto full-length della band unisce la pesantezza brutale del loro death metal con dinamiche più ampie e influenze che spaziano oltre il death-doom, mostrando un sound potente e intenso. Registrato in una settimana glaciale allo GodCity Studio con Kurt Ballou alla produzione, il disco esplora temi di vita, scelte e conseguenze attraverso sette tracce devastanti come Poison Icon e Godless Cynic

“The Crawl” è il nuovo album dei maestri del death metal di Detroit, in uscita il 6 marzo 2026 via Relapse Records. Il quinto full-length della band unisce la pesantezza brutale del loro death metal con dinamiche più ampie e influenze che spaziano oltre il death-doom, mostrando un sound potente e intenso. Registrato in una settimana glaciale allo GodCity Studio con Kurt Ballou alla produzione, il disco esplora temi di vita, scelte e conseguenze attraverso sette tracce devastanti come Poison Icon e Godless Cynic

EXHUMED – “Red Asphalt” è il nuovo album dei maestri del gore metal, in uscita il 20 febbraio 2026 via Relapse Records. Un concentrato di deathgrind frenetico e brutale che travolge con riff scatenati e groove aggressivi, ispirato ai lati più oscuri e violenti della vita sulla strada. Dal singolo “Unsafe At Any Speed” a “Shovelhead”, ogni traccia è un colpo d’adrenalina pura per gli amanti del metal estremo.

EXHUMED – “Red Asphalt” è il nuovo album dei maestri del gore metal, in uscita il 20 febbraio 2026 via Relapse Records. Un concentrato di deathgrind frenetico e brutale che travolge con riff scatenati e groove aggressivi, ispirato ai lati più oscuri e violenti della vita sulla strada. Dal singolo “Unsafe At Any Speed” a “Shovelhead”, ogni traccia è un colpo d’adrenalina pura per gli amanti del metal estremo.

VIA DOLORIS is the singular vision of Gildas Le Pape, shaped by solitude, discipline, and an uncompromising sense of craft. Rooted in Nordic black metal tradition yet guided by melody and introspection, the project traces a deeply personal inner journey. “Guerre et Paix” is an album of tension and balance, where shadow and light coexist in measured dialogue. Across seven expansive compositions, VIA DOLORIS explores the fragile architecture of the human psyche, moving through despair, rupture, and fleeting moments of clarity. The music favours restraint over excess, allowing melody to lead with quiet authority. Guitars unfold in long, expressive arcs, while rhythms remain deliberate and grounded, anchored by the nuanced drumming of Frost (Satyricon, 1349). Shifting between French, English, and Norwegian, language carries its own emotional gravity. Folk and pagan echoes surface subtly, lending the album a timeless, almost ritualistic atmosphere. For fans of BATHORY, SATYRICON, KAMPFAR. Artwork by Linnea Syversen