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Over eight tracks, With Doom We Come indulges all things sublime and majestic, while grandiose keyboard backgrounds and mystical intros weave pure atmosphere contrasting with raw black metal. Opener ‘Tar-Calion‘ is a fitting ode to the last king of the island of Númenor, while ‘Carcharoth‘ tells the bloodthirsty tale of Arda`s mightiest wolf. Sagas and myths culled from J.R.R. Tolkien`s vast universe are the black blood that courses through SUMMONING`s veins, and With Doom We Come the ultimate soundtrack to a fantastic journey!
 

Depressive rock / black metal, new album after 2014's "A Life Worth Losing".
Västerås night outcomers creatures are back with a very mature album, featuring acoustic parts and high class much much improved arrangements and general songwriting.
 

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We Owe You Nothing" marks the highest point in Forgoten Tomb's constant evolution and once more makes it hard to narrow down its sound to some pre-existing labels. Effortlessly blending the eerie, dissonant black metal sound the band is well-known for with muscular sludge/doom riffs and a subtle, nihilistic punk attitude, "We Owe You Nothing" defines the band's personality more than ever, reaffirming its unique sound

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Katla is an Icelandic band featuring ex-Sólstafir drummer and visual artist Guðmundur Óli Pálmason and singer/multi-instrumentalist Einar Thorberg Guðmundsson (Fortíð, Potentiam). Named in tribute to one of Iceland's greatest active volcanos, Katla creates powerful, panoramic music where shimmering guitars, crushing melodies and atmospheric density meet dark, entrancing power.

Katla's debut album, "Móðurástin", shines a spotlight on the band's hook-heavy, horizon-stretching sound. The lyrics tell tales of living in a country of contrasts; a land where fire and ice co-exist and dark winters are offset by the summer's midnight sun. Iceland: a country where insular existence has spurred a rich and vibrant culture.
"Móðurástin", Icelandic for (a) Mother's Love, might seem like a strange title for a metal album, but Katla dares to be different. What on Earth is stronger than a mother's love? Nothing. Not hate, not lust, not greed.
 

Deus Salutis Meæ (“God of my Salvation”) is the truly mesmeric new emission from BLUT AUS NORD, the great Black Metal innovator renowned for disdain toward convention and a murderous relationship with boundaries.

Using frightening alchemy and predatory cruelty, BLUT AUS NORD fuses each distinct era of its 23 year existence with innovative readings of cavernous, arcane Death Metal, the occult excesses of outsider Industrial and the abject hauntings of psychotropic Doom.

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Debut release of Tolkein-themed, Polish Black Metal.
 

Second full-lenght album of true Devil worhipers. Eight songs for glory of Evil. Listen this symphony of fear and…
GO TO HELL!!!
 

Demo I' originally released on CS in 2012 by Ilmestys.

'Demo II' originally released on CS in 2015 by Fallow Field.

Ilmestys "Demo I" brings a breath of fresh air to the raw black metal scene. This tape is absolutely insane! Get on this. "Total fucking whirlwind of chaos on a demo not to be slept on. Driving riffs, incredible drumming, and masterful riffs encircle you in despair and supernatural anxiety."
 

Dark Sanctuary own's reinterpretation in a gothic-doom metal style and instrumentation of their classic tracks like

Laissez-moi mourir
Cristal
La clameur du silence
Des illusions
Seul, face au sinistre
Dein kalter Stein
 

"The Sachem's Tales is an amazing work of solid, agonizing and intense feelings cutting black metal. Behind the music there lies a melodic agreement with the guitars and the synthesizer sounds, kind of giving a counterpoint to each, but all joining in the end for fantastic melodic landscapes. From worlds of mythologies and legends, the lyrics never saturate, even on the predictable despair of the clean female voice and strings moments."

(Review excerpt by Lonely Dark World)
 

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With Panopticon’s 5th full-length album, Kentucky, Austin Lunn pushed the boundaries and blurred the lines between melodic US black metal and folk driven Americana. Bluegrass, with its high and lonesome sound and cultural and emotional significance, provided the perfect backdrop for Austin’s lyrical exploration of the Kentucky's rich cultural heritage and unique environment as well as coal miner's plight to stand up against the cruelty of a greed driven fossil fuel industry as they struggled to organize a union to fight against horrific working conditions. The album is about more than just coal mining history...it is a love letter to the " blue grass state" and the beautiful people and places contained within its borders.
 

Ito The Arcane hails from The Netherlands and was formed in January 2016 by (ex) Dead End members Jeroen van Riet, Gunther Weerepas and Alwin Roes. Into The Arcane delivers atmospheric doom metalheavily rooted in old school death metal. "Het Verlangen der Geest" is their debut. The lyrics concern the darker corners of the mind and arcane historic tales. The band is currently promoting the EP and working on a full length album, to be expected in the winter of 2017/2018. Mixed and mastered by Robin Cornelissen (Pentacle, Morthra, Infernal Majesty).