€0.00
Your cart is empty
Your cart is empty
country: AUST
label:
Released at: September 22, 2023
format: TS
Condition: New
Reprint on demand
Available 23 September 2023
Stunning debut album by Mesarthim, initially self-released by the band on bandcamp / digital format only, now also available on digipack cd and vinyl. CD features bonus track 'Suffocate'!
Ascolta su BandCamp
Shipping out on or around 25 April 2016
Follow-up to the 'isolate' debut from 2015
Cd Digipack
Ascolta su BandCamp
Planet Nine is "The Degenerate Era" twin release: a lenghty minialbum with two extra songs not featured in the album
Four panels digipack
Second press, Aside/Bside: Aqua Blue / Black
February 2021 (in stock)
'Phase One' is a box set including ALL Mesarthim recordings so far, now released on cassette: it's a full colors box with lid, including 8 tapes / cassettes.
Alongside Mesarthim classic albums like 'Isolate' or 'Ghost Condensate' this compendium includes also single and eps that never had a physical release (i.e. "Spire" or "Presence").
This box set is strictly limited to a one-only press of 250 numbered units.
Mesarthim are now developing their Phase II, and following their latest EP released this very spring Vacuum Solution, they reached the farthest corner of the known universe with the new CLG J02182–05102.
“Astronomers are a bit like archeologists as they dig back through space and time searching for remnants of the early universe. In a recent deep excavation, courtesy of NASA's Spitzer Space Telescope, astronomers unearthed what may be the most distant, primitive cluster of galaxies ever found.
In a twist, however, this apparent ancestor to today's "big cities" of grouped galaxies looks shockingly modern. Called CLG J02182-05102, the ancient cluster is dominated by old, red and massive galaxies, typical of present-day clusters. For example, it is similar to a young version of the Coma Cluster of today, which has had billions of more years to develop.” Says NASA.
A special edition - double black vinyl with side D etched!
100 copies only
Second press - translucent blue
Double vinyl, 3 sides recorded (side D is empty).
150 copies edition
Anthropic Bias (2022) explores themes of cosmic significance and existential philosophy, echoing the idea of humanity’s tendency to see the universe as centered around itself. The music itself is a fusion of icy, tremolo-picked guitar riffs, blast beats, and haunting, atmospheric synth layers. It carries an otherworldly mood, drifting between aggression and contemplation. The song also incorporates electronic elements and ambient interludes, which provide a vast, ethereal soundscape. This single is both relentless and meditative, capturing Mesarthim’s ability to craft immersive, spacey atmospheres while retaining black metal’s raw intensity.
Departure (2024) leans heavily into the band’s cosmic themes, evoking feelings of journeying through space or leaving behind something familiar. The track opens with a somber and almost melancholic tone, gradually building into a massive, swirling blend of distorted guitars and atmospheric keys. The song shifts through dynamic phases, from soaring melodies to intense, fast-paced sections. Like much of Mesarthim’s work, Departure utilizes synth layers to create a celestial, almost dreamlike atmosphere, suggesting both the awe and isolation of venturing into the unknown. The track serves as a contemplative journey, fitting with the title’s theme of departure and escape.
Anthropic Bias (2022) explores themes of cosmic significance and existential philosophy, echoing the idea of humanity’s tendency to see the universe as centered around itself. The music itself is a fusion of icy, tremolo-picked guitar riffs, blast beats, and haunting, atmospheric synth layers. It carries an otherworldly mood, drifting between aggression and contemplation. The song also incorporates electronic elements and ambient interludes, which provide a vast, ethereal soundscape. This single is both relentless and meditative, capturing Mesarthim’s ability to craft immersive, spacey atmospheres while retaining black metal’s raw intensity.
Departure (2024) leans heavily into the band’s cosmic themes, evoking feelings of journeying through space or leaving behind something familiar. The track opens with a somber and almost melancholic tone, gradually building into a massive, swirling blend of distorted guitars and atmospheric keys. The song shifts through dynamic phases, from soaring melodies to intense, fast-paced sections. Like much of Mesarthim’s work, Departure utilizes synth layers to create a celestial, almost dreamlike atmosphere, suggesting both the awe and isolation of venturing into the unknown. The track serves as a contemplative journey, fitting with the title’s theme of departure and escape.
Anthropic Bias (2022) explores themes of cosmic significance and existential philosophy, echoing the idea of humanity’s tendency to see the universe as centered around itself. The music itself is a fusion of icy, tremolo-picked guitar riffs, blast beats, and haunting, atmospheric synth layers. It carries an otherworldly mood, drifting between aggression and contemplation. The song also incorporates electronic elements and ambient interludes, which provide a vast, ethereal soundscape. This single is both relentless and meditative, capturing Mesarthim’s ability to craft immersive, spacey atmospheres while retaining black metal’s raw intensity.
Departure (2024) leans heavily into the band’s cosmic themes, evoking feelings of journeying through space or leaving behind something familiar. The track opens with a somber and almost melancholic tone, gradually building into a massive, swirling blend of distorted guitars and atmospheric keys. The song shifts through dynamic phases, from soaring melodies to intense, fast-paced sections. Like much of Mesarthim’s work, Departure utilizes synth layers to create a celestial, almost dreamlike atmosphere, suggesting both the awe and isolation of venturing into the unknown. The track serves as a contemplative journey, fitting with the title’s theme of departure and escape.
