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country: NOR
label: Peaceville
year: 2013
format: LP
Condition: New
1. Hordaland Doedskvad Part I 07:43
2. Hordaland Doedskvad Part II 06:02
3. Hordaland Doedskvad Part III 06:16
4. Hordaland Doedskvad Part IV 08:16
5. Hordaland Doedskvad Part V 06:03
6. Hordaland Doedskvad Part VI 07:17
7. Hordaland Doedskvad Part VII 09:00
1. Atternatt 06:48
2. Umenneske 08:16
3. Lukt Til Helvete 05:05
4. Doedsjarl 05:26
5. Motpol 05:12
6. September Omsider 05:12
7. Velg Bort Livet 10:27
The traditional three year wait is over, and Hoest has now completed the sixth Taake album.
"Stridens hus" takes the unique Taake sound and develops it further.
Still true to the spirit of the old Norwegian Black Metal, Hoest breathes new life into the genre by introducing different elements that ensure the sound remains fresh and relevant. Some parts are more groove and rock orientated, whilst some have a distinctly punk attitude. However, this is still unmistakably Taake and, as always, we're treated to a varied album with intense, unique and unpredictable dynamics.
“Avvik” translates to anomaly or deviation. And even though Taake have been recognized as an important act within the Norwegian Black Metal scene for decades, they have always stood on the outside of main currents of black metal, a scene once founded by deviants and outcasts. In this context, “Avvik” also refers to this particular collection of songs, as the album compiles tracks which never really fitted in to any of the Taake releases, and hence ended up on three split-10” with Whoredom Rife, Deathcult and Helheim, released on different labels. “Avvik” collects the Taake tracks from the three split-10” releases for a limited digipak cd release. All tracks have been remixed and remastered for a digital release, and some of the remixes have some surprising guest appearances. Exclusively for this release, Dr Mikannibal of Sigh did Taake the honour of adding her saxophone to a slightly longer version of the Sisters of Mercy cover “Heartland”. Also, live guitarist Gjermund have done a very special acoustic version of the classic track “Nattestid ser Porten vid I”, which is exclusive for this release. “Avvik” closes one chapter for Taake and opens for a new one.
Clear Vinyl
“Stridens hus”, the sixth album from Taake, is now available for the first time on 180 gram white vinyl and transparent crystal vinyl! Both versions come with the original poster and each is limited to 750 copies.
"Stridens hus" took the unique Taake sound and developed it further. Still true to the spirit of the old Norwegian Black Metal, Hoest breathed new life into the genre by introducing different elements that ensured the sound remained fresh and relevant. However, this is still unmistakably Taake and, as always, we're treated to a varied album with intense, unique and unpredictable dynamics.
Once again, Hoest played all the instruments himself, but this time the Taake live band has contributed to the recording, alongside producer Bjørnar E. Nilsen.
“Et Hav av Avstand" is the 8th full-length studio album from the legendary Norwegian Black Metal band Taake.
It consists of four songs clocking in at 42 minutes, displaying some of the finest songwriting yet from this epic one-man band.
Fierce, but melancholy. Vigorously old-school but also progressive. retaining that unfiltered sense of unique rawness that is synonymous with Hoest’s charismatic sound and musical identity.
Taake still manages to stay relevant and at the forefront of the genre and Hoest, who plays every instrument on the album, has ensured that the album is imbued with the unique Taake sound whilst at the same time developing it further.
This is unmistakably Taake, and as always, an intense work that surprises and enthrals.
“Et Hav av Avstand" is the 8th full-length studio album from the legendary Norwegian Black Metal band Taake.
It consists of four songs clocking in at 42 minutes, displaying some of the finest songwriting yet from this epic one-man band.
Fierce, but melancholy. Vigorously old-school but also progressive. retaining that unfiltered sense of unique rawness that is synonymous with Hoest’s charismatic sound and musical identity.
Taake still manages to stay relevant and at the forefront of the genre and Hoest, who plays every instrument on the album, has ensured that the album is imbued with the unique Taake sound whilst at the same time developing it further.
This is unmistakably Taake, and as always, an intense work that surprises and enthrals.
