VAMPYRIC TYRANT
Das Schwert Der Sterne

The varied song structures on their debut, coupled with instrumental dungeon synth passages, capture the magic of what was once the Black Metal art of the past, without sounding like a copy of those artists in any second. This independence runs like a thread through this record and proves that Vampyric Tyrant’s »Schwarze Schwingen« will definitely establish itself as a future classic in (German) Black Metal music.

Formed in 2020, VAMPYRIC TYRANT are a Teutonic black metal duo forged in the fires of old. The band is helmed by ex-Grabunhold member Graf Nekromant, joined by drummer Akatash. As foretold by their moniker, VAMPYRIC TYRANT indeed offer an iteration of vampiric black metal, but one locked in the dungeon of the '90s, as well as equally pursuing the epic ruminations of the legendary Moonblood.

Now joined under the banner of PURITY THROUGH FIRE and with the addition of bassist König Grausamkeit, VAMPYRIC TYRANT enter their next epoch with a four-song/19-minute EP fittingly titled Zorn und Hass. Grim yet stately, raw yet refined, the ghoulishness they offer here is as ethereal as it is insistent. More than that, each of the four tracks offers its own labyrinth of nostalgia and despair, perhaps hitting its sorrowful peak with the crying-orc instrumental "Ein Traum." Then, Zorn und Hass concludes in mesmerizingly hooligan fashion with the six-minute, organ-led "Totschlag."

Formed in 2020, VAMPYRIC TYRANT are a Teutonic black metal duo forged in the fires of old. The band is helmed by ex-Grabunhold member Graf Nekromant, joined by drummer Akatash. As foretold by their moniker, VAMPYRIC TYRANT indeed offer an iteration of vampiric black metal, but one locked in the dungeon of the '90s, as well as equally pursuing the epic ruminations of the legendary Moonblood.

Now joined under the banner of PURITY THROUGH FIRE and with the addition of bassist König Grausamkeit, VAMPYRIC TYRANT enter their next epoch with a four-song/19-minute EP fittingly titled Zorn und Hass. Grim yet stately, raw yet refined, the ghoulishness they offer here is as ethereal as it is insistent. More than that, each of the four tracks offers its own labyrinth of nostalgia and despair, perhaps hitting its sorrowful peak with the crying-orc instrumental "Ein Traum." Then, Zorn und Hass concludes in mesmerizingly hooligan fashion with the six-minute, organ-led "Totschlag."