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Great melodic goth metal from Finland, for fans of bands such as : Him, To/die/For , Katatonia. Tracks list :
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Emerging from the spectral wilderness of Northern Finland — following the labyrinthine voices rising from totemic depths and guided by the Fire from Beyond — Unfyros channels a force born of darkness, solitude, and the pursuit of transcendence. Formed in Oulu in 2018 by Anti Ittna H. (formerly in Dolorian, Hexvessel and many more), the band has since evolved into a trio with Nox Vector (drums) and T. Von Kollaja (bass) — a three-edged dagger forged in shadow.
Drawing from the depths of Northern Ostrobothnia and driven by the beckoning, mind-possessing androgynous entity of unfathomable dimensions, Unfyros emerges from the solitude of the remote icy expanse — torn open by the emanations of the Knot of the Night — to unveil its second full-length album, Star Blood.
180 Grams black vinyl with 12 pages booklet
Emerging from the spectral wilderness of Northern Finland — following the labyrinthine voices rising from totemic depths and guided by the Fire from Beyond — Unfyros channels a force born of darkness, solitude, and the pursuit of transcendence. Formed in Oulu in 2018 by Anti Ittna H. (formerly in Dolorian, Hexvessel and many more), the band has since evolved into a trio with Nox Vector (drums) and T. Von Kollaja (bass) — a three-edged dagger forged in shadow.
Drawing from the depths of Northern Ostrobothnia and driven by the beckoning, mind-possessing androgynous entity of unfathomable dimensions, Unfyros emerges from the solitude of the remote icy expanse — torn open by the emanations of the Knot of the Night — to unveil its second full-length album, Star Blood.
4 panels digipak + 16 pages booklet
Emerging from the spectral wilderness of Northern Finland — following the labyrinthine voices rising from totemic depths and guided by the Fire from Beyond — Unfyros channels a force born of darkness, solitude, and the pursuit of transcendence. Formed in Oulu in 2018 by Anti Ittna H. (formerly in Dolorian, Hexvessel and many more), the band has since evolved into a trio with Nox Vector (drums) and T. Von Kollaja (bass) — a three-edged dagger forged in shadow.
Drawing from the depths of Northern Ostrobothnia and driven by the beckoning, mind-possessing androgynous entity of unfathomable dimensions, Unfyros emerges from the solitude of the remote icy expanse — torn open by the emanations of the Knot of the Night — to unveil its second full-length album, Star Blood.
Gatefold cover - extended king size booklet - colored vinyl /// purple vinyl
Kanonenfieber's debut Menschenmühle has been one of the self-produced highlights of early 2021. With its mature songwriting and uncommon thematic approach, the album is intended to commemorate the countless victims of World War I.
Men were thrown into a differing reality where only survival would count. Death, fear and hunger as a steady companion in the waist-deep trenches filled with mud. One order transferred people into cannon fodder in the human mill - World War I. The lyrical background of Menschenmühle is based on factual reports, letters and other documents from the surviving and deceased soldiers. The album was written, recorded and produced by Kanonenfieber from September 2020 to January 2021 in the Noisebringer studio
Julinko, stage name for Giulia Parin Zecchin, has long been one of the best kept secrets of the experimental community in North-East Italy, with three records that helped define her unique blend of heavy psychedelia, slowcore and dark ambient. On ‘Naebula’ what really stands out is how powerful and soaring her voice is, a weapon of undeniable force that can transform into a vessel of raw fervour or glide effortlessly as a delicate lament. Her unconventional approach shines through on tracks like ‘Jeanne De Rien’, where a marching pulse acts as a pillar for an extended mantra, almost verging into powwow territory. ‘Peace Of The Unsaid’ uses its arrhythmical structure to create space, a crepuscular night ode that reaches the heights of Sinead O’Connor’s most intimate force-fulness while retaining a sweet composure. Whether it’s glacial murderous shrieks or gospel-esque vitality, songs like ‘Cloudmachine’ or ‘Kiss The Lion’s Tongue’ seem to draw as much from a tradition of European minimalism, the use of drones and repetition, to the tradition of folksongs as hymns, where modal harmonies make way for an apparent stasis. Another key element in Julinko’s songwriting is the seamless blend of her minimalistic approach with these dense textures borrowed from a distant outsider metal heritage, Lynchean noir on steroids or wordless exorcisms with deep undercurrents.
Written and performed entirely by Julinko, ‘Naebula’‘s incantations unravel and spiral creating the perfect soundtrack for obsession, desire and contemplation, a world inhabited by greats like Meredith Monk, Diamanda Galás and Jarboe, diverse artists all driven by the quest for the purest and most crystalline form of catharsis.
