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In the wake of their previous work, Also sprach das Chaos, Blackdeath continue to push experimental boundaries in composition. In an era when musical distinctiveness is scarce, Blackdeath offers a rare listening experience shaped by over 25 years in the black metal scene.
Their journey began with Saturn Sector (1998), a raw debut rooted in the defiant tradition of black metal, yet unmistakably their own. Their latest release, Mortui incedere possunt ("Dead Can March"), showcases an expanded role for drummer Polar Maya as vocalist, along with an ambitious production by TT of Abigor. Now joined by second guitarist Der Nukleare Herjarnn, a longtime live collaborator, Blackdeath’s sound hints at Voivod and the radical strains of orthodox black metal, exploring mid-tempo, ice-laden grooves.
Merging familiar intensity with newfound uniqueness, Blackdeath may well have achieved their pinnacle. Thematically, they dissect reality through an anti-cosmic lens, revealing Chaos in all things.
In the wake of their previous work, Also sprach das Chaos, Blackdeath continue to push experimental boundaries in composition. In an era when musical distinctiveness is scarce, Blackdeath offers a rare listening experience shaped by over 25 years in the black metal scene.
Their journey began with Saturn Sector (1998), a raw debut rooted in the defiant tradition of black metal, yet unmistakably their own. Their latest release, Mortui incedere possunt ("Dead Can March"), showcases an expanded role for drummer Polar Maya as vocalist, along with an ambitious production by TT of Abigor. Now joined by second guitarist Der Nukleare Herjarnn, a longtime live collaborator, Blackdeath’s sound hints at Voivod and the radical strains of orthodox black metal, exploring mid-tempo, ice-laden grooves.
Merging familiar intensity with newfound uniqueness, Blackdeath may well have achieved their pinnacle. Thematically, they dissect reality through an anti-cosmic lens, revealing Chaos in all things.
Vafurlogi is rooted both spiritually and literally in the early 2000s black metal movement, as the earliest songs were written nearly twenty years ago. Like the stalwarts of that era, Vafurlogi draws inspiration not only from the staunch traditionalism of the ‘90s but also from its rebellious spirit of discovery and creation.
Fronted by guitarist Þórir Garðarsson of Sinmara and Svartidauði, who now also takes on vocal and bass duties, Vafurlogi presents a new chapter for him as a songwriter. Throughout years of activity with his other bands, the essence of Vafurlogi slowly cultivated in parallel below the surface. Initially a vessel for accumulated works not suitable for Svartidauði or Sinmara, Vafurlogi developed into an avenue for him to freely explore different creative ideas and moods. While touching on the apocalyptic, nightmarish realms of Svartidauði and the haunting atmospherics of Sinmara, Vafurlogi places greater emphasis on triumphant and unabashedly melodic flourishes through a comparatively stripped-down compositional approach.
In Vafurlogi, Þórir has joined forces with drummer Ragnar Sverrisson, a seasoned veteran of the underground metal scene, having played in various bands both in Iceland and abroad, such as Helfró, Ophidian I, Abyssal, and Valkyrja. After the album recordings, the lineup was reinforced with Eysteinn Orri Sigurðsson of Nyrst and Úlfúð on guitars and Samúel Ásgeirsson of Volcanova on bass. “Í vökulli áþján” was produced at the esteemed Studio Emissary by Stephen Lockhart of Rebirth of Nefast between 2020 and 2024, presenting songs written mostly between 2018 and 2020.
Vafurlogi is Icelandic for ‘flickering flame’, but the name can also be literally translated as ‘wandering light’ – and therein lies the key to the project’s thematic essence. Vafurlogi explores man’s incessant and despairing search for meaning and the ever-elusive sacred light while condemned to roam spiritual wastelands.
Vafurlogi is rooted both spiritually and literally in the early 2000s black metal movement, as the earliest songs were written nearly twenty years ago. Like the stalwarts of that era, Vafurlogi draws inspiration not only from the staunch traditionalism of the ‘90s but also from its rebellious spirit of discovery and creation.
Fronted by guitarist Þórir Garðarsson of Sinmara and Svartidauði, who now also takes on vocal and bass duties, Vafurlogi presents a new chapter for him as a songwriter. Throughout years of activity with his other bands, the essence of Vafurlogi slowly cultivated in parallel below the surface. Initially a vessel for accumulated works not suitable for Svartidauði or Sinmara, Vafurlogi developed into an avenue for him to freely explore different creative ideas and moods. While touching on the apocalyptic, nightmarish realms of Svartidauði and the haunting atmospherics of Sinmara, Vafurlogi places greater emphasis on triumphant and unabashedly melodic flourishes through a comparatively stripped-down compositional approach.
In Vafurlogi, Þórir has joined forces with drummer Ragnar Sverrisson, a seasoned veteran of the underground metal scene, having played in various bands both in Iceland and abroad, such as Helfró, Ophidian I, Abyssal, and Valkyrja. After the album recordings, the lineup was reinforced with Eysteinn Orri Sigurðsson of Nyrst and Úlfúð on guitars and Samúel Ásgeirsson of Volcanova on bass. “Í vökulli áþján” was produced at the esteemed Studio Emissary by Stephen Lockhart of Rebirth of Nefast between 2020 and 2024, presenting songs written mostly between 2018 and 2020.
Vafurlogi is Icelandic for ‘flickering flame’, but the name can also be literally translated as ‘wandering light’ – and therein lies the key to the project’s thematic essence. Vafurlogi explores man’s incessant and despairing search for meaning and the ever-elusive sacred light while condemned to roam spiritual wastelands.
With “The Apophatic Wilderness”, Verberis reveals an image of man cast into the house of Abaddon. Three formidable compositions totalling 41 minutes proceed from 2022’s “Adumbration of the Veiled Logos”, recounting an entanglement of hubris, submission, worship, and ruin.
As with the past two releases, “The Apophatic Wilderness” was recorded by the constellation of DA with JSM, NH, and MP. This time, the essence of germanium transistors and magnetic tape imbues the sonic spectrum and provides an aura of vintage viscerality.
While collaborating once more with Ars Alchymiae and Magnus Lindberg, further control was relinquished to achieve a final product reaching beyond the capacities of the band’s core alone. In this respect, mixing was by the hands of Richard Behrens, whereas layout and typography came forth from an open grave.
Take heed in the apophatic wilderness.
LVME steadfastly uphold the essence of traditional Black Metal while boldly broadening their musical scope. “Of Sinful Nature” presents five expertly crafted tracks that defy conventions. This album is an intense Black Metal sermon, marked by a fluid fusion of complex riffs and surprising twists; a powerful expression of raw, unbridled and rebellious energy.
“Of Sinful Nature” stands out with its authentic production quality – a real treat for those familiar with the feral force of an analogue drum kit. The album’s production harks back to the organic sound of earlier decades, enriched with the grit of all-analogue mastering.
Once you immerse yourself in “Of Sinful Nature”, you’ll be swept away by its commanding presence for forty-five minutes. This album is an experience to be embraced and surrendered to, a celebration of Black Metal and its conquering spirit.
LVME steadfastly uphold the essence of traditional Black Metal while boldly broadening their musical scope. “Of Sinful Nature” presents five expertly crafted tracks that defy conventions. This album is an intense Black Metal sermon, marked by a fluid fusion of complex riffs and surprising twists; a powerful expression of raw, unbridled and rebellious energy.
“Of Sinful Nature” stands out with its authentic production quality – a real treat for those familiar with the feral force of an analogue drum kit. The album’s production harks back to the organic sound of earlier decades, enriched with the grit of all-analogue mastering.
Once you immerse yourself in “Of Sinful Nature”, you’ll be swept away by its commanding presence for forty-five minutes. This album is an experience to be embraced and surrendered to, a celebration of Black Metal and its conquering spirit.
4 panels digiCD, with 20 pages booklet.
Emerging from northern Portugal in the formative years of the second wave of black metal, Angrenost has been defined not by output but by its unorthodox evolution. With roots planted by Pursan and A. Ara, the project has been a vessel for exploring the evil within man, free from the constraints of the prevailing scene or current trends.
The reunion of Pursan with A. Ara, alongside Erdsaf and M. Skúlason, has yielded Angrenost’s most mature and inspired offering to date: Magna Lua Ordem Mística (“The Mystical Order of the Great Moon”). A work full of bygone tradition, elevated by a mastery of sound, as well as words and spirit that make it shine with a distinct light.
The album invites listeners to walk a contemplative path across the ephemeral nature of existence. It is a narrative of humanity’s voyage from the still waters of the immaterial plane into the mortal sphere of chaos and corruption – a world where the celestial bond fractures and the soul of Man encounters raw embodiments of the diabolical.
Magna Lua Ordem Mística stands at the crossroads of tradition and modernity, blending esoteric lore with the intricacies of composition. It represents a sincere and powerful display of everything that makes black metal an obscure and sinister art form.
Gatefold DLP, 3 sides of music. Comes with a folded 8 pages booklet.
Emerging from northern Portugal in the formative years of the second wave of black metal, Angrenost has been defined not by output but by its unorthodox evolution. With roots planted by Pursan and A. Ara, the project has been a vessel for exploring the evil within man, free from the constraints of the prevailing scene or current trends.
The reunion of Pursan with A. Ara, alongside Erdsaf and M. Skúlason, has yielded Angrenost’s most mature and inspired offering to date: Magna Lua Ordem Mística (“The Mystical Order of the Great Moon”). A work full of bygone tradition, elevated by a mastery of sound, as well as words and spirit that make it shine with a distinct light.
The album invites listeners to walk a contemplative path across the ephemeral nature of existence. It is a narrative of humanity’s voyage from the still waters of the immaterial plane into the mortal sphere of chaos and corruption – a world where the celestial bond fractures and the soul of Man encounters raw embodiments of the diabolical.
Magna Lua Ordem Mística stands at the crossroads of tradition and modernity, blending esoteric lore with the intricacies of composition. It represents a sincere and powerful display of everything that makes black metal an obscure and sinister art form.
Due to circumstances beyond our reach, we are no longer able to press this release in the form it has existed so far – including the laser etching that was featured on the b-side of the vinyl. We decided to fully re-brand the release with Dávid Glomba with less cryptic optics yet more visceral and eschatologically visions to echo the terrifying call for repentance at the end of times.
In this re-press rather than the etching, the B-side vinyl will include an alternative version of “Purging Tongues”.
By their hammer let none be saved – Misþyrming return to lay down the law. Með hamri is the sound of the iron heel of Black Metal trampling the face of musical modernity.
Með hamri is deeply saturated with the vibrantly alive energy that Misþyrming capture so effectively on stage. The drums sound organic and powerful, the guitar distortion has a vicious bite, and D.G.’s vocals are as brutal and evocative as ever. The underlying spirit is one of action. There is melancholy, bitterness, and filth, but one of the album’s foremost characteristics is its relentless surge of determination. Never before have Misþyrming sounded livelier and more confrontational.
By their hammer let none be saved – Misþyrming return to lay down the law. Með hamri is the sound of the iron heel of Black Metal trampling the face of musical modernity.
Með hamri is deeply saturated with the vibrantly alive energy that Misþyrming capture so effectively on stage. The drums sound organic and powerful, the guitar distortion has a vicious bite, and D.G.’s vocals are as brutal and evocative as ever. The underlying spirit is one of action. There is melancholy, bitterness, and filth, but one of the album’s foremost characteristics is its relentless surge of determination. Never before have Misþyrming sounded livelier and more confrontational.
4 panel DigiCD , folded booklet.
