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Niklas Kvarforth has, on countless occasions, mentioned the month that he spent together with Christian Larsson and Yusaf Parvez (DHG) in an apartment that they rented in Finland's capital. The three resolved to use this space as a base in which to write, experiment and cause various forms of unspecified damage before heading to Varberg to record the new album. For years, the band has wished that these infamous demo tapes could be released officially somehow. We here at TSI, who recently issued the definitive edition of the very album for which these songs were created, feel that the time has now come to release the recording that the band themselves have stressed: "Is in so many ways far superior to the actual album itself".

Niklas Kvarforth has, on countless occasions, mentioned the month that he spent together with Christian Larsson and Yusaf Parvez (DHG) in an apartment that they rented in Finland's capital. The three resolved to use this space as a base in which to write, experiment and cause various forms of unspecified damage before heading to Varberg to record the new album. For years, the band has wished that these infamous demo tapes could be released officially somehow. We here at TSI, who recently issued the definitive edition of the very album for which these songs were created, feel that the time has now come to release the recording that the band themselves have stressed: "Is in so many ways far superior to the actual album itself".

Chilean classic Death/Thrash Metal record finally available again! For all maniacs that are hungry for old school sonic violence and brutality!
The second CD contains all classic demo’s from the 90’s!

From the mythical dark forests of Hälsingland Ereb Altor rises again.
Weaving their epic sound around stories from the old days of Scandinavia.

Limited edition ocra-dark yellow vinyl - 200 copies

Blackened death metal one-man band Light Dweller will release their new studio album through Unorthodox Emanations. After making waves in the metal underground with four studio releases, Light Dweller is poised to unleash its fifth full-length album titled The Subjugate, which will see the light in early 2024. Since 2017, the project has forged a distinctive path within the dissonant realms of metal, evolving with each release by seamlessly blending dissonance with melody and juxtaposing aggressive onslaughts with haunting, deliberate passages. The Subjugate will represent Light Dweller's boldest sonic statement yet, marking a significant evolution in sound and cementing their status as a formidable presence in the modern metal landscape. "Cessation Of Time" is the first single from Light Dweller new record, which will see the light in early 2025 via Avantgarde Music death metal division, Unorthodox Emanations.

Blackened death metal one-man band Light Dweller will release their new studio album through Unorthodox Emanations. After making waves in the metal underground with four studio releases, Light Dweller is poised to unleash its fifth full-length album titled The Subjugate, which will see the light in early 2024. Since 2017, the project has forged a distinctive path within the dissonant realms of metal, evolving with each release by seamlessly blending dissonance with melody and juxtaposing aggressive onslaughts with haunting, deliberate passages. The Subjugate will represent Light Dweller's boldest sonic statement yet, marking a significant evolution in sound and cementing their status as a formidable presence in the modern metal landscape. "Cessation Of Time" is the first single from Light Dweller new record, which will see the light in early 2025 via Avantgarde Music death metal division, Unorthodox Emanations.

One-off edition, limited to 150 copies

Sivyj Yar is a post-black metal band formed almost twenty years ago in the countryside south of St. Petersburg. Since 2014, multi-instrumentalist and composer Vladimir Vishniakov has been working closely with Avantgarde Music to release his music endeavors, and A Scarlet Sunset Over The Horrid Abyss marks a new milestone in the artist’s path.

Sivyj Yar has always been about the history and darkest times of the Russian people, and this new album makes no exception. In Vladimir’s words, this work is about the innocent, the tortured, the murdered, the broken, and the forgotten. About those who were destined for unbearable suffering. About the sacrifice that they made. The wheel of terror turns faster. The darkest parts of history repeat themselves if they are erased from human memory or replaced with false images. Entire nations can easily be plunged into darkness for years. Icy fear fetters souls, mutilates them.

A Scarlet Sunset Over The Horrid Abyss features poetry by Andrei Bely, symbolist Russian poet from the early XX century, as well as archival photographs taken in the Kolyma camps — one of the most terrible places in the new history of Russia, a remote, eastern area of the Russian country where dozens of gulags held Soviet POWs and political prisoners in extreme conditions until the ‘70s.
 

One-off press in digipak with 12 pages booklet, limited to 300 copies

Sivyj Yar is a post-black metal band formed almost twenty years ago in the countryside south of St. Petersburg. Since 2014, multi-instrumentalist and composer Vladimir Vishniakov has been working closely with Avantgarde Music to release his music endeavors, and A Scarlet Sunset Over The Horrid Abyss marks a new milestone in the artist’s path.

Sivyj Yar has always been about the history and darkest times of the Russian people, and this new album makes no exception. In Vladimir’s words, this work is about the innocent, the tortured, the murdered, the broken, and the forgotten. About those who were destined for unbearable suffering. About the sacrifice that they made. The wheel of terror turns faster. The darkest parts of history repeat themselves if they are erased from human memory or replaced with false images. Entire nations can easily be plunged into darkness for years. Icy fear fetters souls, mutilates them.

A Scarlet Sunset Over The Horrid Abyss features poetry by Andrei Bely, symbolist Russian poet from the early XX century, as well as archival photographs taken in the Kolyma camps — one of the most terrible places in the new history of Russia, a remote, eastern area of the Russian country where dozens of gulags held Soviet POWs and political prisoners in extreme conditions until the ‘70s.
 

Tellingly titled, The Awakening displays yet more sides to this still-unfolding entity. To be sure, Valravn's poise and power are firmly accounted for here - you can still FEEL every note, so vital, virile, and vivid - and they've even added a bit of death metalled muscle, too, but the songwriting itself is where their second album truly takes flight. Sharp and yet never sterile, thanks to a production that's on the right side of polished, there's an acute balance of contrasts across The Awakening's 44-minute runtime; each of the album's eight songs features some twist of melancholy and militancy, of bursting color and bristling monochromatism, of stoic resignation and steadfast determination, of man-on-the-mountain spaciousness and stuck-in-the-catacombs claustrophobia. Concluding with the literally breathtaking "Charge of the Last Cavalry," The Awakening consolidates all the strengths of its predecessor and indeed leads Valravn into a new charge for glory. 

An otherwise-new entity, Valravn nevertheless evince a mastery beyond their short time as a band with their first public recording, the full-length Prey. Arriving very fully formed, Valravn's debut album no doubt displays characteristics of Finland's now-world-renown black metal sound - cryogenic melody, raw 'n' rugged execution, an unapologetic assertion of traditionalism - but in other, more telling aspects, Prey asserts its own identity counter to this prevailing paradigm.

Valravn truly sound like a band, as in four individuals playing together in the same room rather than the usual copy/paste practices used by so many studio-only "bands." This very tangible physicality bleeds over into the overall emotion of Prey, whereby the listener can literally FEEL every note...and every note is vital, virile, vivid. Of course, Valravn are a black metal band, and black metal by definition is monochromatic, but that vividness is writ large across the album's eight central tracks, each one as cutting 'n' concise as the next. As such, Prey feels a lot larger than it should, for the band pack in an almost-cresting sense of the epic into these tight 'n' taut tracks.