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Fåntratt’s “Ångerstupa” navigates the mystical expanse of Nordic folklore and seafaring legends, casting an experimental sound that intertwines the haunting melodies of dungeon synth with avant-garde innovation. With contributions from talents like Jovana Ćuk, the album transcends traditional genre boundaries. Fåntratt’s unique sound pays homage to influences like Bo Hansson, Örnatorpet, Paysage d'Hiver and Ildjarn while charting a new course in the realm of esoteric music.

High Roller Records, reissue 2024, slipcase, poster, booklet

Remastered by Patrick W. Engel at TEMPLE OF DISHARMONY in June 2024.

Transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in July 2024.

High Roller Records, reissue 2024, opaque grimace purple vinyl, ltd 450, 425gsm heavy cardboard cover, 2 inserts, poster, A5 photo card

Transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in July 2024.

High Roller Records, reissue 2024 

Transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in July 2024.

High Roller Records, reissue 2024 

Transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in July 2024.

High Roller Records, reissue 2024, opaque halloween orange vinyl, ltd 200, 425gsm heavy cardboard cover, 2 inserts, poster, A5 photo card

Transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in July 2024.

"Sorcier Des Glaces' second offering to the mortal world was recorded just two years after the very first album, in August 1999. Nevertheless, the maturity of their sound and composition is perceptible. It's no longer a one-man band this time, involving Luc more extensively, who this time records all the drum parts and also participates in the elaboration of several keyboard parts. The infernal duo is officially up and running.

With its icy atmosphere and dark yet melodic compositions reflecting the northern forests of Quebec, "Moonrise in Total Darkness" defines a young band still in exploration mode. Certainly more raw in its aestheticism than the band's more recent material, but with an authenticity that has forged their identity over the years".

Re-issue, 4 page booklet 145g in a jewel case, sealed.

Sargeist has always had an interesting atmosphere, and it's rather hard to describe. Imagine if Mütiilation's predilections for drugs, suicide, and Satan were celebrated instead of mourned and you have a good idea.
Sargeist's music is always vaguely disgusting and filthy yet resolutely proud of its own decay-hedonistic and excessive, like Caligula-era Rome. Well, if you want filth-caked black metal, it's hard to find a better example in the Sargeist catalog than this demo. Sargeist has never sounded so sleazy as on tracks like 'Anti-Human Black Metal Wrath', where the strains of 'Deathcrush'-era Mayhem come home to roost in a short, violently rhythmic track. The production only aids the oily, viscous feeling of these songs, with the murky guitars and drums moving like a sea of raw sewage under the perpetually hissing and howling vocals. It's definitely a good example of rawness used to aid music rather than detract from it.

Re-issue properly with a complete updated layout released with leading band member Shatraug himself as supervisor.

500x heavyweight marble (milky clear/black) 12" (180g) in a microtenne innerbag, innersleeve printed, black & white on 220g carton (coated paper); poster black & white, 280x430mm on 150g art-paper, simple jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

Those Who Reign Below is the 8th studio album in the purest tradition of old school death metal, a work of musical impiety, a death metal as hateful as much as aggressive, switching imposing mid-tempos and demonic accelerations, sulphureous melodies and vocals straight from the devil's forge. An aura of evil surrounds each track, in a veritable debauchery of hate that gives the impression of having witnessed the manifestation of the devil.

This album represents the extreme and uncompromising side of MERCYLESS, which has grown steadily over the years, in a blasphemous symphony inherited from the 90s Death Metal.
The cover was designed by Mexican artist Nestor Avalos, whose talent represents all the darkness emanating from this album. The production was entrusted to Raph Henry of HELDSCALLA studio, who sculpted a sound highly representative of the violence and anger of this extreme and irreligious music.

It's a tribute to the underground, to the man who blends in with the crowd and takes on a presence so frightening that he's so clearly recognizable... the Devil... on his throne, majestic and merciless!"

300x heavyweight bloodred 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g carton, download card, gatefold jacket, full-color pinted on 350g carton, all assembled in a plastic overbag.

Those Who Reign Below is the 8th studio album in the purest tradition of old school death metal, a work of musical impiety, a death metal as hateful as much as aggressive, switching imposing mid-tempos and demonic accelerations, sulphureous melodies and vocals straight from the devil's forge. An aura of evil surrounds each track, in a veritable debauchery of hate that gives the impression of having witnessed the manifestation of the devil.

This album represents the extreme and uncompromising side of MERCYLESS, which has grown steadily over the years, in a blasphemous symphony inherited from the 90s Death Metal.
The cover was designed by Mexican artist Nestor Avalos, whose talent represents all the darkness emanating from this album. The production was entrusted to Raph Henry of HELDSCALLA studio, who sculpted a sound highly representative of the violence and anger of this extreme and irreligious music.

It's a tribute to the underground, to the man who blends in with the crowd and takes on a presence so frightening that he's so clearly recognizable... the Devil... on his throne, majestic and merciless!"