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131 copies numbered & limited edition, one-only run never to be reprinted, "Saturnalia" Wooden Box consisting of:

Wood-made box
"Saturnalia" album CD in A5-digipak edition
28 pages, A5 sized booklet
Flag
Die-cut shaped Patch
Card certificate with number
Solid amulet

This specific edition comes with Metal badge in Silver color Limited to 80 copies!

On an important note, "Saturnalia" is announced as the final album of Selvans.
The third and last chapter of the Trilogy Lupercalia - Faunalia - Saturnalia.
Selvans is dead, long live Selvans! 

Born in 2014 as an atmospheric band blending black metal with traditional Italian folk music elements and deeply rooted in themes of local folklore, mythology, and dark cultural heritage, Selvans released two landmark albums "Clangores Plenilunio" and "Lupercalia".
In the mid of their career though the band let their 70's dark/prog background influences prevail in their new compositions, stylistically reaching a model they like to describe as "Dark Italian Art." This evolution was notable in the in subsequent releases (Faunalia, 2018 and Dark Italian Art, 2021).
Initially a duo, the band transitioned to a solo project under Selvans Haruspex in 2019 and we can definitely envision their music as heavy metal with black metal and prog-rock influences, lirically inspired by Italian folk-horror tales and imagery.
SELVANS has toured extensively around Europe - including performances at such festivals as Metaldays (Slovenia), De Mortem Et Diabolum (Germany), Metalowa Wigilia (Poland), Frantic Fest (Italy), Rites of the Black Mass (Romania), Dark Medieval Fest (France), Autumn Souls of Sofia (Bulgaria) and Emanations of the Absolute (Switzerland).  New album "Saturnalia" is entirely sung in Italian and sees for the first time an orchestra and a choir consisting of 60 elements playing side by side with SELVANS and his band.

ABYSMAL GRIEF's classic debut EP, Mors Eleison, on CD format for the first time ever.

ABYSMAL GRIEF should require little introduction. Since 1996, the band have prolifically maintained their position as Italy's foremost purveyors of traditional doom. Originally released in 2006 on vinyl, Mors Eleison followed a handful of demos and split releases; as such, it was ABYSMAL GRIEF's first stand-alone pro recording just prior to their classic self-titled album in 2007. Even this early on, their sulfurous magick was a beyond-heady brew that was simply impossible to deny. Sure, they embodied all the sonic/aesthetic traits otherwise associated with "doom," but it was the gothic horror (and sometimes, just straight-up gothiness) that really put ABYSMAL GRIEF into a class all their own, deeper and deeper into virtual and literal DOOM, and arguably here on Mors Eleison is where it first truly took flight...or is that depth(s)? Punning conundrums aside, the band also really underlined their grand lineage - and oddball uniqueness - with a cover of granddaddy Paul Chain's "Occultism" as well as the frequent excursions into crypt-dwelling ambient soundscapes. Also included in this new (and, we feel, definitive) version is the rare video for "Dies Funeris." Enter the crypt again, or for the first time!

The new revelation of Italian Black Metal scene: Blaze Of Sorrow!
Echi is the third album in the band's existence.
Expect stylish Italian Nostalgic Black Metal.
A must release for the Italian Black Metal lovers who are into late Spite Extreme Wing.

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Six panels digipack CD 

Three tracks, 40 minutes! 
Not the first time that this band surprises everybody with unexpected kind of releases... 

The dominant role in this album is indeed title track "Interstellar Enigmatic Throne": a 26 minutes massive suite with a monolithic doomish and haunting pace! 

With an inception heading back to the year 2020, UK’s Final Dose have built a reputation from its feral blend of black metal’s icy malevolence and the raw, uncompromising power of punk through the release of a demo, an EP and a full-length album in 2023.
With the experience of touring across the US and Europe granted by the excellent reception of aforementioned “Void Inside”, Final Dose return with a vengeance, a bone-crushing slab of savagery and frostbitten fury entitled “Under the Eternal Shadow”.

Merging Black Metal and Punk is not in any way a novelty, however few acts have managed to imply the solid edge of both approaches in a such a vehemently organic fashion as the UK horde. From the very first seconds of opener “Eternal Winter”, a clear, powerful, in-your-face production compels the razor-sharp virulent riffs to gleam and cut through the ether like an electrical storm, whereas pounding fast beats function as a taser for the body, a remarkably pulsing mania which serves as a marching order for the wild raging vocals, a performance which renders gist to each word yelled in anguish.

But, beware. “Under the Eternal Shadow”’s ornamentation is yet provided by various elements such as Dungeon Synth and Folk, details that supply the record with more than a Black Metal/Punk substance. The brilliant slower moments offer an extra dose of bleakness and despair to the filthy fury, together with the lugubrious clean chords, filled with disheartening melody. These traits blazingly give shape to the lyrical concept of the album, the pain and gloom of mental decline, the misery of the societal ravishingly decay. This layer of mournfulness genuinely confers momentum to Final Dose’s art, a sense of impending doom which sticks to the brain and captures the heart, making “Under the Eternal Shadow” much more than a musical record, but a tome of inspiration through the ashes of the world’s turmoil and dismay.

Deluxe vinyl version of Abigor's new album, Taphonomia Aeternitatis - Gesänge im Leichenlicht der Welt, truly a masterpiece and a more than worthy release for the band's 30th anniversary. The LP comes with a cardboard slipcase, Gatefold cover, printed inner sleeve and bone / black marbled vinyl.

Russian blackgaze duo Olhava is back with their new studio album. Frozen Blooom is the natural follow-up to self-titled Olhava (2019) and Ladoga (2020), and integrates some dronescapes the band experimented on Never Leave Me Alone (2020), the drone version of their debut.

Multi-instrumentalist Andrey Novozhilov and drummer Timur Yusupov describe their new journey with words of thoughtful contemplation: “When winter is just starting to fade and give some space to the first steps of spring… When life starts to reappear and the very early flowers peek through the thawing soil, a sudden drop of the temperature can leave them petrified and frozen back again, punished by the “Queen of Fields”. This statuesque dead beauty, being infinitely alive and dead at the same time is the main metaphor of this album. Frozen Bloom is about unfulfilled dreams. About how we sacrifice everything today for some abstract “tomorrow”, which may never come. But tomorrow and yesterday don’t exist – only this very moment of static contemplation is real”.

Frozen Bloom is Olhava’s fourth opus in three years, and here the duo took some different routes compositionally. Two of the four tracks are traditionally storm-like blackgaze passages, while the other two are leaning towards a more meditative drone experience. The album also features A. Lunn, who kindly agreed to record an electric guitar solo as well as acoustic parts and choral parts on “Frozen Bloom I”.

Frozen Bloom was recorded at Olhava home studios, as well as at the local rehearsal space. Mikhail Kurochkin took care of mixing and mastering.

1. Der Morgen 13:14
2. Der Tag 07:10
3. Der Abend 10:04
4. Die Nacht 16:09