Back in stock

For their new album, bassist/vocalist Dylan Desmond and drummer/vocalist Jesse Shreibman exploded Bell Witch's bounds. Like 2017's lauded “Mirror Reaper”, “The Clandestine Gate” is a single 83-minute track -- a composition that pulses and breathes on a filmic timeframe. It constitutes the first chapter in a planned triptych of longform albums, collectively called “Future's Shadow.”

While traces of organ and synthesizer hovered over “Mirror Reaper” and Bell Witch's 2020 collaboration with Aerial Ruin, “Stygian Bough Volume 1”, “The Clandestine Gate” drew those instruments closer to the center of its compositions. The band reunited with their longtime producer Billy Anderson as they began negotiating these new compositional weights. On “The Clandestine Gate”, Bell Witch's twinned voices build off of the chantlike textures of previous records while steering toward more developed melodic lines, structured harmonies, and rhythmic death metal growls.

The immense gravity of a work like “The Clandestine Gate”, which features exclusive stunning cover art by Jordi Diaz Alama, allows ideas to simmer in a way that feels profoundly and somatically intuitive -- not just a philosophical exercise, but an embodied truth. By slowing down both their creative process and the tempo of the music itself, Bell Witch digs even deeper into their long-standing focus: the way life spills on inside its minuscule container, both eternal and fleeting, a chord that echoes without resolution.

In the mist-shrouded realm of black metal, GRAVENOIRE emerges as a phantasm, a spectral echo of the genre's most unyielding and arcane iterations. Combining the talents of present and past members of Anorexia Nervosa, Seth, BÂ’A and Diablation, this harbinger of the aether marries the raw, unfiltered essence of 90s black metal with the enigmatic lore of its ancestral land - France.

‘Devant la porte des étoiles’ is a portal, cast from the ancient stones of primordial rites and cosmic despair. This GRAVENOIRE debut, forged in the live crucible of rehearsal chambers untainted by modernity's corroding touch, channels the unsanctioned, unbridled energies of realms both spectral and telluric. From the inaugural summoning rites of the instrumental “Pavens” to the devotional desolation of “Granit”, each track serves as a tome, inscribed with the ink of rebellion, mysticism, and the unquenchable thirst for transcendence. GRAVENOIRE invites the listener to tread the forgotten paths beneath the starlit dome, to reunite with the ancient forces that pulse in the earth's hidden veins.

For fans of GORGOROTH, ARCKANUM, DARKTHRONE, EMPEROR.

Cult ! Actually one of the most extreme black metal albums, very very rare

“La Grande Danse Macabre” album (2001), which presents a more varied and darker approach compared to the Swedish black metal titans' usual blastbeat-driven full on assault. Created in close cooperation with the band, this re-release features remastered sound (done by bassist Devo Andersson), detailed liner notes, unpublished photos, revamped artwork by Death Wolf vocalist Maelstrom and bonus material on the CD version: a cover version of “Samhain” (originally by pre-DANZIG punk outfit SAMHAIN) and all three tracks from the “Obedience” EP (2000). Expect nothing but perfect extreme black metal pleasure!

Re-issue, CD jewelcase with 20 page booklet on 135g art paper.

Re-issue with the original artwork, new layout.

“La Grande Danse Macabre” album (2001), which presents a more varied and darker approach compared to the Swedish black metal titans' usual blastbeat-driven full on assault. Created in close cooperation with the band, this re-release features remastered sound (done by bassist Devo Andersson). Expect nothing but perfect extreme black metal pleasure!

Re-issue, 298x bloodred with black marble effect 12" (180g) in a microtenne innerbag, printed innersleeve, full-color on 220g, jacket full-color with black flood inside on 350g, all assembled in a PVC overbag.

Osmose Productions in cooperation with Blooddawn Productions are proud to present the reissue of Marduk's classic live album Germania! Recorded back in 1996 and being one if the first extreme metal live album being done!
Original released in 1997 and since long sold out and out of print. When released creating havoc with its intense power and ferocity!
Now brought for in a Nov 2019 re-mastered version ready to be available again on digital forum as well as on cd and lp! Death to peace!

Info : Sweden's MARDUK are not only one of the most long running and respected black metal acts out there, but also one of the most productive. Even fourteen albums into their storied career, the quartet have never ever delivered a weak album and never wavered from their path of utter blasphemy and misanthropic contempt. Now, the band are re-visiting various much sought-after titles from their vast catalogue. “Wormwood” (2009) now returned on vinyl and CD. While going through possible extras for the “Wormwood” album, the band discovered a fully mastered track called “Shadow Comes”, which was supposed to be a bonus track but remained unused. The album has been mastered for vinyl by Patrick W. Engel comes on 180 gram vinyl in a Gatefold sleeve and will also include a 16-page LP booklet. The CDs will be released as a limited jewelcase.

Re-issue, jewelcase edition with 32 page booklet.