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Back in stock - Extreme Metal and Dark music
At long last, OSMOSE PRODUCTIONS reissues the classic debut album of PAN-THY-MONIUM, Dawn of Dreams! Originally released in 1992 by a very young OSMOSE, at the beginning of what many hold as the label's "classic years," PAN-THY-MONIUM was formed by scene legend Dan Swanö (Edge of Sanity, Nightingale, Bloodbath) and members of Ophthalamia to indulge in - and push ever further - the most bizarre and avant-garde boundaries of death metal. An opening track that's over 20 minutes long, saxophone freakouts, wordless vocals, constantly shape-shifting song structures full of swampy riffing and careening blastbeats...everything but the kitchen sink goes into Dawn of Dreams. Although it caused confusion upon its original release, the album later became a cult classic with my underground fanatics and other weirdos, especially fans of Swanö's vast body of work. Experience it again (or for the first time) and blow your mind!
300 x A-side/B-side - transparent yellow with transparent green 12" (140g) in a microtene innerbag, printed innersleeve on 220g, jacket full-color on 350g, all assembled in a PVC overbag.
Beer [Transparent] With White & Black Splatter
official reissue - gatefold sleeve
Beer [Transparent] With Red Splatter
Comes in gatefold cover sleeve, inside jackets are printed with lyrics.
250x SWAMP GREEN COPIES
Black vinyl
• For fans of Disembowelment, Abigor, Thorns of the Carrion, Limbonic Art, Ceremonium, Evoken, Emperor, Obtained Enslavement, Atramentus, Unhol
Doublemint / Neon Green / Black Merge
Six tracks of apocalyptic black metal, Wode's newest record unleashes five years of outstanding potential, finding the band on deadly form, wielding enough surprises to suggest that its work in service to the counter-cosmos is far from done.
B4 - Aqua blue / Halloween orange merge
Ulthar create something uniquely arcane within the Bay Area metal underground. The trio comes together on their debut full length Cosmovore to unleash its feral urgency for dizzying Absu-like black metal with death metal’s bludgeoning violence. Thematically heavy on weird and supernatural horror with a bizarre Rudimentary Peni-like surrealism, the band are a difficult to classify spectral entity. Over the course of the album’s forty minutes, the band careens forward at primarily unrelenting velocity, with the opening title track instantly battering with primal persistence. The album’s middle section, a blinding storm of ghastly black dread, leads into the thirteen-plus minute epic “Dunwich Whore” where the Ulthar universe becomes all consuming with proggy synth bookends, vertiginous tempo variation, grinding technical violence, and thrashed madness.
Baby Pink/Black Merge
With the release of Cosmovore in 2018, Ulthar presented a twisted warped dystopia where furiously paced, inverted death metal and scathing, angular blackness defined a new way forward. Now the band returns with the grotesquely intangible Providence, whereby they stretch the fabric of previously trod worlds into idiosyncratic new forms and elevated levels of primal intellect. The unyielding Ulthar attack doubles down here with figures becoming more sickening and shapes more savage. An immensity like spiraling, ancient monoliths too tall to comprehend and bending inward upon themselves envelops adherents to this realm. Duly diabolic voices guide this odyssey through the incongruous caverns of absurdity, obscure texts and manifold vitriol. Released at a time where the world has devolved into a surrealistic nightmare of viral trepidation and encased solitude, Ulthar’s Providence becomes a prescient view into the strange paradoxes that only months ago seemed unbelievable but now all too possible. Where horizons cease, where grace is dead, where nothing lives, so be it amen.
B4 Hot Pink / Black Merge
• One of two simultaneously released new albums by Bay Area surreal blackened technical death metal band
• Each album cover is half of a larger original piece created for the band by Ian Miller (Stormkeep, Bolt Thrower, Games Workshop)
• 2020 album Providence was widely hailed for its unique style of death metal
• For fans of Atrocity, Enslaved, Gorguts, Demilich, Krallice, Voidceremony, Tomb Mold, Suffering Hour
Red Cloudy
A Tzompantli, in bygone days, was a rack used to display human skulls, often of enemies or sacrifices, in several Mesoamerican civilizations. In 2022, Tzompantli is a beyond-crushing death doom war march built on a bedrock of Native / Indigenous themes, rituals and history, illuminating the splendor, brutality and despair within.
Nearly three years after the band’s self-released EP, Tzompantli’s debut full length presents the first smoke-conjured specter to manifest materially. Tlazcaltiliztli, a ritual ceremony that translates to “nourishing the fire and sun with blood”, is imbued with the spirit of Native inspiration that dwells deep within the heart and soul of the project and is skillfully weaved into a traditional bludgeoning framework of spine-severing savagery and melancholic anguish. On the ritualistic “Eltequi” (to cut the chest open and extract the heart as an offering) the band’s unification of native / folk instrumentation and heaviness becomes one in the same, opening vast new horizons for where this sound can go.
Tlazcaltiliztli is dedicated, and an offering, to the indigenous peoples, nations and tribes of the North, South, East and West of the American continents. It marks a fearsome and spirited new vision for the death metal underground.
