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Black vinyl

High Roller Records, reissue 2024, extensive booklet, 2 sided poster

Mastered by Patrick W. Engel at TEMPLE OF DISHARMONY
Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate reissue of this eternal classic!

Snake - vocals
Piggy (R.I.P. 2005) - guitars
Blacky - bass
Away - drums

High Roller Records, reissue 2024, extensive booklet, 2 sided poster

Mastered by Patrick W. Engel at TEMPLE OF DISHARMONY
Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate reissue of this eternal classic!

Snake - vocals
Piggy (R.I.P. 2005) - guitars
Blacky - bass
Away - drums

2nd Press

On their sophomore full-length, “Cult of a Dying Sun”, Uada expand their scope and range of hypnotic craft. Balancing sharp riffs with spectral melodies in a manifold of haunting yet distinctive black metal dirges. A sharp spear in the heart of the brightest star. Epic, atmospheric, deadly.

4-panel Digipak on matte stock, inside prints and including digital album download.

On "Vom Bruch bis zur Freiheit", the band showcases a keen understanding of what has become their very own distinct sonic palette, while allowing for alterations in performance and presentation to further enrich their sound. Musically, Tardigrada demonstrates a strong sense for composition, allowing melodies carried primarily by a dense wall of soaring guitars to develop and envelop listeners in a deep, ever flowing stream of broad sound.

4-panel Digipak on matte stock, inside prints and including digital album download

Switzerland's Tardigrada have emerged as one of the leading purveyors of truly immersive, atmospheric extreme metal music. With members based in Basel and Zürich, the band's demo "Widrstand" provides a glimpse into the sonic seeds that would fully grow into their full-length releases.

On "Widrstand", Tardigrada presents a rawer sound that is no less capable of gripping listeners with its keen sense for melody than the band's more accomplished later works. Due to "Widrstand" no longer being available in its original, strictly limited release run, it is long overdue for a re-release. For this occasion, it will feature an additional song entitled "Leere" (which translates to "Emptiness").

Carefully re-mastered by Christoph Brandes of Iguana Studios, allowing for listeners to experience them in a new light, enhancing their original soundscape while retaining the original recordings' essence.

Fellwarden was a concept forged by The Watcher (Fen, De Arma) back in 2014 to give voice to an epic, exultant form of black metal that nonetheless carries with it echoes of deep lamentation and remembrance. The Watcher’s goal was simple – to tell tales of sacrifice, of long-forgotten heroism and the rearing timelessness of the storm-forged landscape against a backdrop of windswept extreme metal. Fellwarden’s sound is steeped passionate vocals, subtle waves of keyboards, acoustic guitars, booming choirs and powerful riffs, underpinned by a cavernous percussive battery courtesy of Havenless (also of Fen).

Comes in a 6 panel digipak with matt varnish and metallic prints, with artwork from Adam Allain (Fen) and layout by IK (House of Inkantation).

Digipak CD edition with booklet 

AFSKY's second album "Ofte Jeg drømmer mig død" is a journey through the cultural history of Denmark, focusing on poems and lyrics by well-known and lesser-known Danish writers such as H.C. Andersen, Emil Aarestrup and others - reflections on the eternal misery in the age of industrialization, when people were considered "human material", trapped in everyday life and forced to work hard for the upper class until death.

To express this, a mixture of icy, nordic black metal with folk and doom elements is conjured up by Afsky, crowned by the melancholic and emotional interpretation and performance.

On "Ofte Jeg Drømmer Mig Død" AFSKY have managed to combine timeless poetry of the 19th century with their own timeless music - which draws attention to the injustices in today's world and even shows frightening parallels.

“Evigt främmande, evigt fjärran” is the seventh album of Sweden’s leading dungeon synth project, Örnatorpet. Modern music without the trappings of modernity; nostalgia and longing channelling the spirit both of timeless classics like Fata Morgana, Mortiis, and Wongraven and recent genre greats such as Erang, Old Sorcery, and Vindkaldr.

For those who believe the genre of dark dungeon music to be narrow, Örnatorpet stands as a living, breathing rebuttal. Each release has its own thematic foundation upon which the compositions rest. “Bergtagen” (2018) captures the sense of rustling leaves in autumnal woods. “Hymner från Snökulla” (2019) crackles with soul-piercing frost drawn straight from the heart of winter.