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Limited editions 199 copies on blue/black galaxy vinyl,  gatefold cover and download.  

Bloodbark is a project of unknown origin made by an unknown number of people embracing that nature is the creator, storyteller and the artist behind it all. This idea sprouted with the 2018’s album Bonebranches, where no human presence tarnished the art. The human aspect remained hidden, covered by snow while nature and emotion sang across beautiful landscapes and whispered verses with melodies to every listener, so it welcomed them into its utterly cold embrace of winter to lull into a cozy and familiar slumber.

The impossible has become possible...AQUILUS returns!

The enigmatic, atmospheric metal band became one of the most whispered-about secrets in the metal scene, following the quiet release of their debut album “Griseus” in 2011.

A 2013 vinyl release rocketed the band into public consciousness, and “Griseus” slowly amassed a following of devoted fans, climbing its way to being voted #1 album of the decade on MetalStorm.

For eight years, an epic, sophomore masterwork was-in-the-making. So legendary, in fact, that fans hardly believe it exists.

The opus grew so furiously, the decision was ultimately made to split the work into two parts, culminating with the release of the first album – “Bellum I”.

“Bellum I” showcases the band's rare amalgam of authentic classical, European folk, and black metal influences, alongside Aquilus's unique multi-instrumentation and compositional complexity.

Metal influences, ranging from early METALLICA to the early works of SOLEFALD, OPETH, and KATATONIA, combine with the classical romanticism of RACHMANINOV and CHOPIN.

“Bellum I” also continues Aquilus's signature blend of acoustic elements with an assortment of acoustic guitars and pianos to violins, mandolas, fipple flutes, balalaika, gusli, and bowed psaltery – recalling the aurae and dexterity of emotive film composers BERNARD HERRMANN and THOMAS NEWMAN.

Hailing from Melbourne, Australia, Aquilus's music is composed and produced by one person – Horace Rosenqvist – recorded in collaboration with session musicians. The amount of detail poured into each note is immeasurable. Years of dedication were undertaken to produce the finest works.

“Bellum I” is a stunning tribute to perfection. A testament to the beauty and chaos of creation.

Three years may've passed since that recording, but MALICIOUS have only become more unhinged in the meantime. Witness the four-song Merciless Storm. Tauntingly titled once again, Merciless Storm picks up right where Deranged Hexes left off, but sees the Finns following a natural progression in all aspects. With a runtime of 11 minutes, it's mercilessly / mercifully short and sweet, upping the violence and aggression to levels impossibly beyond that nuclear-powered debut album. And yet, the songwriting remains stout and streamlined and perhaps minutely more detailed and even palatably "refined." If anything, Merciless Storm possesses a clearer soundfield, but that only amplifies the savagery to an insane degree, especially the '80s Slayer-style 

Comes in a 4-panel Digisleeve with glossy cover; no booklet, no lyrics.
Track durations do not appear on the release.

Recorded live at Ancienne Belique,Brussels BE

Tracks 1-8 recorded and mixed live at AB Brussels BE and De Kreun, Kortyrijk BE
Mastered at Angström Studio Brussels, BE.

"Het Dorp" recorded at Jetson / CCR Studio, Marke / Zulte BE
"Razoreater" recorded at Hearse Studio, Heule BE
Mixed and mastered by Chris Common, TX US

Consouling Sounds 2016
Made in Belgium

Track 4 "Parabol" originally appears on "Lateralus".
Track 10 "Het Dorp" originally appears on "De Zotte Morgen".

Jewelcase in a slipcase.

As the Masses amassed, it became clear Amenra was a serious contender within the post/sludge/doom genre. With this reissue of the long out of print debut we take a step back, and celebrate the album that started the procession now exactly a decade ago. "Mass I", rooted in the (post)hardcore and noise scene, reveals an ambitious outfit that are set to preach their distinctive blurring of genres and musical conventions. The original recordings' brilliance is finally revealed by Billy Anderson's (Eyehategod, Melvins, Neurosis, Swans) tremendous remastering. "Mass I" never sounded this full and powerful. If you want to know what Amenra is all about, start praying with us from the beginning.

Ascolta su YouTube

Test pressing (double)
Generic cardboard white sleeves with sticker for numbering copies up to 5 ade

Snorlax was born in unexpected circumstances during an experimental recording session in mid-2017 at Black Blood Audio in Brisbane, Australia. Recording engineer Brendan Auld stumbled upon the sound and found the voice of Snorlax while trialing new recording techniques. Following the stream of ideas and sounds that ensued, the result was what later became the unmastered release of The Splintering Demo. Having only played drums for a few short years at that point, Brendan's expectations were low, yet the release grabbed the attention of many black metal enthusiasts including Caligari Records, Jef Whitehead of Leviathan and even made #2 on a 2017 Decibel Magazine list of "Must Listen Underground Demos" compiled by the late Trevor Strnard of The Black Dahlia Murder.

Honing in on the Snorlax sound even further in 2020 with the release of II via Brilliant Emperor Records, more death metal-inspired elements began creeping into the foreground and soon the label "blackened death" was attached to project.

Jumping forward to 2023, Snorlax is set to release its third composition, mysteriously titled The Necrotrophic Abyss. Much like II, this full-length release clocks in at just under 30 minutes, delivering a concise, ruthless display of sonic violence and despair. This album is presented as a concept, with an overarching story that flows throughout, each song a chapter depicting a world so vile its own death is forced by the hands of nature. In the second half of the record Brendan introduces some new voices and layers of collaboration as the planet is laid to waste for eons resulting in a desolate baron abyss only creatures of the undead have a chance of surviving. The album closes with a slight glimpse of hope as the story eludes to an unlikely rebirth of evolution and a potentially inhabitable future after all.

This dark narrative is painted only by the lyrics, the music never loosening its grip, staying trve to the perpetual paralysis proclaimed on track 1 of the Snorlax first release. 

Snorlax was born in unexpected circumstances during an experimental recording session in mid-2017 at Black Blood Audio in Brisbane, Australia. Recording engineer Brendan Auld stumbled upon the sound and found the voice of Snorlax while trialing new recording techniques. Following the stream of ideas and sounds that ensued, the result was what later became the unmastered release of The Splintering Demo. Having only played drums for a few short years at that point, Brendan's expectations were low, yet the release grabbed the attention of many black metal enthusiasts including Caligari Records, Jef Whitehead of Leviathan and even made #2 on a 2017 Decibel Magazine list of "Must Listen Underground Demos" compiled by the late Trevor Strnard of The Black Dahlia Murder.

Honing in on the Snorlax sound even further in 2020 with the release of II via Brilliant Emperor Records, more death metal-inspired elements began creeping into the foreground and soon the label "blackened death" was attached to project.

Jumping forward to 2023, Snorlax is set to release its third composition, mysteriously titled The Necrotrophic Abyss. Much like II, this full-length release clocks in at just under 30 minutes, delivering a concise, ruthless display of sonic violence and despair. This album is presented as a concept, with an overarching story that flows throughout, each song a chapter depicting a world so vile its own death is forced by the hands of nature. In the second half of the record Brendan introduces some new voices and layers of collaboration as the planet is laid to waste for eons resulting in a desolate baron abyss only creatures of the undead have a chance of surviving. The album closes with a slight glimpse of hope as the story eludes to an unlikely rebirth of evolution and a potentially inhabitable future after all.

This dark narrative is painted only by the lyrics, the music never loosening its grip, staying trve to the perpetual paralysis proclaimed on track 1 of the Snorlax first release. 

Sarkom are back with a vengeance with “Exceed In2 Chaos”, their fifth opus after “Anti-Cosmic Art” released in 2016. In the meantime, they have kept themselves busy releasing several EPs containing some new tunes and a memorable rendition of the Prodigy classic “Breathe”. Anyway, 2025 marks the comeback in full form: “Exceed In2 Chaos” is a grand return to classic, razor-sharp norwegian black metal in pure Sarkom tradition. Since the artwork, Sarkom again push the boundaries of Black Art with a challenging, violent and brightly coloured design.
Musically speaking, “Exceed” displays nine tracks of cold, evil black metal enhanced by a great production and a bone-chilling vocal performance by Unsgaard. Balancing between fast splinters and panzer-like mid-tempos, the record clocks at almost 50 minutes of pure darkness!

Following on from last year’s bleak and disconsolate Wounds single, Finland’s purveyors of
‘Anti-Life Black Metal Misery’, Grave With A View, have returned with their most powerful and
harrowing release to date – Raw Illumination. A full length album steeped in isolation, violence, self
destruction and death, Raw Illumination is not an album for the faint of heart or the fragile of spirit.
Recorded and mixed by O.H.R and mastered by Haldor Grunberg at Satanic Audio (Behemoth,
Dopelord, Christ Agony etc), Raw Illumination is the sonic distillation of caustic chaos and grim,
unmitigated despair – every malicious note cutting straight to the bone – and its aura of desperate
degradation has been perfectly captured in the cover imagery; the artwork and layout by Danny The
Destroyer, utilising powerful, unsettling images of model Anna Iivana Julma, captured by the band.
When it crawls from the crypts of label Dusktone on November 29th, Raw Illumination will hunt down
the broken and the flawed, the outcasts and the lepers and swallow them into its maw of ice and
pain.

For fans of Norwegian Black Metal and melodic Black Metal.
For fans of SETHERIAL, MARDUK, DARK FUNERAL, NECROPHOBIC.

HELVITNIR with their first album deliver classic but yet melodic black metal with a pounding production sound