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Hammerfilosofi was formed in the year MMXX in the midst of global chaos, shutdowns, death, panic and pestilence. For some, a time of despair and mass hysteria, but for others, a time of solitude, of contemplation and of inner strength. The idea behind the band, according to Fuoco Cammina Con Me was quite simple:

“We are taking Black Metal back to its primeval and genuine meaning and purpose. Hammerfilosofi is the cleansing fire that aims to eradicate every trace of the civilized, the harmless, and the mediocre. It is an instrument to initiate a violent cathartic inner journey – and a celebration of strength and vigor, of terror and strife, and of glorious death.”

Two years later, Hammerfilosofi is ready to unleash its first offering to the world: A 45 minute long incendiary feast of Black Metal Fanaticism, entitled “The Desolate One”. According to Noktifer, the album is a musical and lyrical celebration of the path to godhood.

“It is a ceremonious depiction of the sulphurous path that may turn man into superman. Hopefully our work can contribute to Black Metal once again being both Feared and Revered!”

This is Black Metal from the fertile earth of the graveyard – made for the wanderer who dares walk the path of no return – guided by nothing but His luminous darkness.

Lauded for its raw black metal sound and dark, eerie atmosphere, "Cruel World of Dreams and Fears" is filled with melodic riffs, wailing vocals and shrieks of desolation that harnesses a sense of haunted romanticism. Catchy, daring and uncomplicated, DRAUGVEIL has managed to capture the true essence of pure, raw black metal that heralds back to the older days of the Norwegian pioneers whist simultaneously offering something new and exciting.

RAW, RUTHLESS AND CEREMONIALLY DARK!

Only two years after its inception in 2023, the ominous entity hailing from Germany has come up with their first full-length. Consisting of 6 songs with the first one being an instrumental intro, “Fiery Paths” is a very convincing effort on all levels. Notwithstanding the fact INFERNAL PRESENCE has only been active for 2 years, their hybrid of Black- and Death Metal sounds as if it had been composed by a seasoned band. Unlike many outfits whose songs consist of a salad of riffs randomly thrown together, INFERNAL PRESENCE are apt at cleverly composing their material by frequently alternating between different tempi and moods. Fast tremolo picked riffs akin to DISSECTION or MAYHEM are alternated with palm muted Thrash riffs or atmospheric slow-paced arpeggios reminding of WATAIN or ONDSKAPT.

In so doing the two-piece creates dynamic songs that succeed in truly capturing the listener’s attention. Just listen to standout tracks like “Eternal Exodus” or the exceptional “Tomb Procession” with its slithering groove and you will see our point proven. Although, only sharing certain musical elements with said bands, the suffocating atmosphere of “Fiery Paths” reminds of NEGATIVE PLANE’s first album or early SECRETS OF THE MOON. Fortunately, the production fits the material just splendidly, too. While being gritty and raw, thus emphasising the album’s ferociousness, it’s still polished enough so that no detail gets buried in the mix.

INFERNAL PRESENCE unleashed a record suffused with unrelenting darkness! If you consider yourself a fan of some of the bands mentioned above, do yourself a favour and listen to this beast of an album!

Jewel-case CD, 12-page booklet.

The ambitious Death’s Design was the fourth and final album by Katatonia's Anders 'Blakkheim’ Nyström's Symphonic Extreme Metal solo-project, Diabolical Masquerade.

Containing atmospheric synth and sound effects throughout and featuring the Maalten Quartet (Estonia), Death’s Design offers ab orchestral and epic experience mixed with Black and traditional Metal influences. The album consists of 61 seamlessly flowing segments, grouped into 20 movements.

A highpoint in Blakkheim’s impressive discography.