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 The pale light that shines in a kingdom of darkness could be just another deadly lure...

After a debut album showing the will to re-ignite the flame of a sophisticated and emphatic approach of extreme metal, yet still deeply rooted in the second wave of Scandinavian BM, DEATHCODE SOCIETY are back with “Unlightenment”, a merciless dive into the aphotic zone, as the cover artwork by Kjell Age Melland shows.

Epic and eerie, the seven songs explore the depth of the human mind through a restless and tempestuous music melting together a brutal metal instrumentation with orchestral arrangements, choirs, synths and concrete samples.

With lyrics bathed in dark surrealism – two of them being rendering of poems by Andrew Joron and René Daumal – “Unlightenment” is a musical journey through the Other Side and this gloomy maze where psychosis, murderous urges and mystical obsessions endlessly wander.

 Horror Music Vol3 B-Sides & Outtakes 2012-2022The collection will feature 16 tracks taken from the B sides of singles and bonus tracks released by the band between 2012 and 2022After the previous releases of Horror Music, from 1996 and, Horror Music Vol II Singles, Outtakes & Rare Tracks 1997/2007 from 2016, the new Horror Music Vol3 B-Sides & Outtakes 2012-2022, represents the complete and definitive collection of tracks never released on Steve Sylvester's official band records The tracks selected for this collection have been carefully remastered to ensure a complete and satisfying listening experience for long-time fans and those discovering this project for the first time

Endstille’s Kapitulation 2013 is a blistering statement of defiance, delivering a ferocious blend of relentless riffs, pounding drums, and sheer sonic violence. From start to finish, the album radiates unrelenting aggression, staying true to the band’s raw and uncompromising black metal roots.

Tracks like “Aborted” and “The Refined Nation” hit with devastating force, combining furious tremolo-picking guitars and relentless blast beats that feel like an unstoppable war machine marching forward. The production is sharp yet retains just the right amount of rawness, giving the music an authentic and hostile edge.

Vocalist Zingultus commands the soundscape with a venomous intensity, spitting each lyric with wrathful precision. The album’s bleak atmosphere is palpable, immersing the listener in a sonic assault that feels both chaotic and meticulously controlled. Kapitulation 2013 isn’t just an album – it’s a battlefield, a relentless barrage that refuses to compromise. For die-hard black metal fans, this record stands as a bold and powerful testament to Endstille’s unwavering dedication to the genre.

Prepare for total sonic annihilation.

This album is re-released in a Deluxe vinyl edition in two marbled colors: Marbled White/Black and Black/Red vinyl, each edition is limited to 500 copies.

Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.

Of those many short-length releases, Der Rote Kampfflieger is the oldest and perhaps most curious. Here, MINENWERFER offered the new track “Ace of Aces,” the reworked “Albatros in Flammen,” and two very surprising covers: deep martial industrial artist Striider's “Schüzengraben” and legendary shredder Yngwie J. Malmsteen's early scorcher “I am a Viking.” MINENWERFER for sure have their own identifiable sound, but they're not afraid to push it in strange directions from time to time.

300x gold with black marble effect 12" (180g) in a black poly-lined innerbag, download card, gatefold full color on 350g, all assembled in a PVC overbag.

Darkthrone's legendary 1989 demo, including additional tracks from Bootleg TV (1989) and rare rehearsal tracks from 1990.

Darkthrone started in 1986 under the name of Black Death. Although becoming known the world over as a black metal band crucial to the lasting legacy of the genre, Darkthrone began more as an extreme metal band utilising elements of thrash, death and doom metal into their early compositions.

Cromlech was Darkthrone’s final demo release, before a deal was inked with Peaceville Records. The demo was recorded in 1989 with the line-up of Gylve Nagell (Drums), Ted Skjellum (Guitars/vocals), Ivar Enger (Guitars) and Dag Nilsen (Bass); a line-up which would remain in place for the revered Soulside Journey and A Blaze in the Northern Sky albums. 

As well as the iconic demo itself – containing tracks which would go on to form part of the Soulside Journey debut - this release also contains additional tracks from the Bootleg TV Oslo recordings in 1989, including a cover of Celtic Frost’s Visual Aggression. Also includes a trio of instrumental tracks from a rehearsal tape originally made for Peaceville founder Paul “Hammy” Halmshaw in 1990.

Vinyl with printed inner sleeve. Featuring the original Cromlech art/logo.

Red [Blood] With Metallic Gold, Black And Halloween Orange Splatter

First time ever on vinyl, gatefold cover, limited edition silver vinyl.

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1000x heavyweight grey vinyl 12" (180g) in a black poly-lined innersleeve; download card; poster A2, full-color on 150g art paper, gatefold, full-color with black flood inside, printed on 350g, all assembled in a plastic overbag.

Full coloured cover with white inner jacket + Insert. Limited to 100 copies on 12" Vinyl.