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Noen hater oss is a black metal band hailing from the stormy shores of Stavanger, Norway. Formed by multi instrumentalist Raum in the year of 2016.
After a couple of years as a one man band, Morloc joined the fold as vocalist and eventually also as a second guitarist. In 2023 Morloc was dismissed from the band due to Irreconcilable differences regarding the bands future.
The musical realm that Noen hater oss reside in can best be described as icy and bleak, melodic yet malicious black metal. With a strong gravitation towards the 90’s sound and philosophies.
The lyrical concept revolves around norwegian folklore, old superstitions, religion and the bloodlust and evil that dwells deep within nature and mankind, yearning to be let out.

The name ‘Noen hater oss’ is norwegian and roughly translates to «someone hates us». It has a deeper meaning than most people tend to presume. With «Someone» being an invisible force, a higher power or even a god of sorts, with little or no regard for the human race.
Noen hater oss has released three albums so far, the self titled «Noen hater oss» in 2018, «Bastarder» in 2019 and «Siste stopp skjærsilden» in 2021.

A fourth album titled «Kunsten aa gjoere jorden ubeboelig» will be this time with sole member Raum handling all instruments and vocals.
So, Noen hater oss are emerging once again from the shadows with their fourth opus «Kunsten aa gjoere jorden ubeboelig», containing seven hymns of purebred, norwegian hatred, shrouded in a raven

Norwegian dissonant death black metal unit Zustand Null is hailing from Oslo and formed in 2009 by Max Engvik and Ion Solounias

The music they offer could be described as simultaneously chaotic and refined; dissonant, punchy, and melodious. Blending blackened metal with thrash and industrial undertones..

After two amazing singles Zustand Null has finally released the highly anticipated full length album titled "Beyond the Limite of sanity" which is a forward-thinking venture through the realms of black/death and industrial metal with progressive touch far beyond the usual confines of the genre

First album for this Spanish band.

Black metal 90's in pure Norwegian style.

Cold and Raw.

Mini debut album for this Spanish band.

Black metal 90's in pure Norwegian style.

Cold and Raw.

DYMNA LOTVA have many reasons to carry the torch of rebellion. The duo had to flee their native Belarus due to political persecution and attempts by the Lukashenka dictatorship to censure and suppress their art. On their third album, "The Land under the Black Wings: Blood" (original, not transcribed tile: "Зямля Пад Чорнымі Крыламі: Кроў"), DYMNA LOTVA continue to sing songs filled with grief and pain. The Belarusians have beautifully and powerfully enhanced their very personal style. With a solid base in black metal, but also taking many elements from doom as well as traditional music, the duo has moved beyond the post-black metal tag and created melancholic, haunting melodies that bear their unmistakable trademark and results in a unique emotional sound. DYMNA LOTVA base their lyrics on true tales from Belarus, which is filled with accounts of sorrow gleaned from historical archives or folklore, while new horrors are committed in their country every day. Composer Jauhien Charkasau and vocalist Katsiaryna "Nokt Aeon" Mankevich date the inception of DYMNA LOTVA to November 8, 2015.
The spark that ignited their musical fire was the news of Belarusian writer Svetlana Alexandrovna Alexievich winning the Nobel Prize in Literature. On the same day, the duo created their first song, which was inspired by the Chernobyl nuclear catastrophe and released as a single entitled 'Самотны Чалавечы Голас' ("A Solitary Human Voice") in 2016. This was followed by DYMNA LOTVA's first full-length "The Land under the Black Wings: Swamp" (Зямля пад чорнымі крыламі: Дрыгва) in the same year. The debut album also formed the first part of a conceptual trilogy based on the duo's homeland. With their sophomore album, "Wormwood" (Палын), which is not part of the planned trilogy, DYMNA LOTVA returned to the topic of Chernobyl in 2017. In 2020, DYMNA LOTVA openly supported the protests against their country's dictator Lukashenka. In 2021, following a politically motivated trial of singer Lesley Knife, who was the guest vocalist on the latest single "To Freedom" (Да Волі), all the band's scheduled concerts were officially banned and they had to disband their live line-up. Vocalist Nokt Aeon was forced to leave the country to avoid arrest. The duo intended to reunite in Ukraine, but then Russia invaded the country. Two weeks after the outbreak of war, the singer finally escaped from the heavy fighting around the city of Irpin. Both musicians were later able to meet again in Poland. For DYMNA LOTVA the release of "The Land under the Black Wings: Blood" (Зямля Пад Чорнымі Крыламі: Кроў) is also an act of defiance. Their music can be read in more than one way. By itself it is an extremely beautiful yet also a very painful piece of contemporary metal on the dark end of the spectrum with an audible Belarusian sound. Yet in a wider artistic context, DYMNA LOTVA unleash a furious and mournful cry for freedom and justice with “The Land under the Black Wings: Blood" (Зямля Пад Чорнымі Крыламі: Кроў).

Doedsmaghird, the new project from Yusaf “Vicotnik” Parvez, the mind behind longstanding leaders of the Norwegian metal scene, Dødheimsgard, and esteemed French multi-instrumentalist and Dødheimsgard guitarist Camille Giradeau, will release their debut album Omniverse Consciousness, set for release on 11th October on Peaceville

Digipack CD

Compilation with the first two demos “Peklo Na Zemi” (1996) and “Temná Poselství Dávných Předků” (1997)

Digipack CD

Black metal from Italy inspired by the folklore of Iocal witchcraft and sorcery.

Black Metal from Sweden

Comes in red vinyl with etched side B and includes large poster

Following an international cassette release, BAT MAGIC‘s Feast of Blood is finally slated to be released on vinyl by American label and merch dealer Labyrinth Tower.

Following an antihero into the grips of vampirism and dark magicks, BAT MAGIC‘s 2021 debut took the latter half of black metal’s tag and concentrated heavily on the genre’s metallic roots. A riff-heavy affair with nods to the greats and lesser known artists alike, Feast of Blood‘s bloodthirsty attack is an overwhelming affair of black metal, heavy metal, and many other styles thrown into a ferocious meat grinder, garnering praise from Stereogum, Decibel Magazine, No Clean Singing, and many other forward-thinking metal publications.