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Back in stock - Extreme Metal and Dark music
Reissue of the band's first release from 1995.
Depressive Silence was founded by RAL & B.S. from Mightiest in 1994. The band is one of the cult acts and forerunners of the Dungeon Synth genre alongside Mortiis and Jim Kirkwood.
Back then, the genre wasn’t even called Dungeon Synth yet, and only later got that monicker, probably named after Mortiis’ label Dark Dungeon Music. At first it was just Dark Ambient. Nonetheless it was already something special in that it combined elements from Black Metal (more visually and thematically rather than musically) and fantasy into a new style that appealed to some Black Metal fans as well as those who preferred keyboard music and role playing games. Once the name Dungeon Synth had been established the appeal to (Black) Metal fans became much greater and the genre really took off, with Depressive Silence as one of the most beloved and well known bands of this rapidly growing genre.
2024 repress. Including previously unseen pictures and exclusive liner notes by founding member Gunther Theys.
Proud and pure, Hänen temppelinsä varjoissa exudes that aura of classic Finnish black metal from the late '90s onward, as laid down by the likes of Horna, Satanic Warmaster, and Azaghal among others. Black metal doesn't need to "be" anything more than what it already IS - or what it should be - and such is the case with AESTHUS. Every element here, from the melancholically melodic riffing to the surging 'n' swirling battery to, the distinctly twisted timbre of the Finnish tongue, of course, is in perfect, precise, PASSIONATE lockstep to create a maelstrom of hypnotic-yet-hummable proportions. Indeed, Hänen temppelinsä varjoissa is the work of a true band - meaning, a group of people playing together rather than a disconnected file-sharing project - with each of these seven songs drench in literal blood and sweat and perhaps alcohol. If there's one trump card that AESTHUS play (and poignantly), it's their dual-guitar lead work; the lead lines explode with memorability and malice in equal measure, underlining the METAL in black metal but never belaboring the point.
In December 2021, AVSKRÄDE emerged from storms of old with their debut full-length for PURITY THROUGH FIRE, Det stora tunga sjuka. Hailing from Sweden, the duo dutifully reinvigorated ancient Scandinavian black metal, both from Norway as well as their native land. No more but definitely no less, Det stora tunga sjuka was traditional BLACK METAL Exclusively: pure freezing fire, nasty and rustic and primitive but not without nuance.
And so it goes, a full two years later, with AVSKRÄDE's Undergång. Whereas the duo's debut reminded of Darkthrone's "Peaceville trilogy" and Malicious-era Gorgoroth, here on their second album do they kick up the nastiness and let the (freezing) filth flow freely, nodding to such underrated Darkthrone tomes as Total Death or even Ravishing Grimness. Indeed is AVSKRÄDE's grimness ravishing across Undergång, but compared to successive disciples as early Craft and Armagedda, the duo incorporate a slight bit more melody into proceedings - at times haunting, others anxious, but always hammered with cruel efficiency. And if there's one phrase to characterize AVSKRÄDE at this point, it's "cruelly efficient"; their songwriting is stripped to the fucking bone, but every note and hit is fucking RIGHT, and their live-in-the-rehearsal-room execution is blanching in its tightness. And once again, the album maintains a richly Grieghallen-esque production for maximum authenticity. Winter is looming, so hasten its arrival with Undergång!
re-issue of the demo Goats to Azazael, remastered for vinyl.
200x oxblood 10" (110g) in a black paper bag, innersleeve printed full-color on 220g carton (coated paper), jacket full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.
After the success of Antichrist Rise To Power original release in 2019 on Nuclear War Now! Productions with over ten subsequent pressings the band felt there should be a official French version with complete text translation and expanded layout on the most cult label from France - Osmose Production
Antichrist Rise to Power is a violent declaration of allegiance to the Emperor’s dominion, from the mud-covered skeletons of Marengo to the jagged cliffs of St. Helena. The noble acceptance of forced exile, the inescapable chill of the prison cell, and the cruel rush of combat all fill the aristocrat’s appetite for his boundless quest for honor.
Departure Chandelier’s music shimmers with the aesthetic ardor of apotheosis. It is a communion with the deceased, tracing the pathway of life transmuted into death over dishonor. Although comprised of members of Akitsa and Ash Pool, Departure Chandelier is wholly unique in style and substance and bears little overt resemblance to either of those projects.