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A newcomer hailing from Norway, SOLUS GRIEF is the work of one Peregrinus, who handles all instruments, vocals, and mixing & mastering. And where so many "one-man black metal bands" sound as much (or worse), SOLUS GRIEF buck that trend with a righteously robust sound and fully in-the-moment style of execution. In other words, Peregrinus sounds more like an actual band than many "bands" do.

With a Last Exhale is the evocatively titled debut of SOLUS GRIEF, self-released digitally late last year - and so entranced by its rigid-yet-unique style of black metal, PURITY THROUGH FIRE is now rightfully releasing the album on two physical formats. It would not be incorrect to assume a four-song/41-minute black metal record recorded by one man would be of the depressive/suicidal variety, and to some degree, both those appellations could be applied to SOLUS GRIEF. However, as Peregrinus soon displays, With a Last Exhale moves many, MANY places - and many of them quite surprising, despite remaining steadfastly within BLACK METAL - and with a jaw-dropping fluidity; this is NOT one-riff minimalism/"hypnosis" nor an expression living/dying on "atmosphere" alone. Indeed, with plenty of atmosphere to spare, Peregrinus' compositional skills astoundingly span the full reach of extreme metal, subtly (and tastefully) touching such boundaries as '90s melodic death metal, '80s epic doom, or even just proper heavy metal...but the expression is resolutely a black metal one, the emotions intense and inward, as befitting a title like With a Last Exhale. And the bass guitar here is something that must be experienced.

Complete 'Demo 91' , original 'Aske' recording, original 'Svarte Dauen' recording and more , with photos, info, etc, 74 minutes

1, 2, 3: orginal "Aske" EP, recorded during 1992
4, 5, 6, 7: "Rehearsal/demo 1991" previously unreleased
8, 9, 10: "Svarte Dauen" 1993 previously unreleased
11: version taken from "Burzum" 1992
12: version taken from "Det Som Engang Var"
13: version taken from "Filosofem" album

OBSIDYEN is a Black Metal band founded in Albi (81) in 2019.
Their first musical attempts revolved around biblical mythologies, before slowly shifting towards the « Ancient Astronaut Theory », popularized by Erich von Däniken in 1968.
According to this theory, humanity has been visited by non-human beings in the past.These traumatic anthropological and technological encounters led to the creation of polytheistic religions and myths in antiquity.
OBSIDYEN transcribes these subversive subjects through massive and powerful riffs, coupled with liturgical cold melodies, resulting in an atmospheric harmony that adventures the listener into the lands of the past, the stars and beyond.
The band released their first self-produced album, "ANTEDILUVIAN SCRIPTUM" in 2020, with subjects including Mesopotamian and Sumerian cultures, the Old Testament or the
myth of Atlantis.
Very soon after the release of this first album, Omega has created a mythological trilogy based on the "Cult of the Serpent" around the world.
The first episode is called "LITANY OF IAH", and takes place in
ancient Egypt.

One of the longest-running Swedish death metal bands, GRAVE has created a sound and style which has been an inspiration on a number extreme metal bands. The band started in 1986 under the name Corpse and changed it to Grave in 1988. Formed in 1986 by vocalist and guitarist Ola Lindgren, Jörgen Sandström ( ex-Entombed, ex-Candlemass (live), The Project Hate MCMXCIX,) on lead vocals and guitars and drummer Jens "Jensa" Paulsson. The band had particular success in the early 1990s, and their first four albums, Into the Grave, You'll Never See..., Soulless and Hating Life, cemented their reputation as one of Sweden's foremost death metal bands. In late 1993, GRAVE released the ‘...And Here I Die...Satisfied’, a limited edition EP featuring brand new, rare and remixed tracks encompassing the band's entire recording history. Designed to mark the end of an era for the outfit, the EP set the stage for the release of the trio's long-awaited third full-length offering. Complete booklet remake by RA Design (Possessed, Vio Lence, Varathron), including an interview by Pim Blankenstein with vocalist / guitarist Jörgen Sandström. Cover art by Axel Hermann (Asphyx, Morgoth, Unleashed).

Classic Jewelcase Edition w/Obi-Strip!

 „Etna" explores themes that are far more autobiographical. The album is named after the eternal river of childhood and new life. „Etna" is the source flowing from the mountains and down to the fields, cleaning and purifying everything in its path. Consequently, Jørn Øyhus describes the process of writing the songs on his new piece of art as „like having mirror therapy sessions". The record tells about the thoughts and ponderings of a man whose life kept falling apart piece by piece until there was nothing left but a broken person. A human being that had lost everything except his music to guide him and light his way.

„Etna" was self-recorded in Jørn Øyhus' own „BergArt Studio" in Norway, where the forest is his neighbor and dear friend. His brother Tor Erik Øyhus came by to play the bassoon once owned by their father, who had recently passed away. Emily Nybakk sang the female vocal-parts and Mathias Gyllengahm played the nyckelharpa. Mastering was done at Klangschmiede Studio E by Empyrium's own Markus Stock

HELLWITCH Syzygial miscreancy
+ Live at Culture Club, Fort LAuderdale (Track 08 to18)

Ascolta su YouTube

Blood was formed by Bernd Eisenstein, Taki, Geer and Radtke in March 1986 in Germany as a fun-noisecore band. They recorded 3 demos during this time. In June of 1987 Ventilator joined Blood on drums and the songs got more structured and the music became serious. In 1989 they released their debut album Impulse To Destroy on the American cult label Wild Rags. Their seventh full lenght album called ‘Dysangelium was released in 2003 is now finally re-released. Complete new booklet design by RaDesign (Vio-Lence, Varathron, Flotsam and Jetsam). 21 TRACKS from THE German death / grind masters! 

The new album is a tour-de-force, amalgamating some of the most exciting, innovative, and genre-defying moments from MYRKUR's catalog into something that is haunting, extreme, and brilliant as ever. Spine lays MYRKUR bare, at her most raw and unwavering, and is undoubtedly one of the year's most ambitious and cinematic albums.

Spine relates to MYRKUR's personal mythology. Written during one of the most difficult times in Amalie Bruun's life - Spine is the direct result of her experiences following child birth. From the love and euphoria that comes with motherhood, to the fears of the unknown and the mysteries of the journey ahead, Spine is ultimately an album about seeking balance amidst chaos. To Bruun/MYRKUR, the record explores the very human nature of what it means to be a mother, and finds resonances with Scandinavian mythology to do so.