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A deeply introspective work, the 2023 “The Rime of Memory” is the second chapter in Panopticon’s trilogy exploring ageing, grief, and the emotional fallout of environmental collapse. Expanding on the themes introduced in “...And Again into the Light”, this album leads listeners into colder, more cinematic territory – weaving Appalachian folk, symphonic grandeur, and searing metal into a single, immersive journey.

With sweeping orchestral movements, a global choir, and collaborations in both sound and visual art, “The Rime of Memory” stands as one of Austin Lunn’s most expansive statements to date. Shifting between moments of crushing intensity and quiet contemplation, it draws the listener into a world shaped by memory, sorrow, and a fragile sense of hope.

THE THIRD ALBUM FROM THE PROLIFIC SWEDISH EXTREME METAL ACT, FEATURING MAYHEM’S HELLHAMMER ON DRUMS – PRESENTED ON LIMITED CRYSTAL-CLEAR VINYL. Swedish act Shining was formed by Niklas ‘Kvarforth’ Olsson in 1996. Already with a developed sense of direction to his compositions & expression of wholly negative outlook & emotion, Niklas created some utterly oppressive material for the debut release, the ‘Submit To Self-destruction’ EP in 1998, when Niklas himself was still only 14 years old. 'Angst' was Shining’s third album & was originally released in 2002. A development of composition was clearly evident here, working in more subtle twists & complexities to the sinister & wholly oppressive black metal. The work of Shining is intended to reflect the dark & destructive side of the world & human nature. The album was recorded at The Abyss Studios (Immortal, Marduk & Dimmu Borgir), the famous Swedish recording studio run by Peter Tägtgren, The album was recorded by Tommy Tägtgren. As is somewhat a trademark of the Shining sound, the album retains a hypnotic quality to the riffs mixed with unsettling vocal anguish, along with acoustic passages & expertly handled lead guitar passages. This was also the first Shining album to feature the legendary Hellhammer (Mayhem) on drums. This edition of ’III – Angst’ is presented on limited crystal-clear vinyl.

3rd pressing (regular cover & different finish, otherwise identical)

Solid cover printed on reverse board, LP insert on uncoated thick stock, red poly-lined inner-sleeve, download of the album on a specially designed card. Limited edition of 500 copies.

Manufactured in Germany.

180g black vinyl edition. 3rd pressing. 500 pressed with regular sleeve and insert.

Solid sleeve on reverse board, thick 12" insert on uncoated stock, black paper inner sleeve with a protective layer, and a designed dropcard for download of the album.

After two well received demos, Dutch black metal trio FLUISTERAARS make their official debut statement. "Dromers" comprises three epic-length tracks that take the listener on a winding, windswept journey through the catacombs of ancient black metal mysticism. Like the fading rays of the sun during the change of seasons, as autumnal splendor gives way to wintry majesty, FLUISTERAARS' Dromers conjures visions both familiar and foreign, both immediate and distant. Their vision of black metal is a highly personal and deeply emotive one, at times recalling early Primordial and Agalloch as well as Autumn Aurora-era Drudkh,.

2023 re-press: 180g black vinyl, regular sleeve, insert, and download card. 500 copies pressed.

Fluisteraars are quite extraordinary in their way of arranging and presenting music. With vast influences concerning the ambience and atmospheric aspects of their craft the dutch trinity is not to be easily stuck in just one plain direction. The early on forged term "Windswept Black Metal" recalling imagery of rain, decay, bleakness and intoxication still to date embodies their own amalgamation of intriguing, atmospheric music.

jewel case CD

UNTO OTHERS first full-length album back in print! "MANA" conjures up an
emotive 40-minute ride into the realms of heavy metal, new wave, goth
rock, and continues to solidify the band's unique brand of heavy music.

Artwork by Adam Burke.

Limited deluxe Digipak CD edition with natural green cardstock and poster

4-panel Digipak in a deluxe matte finish, with a 12-page booklet and designed album download.

Simply titled but by no means simple in construction nor execution, Djinn builds upon the increasingly ambitious songwriting of its no-less-considerable predecessor, but pushes their dazzling artistry into nearly Technicolor landscapes of the Beyond. Upon the first opening notes, this boundless artistry is felt: big, rolling rhythms reminiscent of post-punk, tantalizingly setting the stage for the splendorous expanses to follow. There's a certain magick at play here, no doubt bolstered by the band's rhythm section of Josiah Babcock (who puts in his final performance here) and new bassist Nate Verschoor, erstwhile mainman of Veiled; this throttling-yet-deft foundation both leads and plays acute counterpoint to the spiraling, windswept riffing of founders Jake Superchi (also vocals) and James Sloan, their guitar work transcending the poignancy of prior works. And indeed, Djinn's generous six-song/hour-long runtime no doubt allows the listener the ultimate freedom to roam within Uada's ever-unique world, spanning both smothering speed and deliriously dream-like states, Very Metal urgency and textural exploration alike - put simply, the band at the height of their creative powers. Djiin is truly its own realm of experience.

"Djinn, first inhabitors of this world, the smokeless fire and those we call upon our enemies, has gifted us a 60-minute descent into the modern-day possessions of our existence and demise," state the band, "A duality that can only be known as our third wish."

2nd Press

On their sophomore full-length, “Cult of a Dying Sun”, Uada expand their scope and range of hypnotic craft. Balancing sharp riffs with spectral melodies in a manifold of haunting yet distinctive black metal dirges. A sharp spear in the heart of the brightest star. Epic, atmospheric, deadly.

Following a five-year hiatus, Denmark’s SUNKEN return with Lykke – four meticulously crafted tracks of atmospheric black metal, running nearly fifty minutes.

Lykke is an exploration of contrasts: intense, unrelenting passages built on blast beats and layered riffs give way to moments of striking calm and melody. Orchestral textures, choral arrangements, and mournful strings weave seamlessly into the sound, while anguished vocals cut through with precision.

The result is a work that balances aggression and atmosphere with rare finesse. Every shift feels deliberate, every return to stillness earned. This is atmospheric black metal at its most refined - immersive, dynamic, and emotionally resonant.

For listeners who value both weight and nuance in their black metal, Lykke is a standout release from a band at the height of their craft.