Back in stock

Electro synth black metal in a yet unheard way

Montreal extreme metallers CRYPTOPSY will release their new EP, "The Book Of Suffering Tome 1",
It has been three years since CRYPTOPSY's last release and many fans have expressed their eagerness to hear new material. ?This time, rather than a full album, CRYPTOPSY will release a series of EPs titled "The Book Of Suffering".

Ascolta su YouTube

This random colour mix allows you to have completely unique records within one order (each piece is one of a kind and the result is unpredictable, some copies coming with the predominance of one colour and others – totally different).
You can be sure the result will be similar to marble or smoked vinyl, but the rest is a mystery!

A one-man atmospheric post-black metal from Brazil, Dispar plays the type of music that sinks into your pores. Like Alcest, Unreqvited, and Flowing Downward favorite Sadness, listening to “Autumn Ends” is a transcendent experience.

Cryptopsy continues to be a leader when it comes to extreme Death Metal and this new EP is their latest delivery to completely wreck everything in their way!

As a follow up to their 2015 EP, "The Book of Suffering - Tome I", Cryptopsy will be releasing the next instalment, Tome II, in the fall of 2018. "The Book of Suffering - Tome II" was produced, mixed and mastered by, Cryptopsy’s guitarist, Chris Donaldson at The Grid studio in Montreal, Quebec, Canada. Cryptopsy states, "The Book of Suffering - Tome II" is some of the most intense, gnarly, brutal yet organic material we have written to date.”

What we have here is what I would call a mixture of "Whisper Supremacy" with "And Then You’ll Beg", and that’s a very fine place to be for Cryptopsy. Back are the frenzied, seemingly out of control guitars, manic drumming, excellent bass playing and dare I say it... really good vocals. 

020 repress of the praised Diaboli album. Remastered with artist for more clarity and punch. All original artwork, but in digipak format.

Finnish cult Black Metal. Recorded at Fullmoon Studios in 2002/2003; additional mixing at Total Noise Studios (2003) and Pop Studios (2004).

Stockholm-based Tribulation once again aspire to greater heights and stranger things on their new album, Sub Rosa in Æternum. Whereas the prior album was cast in Italian marble under a wolf moon, this time, Tribulation conjure new beasts: Part psychological horror of Italian cinema, part gaunt British goth, and part Art Deco opulence, Sub Rosa in Æternum is a blazing torch upon a cloudy, skeleton sky. Of course, no Tribulation album is complete without oblique references to fangs, blood, women, and Roman Empire-like decadence: Tholl's fascination with water and oceans come through in "Hungry Waters", as does Zaars' infatuation with religion, cults, and mystery on "Saturn Coming Down". Andersson gets in on the action by paraphrasing American poet Emily Dickinson and citing both book/film The Name of the Rose by Umberto Eco/Jean-Jacques Annaud, respectively "Poison Pages"; there is mystery to “Murder in Red”. Tribulation entered Ingrid Studios (Ghost, Viagra Boys) in Stockholm with engineer Ola Ersfjord (Lucifer, Primordial) and British producer Tom Dalgety (Siouxsie Sioux, Ghost), and the group put Sub Rosa In Æternum to proverbial tape. The sound that developed during the writing and pre-production phases was given a nastier attack ("Tainted Sky," "Time & the Vivid Ore"), more significant storytelling lift ("Reaping Song," "Poison Pages"), and creepier gothic tones ("Hungry Waters," "Drink the Love of God"). With mastering ace Magnus Lindberg (The Hellacopters, Dool) returning to the fold, he guaranteed Tribulation a natural, almost bright boost to close the chapter on their sixth album. As Tribulation near the bloodletting and luxuriant goth phase with Sub Rosa In Æternum, the Swedes also commemorate their 20th anniversary, and they're bravely winging into their most inspired era yet. Sub Rosa in Æternum is available as Ltd. CD Mediabook, Jewel Case CD, 180g LP in various colors, and as digital album.

Limited edition of 199 copies on brown/yellow galaxy vinyl, incl. gatefold cover and download. Whereas the first two editions were available exclusively from Northern Silence and Aquilus, this edition will also be available through our partner labels and a select few other mailorders.

Aquilus is an atmospheric metal band from Melbourne, Australia. The works encompass different styles of atmospheric music inspired by classical, folk, and other genres. Primarily a one man project composed/produced by Horace Rosenqvist, it also features the addition of session musicians, and now has a full 6 member live band with Zebadee Scott (Drums), Hayley Anderson (Violin), Sara Orania (Keyboard), Mortimer Bellchambers (Guitar), and Daniel Green (Bass).

Being conceived sometime in the early 2000’s, after some experimental demos and an EP “Arbor” in 2007, Aquilus released their debut album Griseus, created soley by Rosenqvist, on CD through ATMF in 2011. A 2013 vinyl release by Blood Music raised the band into public consciousness, and Griseus slowly amassed a following of devoted fans, climbing its way to being voted one of the top albums of the decade on MetalStorm.

For eight years, an epic, sophomore masterwork was in-the-making. So legendary, in fact, that fans hardly believe it existed. The opus grew so furiously, the decision was ultimately made to split the work into two albums, culminating with the release of the first album, Bellum I in 2021, and then the second album, Bellum II in 2024.

Bellum I and II showcase the band’s rare amalgam of authentic classical, European folk and black metal influences, alongside Aquilus’s unique multi-instrumentation and compositional complexity. Depending on the piece, instruments used range from an assortment of acoustic guitars to pianos, violins, mandolas, mandolins, balalaika, banjo, gusli, bow psaltery, and fipple flutes among others. Metal influences, ranging from early Metallica to the early works of Solefald, Opeth and Katatonia, combine with the classical romanticism of Rachmaninov and Chopin, to the soundtrack textures of Bernard Herrmann and Thomas Newman.

The amount of time, thought and detail gone into the works is immense. Many years of dedication have been put in to produce the best works possible. Now the world can hear ‘Bellum’ in its entirety. ‘Bellum I’ and ‘Bellum II’ being essentially one colossal album split into two releases, both written and recorded at the same time. ‘Bellum II’ is the more mellow of the two albums, but still contains its dark and heavy moments, albeit with longer expansive tracks and some different shades not seen on ‘Bellum I’. Immerse yourself in the conclusive chapter of the journey of Bellum.