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Norway’s cold Black Metal act HOVMOD arise at their debut full length studio album, “Doedsformasjon”, which has been released in winter 2019 on Dusktone.

Formed in Toten, Norway, HOVMOD is one of the seven deadly sins, and it represents aggression, rage, pride and the opposite of humility- something that reflects in HOVMOD’S music in the upcoming debut album “Doedsformasjon” that has been released in both CD and Vinyl format.

Expect a thick and impenetrable blanket of cold northern fog that becomes sound, this grim graveyard of straight nowegian black metal is some of the creepiest music that Dusktone has released so far.

Hellish God was born in 2015 by the insane minds of Luigi Contenti and Michele Di Ioia.
Their intent was simple: to play Satanic Death Metal in vein of bands as Deicide, Diabolic, Krisiun and Rebaelliun.
Tya (Antropofagus, Mindful Of Pripyat) joined the band as frontman and lead vocalist in 2016 and the band recorded their debut EP called “Impure Spiritual Forces” four songs of devastating and savage death metal featuring Fabiano Penna of Rebaelliun.
In 2017 Stefano Malgaretti (ex-Imposer – ex-Voids Of Vomit) joined forces with the band as bass player and backing vocals. In January 2018 the band signed for the rising Everlasting Spew Records and released their first full album called “The Evil Emanations”, recorded and mixed by Carlo Altobelli at Toxic Basement Studio. The record was a collection of ten tracks of pure and devastating death metal featuring Rangel Arroyo from brazilian war machine Abhorrence.
In 2020 the band announced the split, but returned in 2024 with the original lineup duo ready to release their second full, again recorded at Toxic Basement Studio. This time the tracks are eight hymns of wrathful and chaotic death metal with a featuring of Brian Malone, former guitarist of Diabolic. 

w/12page Booklet
 

Official reissue 2023
Here we talk about history!

Qliphothic Supremacy is the debut HANDFUL OF HATE full length album of and became a fundamental step for italian Black Metal metal movement in time.

Finally reissued in deluxe 6page digipack via Dusktone.

Released in 1997, it’is an extreme and crazy record, a furious black of unprecedented violence who blends sharp guitars with clumsy screams, which will later be the band's trademark and mold.

Overall, an exellent, personal and overlooked piece of Italian extreme metal history and a jewel to re-discover and appreciate in its burden of evilness

“Verso Casa” (Homewards) is the second Sonic Voyage of the Italian Atmospheric Black Metal sensation Taur-Im-Duinath. The band’s second chapter delves into the meaning of belonging and identity, and the absence of a rooted sense of place. The pondering of questions such as “What is home?” or “What does it mean to feel at home?” becomes the starting point of this perennial journey. The quest here manifests itself as the search, the longing for a place beyond the physical and immanent meaning, a metaphoric and spiritual locus where peace can finally be found, where all yearnings and strife are meaningless.

Always adrift in the tempestuous current of life, Taur-Im-Duinath’s shape changed and evolved with the passage of time, weaving a rich tapestry adorned with a newfound awareness, maturity and depth. Its musical landscape is a labyrinth of intertwined emotions, painted with evocative and melancholic strokes, not unlike the branches of the trees dancing in the wind, or the seas at storm, or the sullen calm of a mountain peak.

Noen hater oss is a black metal band hailing from the stormy shores of Stavanger, Norway. Formed by multi instrumentalist Raum in the year of 2016.
After a couple of years as a one man band, Morloc joined the fold as vocalist and eventually also as a second guitarist. In 2023 Morloc was dismissed from the band due to Irreconcilable differences regarding the bands future.
The musical realm that Noen hater oss reside in can best be described as icy and bleak, melodic yet malicious black metal. With a strong gravitation towards the 90’s sound and philosophies.
The lyrical concept revolves around norwegian folklore, old superstitions, religion and the bloodlust and evil that dwells deep within nature and mankind, yearning to be let out.

The name ‘Noen hater oss’ is norwegian and roughly translates to «someone hates us». It has a deeper meaning than most people tend to presume. With «Someone» being an invisible force, a higher power or even a god of sorts, with little or no regard for the human race.
Noen hater oss has released three albums so far, the self titled «Noen hater oss» in 2018, «Bastarder» in 2019 and «Siste stopp skjærsilden» in 2021.

A fourth album titled «Kunsten aa gjoere jorden ubeboelig» will be this time with sole member Raum handling all instruments and vocals.
So, Noen hater oss are emerging once again from the shadows with their fourth opus «Kunsten aa gjoere jorden ubeboelig», containing seven hymns of purebred, norwegian hatred, shrouded in a raven

FINALLY REISSUED ONE OF THE MOST IMPORTANT ITALIAN
EPIC BLACK METAL ALBUM OF ‘90s

Year 1999: Europe was taken by storm by black metal, the leading force in extreme music. Actually, black metal has been mutating its primary grim and satanic force since the mid-90s and words such as symphonic, epic and melodic started appearing in the bands' descriptions.

Unexpectedly from Italy came a force capable of uniting all these inputs: in summer, under the Last Episode inprint, Stormlord released their debut album "Supreme Art Of War". The eight tracks of the record united the symphonism of bands such as Dimmu Borgir or Bal-Sagoth to melodies coming from epic and power metal and the record became a hot-topic in the European press in a couple of months.

In songs such as "Where My Spirit Forever Shall Be" or "War (The Supreme Art)" Stormlord are able to create solid fantasy-themed hymns for an audience eager to experience sensations akin to Cradle Of Filth, Graveworm and Summoning, with lyrics bathed in fantasy worlds and myths.

Norwegian dissonant death black metal unit Zustand Null is hailing from Oslo and formed in 2009 by Max Engvik and Ion Solounias

The music they offer could be described as simultaneously chaotic and refined; dissonant, punchy, and melodious. Blending blackened metal with thrash and industrial undertones..

After two amazing singles Zustand Null has finally released the highly anticipated full length album titled "Beyond the Limite of sanity" which is a forward-thinking venture through the realms of black/death and industrial metal with progressive touch far beyond the usual confines of the genre

First album for this Spanish band.

Black metal 90's in pure Norwegian style.

Cold and Raw.

Mini debut album for this Spanish band.

Black metal 90's in pure Norwegian style.

Cold and Raw.

The colour of every FEN album points towards its lyrical and musical content. For the first time in their career, the East Anglian post-black metal trio has used the colour red on the cover artwork of their seventh full-length "Monuments to Absence". FEN describe the album as an expression of anger, hopelessness and despair – anger at the desperate futility of a human species hell-bent on self-destruction. This is reflected in the decidedly harsh and black sound of "Monuments to Absence", which is undoubtedly FEN's most extreme recording to date, even though there are still moments of atmospheric glory, spatial clean sections, heaving doom, and full-blown riffs, which augment the furious expression of rage. FEN took their name from the Fens of East Anglia when the trio formed in 2006. These desolate and bleak landscapes have left a deep mark in the post-black metal sound, which the band pioneered in the UK when the English scene revitalised in the wake of forerunners FOREFATHER with bands such as FEN, WINTERFYLLETH, and WODENSTHRONE coming to the fore. When FEN released their debut full-length "The Malediction Fields" (2009), the band made good on the huge promise of their previous EP "Ancient Sorrow" (2007) by delivering a first album that already combined the black metal tradition elegantly with a dedicated atmospheric twist and gentle experimentation beyond the perceived narrow confines of their genre. With each following full-length, from "Epoch" (2011), via "Dustwalker" (2012), "Carrion Skies" (2014), "Winter" (2017) to "The Dead Light" (2019), FEN have expanded both their musical range and following, while also perfecting their recognisable and unmistakable sound. "Monuments to Absence" marks FEN's welcome return to a dark and fierce sound.