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Written and recorded in a handful of days, the four epic, emotive songs on offer pass the 47-minute mark
There are a lot of dreamy, expansive, spacey, cosmic passages included
atmospheric Black Metal.
There’s a lot of melody at work and blastbeats are totally eschewed
in favour of slow- to mid-paced observations backboned by drums that genuinely sound like
they were recorded in an ice cave.
This record is mysterious, authentic, ancient yet ageless cold, cold, cold BM magic from the darkest shores of Sweden.

Ascolta su SoundCloud

One of the most imposing and revered bands in black metal's underground for the past decade, BEKËTH NEXËHMÜ have built a literally towering body of work. The band is yet another creative vehicle of Ancient Records linchpin Swartadauþuz (Azelisassath, Digerdöden, Gnipahålan, Musmahhu, Mystik, Summum, Trolldom, Daudadagr, as well as current labelmates GREVE and MUVITIUM), but it's largely BEKËTH NEXËHMÜ where the man has most built his legacy. To date, three official albums have been released - 2010's de dunkla herrarna, 2019's De fördolda klangorna, and last year's literally massive De Fornas Likgaldrar double-album, which featured over two hours of re-recorded material, recast as a whole new experience - and a literal bounty of demos, each one arguably greater and grander than most band's actual albums, that have equally put a frightening new(er) face on Swedish black metal, by turns becoming the nowadays face of the form.

Featuring exclusive material from both bands! Co-release with Purity Through Fire.

New Album

All material by Morden Demstervold (Haat, Orodruin, Old Tower etc) compiled and remastered on one LP.

Printed in 200 copies including inlay.

Track 1 - 5 originaly released on "Den svartne Spökerii" demo.
Track 6 - 9 originaly from the 2017 split release.
Track 10 originaly from the 2019 split release.

New album

Teitanblood returns to claim underground metal’s most lawless frontier. “From the Visceral Abyss” is an all-engulfing tide of unfettered, raging chaos – where black and death metal collapse into a maelstrom of destruction. Its force is neither random nor aimless but guided by an instinct sharpened over decades.

This is Teitanblood at their most unhinged, yet wholly assured in execution. Dissonance and precision collide in monstrous, writhing riffs, underpinned by percussive violence that shifts between merciless blasting and dirge-like weight. Layer upon layer of bile-drenched vocals coil through the cacophony, forging a suffocating atmosphere of grotesque grandeur.

As ever, the album is steeped in the restless spirit of the late Finnish artist Timo Ketola, who stood as both interpreter and architect of Teitanblood’s visual world. Ketola’s oracular visions provided the scripture from which these lyrics emerged – his legacy not merely preserved but carried forth beyond the grave. The tradition of transmuting sound into imagery continues, with Dávid Glomba filling the booklet’s pages with a dense tapestry of illustrations, sigils, and hand-scribed invocations.

Spewed forth by a collective of serpents from the scorching south and sulphurous north of the Old World, Desert Psalms is an act of defiance – an offering to the lawless, the unruly, and the bright star rising in the eastern dawn.

A descent beyond the pale. Across its seven abominations, Desert Psalms drags the listener into howling darkness, where transgression and purification are one.

This is black metal in its most primal and adversarial form: venomous, unrepentant, seared in the flames of desolation. Both scourge and scripture, Desert Psalms is a baptism in bile and blood, stripping away all pretense until nothing remains but raw nerve and burning truth.

Envisioned by A.Ara of Angrenost, Desert Psalms is now manifested with the contribution of Misþyrming members Dagur Gíslason and Magnús Skúlason, Erdsaf of Angrenost, and Ólöf Rún Benediktsdóttir of Svartþoka.

4 panels digicd, 4 pages booklet.

This 2025 edition includes Chaining the Katechon and Le Diable est ma Raison.

With “The Apophatic Wilderness”, Verberis reveals an image of man cast into the house of Abaddon. Three formidable compositions totalling 41 minutes proceed from 2022’s “Adumbration of the Veiled Logos”, recounting an entanglement of hubris, submission, worship, and ruin.

As with the past two releases, “The Apophatic Wilderness” was recorded by the constellation of DA with JSM, NH, and MP. This time, the essence of germanium transistors and magnetic tape imbues the sonic spectrum and provides an aura of vintage viscerality.

While collaborating once more with Ars Alchymiae and Magnus Lindberg, further control was relinquished to achieve a final product reaching beyond the capacities of the band’s core alone. In this respect, mixing was by the hands of Richard Behrens, whereas layout and typography came forth from an open grave.

Take heed in the apophatic wilderness.

Vafurlogi is rooted both spiritually and literally in the early 2000s black metal movement, as the earliest songs were written nearly twenty years ago. Like the stalwarts of that era, Vafurlogi draws inspiration not only from the staunch traditionalism of the ‘90s but also from its rebellious spirit of discovery and creation.
Fronted by guitarist Þórir Garðarsson of Sinmara and Svartidauði, who now also takes on vocal and bass duties, Vafurlogi presents a new chapter for him as a songwriter. Throughout years of activity with his other bands, the essence of Vafurlogi slowly cultivated in parallel below the surface. Initially a vessel for accumulated works not suitable for Svartidauði or Sinmara, Vafurlogi developed into an avenue for him to freely explore different creative ideas and moods. While touching on the apocalyptic, nightmarish realms of Svartidauði and the haunting atmospherics of Sinmara, Vafurlogi places greater emphasis on triumphant and unabashedly melodic flourishes through a comparatively stripped-down compositional approach.

In Vafurlogi, Þórir has joined forces with drummer Ragnar Sverrisson, a seasoned veteran of the underground metal scene, having played in various bands both in Iceland and abroad, such as Helfró, Ophidian I, Abyssal, and Valkyrja. After the album recordings, the lineup was reinforced with Eysteinn Orri Sigurðsson of Nyrst and Úlfúð on guitars and Samúel Ásgeirsson of Volcanova on bass. “Í vökulli áþján” was produced at the esteemed Studio Emissary by Stephen Lockhart of Rebirth of Nefast between 2020 and 2024, presenting songs written mostly between 2018 and 2020.

Vafurlogi is Icelandic for ‘flickering flame’, but the name can also be literally translated as ‘wandering light’ – and therein lies the key to the project’s thematic essence. Vafurlogi explores man’s incessant and despairing search for meaning and the ever-elusive sacred light while condemned to roam spiritual wastelands.

In the wake of their previous work, Also sprach das Chaos, Blackdeath continue to push experimental boundaries in composition. In an era when musical distinctiveness is scarce, Blackdeath offers a rare listening experience shaped by over 25 years in the black metal scene.

Their journey began with Saturn Sector (1998), a raw debut rooted in the defiant tradition of black metal, yet unmistakably their own. Their latest release, Mortui incedere possunt ("Dead Can March"), showcases an expanded role for drummer Polar Maya as vocalist, along with an ambitious production by TT of Abigor. Now joined by second guitarist Der Nukleare Herjarnn, a longtime live collaborator, Blackdeath’s sound hints at Voivod and the radical strains of orthodox black metal, exploring mid-tempo, ice-laden grooves.

Merging familiar intensity with newfound uniqueness, Blackdeath may well have achieved their pinnacle. Thematically, they dissect reality through an anti-cosmic lens, revealing Chaos in all things.