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Back in stock - Extreme Metal and Dark music
The album comes with a 24 page booklet and full artwork design. Limited to 500 copies on CD.Ars Veneficium, one of Belgium’s most prominent black metal acts is back with their 3rd full length album “The Lurking Shadow of Death”, 4 years after the release of their 2nd full length album “Usurpation of the Seven”.
With their new album The Lurking Shadow of Death it is clear that Ars Veneficium has not taken the song writing for granted and managed to overthrow their previous work once more with delivering only the best of their best on this record. From the compositions to the production to the artwork, one can undoubtedly say that this is their best work thus so far.
The lead guitars by Ronarg deliver some amazing melodies variated with some aggressive chords where the bass guitar (once again) plays some beautiful underlaying solo notes to create that extra atmosphere which is more or less the Ars Veneficium signature by now. The drum work has been delivered by no one else than Flo Musil (Theotoxin) who blasts his way throughout the album with some outstanding, highly skilled details giving the extra punch that this album absolutely deserves. The vocals by S. are more furious than before and deliver a much wider range and diversity which lifts the whole album to a new level.
With The Lurking Shadow of Death, Ars Veneficium has delivered an absolute beast of a black metal album that every fan of old school, satanic or melodic black metal would appreciate! Raging black metal filled with atmosphere, melodies and pumping energy! A must have!
The album comes with a 24 page booklet + Poster and full artwork design. Limited to 500 copies on CD.Ars Veneficium, one of Belgium’s most prominent black metal acts is back with their 3rd full length album “The Lurking Shadow of Death”, 4 years after the release of their 2nd full length album “Usurpation of the Seven”.
With their new album The Lurking Shadow of Death it is clear that Ars Veneficium has not taken the song writing for granted and managed to overthrow their previous work once more with delivering only the best of their best on this record. From the compositions to the production to the artwork, one can undoubtedly say that this is their best work thus so far.
The lead guitars by Ronarg deliver some amazing melodies variated with some aggressive chords where the bass guitar (once again) plays some beautiful underlaying solo notes to create that extra atmosphere which is more or less the Ars Veneficium signature by now. The drum work has been delivered by no one else than Flo Musil (Theotoxin) who blasts his way throughout the album with some outstanding, highly skilled details giving the extra punch that this album absolutely deserves. The vocals by S. are more furious than before and deliver a much wider range and diversity which lifts the whole album to a new level.
With The Lurking Shadow of Death, Ars Veneficium has delivered an absolute beast of a black metal album that every fan of old school, satanic or melodic black metal would appreciate! Raging black metal filled with atmosphere, melodies and pumping energy! A must have!
Förslavad is the second release from the Swedish black metal band Avslut.
An EP with three eminent tracks, this is the first stage of what to expect for the full-length album to be released later this year. With the concept of writing misanthropic lyrics in Swedish, and composing distinctive riffing with dark melodies, the band continues its desolation.
Let us guide you through the aphotic path of mortal extinction.
300 x black 12" (140g) - SIDE B SILKSCREEN PRINT, innersleeve full-color on 220g, jacket full-color on 350g, all assembled in a PVC overbag.
The anticipated second full-length album from the Swedish black metal legion AVSLUT is finally released upon the world.
With nine vicious new songs, the band takes it to a whole new level with ‘Tyranni'.
Prepare yourself for internal war and even more intense and authentic material than ever before.
Where Marduk fired the arrow and hit the bullseye in terms of war-themed releases was this little 3 track release called Iron Dawn. In three tracks, Marduk sets its sights on sonically delivering the chaotic brutality of war, and executes to such a degree of perfection that you can't help but listen to the EP on repeat. It is amazing as much as it is haunting.
Reprint, 500x ice clear black 12" (140g) - SIDE B come with a black silkscreen print, in a microtene innersleeve, printed innersleeve full-color on 220g, jacket full-color printed on 350g, all assembled in a plastic overbag.
Reprint, 300x white with black galaxy effect 12" (140g) in a printed innersleve, 4 pages booklet vinyl size on 220g offset paper, jacket on 350g, all assembly in a PVC overbag.
For their new album, bassist/vocalist Dylan Desmond and drummer/vocalist Jesse Shreibman exploded Bell Witch's bounds. Like 2017's lauded “Mirror Reaper”, “The Clandestine Gate” is a single 83-minute track -- a composition that pulses and breathes on a filmic timeframe. It constitutes the first chapter in a planned triptych of longform albums, collectively called “Future's Shadow.”
While traces of organ and synthesizer hovered over “Mirror Reaper” and Bell Witch's 2020 collaboration with Aerial Ruin, “Stygian Bough Volume 1”, “The Clandestine Gate” drew those instruments closer to the center of its compositions. The band reunited with their longtime producer Billy Anderson as they began negotiating these new compositional weights. On “The Clandestine Gate”, Bell Witch's twinned voices build off of the chantlike textures of previous records while steering toward more developed melodic lines, structured harmonies, and rhythmic death metal growls.
The immense gravity of a work like “The Clandestine Gate”, which features exclusive stunning cover art by Jordi Diaz Alama, allows ideas to simmer in a way that feels profoundly and somatically intuitive -- not just a philosophical exercise, but an embodied truth. By slowing down both their creative process and the tempo of the music itself, Bell Witch digs even deeper into their long-standing focus: the way life spills on inside its minuscule container, both eternal and fleeting, a chord that echoes without resolution.
