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With icy melodies, haunted screams and an atmosphere as thick as the winter snows, LUSTRE returns. "The Ashes of Light" continues Nachtzeit's legacy with majestic splendour; its enthralling atmospheric black metal searching for lost secrets in the woods, among the stars.

Otherworldly keyboards and epic, long melody lines stretching across galaxies soothe the soul with their mysterious echoes of ancient truths. The dreamlike ambience is hypnotic and mesmerizing. Escape your daily woes and the modern noise by stepping into the grand, ethereal halls of LUSTRE.

From the remote reaches of Haparanda, Sweden, Häxkapell presents a black metal masterpiece that resonates with the eternal rhythms of nature and the cyclical dance of life and death.

“Om jordens blod och urgravens grepp” (‘Of earth’s blood and the grave’s grasp’) is a powerful blend of black metal, folk, and atmospheric darkness, interwoven with classical and progressive influences. Traditional instruments such as the violin, viola, willow flute, and hand drum infuse the music with ancient, primal energy. The lyrics, crafted through subconscious writing, serve as a conduit to the mystical and otherworldly.

The album was engineered, produced, and mixed by Oraklet. Drums were recorded at Nordvis Ljudstudio, with the remaining tracks laid down at Studio HMH. Mastering was handled by Tore Stjerna at Necromorbus Studio.

Founded in 2015 in the northernmost part of Scandinavia, Häxkapell is the creation of Oraklet, who embarked on an inward journey to explore the philosophical, spiritual, and mystical aspects of existence. Following the 2016 demo “Om sanningen,” Häxkapell released their debut album, “Eldhymner”, in 2021.

On “Om jordens blod och urgravens grepp”, Häxkapell’s music evolves much like the earth itself: slowly, imperceptibly, yet ever-changing. It reflects the cycle of birth and bereavement, with death and life beginning anew as earthen folk melodies murmur ancient slumbers into dawn. Oraklet channels these profound truths into lyrics and music.

Having grown out of the Norwegian Death Metal band MORTEM, ARCTURUS emerged under the irresistible influence of Oslo's creatively bursting and fast rising underground black metal scene officially with the two-track 7" "My Angel" (1991). With then-guitarist and formidable keyboard player Sverd and MAYHEM drum-beast Hellhammer at its core, vocals were first contributed by Marius Vold, who also sang on the legendary THORNS demo "The Thule Tape". While still very much influenced by death metal, the addition of doom-laden slowness and eerie keyboards already pointed into a far blacker cosmos. On the four tracks of the original 1994 "Constellation" EP, ULVER's Garm had taken over the vocal duties and Samoth from EMPEROR had joined the band on guitar. Yet, ARCTURUS already went off the (in reality quite wide-ranged) black metal norms mainly due to Sverd's keyboard arrangements that were pre-shadowing the trademark theatrical or circus-like style the Norwegians adopted on their following albums.
 

Following their early EPs "My Angel" (1991) and "Constellation" (1994), ARCTURUS finally released their debut album "Aspera Hiems Symfonia" in 1996. The Norwegians derived their name from the brightest star of the Northern hemisphere and were obviously influenced by the massively expanding black metal scene of their homeland. Already featuring such well-known protagonists as ULVER's Garm and MAYHEM's Hellhammer, the line-up on "Aspera Hiems Symfonia" saw Samoth replaced by excellent guitarist Carl August Tidemann and outstanding ULVER bass player Hugh "Skoll" Mingay also joining the band. Despite their audible black roots, ARCTURUS clearly begged to differ by daring to experiment and adding an avant-garde twist with strange sonorous vocals complementing those piercing shrieks, Sverd's cinematic keyboards, the technical guitar solos, and more elements that to this day mark the band from Oslo as progressive innovators.

Forndom was born as a reflection of bygone days – of the forests and open landscapes of central Sweden, as well as its historical heritage. Similarly, coinciding with the project’s nine-year anniversary, Ludvig Swärd muses over his own musical past.

Following the enthusiastic reception of “Och med vinden ack de gunga” – Ludvig’s re-envisioning of his droning masterpiece “Jag vet ett tempel stå" - comes “Alster”, a piano work of contemporary classical with a distinct Scandinavian atmosphere. Six Forndom compositions in brand new interpretations alongside "Aska", a fresh take on an old unreleased song.

House of Mythology proudly presents the official release of Ulver’s monumental Grieghallen concert from the 2018 Bergen International Festival.

Grieghallen 20180528 documents the pinnacle of Ulver’s 2017–2018 touring cycle, following the release of their landmark album The Assassination of Julius Caesar. A massive explosion of sound and light went off in Bergen that night, leaving the baffled audience floating somewhere between pleasure and fear.

Professionally multitracked by the Bright AS stage tech team, Kristoffer Rygg and Anders Møller were asked to mix the tracks for the 2020 “streaming edition” of the same festival. After having circulated as a YouTube bootleg, it is now being made official partly due to popular demand, and partly because we think of it as a magnificent companion piece to the studio version of Caesar – showing Ulver at the height of their live game.

Second press in digisleeve CD 

Hailing from the black metal hotbed of Finland, Curse Upon a Prayer was founded in Tornio in 2010 and have since released two albums - From The Lands of Demise in 2014, and Rotten Tongues in 2015. The band has gained some recognition for their strong, anti-Islamic themes, which are fiercely manifested in their live shows. During those well-received events, there has been multiple Quran desecrations, and the ruthless flame of Curse Upon a Prayer continues to grow without any hesitation.

Now, the Finnish infidels of Curse Upon a Prayer have decided to take another step towards the gaping abyss and thus present a new EP, thematically titled The Three Woes. Their third studio recording so far and a follow-up to the righteous Rotten Tongues, The Three Woes is another grand strike for Curse Upon a Prayer, albeit a quick-hitting one. No less satisfying despite its compact nature, this EP is merely a glimpse of the truly flagrant blasphemy that is yet come: a peaceful prelude for the next, Allah-raping Curse Upon a Prayer full-length set to be released in 2019.

Despite the censoring acts and overall spinelessness of this day and age, Curse Upon a Prayer returns from northern Finland to conquer, kill, and turn the castles of this modern world into sand. Since forming in Tornio in 2010, the band have released two albums – From The Lands of Demise in 2014, and Rotten Tongues in 2015 – and the especially well-received The Three Woes EP in 2018. That EP hastened Curse Upon a Prayer’s feverish momentum on the live front, where the band gained no small amount of recognition for manifesting their strongly anti-Islamic themes in multiple Quran desecrations.

But at long last, Curse Upon a Prayer deliver their masterwork: the aptly titled Infidel. With no hesitation nor self-doubt, these Finnish infidels have taken another giant step towards the gaping abyss here, a ruthless yet incredibly dynamic assault on the senses and spirituality. No page of the Quran is left unburnt on Infidel: from quintessentially nasty Finnish-style black metal to somber acoustic sections, Curse Upon a Prayer’s third album ranges a vast spectrum of searing sonics. While flagrant blasphemy is at the core of the band’s being, the artistry across Infidel is undeniable; Curse Upon a Prayer are working within a rarefied field for black metal, and their truly unique character has come to the fore on this seamless song-cycle. Indeed is Infidel threaded together like one massive work, throttling the listener with filthy physicality one minute and haunting their dreams the next, and each of these nine songs reveal deeper, darker truths across the album’s compact yet incredibly satisfying 36 minutes.

Hasten to prayer, all ye whose lungs breathe fire! Hasten to damnation, all ye true Infidels! Behold the instigating torch hereby known as Curse Upon a Prayer’s Infidel!

Format: Jewelcase CD with 12 pages booklet