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Selling CD - Extreme Metal and Dark music
Eneferens will be typecast as atmospheric black metal protagonists, but theirs is a more complex, nuanced style that embraces not only the epic, Cascadian fare that Wolves in the Throne Room pioneered, but also at times the mournful, heart on the sleeve doom that Patrick Walker has made his own, via Warning and 40 Watt Sun. Guitar lines crush, shimmer and tease in equal measure, while it is scarcely believable that all of the voices, ethereal, growled and haunted originate from the throat of sole protagonist Jori Apedaile – who also plays every instrument on the album.
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Digipack CD
"V: The Inside Scriptures" is a closing chapter of Aosoth's musical and lyrical concept. Distinctive and downright suffocating, the album shows many differences to "III" & "IV: Arrow In Heart", the two previous full-length releases, especially in terms of atmosphere. The recordings took nearly three years and were interrupted by many events in the personal lives of Bst & MkM. At some point, the album was about to be abandoned and never released.
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Dark Symphonies/ The Crypt, ltd 1000, first time officially released on CD. Excruciation?s first official release ?Last Judgment? sold over 15,000 copies and reached Switzerland?s Top 100. Following the release was a successful tour of Switzerland and abroad, as well as becoming the first Swiss metal band to tour in ex-communist Germany. Originally released in 1987 only on vinyl, we are proud to offer this classic release on compact disc format! Also making their CD debut, as a bonus we will also be including the bands' 1985 "The Fourth Apocalyptic Rider" and "First Assault" demos. This CD is designed after the original 1987 CHAINSAW MURDER Records LP release, taking elements from the original layout with attention to detail, even down to the logo and typeface for a touch of nostalgia. Also included are classic band photos, reviews, interviews, new liner notes and lyrics.
01-05: "Last Judgement" Ep 1987
06-11: "The Fourth Apocalyptic Rider" Demo 1985
12-18: "First Assault - 2nd Edition" Demo 1986
19: Outtake from "First Assault - 2nd Edition" Demo session 1986
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6 songs marking a new stage in the history of that
HelCarpathian Black Metal horde. Eisenslav and Olgerd from Kroda will participate with guest vocals and synths!
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OCULUS was spawned from the mind of Nero and then perfected by the minds of both Kozeljnik and Bornyhake. Both esteemed musicians prior have played in The Stone, Borgne, Deathrow, Enoid, and Ophidian Coil. Bornyhake contributed drums, bass, and keyboard samples while Kozeljnik contributed lyrics and vocals. The band was meant to illustrate their idea of what black metal was to them and the darkness within, as well as anti-Christian themes.
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”Den Förstfödde” is Arckanum’s 9th studio album after 25 years of existence.
The album ”Den Förstfödde” is a dedication to Loki’s and Gullveig’s firstborn, Jörmungandr.
The songs are invocations, prayers and magical formulas, and they are designed to enkindle the black flames of Thursian Powers, its followers and Ragnarök. “Blow your venom and stretch your wings oh Mighty Dragon!”
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4 panel digipak edition.
The sole definition of Depressive Black Metal doesn't fit anymore to Falaise.
With their second effort the italian duo is ready to further cross the boundries of this genre to involve the expanding vision of post-rock and indie tunes.
This defragmented vanishing flux of emotions is well shifted on the cover, the mind and the feelings are like swallowed into the infinity of cosmos.
A tribute to Amesoeurs is performed with the cover song "Les Ruches Malades" providing a possible chance of comparision. If "As Time Goes Bye" was already an impressive and coherent collection of emotionally heart wrenching songs maturity has been achieved with "My Endless Immensity", where the different chapters seems like part of a bigger scenario.
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Hailing from Chile, Lascar is back with their sophomore release, “Saudade”, an album that moves exactly along the lines of its illustrious predecessor (“Absence”, 2016), underlining once again the band’s naturalistic approach and marking a perfect syncretism of those feelings of loss, fragility and desperation that have always been LASCAR’s trademark.
Their emotional post-black metal offers a unique interpretation of the apparent conflict on the naturalistic experience. The “Saudade” implies a sense of abandon and a nostalgic mourning manifested within an artistic environment.
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Cioran, from the monicker who calls into question the homonymous Romanian philosopher, evoke the cumbersome burden of the tragic existence of existence. The new Divine Bestial Beast, released three years later by the EP in the cassette for the American Caligari Records, is a step further than the nihilistic wave that has permeated so much music lately and has become a Sticky sticker label on the right and missing. No space for moments of light, this is clear, but their concept is more about a Gnostic dualism of duality expressed by hermetic lyrics. We talk about the paradox of the coexistence of the bestial and the divine, of their balance within an organism, that is, of the man tout cour
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Composed of four EPs (Ingentes Atque Decorii Vexilliferi Apokalypsis, Evoco Bestias, Et Spiritus Meus Semper Sub Sanguinantibus Stellis Habitabit, and Fragmenta Cuinsvis Aetatis Contemporaneae) which were written and recorded between 2007 and 2017, this collection (which the band considers an album as opposed to a compilation) follows the band’s evolution and self-rediscovery across an uncertain time.
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