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Selling CD - Extreme Metal and Dark music
Collector's Edition in 4-panel Digipack with 8-page booklet, limited to 500 copies.
'Kingdom of Misery' is a reflection of the world we live in today.
A world drowning in fear, agony, suffering and decay.
A society imprisoned by the deception of their own minds.
Consumed by the falseness of one's own egotistical agenda.
We watch hopelessly as our planet deteriorates before our eyes.
Originally released in 1992, Brutal Truth’s ‘Extreme Conditions Demand Extreme Responses’ was produced by the legendary Colin Richardson and is widely regarded as one of the most important and influential grindcore records of all time. Reissued for the first time ever with ‘Full Dynamic Audio’ this release is a must have for any fan of Grindcore.
On "Arete", NETHERBIRD return with their signature melodic black/death metal that has become their hallmark. It is deeply rooted in the Scandinavian underground legacy, yet delivered with a strong sense of feel and urgency, allowing these tracks to exude the confidence and songwriting prowess of a band at the peak of their craft. The album itself is the third installment of the trilogy that started on “The Grander Voyage” and continued on “Into the Vast Uncharted”. The journey has come to its completion with this album, where the very concept of Arete – the classic ideal of excellence – is scrutinized from various angles in these songs.
1993’s third studio album release of highly accomplished death metal from the UK legends.
This edition of The Sins of Mankind features remastered audio and is presented in jewel case with O-card.
Tracks 1-4 from "Damned..." EP
Tracks 5-6 from "The Carrion Feast" EP
Tracks 7-8 from "Transfixed In Limbo" EP
Track 9 from demo
"Zeitlang" is the harsh debut full-length of Bavarian black metal act GRÀB featuring founding vocalist Grant. The former DARK FORTRESS frontman has written the entire concept album in a local dialect of Germany's southernmost Alpine state.
GRÀB, which means “old and grey”, are lyrically telling the story of an old man, who has chosen to withdraw from society into an isolated cottage deep in the mountains, where he reflects on his life while his death edges ever closer. The story on "Zeitlang" ("Yearning") begins in his early childhood with the song 'Nachtkrapp' ("Night Raven") and continues all the way to his end, which is illuminated by the track 'A Gråbliacht' ("A Grave Lantern").
Musically, GRÀB are picking up the Norwegian strands of early GEHENNA, ULVER, and DARKTHRONE as well as being inspired by German NAGELFAR and LUNAR AURORA. Yet true to their topic, the Bavarians include traditional local elements, which is instrumentally expressed by the use of hammered dulcimer, zither and alphorn.
Vocalist and Bavarian poet Grant views "Zeitlang" as his personal musical legacy. Join the singer and GRÀB on their equally intimate and forceful quest into the dark and stark places of the human mind and Alpine nature where there are no safe spaces.
Unpredictable, challenging and intricate Black Metal from Trondheim, Norway. What separates this band from the ‘usual Terratur releases’, whatever that really means, is the intense technical variations of this band. At times so dissonant it gets you to a breaking point, only to be left marveled by another genius twist with their ingenious songwriting. I stand in ave! Although the resemblance to a certain French act springs to mind, ISSOLEI delivers something unique if you ask me. Play loud repeatedly to fully grasp it all, this band requires your full attention.
Unpredictable, challenging and intricate Black Metal from Trondheim, Norway. What separates this band from the ‘usual Terratur releases’, whatever that really means, is the intense technical variations of this band. At times so dissonant it gets you to a breaking point, only to be left marveled by another genius twist with their ingenious songwriting. I stand in ave! Although the resemblance to a certain French act springs to mind, ISSOLEI delivers something unique if you ask me. Play loud repeatedly to fully grasp it all, this band requires your full attention.
Originally the two Devouring Current EPs used to be their debut album, recorded back in 2014, but as it was well over an hour long, it was split into two releases, edited slightly and fully mastered in 2020. Cilicium was recorded in 2017 and shows the band regressing slightly in both arrangements and production, moving backwards into even darker territories. As the band got a new vocalist in 2020, the band already has a substantial history over 15 years after its inception, and it’s with immense pleasure Terratur Possessions gets to present all this at the same time while we wait in anticipation for more to come.
A two part album: Leviathan, the Twisting Serpent is a two track ritualistic soundscape and dark ceremonial piece, Michael W Ford utilized Leviathan research and reconstructed invocations as published in his "Dragon of the Two Flames" book (Succubus Productions Publishing, LApotheca). These two tracks are sonic explorations and hymns to the mystical symbol of Leviathan, the Encircler. The Ouraboros is the world serpent which represents primal chaos, abyssic darkness and the acasual. The 2nd part is a live ritual recording Halloween/Samhain 2018 to bridge the spirit with the astral plane of Nightside Vampyrism and Lycanthropy.
When drummer/vocalist Proscriptor McGovern (Russ R. Givens) dissolved Absu on January 27th 2020, his main intention was to splinter the 30-year old faction into a renewed songwriting concord. Proscriptor McGovern’s Apsû is the obvious by-product of that chemical breakdown, which constitutes a new incarnation and direct continuation of Absu’s legacy. Securing the ranks, alongside McGovern, are continuing bassist/vocalist Ezezu (Absu: 2008-2020), new guitar virtuoso Vaggreaz (Possessed, Gruesome) and keyboardist Vorskaath (Zemial, Agatus). Since Absu’s last, unreleased album was to be penned as “Apsû,” McGovern fused the title with his name to form the group. With this much anticipated, self-titled album, McGovern’s objective was to append the signature sound of “mythological occult metal,” but to convolute it with bouts of psychedelia, fusion and vintage electronics. Written for those who are curious and unwearied in their quest of arcane knowledge, the album was chronicled at studios around the world and features an exclusive set of guests
