CD

Release date: 12/05

Furious and intimate, exciting and intriguing, "Futility Report" stems from a thoroughly modern vision, an innovative interpretation of Extreme Music which breaks down established codes whilst simultaneously deep -rooted in the obscurehistory of Black Metal.
"Futility Report" - or the metallic version of ULVER’s legendary "Perdition City" - is a new form of Dark Music, a serious piece of Art far removed from usual clichés and a significant forward step.
Embark on a uniquely fascinating journey and let yourself be enchanted by an ambitious entity with designs on your soul!

First batch comes in black polycarbonate CD.

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Debemur Morti

NECROWRETCH strike with a brutal display of blasphemy. 'Satanic Slavery' is a deadly dose of blackened death from these French heretics, whose high-speed metal blends old-school feeling with the aggression of the new school. Riffs burn like hellfire and drums drive at break-neck speed while ungodly vocal screams bay paeons of the profane. NECROWRETCH are evil incarnate and 'Satanic Slavery' embodies the very essence of satanic death metal.

Cd Digipack

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Season of Mist

"...For The Devil Speaks The Truth" è il secondo album in studio del trio e, a un primo ascolto, potrebbe sembrare un ordinario e onesto disco black metal: tuttavia si possono notare delle escursioni tanto inaspettate quanto piacevoli su lidi quasi power-epic metal con tanto di voce pulita, le quali donano al tutto una certa maestosità, incastonandosi perfettamente nelle strutture nere come la pece, fatte di riff gelidi e assoli che non si risparmiano in quanto a melodia, pur restando perfettamente in linea con il resto."
(estratto recensione Aristocrazia http://www.aristocraziawebzine.com/recensioni/8055-khaospath-for-the-devil-speaks-the-truth)

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Immortal Frost

New Album
Cd Digipack

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Avantgarde Music

Brand new full length of post-black metal from this Polish outfit.

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Under the sign of garazel

“The area where I live is not a precise place, it has no horizons, neither me that I’m talking I’ve never had a particular attachment to it, conversely I felt far away, it has been a place just linking the living experience of people to the area, their memory, and now that also these persons are gradually disappearing all will probably be erased."


The project Asofy originated in 2000 formerly involving other people but substantially running around the main and now sole member Tryfar: a respected visual Artist, yet author of many music covers and artworks and books illustrations. As you probably imagine, characters like him, on the same line with geniuses like Costin Chioreanu, are to be considered unique and anarchists, and out of any laws of the music market.
Music is just one, and not the primary, of their needs to exploit their visions, therefore you will not find rules and clear music genres belongings
Asofy music is dark and melancholic, extremely non commercial and even uneasy.
We quote american monsters Lycia and the other italian weirdos Canaan as possible main references, but it is nearly impossible to cut a precise profile for their music. It is not doom, it is not black and not at all that generic “post” that nowdays is so cool to use as a tag for everything that’s a bit different.

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Avantgarde Music

"Aelter continue their curious and darkly glorious odyssey with an album brimming with desert drones, ghost-town Morricone, gothic tumbleweeds, blackened Badalamenti, sepulchral lounge music, campfire ballads from the grave, galactic shimmers, ominous swamp waltz and what feels like the black lodge version of John Lurie".

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Avantgarde Music

CD digipack

“Groovy, majestic, crushing and epic. Old school death metal with a fresh touch by the legends of the scene.”

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Nuclear Blast

If the caustic vocals weren’t enough of an indicator, lyrics of isolation, tales of scavengers of the waste of humanity, and lamentations of regret might tip you off that there is absolutely nothing uplifting about this album.

While wallowing in despair, you might find the self-referential opening track, the first song released and the album’s strongest track, “Unending Call of Woe” to be a great listen, blending a strong tremolo picked melody with tempo and groove changes that are, dare I say, fun. The speed and higher vocals betray a definite thrashy punk influence that brings something more to the table than your standard black metal fare. The phased guitar lead into in “The Ones We Lost” and the ending riff of “Abject In Defeat” are some other great moments on this record.

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Vendetta

Abhorrence’s comeback to the live arena after 20 years of lying in wait in the grave took place in the black summer of 2013. Svart Records were also there, capturing all 35 minutes of the bone-grinding mayhem and cadaveric incantations spewn forth from the stage. After an unholy gestation period the live material is now being let out to wreak havoc and cause grievous bodily and mental harm to the general public. Abhorrence are still old school, still undead and unclean!"
Svart Records

Soulseller

Temple of the Adversarial Fire

WTC