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Selling CD - Extreme Metal and Dark music
A Crimson Cosmos – A5 Digi CD in a Leather Box embossed in Silver (Limited to 500 copies)
Limited A5 Digi CD (500 copies)
“Never Arrive, Never Return” marks a return to Cadaverous Condition‘s ferocious death metal roots. The album is a relentless assault on the senses, featuring a mix of epic tracks alongside haunting half-ballads, brutal eruptions and groove-laden songs interwoven with the band’s signature cryptic lyrics, all delivered with crisp production.
Formed in Austria during the early 90s, Cadaverous Condition carved a unique path in extreme metal. While their vocals remained rooted in death metal, they experimented with diverse influences, covering artists like The Sisters of Mercy and collaborating with acts like Nurse With Wound, Thighpaulsandra, Tobias Nathaniel (The Black Heart Procession) and Herr Lounge Corps. They also did an art project with Bill Drummond (The KLF) involving a specially made CD and sending a message in a bottle from the shores of Iceland. Despite these explorations, Cadaverous Condition never strayed from their core: extreme metal with a distinct and reflective style. They return in 2024 with “Never Arrive, Never Return“, a fitting title for a band known for their relentless sonic journey.
Witness their Ascent Into Draconian Abyss, which was teasingly released in an extremely limited tape version for those who had the good fortune of attending the most recent Signal Rex-curated Invicta Requiem Mass festival and witnessing their crimes in the flesh. As the duo forecasted with the recent maxi-single Excesses of Perpetual Gloom, their muse only becomes thirstier and more miserable. Mons Veneris are always surprising, yet always uncompromising and always themselves, as testified by Ascent Into Draconian Abyss: the opening 20-minute title track is a harrowing descent into lunacy, and the ghoulishness only intensifies on the album's successive three tracks. More monkish vokills come forth, haunting like nothing else as their buzzing belligerence winds through craggy corridors of mondo-primitivism, all before the hall-of-mirrors madness of closer "Chant to the Unknown." Mons Veneris will fuck you on your Ascent Into Draconian Abyss!
Based on different translations of the Secret Book of John, Rex Mundi is composed by two lengthy hymns dedicated to Yaltabaoth. Gaze upon the monstrosity of what we call the Desecrator of the Monad. Witness the malevolent creation of what you consider life.
The songs range from pure extreme fury to transcendental evil chants, leading to the uttermost sense of terror and emptiness.
Cold Poison comes back as well with his extraordinary art, depicting our most intimate and disturbing nightmares.
Gerzolth's aesthetic draws clear influence from the legendary BlazeBirth Hall scene, known for its frigid and bleak atmospheres. The album art also bears a striking resemblance to the cover of Krahnholm's latest release, further solidifying their connection to this style of black metal."
Total playing time: 67:24
Recorded live 31.08.2024 at Obscure Selections Vol. 1, MeetFactory in Prague, Czech Republic.
Mixed and Mastered by Matti Kynsijärvi, Graphic Design: Kalle Pyyhtinen.
An amazing soundboard recording of their performance captured in Prague CZ.
A true testament to their live ritual power that conjures darkness from beyond human existence.
Set in a world teetering on the brink of collapse, "Tidal Passages" is a deeply emotional Album that explores the fragility of human connections amidst global disaster
Limited Collector's Edition of 999 copies in 4-panel digipack.
This EP compiles the two songs "Ixion" & "Phantasmagoria" that were previously only available from Faidra's Bandcamp site, as well as the new song "Dies Irae", together for the first time on physical format.
Collector's Edition in 4-panel Digipack with 8-page booklet, limited to 999 copies.
Bloodbark is a project of unknown origin made by an unknown number of people embracing that nature is the creator, storyteller and the artist behind it all. This idea sprouted with the 2018’s album Bonebranches, where no human presence tarnished the art. The human aspect remained hidden, covered by snow while nature and emotion sang across beautiful landscapes and whispered verses with melodies to every listener, so it welcomed them into its utterly cold embrace of winter to lull into a cozy and familiar slumber.
In the same vein Sacred Sound of Solitude banishes all humanity and captures the snow, spirits and creatures in a world that was born anew. And there, little stories form like snowflakes within forests and mountains to bring out majestic melodies intertwined with harsh winds and thundering avalanches. It dwells into emotional journeys of spirits, battles of elements and disintegration of living beings into eternal nature. While Bloodbark started as a perfect representation of the Majestic in Atmospheric Black Metal, it now evolved into a crisp, cold and yet more complex distinction of the Majestic. However, it does not stray too far from Atmospheric Black Metal but deepens its roots. All of this is accompanied by stunning photography of nature in winter and art that is not outsourced.